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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82364F it is the complementary color #7DC9B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82364F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82364F shade: #87364A, #98485D, #A95A70, #BA6C83 and #CB7E96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82364F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82364F shade: #82364F, #71243C, #601229, #4F0016 and #3E0003

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82364F shade: #81364E, #81363A and #813636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82364F shade: #81364E, #813663, #813677, #773681 and #623681

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82364F shade matches the following richer shades: #81364E, #902749, #9F1844 and #AD093F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82364F shade: #81364E, #724554, #635359, #54625E and #467163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82364F shade: #813677, #813663, #81364F, #81363B and #814536

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82364F shade: #471D2B, #64293D, #81364E, #9E4260 and #B75373

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82364F shade: #82364F, #817736 and #366D81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82364F shade: #82364F, #4F8136 and #364F81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82364F shade: #82364F, #817736, #368168 and #364081

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82364F shade: #82364F, #748136, #368168 and #423681

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 39 / 49

HEX #82364F

RGB 130 54 79

HSL 340.26, 0.41%, 0.36%

LAB 33.88, 35.41, 1.18

 

Complementary color

CMYK 38 / 0 / 12 / 21

HEX #7DC9B0

RGB 125 201 176

HSL 160.26, 0.41%, 0.64%

LAB 75.62, -29.23, 5.09

 

CMYK 0 / 60 / 45 / 47

HEX #87364A

RGB 135 54 74

HSL 345.19, 0.43%, 0.37%

LAB 34.57, 36.63, 5.51

 

CMYK 0 / 53 / 39 / 40

HEX #98485D

RGB 152 72 93

HSL 344.25, 0.36%, 0.44%

LAB 41.38, 35.74, 3.62

 

CMYK 0 / 47 / 34 / 34

HEX #A95A70

RGB 169 90 112

HSL 343.29, 0.31%, 0.51%

LAB 48.16, 34.79, 2.11

 

CMYK 0 / 42 / 30 / 27

HEX #BA6C83

RGB 186 108 131

HSL 342.31, 0.36%, 0.58%

LAB 54.87, 33.86, 0.86

 

CMYK 0 / 38 / 26 / 20

HEX #CB7E96

RGB 203 126 150

HSL 341.3, 0.43%, 0.65%

LAB 61.5, 32.98, -0.22

 

CMYK 0 / 58 / 39 / 49

HEX #82364F

RGB 130 54 79

HSL 340.26, 0.41%, 0.36%

LAB 33.88, 35.41, 1.18

 

CMYK 0 / 68 / 47 / 56

HEX #71243C

RGB 113 36 60

HSL 341.3, 0.52%, 0.29%

LAB 27.01, 36.03, 3.39

 

CMYK 0 / 81 / 57 / 62

HEX #601229

RGB 96 18 41

HSL 342.31, 0.68%, 0.22%

LAB 20.36, 35.97, 6.57

 

CMYK 0 / 100 / 72 / 69

HEX #4F0016

RGB 79 0 22

HSL 343.29, 1%, 0.15%

LAB 13.94, 35.18, 10.98

 

CMYK 0 / 100 / 95 / 76

HEX #3E0003

RGB 62 0 3

HSL 357.1, 1%, 0.12%

LAB 9.24, 29.3, 13.37

 

CMYK 0 / 58 / 40 / 49

HEX #81364E

RGB 129 54 78

HSL 340.8, 0.41%, 0.36%

LAB 33.68, 34.92, 1.52

 

CMYK 0 / 58 / 55 / 49

HEX #81363A

RGB 129 54 58

HSL 356.8, 0.41%, 0.36%

LAB 33.16, 32.77, 13.69

 

CMYK 0 / 58 / 58 / 49

HEX #813636

RGB 129 54 54

HSL 0, 0.41%, 0.36%

LAB 33.07, 32.42, 16.14

 

CMYK 0 / 58 / 40 / 49

HEX #81364E

RGB 129 54 78

HSL 340.8, 0.41%, 0.36%

LAB 33.68, 34.92, 1.52

 

CMYK 0 / 58 / 23 / 49

HEX #813663

RGB 129 54 99

HSL 324, 0.41%, 0.36%

LAB 34.41, 37.83, -10.87

 

CMYK 0 / 58 / 8 / 49

HEX #813677

RGB 129 54 119

HSL 308, 0.41%, 0.36%

LAB 35.28, 41.15, -22.16

 

CMYK 8 / 58 / 0 / 49

HEX #773681

RGB 119 54 129

HSL 292, 0.41%, 0.36%

LAB 34.28, 40.14, -30.06

 

CMYK 24 / 58 / 0 / 49

HEX #623681

RGB 98 54 129

HSL 275.2, 0.41%, 0.36%

LAB 31.39, 34.24, -34.83

 

CMYK 0 / 58 / 40 / 49

HEX #81364E

RGB 129 54 78

HSL 340.8, 0.41%, 0.36%

LAB 33.68, 34.92, 1.52

 

CMYK 0 / 73 / 49 / 44

HEX #902749

RGB 144 39 73

HSL 340.57, 0.57%, 0.36%

LAB 33.69, 46.23, 5.13

 

CMYK 0 / 85 / 57 / 38

HEX #9F1844

RGB 159 24 68

HSL 340.44, 0.74%, 0.36%

LAB 34.89, 54.82, 10.49

 

CMYK 0 / 95 / 64 / 32

HEX #AD093F

RGB 173 9 63

HSL 340.24, 0.9%, 0.36%

LAB 36.82, 60.69, 16.84

 

CMYK 0 / 58 / 40 / 49

HEX #81364E

RGB 129 54 78

HSL 340.8, 0.41%, 0.36%

LAB 33.68, 34.92, 1.52

 

CMYK 0 / 39 / 26 / 55

HEX #724554

RGB 114 69 84

HSL 340, 0.25%, 0.36%

LAB 34.95, 21.57, -0.74

 

CMYK 0 / 16 / 10 / 61

HEX #635359

RGB 99 83 89

HSL 337.5, 0.09%, 0.36%

LAB 37.04, 7.74, -1.04

 

CMYK 14 / 0 / 4 / 62

HEX #54625E

RGB 84 98 94

HSL 162.86, 0.08%, 0.36%

LAB 40.29, -6.25, 0.46

 

CMYK 38 / 0 / 12 / 56

HEX #467163

RGB 70 113 99

HSL 160.47, 0.23%, 0.36%

LAB 44.25, -18.41, 3.07

 

CMYK 0 / 58 / 8 / 49

HEX #813677

RGB 129 54 119

HSL 308, 0.41%, 0.36%

LAB 35.28, 41.15, -22.16

 

CMYK 0 / 58 / 23 / 49

HEX #813663

RGB 129 54 99

HSL 324, 0.41%, 0.36%

LAB 34.41, 37.83, -10.87

 

CMYK 0 / 58 / 39 / 49

HEX #81364F

RGB 129 54 79

HSL 340, 0.41%, 0.36%

LAB 33.71, 35.05, 0.92

 

CMYK 0 / 58 / 54 / 49

HEX #81363B

RGB 129 54 59

HSL 356, 0.41%, 0.36%

LAB 33.18, 32.86, 13.08

 

CMYK 0 / 47 / 58 / 49

HEX #814536

RGB 129 69 54

HSL 12, 0.41%, 0.36%

LAB 36.35, 24.13, 20.4

 

CMYK 0 / 59 / 39 / 72

HEX #471D2B

RGB 71 29 43

HSL 340, 0.42%, 0.2%

LAB 17.43, 21.85, 0.3

 

CMYK 0 / 59 / 39 / 61

HEX #64293D

RGB 100 41 61

HSL 339.66, 0.42%, 0.28%

LAB 25.66, 28.92, 0.47

 

CMYK 0 / 58 / 40 / 49

HEX #81364E

RGB 129 54 78

HSL 340.8, 0.41%, 0.36%

LAB 33.68, 34.92, 1.52

 

CMYK 0 / 58 / 39 / 38

HEX #9E4260

RGB 158 66 96

HSL 340.43, 0.41%, 0.44%

LAB 41.23, 41.29, 1.66

 

CMYK 0 / 55 / 37 / 28

HEX #B75373

RGB 183 83 115

HSL 340.8, 0.41%, 0.52%

LAB 48.87, 43.76, 1.6

 

CMYK 0 / 58 / 39 / 49

HEX #82364F

RGB 130 54 79

HSL 340.26, 0.41%, 0.36%

LAB 33.88, 35.41, 1.18

 

CMYK 0 / 8 / 58 / 49

HEX #817736

RGB 129 119 54

HSL 52, 0.41%, 0.36%

LAB 49.65, -5.09, 36.54

 

CMYK 58 / 16 / 0 / 49

HEX #366D81

RGB 54 109 129

HSL 196, 0.41%, 0.36%

LAB 43.22, -11.95, -16.59

 

CMYK 0 / 58 / 39 / 49

HEX #82364F

RGB 130 54 79

HSL 340.26, 0.41%, 0.36%

LAB 33.88, 35.41, 1.18

 

CMYK 39 / 0 / 58 / 49

HEX #4F8136

RGB 79 129 54

HSL 100, 0.41%, 0.36%

LAB 49.04, -31.35, 34.89

 

CMYK 58 / 39 / 0 / 49

HEX #364F81

RGB 54 79 129

HSL 220, 0.41%, 0.36%

LAB 33.9, 6.55, -31.09

 

CMYK 0 / 58 / 39 / 49

HEX #82364F

RGB 130 54 79

HSL 340.26, 0.41%, 0.36%

LAB 33.88, 35.41, 1.18

 

CMYK 0 / 8 / 58 / 49

HEX #817736

RGB 129 119 54

HSL 52, 0.41%, 0.36%

LAB 49.65, -5.09, 36.54

 

CMYK 58 / 0 / 19 / 49

HEX #368168

RGB 54 129 104

HSL 160, 0.41%, 0.36%

LAB 48.86, -29.66, 6.64

 

CMYK 58 / 50 / 0 / 49

HEX #364081

RGB 54 64 129

HSL 232, 0.41%, 0.36%

LAB 29.5, 16.57, -38.1

 

CMYK 0 / 58 / 39 / 49

HEX #82364F

RGB 130 54 79

HSL 340.26, 0.41%, 0.36%

LAB 33.88, 35.41, 1.18

 

CMYK 10 / 0 / 58 / 49

HEX #748136

RGB 116 129 54

HSL 70.4, 0.41%, 0.36%

LAB 51.47, -16.38, 38.33

 

CMYK 58 / 0 / 19 / 49

HEX #368168

RGB 54 129 104

HSL 160, 0.41%, 0.36%

LAB 48.86, -29.66, 6.64

 

CMYK 49 / 58 / 0 / 49

HEX #423681

RGB 66 54 129

HSL 249.6, 0.41%, 0.36%

LAB 27.8, 25.96, -40.79

 

Description

Color code: HEX #82364F | qconv.com Color code: HEX #82364F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 54 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 54 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 39 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 39% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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