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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82206C it is the complementary color #7DDF93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82206C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82206C shade: #872067, #98327A, #A9448D, #BA56A0 and #CB68B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82206C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82206C shade: #82206C, #710E59, #600046, #4F0033 and #3E0020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82206C shade: #82206C, #822052, #822037 and #822020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82206C shade: #82206C, #7E2082, #632082, #492082 and #2E2082

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82206C shade matches the following richer shades: #82206C, #8F1373 and #9C067B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82206C shade: #82206C, #752D65, #683B5E, #5A4856 and #4D554F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82206C shade: #632082, #7D2082, #82206D, #822053 and #822039

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82206C shade: #401035, #611851, #82206C, #A32888 and #C431A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82206C shade: #82206C, #824920 and #208270

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82206C shade: #82206C, #6D8220 and #206D82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82206C shade: #82206C, #824920, #208235 and #205982

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82206C shade: #82206C, #826620, #208235 and #203C82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 17 / 49

HEX #82206C

RGB 130 32 108

HSL 313.47, 0.6%, 0.32%

LAB 31.49, 49.09, -21.08

 

Complementary color

CMYK 44 / 0 / 34 / 13

HEX #7DDF93

RGB 125 223 147

HSL 133.47, 0.6%, 0.68%

LAB 81.42, -44.89, 28.5

 

CMYK 0 / 76 / 24 / 47

HEX #872067

RGB 135 32 103

HSL 318.64, 0.62%, 0.33%

LAB 32.18, 49.67, -16.75

 

CMYK 0 / 67 / 20 / 40

HEX #98327A

RGB 152 50 122

HSL 317.65, 0.5%, 0.4%

LAB 38.48, 50.16, -18.77

 

CMYK 0 / 60 / 17 / 34

HEX #A9448D

RGB 169 68 141

HSL 316.63, 0.43%, 0.46%

LAB 44.93, 50.01, -20.24

 

CMYK 0 / 54 / 14 / 27

HEX #BA56A0

RGB 186 86 160

HSL 315.6, 0.42%, 0.53%

LAB 51.42, 49.54, -21.37

 

CMYK 0 / 49 / 12 / 20

HEX #CB68B3

RGB 203 104 179

HSL 314.55, 0.49%, 0.6%

LAB 57.9, 48.9, -22.28

 

CMYK 0 / 75 / 17 / 49

HEX #82206C

RGB 130 32 108

HSL 313.47, 0.6%, 0.32%

LAB 31.49, 49.09, -21.08

 

CMYK 0 / 88 / 21 / 56

HEX #710E59

RGB 113 14 89

HSL 314.55, 0.78%, 0.25%

LAB 25.4, 47.49, -18.45

 

CMYK 0 / 100 / 27 / 62

HEX #600046

RGB 96 0 70

HSL 316.25, 1%, 0.19%

LAB 19.76, 44.18, -14.66

 

CMYK 0 / 100 / 35 / 69

HEX #4F0033

RGB 79 0 51

HSL 321.27, 1%, 0.15%

LAB 14.96, 37.85, -8.96

 

CMYK 0 / 100 / 48 / 76

HEX #3E0020

RGB 62 0 32

HSL 329.03, 1%, 0.12%

LAB 10.02, 31.36, -2.72

 

CMYK 0 / 75 / 17 / 49

HEX #82206C

RGB 130 32 108

HSL 313.47, 0.6%, 0.32%

LAB 31.49, 49.09, -21.08

 

CMYK 0 / 75 / 37 / 49

HEX #822052

RGB 130 32 82

HSL 329.39, 0.6%, 0.32%

LAB 30.37, 45.59, -5.94

 

CMYK 0 / 75 / 58 / 49

HEX #822037

RGB 130 32 55

HSL 345.92, 0.6%, 0.32%

LAB 29.55, 42.9, 10.77

 

CMYK 0 / 75 / 75 / 49

HEX #822020

RGB 130 32 32

HSL 0, 0.6%, 0.32%

LAB 29.12, 41.45, 25.23

 

CMYK 0 / 75 / 17 / 49

HEX #82206C

RGB 130 32 108

HSL 313.47, 0.6%, 0.32%

LAB 31.49, 49.09, -21.08

 

CMYK 3 / 75 / 0 / 49

HEX #7E2082

RGB 126 32 130

HSL 297.55, 0.6%, 0.32%

LAB 31.99, 51.75, -34.25

 

CMYK 24 / 75 / 0 / 49

HEX #632082

RGB 99 32 130

HSL 281.02, 0.6%, 0.32%

LAB 27.57, 45.81, -41.59

 

CMYK 44 / 75 / 0 / 49

HEX #492082

RGB 73 32 130

HSL 265.1, 0.6%, 0.32%

LAB 23.87, 40.61, -47.75

 

CMYK 65 / 75 / 0 / 49

HEX #2E2082

RGB 46 32 130

HSL 248.57, 0.6%, 0.32%

LAB 20.93, 36.23, -52.7

 

CMYK 0 / 75 / 17 / 49

HEX #82206C

RGB 130 32 108

HSL 313.47, 0.6%, 0.32%

LAB 31.49, 49.09, -21.08

 

CMYK 0 / 87 / 20 / 44

HEX #8F1373

RGB 143 19 115

HSL 313.55, 0.77%, 0.32%

LAB 33.01, 56.85, -22.98

 

CMYK 0 / 96 / 21 / 39

HEX #9C067B

RGB 156 6 123

HSL 313.2, 0.93%, 0.32%

LAB 35.26, 62.69, -24.34

 

CMYK 0 / 75 / 17 / 49

HEX #82206C

RGB 130 32 108

HSL 313.47, 0.6%, 0.32%

LAB 31.49, 49.09, -21.08

 

CMYK 0 / 62 / 14 / 54

HEX #752D65

RGB 117 45 101

HSL 313.33, 0.44%, 0.32%

LAB 30.87, 38.81, -17.73

 

CMYK 0 / 43 / 10 / 59

HEX #683B5E

RGB 104 59 94

HSL 313.33, 0.28%, 0.32%

LAB 31.53, 25.47, -12.39

 

CMYK 0 / 20 / 4 / 65

HEX #5A4856

RGB 90 72 86

HSL 313.33, 0.11%, 0.32%

LAB 32.88, 10.38, -5.41

 

CMYK 9 / 0 / 7 / 67

HEX #4D554F

RGB 77 85 79

HSL 135, 0.05%, 0.32%

LAB 35.28, -4.5, 2.41

 

CMYK 24 / 75 / 0 / 49

HEX #632082

RGB 99 32 130

HSL 281.02, 0.6%, 0.32%

LAB 27.57, 45.81, -41.59

 

CMYK 4 / 75 / 0 / 49

HEX #7D2082

RGB 125 32 130

HSL 296.94, 0.6%, 0.32%

LAB 31.82, 51.53, -34.53

 

CMYK 0 / 75 / 16 / 49

HEX #82206D

RGB 130 32 109

HSL 312.86, 0.6%, 0.32%

LAB 31.54, 49.24, -21.65

 

CMYK 0 / 75 / 36 / 49

HEX #822053

RGB 130 32 83

HSL 328.78, 0.6%, 0.32%

LAB 30.41, 45.7, -6.54

 

CMYK 0 / 75 / 56 / 49

HEX #822039

RGB 130 32 57

HSL 344.69, 0.6%, 0.32%

LAB 29.6, 43.07, 9.51

 

CMYK 0 / 75 / 17 / 75

HEX #401035

RGB 64 16 53

HSL 313.75, 0.6%, 0.16%

LAB 13.93, 27.99, -12.26

 

CMYK 0 / 75 / 16 / 62

HEX #611851

RGB 97 24 81

HSL 313.15, 0.6%, 0.24%

LAB 22.96, 39.04, -17.15

 

CMYK 0 / 75 / 17 / 49

HEX #82206C

RGB 130 32 108

HSL 313.47, 0.6%, 0.32%

LAB 31.49, 49.09, -21.08

 

CMYK 0 / 75 / 17 / 36

HEX #A32888

RGB 163 40 136

HSL 313.17, 0.61%, 0.4%

LAB 39.72, 58.75, -25.35

 

CMYK 0 / 75 / 17 / 23

HEX #C431A3

RGB 196 49 163

HSL 313.47, 0.6%, 0.48%

LAB 47.72, 67.55, -28.74

 

CMYK 0 / 75 / 17 / 49

HEX #82206C

RGB 130 32 108

HSL 313.47, 0.6%, 0.32%

LAB 31.49, 49.09, -21.08

 

CMYK 0 / 44 / 75 / 49

HEX #824920

RGB 130 73 32

HSL 25.1, 0.6%, 0.32%

LAB 37.14, 20.71, 34.05

 

CMYK 75 / 0 / 14 / 49

HEX #208270

RGB 32 130 112

HSL 168.98, 0.6%, 0.32%

LAB 48.81, -32.04, 1.8

 

CMYK 0 / 75 / 17 / 49

HEX #82206C

RGB 130 32 108

HSL 313.47, 0.6%, 0.32%

LAB 31.49, 49.09, -21.08

 

CMYK 16 / 0 / 75 / 49

HEX #6D8220

RGB 109 130 32

HSL 72.86, 0.6%, 0.32%

LAB 51.06, -21.58, 47.36

 

CMYK 75 / 16 / 0 / 49

HEX #206D82

RGB 32 109 130

HSL 192.86, 0.6%, 0.32%

LAB 42.55, -15.57, -18.29

 

CMYK 0 / 75 / 17 / 49

HEX #82206C

RGB 130 32 108

HSL 313.47, 0.6%, 0.32%

LAB 31.49, 49.09, -21.08

 

CMYK 0 / 44 / 75 / 49

HEX #824920

RGB 130 73 32

HSL 25.1, 0.6%, 0.32%

LAB 37.14, 20.71, 34.05

 

CMYK 75 / 0 / 59 / 49

HEX #208235

RGB 32 130 53

HSL 132.86, 0.6%, 0.32%

LAB 47.66, -44.66, 33.35

 

CMYK 75 / 32 / 0 / 49

HEX #205982

RGB 32 89 130

HSL 205.1, 0.6%, 0.32%

LAB 36.11, -3.69, -28.29

 

CMYK 0 / 75 / 17 / 49

HEX #82206C

RGB 130 32 108

HSL 313.47, 0.6%, 0.32%

LAB 31.49, 49.09, -21.08

 

CMYK 0 / 22 / 75 / 49

HEX #826620

RGB 130 102 32

HSL 42.86, 0.6%, 0.32%

LAB 44.73, 3.63, 41.81

 

CMYK 75 / 0 / 59 / 49

HEX #208235

RGB 32 130 53

HSL 132.86, 0.6%, 0.32%

LAB 47.66, -44.66, 33.35

 

CMYK 75 / 54 / 0 / 49

HEX #203C82

RGB 32 60 130

HSL 222.86, 0.6%, 0.32%

LAB 27.16, 15.68, -42.56

 

Description

Color code: HEX #82206C | qconv.com Color code: HEX #82206C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 32 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 32 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 17 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 17% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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