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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82841E it is the complementary color #7D7BE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82841E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82841E shade: #878419, #98962C, #A9A83F, #BABA52 and #CBCC65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82841E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82841E shade: #82841E, #71720B, #606000, #4F4E00 and #3E3C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82841E shade: #82851E, #856B1E, #854F1E, #85331E and #851E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82841E shade: #82851E, #67851E, #4B851E, #2F851E and #1E8528

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82841E shade matches the following richer shades: #82851E, #8F9210 and #9C9F03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82841E shade: #82851E, #76772B, #696A38, #5C5D45 and #505053

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82841E shade: #854F1E, #856B1E, #83851E, #67851E and #4C851E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82841E shade: #40410E, #616316, #82851E, #A4A625 and #C5C82D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82841E shade: #82841E, #1E8534 and #5D1E85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82841E shade: #82841E, #1E8385 and #851E83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82841E shade: #82841E, #1E8534, #1F1E85 and #851E6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82841E shade: #82841E, #1E8553, #1F1E85 and #851E4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 77 / 48

HEX #82841E

RGB 130 132 30

HSL 61.18, 0.63%, 0.32%

LAB 53.32, -13.32, 50.81

 

Complementary color

CMYK 44 / 45 / 0 / 12

HEX #7D7BE1

RGB 125 123 225

HSL 241.18, 0.63%, 0.68%

LAB 56.05, 26.55, -51.87

 

CMYK 0 / 2 / 81 / 47

HEX #878419

RGB 135 132 25

HSL 58.36, 0.69%, 0.31%

LAB 53.73, -11.23, 52.96

 

CMYK 0 / 1 / 71 / 40

HEX #98962C

RGB 152 150 44

HSL 58.89, 0.55%, 0.38%

LAB 60.49, -12.31, 53.17

 

CMYK 0 / 1 / 63 / 34

HEX #A9A83F

RGB 169 168 63

HSL 59.43, 0.46%, 0.45%

LAB 67.13, -13.16, 52.61

 

CMYK 0 / 0 / 56 / 27

HEX #BABA52

RGB 186 186 82

HSL 60, 0.43%, 0.53%

LAB 73.65, -13.84, 51.69

 

CMYK 0 / 0 / 50 / 20

HEX #CBCC65

RGB 203 204 101

HSL 60.58, 0.5%, 0.6%

LAB 80.08, -14.39, 50.62

 

CMYK 2 / 0 / 77 / 48

HEX #82841E

RGB 130 132 30

HSL 61.18, 0.63%, 0.32%

LAB 53.32, -13.32, 50.81

 

CMYK 1 / 0 / 90 / 55

HEX #71720B

RGB 113 114 11

HSL 60.58, 0.82%, 0.25%

LAB 46.4, -12.11, 49.69

 

CMYK 0 / 0 / 100 / 62

HEX #606000

RGB 96 96 0

HSL 60, 1%, 0.19%

LAB 39.33, -10.54, 46.21

 

CMYK 0 / 1 / 100 / 69

HEX #4F4E00

RGB 79 78 0

HSL 59.24, 1%, 0.15%

LAB 32.06, -8.63, 40.17

 

CMYK 0 / 3 / 100 / 76

HEX #3E3C00

RGB 62 60 0

HSL 58.06, 1%, 0.12%

LAB 24.5, -6.61, 33.21

 

CMYK 2 / 0 / 77 / 48

HEX #82851E

RGB 130 133 30

HSL 61.75, 0.63%, 0.32%

LAB 53.62, -13.85, 51.08

 

CMYK 0 / 20 / 77 / 48

HEX #856B1E

RGB 133 107 30

HSL 44.85, 0.63%, 0.32%

LAB 46.44, 2.05, 44.43

 

CMYK 0 / 41 / 77 / 48

HEX #854F1E

RGB 133 79 30

HSL 28.54, 0.63%, 0.32%

LAB 39.02, 18.47, 37.14

 

CMYK 0 / 62 / 77 / 48

HEX #85331E

RGB 133 51 30

HSL 12.23, 0.63%, 0.32%

LAB 32.81, 33.96, 30.67

 

CMYK 0 / 77 / 77 / 48

HEX #851E1E

RGB 133 30 30

HSL 0, 0.63%, 0.32%

LAB 29.43, 43.09, 27

 

CMYK 2 / 0 / 77 / 48

HEX #82851E

RGB 130 133 30

HSL 61.75, 0.63%, 0.32%

LAB 53.62, -13.85, 51.08

 

CMYK 23 / 0 / 77 / 48

HEX #67851E

RGB 103 133 30

HSL 77.48, 0.63%, 0.32%

LAB 51.56, -25.78, 48.41

 

CMYK 44 / 0 / 77 / 48

HEX #4B851E

RGB 75 133 30

HSL 93.79, 0.63%, 0.32%

LAB 49.94, -36.74, 46.29

 

CMYK 65 / 0 / 77 / 48

HEX #2F851E

RGB 47 133 30

HSL 110.1, 0.63%, 0.32%

LAB 48.85, -45.12, 44.86

 

CMYK 77 / 0 / 70 / 48

HEX #1E8528

RGB 30 133 40

HSL 125.83, 0.63%, 0.32%

LAB 48.52, -47.64, 40.4

 

CMYK 2 / 0 / 77 / 48

HEX #82851E

RGB 130 133 30

HSL 61.75, 0.63%, 0.32%

LAB 53.62, -13.85, 51.08

 

CMYK 2 / 0 / 89 / 43

HEX #8F9210

RGB 143 146 16

HSL 61.38, 0.8%, 0.32%

LAB 58.45, -15.3, 59.47

 

CMYK 2 / 0 / 98 / 38

HEX #9C9F03

RGB 156 159 3

HSL 61.15, 0.96%, 0.32%

LAB 63.24, -16.44, 65.66

 

CMYK 2 / 0 / 77 / 48

HEX #82851E

RGB 130 133 30

HSL 61.75, 0.63%, 0.32%

LAB 53.62, -13.85, 51.08

 

CMYK 1 / 0 / 64 / 53

HEX #76772B

RGB 118 119 43

HSL 60.79, 0.47%, 0.32%

LAB 48.54, -10.98, 40.4

 

CMYK 1 / 0 / 47 / 58

HEX #696A38

RGB 105 106 56

HSL 61.2, 0.31%, 0.32%

LAB 43.65, -8.43, 27.81

 

CMYK 1 / 0 / 26 / 64

HEX #5C5D45

RGB 92 93 69

HSL 62.5, 0.15%, 0.32%

LAB 38.78, -4.89, 13.7

 

CMYK 4 / 4 / 0 / 67

HEX #505053

RGB 80 80 83

HSL 240, 0.02%, 0.32%

LAB 34.12, 0.66, -1.76

 

CMYK 0 / 41 / 77 / 48

HEX #854F1E

RGB 133 79 30

HSL 28.54, 0.63%, 0.32%

LAB 39.02, 18.47, 37.14

 

CMYK 0 / 20 / 77 / 48

HEX #856B1E

RGB 133 107 30

HSL 44.85, 0.63%, 0.32%

LAB 46.44, 2.05, 44.43

 

CMYK 2 / 0 / 77 / 48

HEX #83851E

RGB 131 133 30

HSL 61.17, 0.63%, 0.32%

LAB 53.7, -13.4, 51.19

 

CMYK 23 / 0 / 77 / 48

HEX #67851E

RGB 103 133 30

HSL 77.48, 0.63%, 0.32%

LAB 51.56, -25.78, 48.41

 

CMYK 43 / 0 / 77 / 48

HEX #4C851E

RGB 76 133 30

HSL 93.2, 0.63%, 0.32%

LAB 49.98, -36.38, 46.35

 

CMYK 2 / 0 / 78 / 75

HEX #40410E

RGB 64 65 14

HSL 61.18, 0.65%, 0.15%

LAB 26.45, -7.87, 29.36

 

CMYK 2 / 0 / 78 / 61

HEX #616316

RGB 97 99 22

HSL 61.56, 0.64%, 0.24%

LAB 40.45, -10.97, 40.63

 

CMYK 2 / 0 / 77 / 48

HEX #82851E

RGB 130 133 30

HSL 61.75, 0.63%, 0.32%

LAB 53.62, -13.85, 51.08

 

CMYK 1 / 0 / 78 / 35

HEX #A4A625

RGB 164 166 37

HSL 60.93, 0.64%, 0.4%

LAB 65.98, -15.68, 61.15

 

CMYK 1 / 0 / 78 / 22

HEX #C5C82D

RGB 197 200 45

HSL 61.16, 0.63%, 0.48%

LAB 78.09, -18.33, 70.64

 

CMYK 2 / 0 / 77 / 48

HEX #82841E

RGB 130 132 30

HSL 61.18, 0.63%, 0.32%

LAB 53.32, -13.32, 50.81

 

CMYK 77 / 0 / 61 / 48

HEX #1E8534

RGB 30 133 52

HSL 132.82, 0.63%, 0.32%

LAB 48.63, -46.21, 34.97

 

CMYK 30 / 77 / 0 / 48

HEX #5D1E85

RGB 93 30 133

HSL 276.7, 0.63%, 0.32%

LAB 26.59, 46.1, -45.09

 

CMYK 2 / 0 / 77 / 48

HEX #82841E

RGB 130 132 30

HSL 61.18, 0.63%, 0.32%

LAB 53.32, -13.32, 50.81

 

CMYK 77 / 2 / 0 / 48

HEX #1E8385

RGB 30 131 133

HSL 181.17, 0.63%, 0.32%

LAB 49.74, -26.51, -9.16

 

CMYK 0 / 77 / 2 / 48

HEX #851E83

RGB 133 30 131

HSL 301.17, 0.63%, 0.32%

LAB 33.04, 54.16, -33.14

 

CMYK 2 / 0 / 77 / 48

HEX #82841E

RGB 130 132 30

HSL 61.18, 0.63%, 0.32%

LAB 53.32, -13.32, 50.81

 

CMYK 77 / 0 / 61 / 48

HEX #1E8534

RGB 30 133 52

HSL 132.82, 0.63%, 0.32%

LAB 48.63, -46.21, 34.97

 

CMYK 77 / 77 / 0 / 48

HEX #1F1E85

RGB 31 30 133

HSL 240.58, 0.63%, 0.32%

LAB 19.69, 36.73, -56.66

 

CMYK 0 / 77 / 17 / 48

HEX #851E6E

RGB 133 30 110

HSL 313.4, 0.63%, 0.32%

LAB 31.9, 50.83, -21.68

 

CMYK 2 / 0 / 77 / 48

HEX #82841E

RGB 130 132 30

HSL 61.18, 0.63%, 0.32%

LAB 53.32, -13.32, 50.81

 

CMYK 77 / 0 / 38 / 48

HEX #1E8553

RGB 30 133 83

HSL 150.87, 0.63%, 0.32%

LAB 49.1, -40.81, 18.97

 

CMYK 77 / 77 / 0 / 48

HEX #1F1E85

RGB 31 30 133

HSL 240.58, 0.63%, 0.32%

LAB 19.69, 36.73, -56.66

 

CMYK 0 / 77 / 41 / 48

HEX #851E4F

RGB 133 30 79

HSL 331.46, 0.63%, 0.32%

LAB 30.59, 46.82, -3.57

 

Description

Color code: HEX #82841E | qconv.com Color code: HEX #82841E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 132 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 132 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 77 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 77% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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