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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82A5CE it is the complementary color #7D5A31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82A5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82A5CE shade: #87A5C9, #98B7DC, #A9C9EF, #BADBFF and #CBEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82A5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82A5CE shade: #82A5CE, #7193BB, #6081A8, #4F6F95 and #3E5D82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82A5CE shade: #82A5CE, #8290CE, #8882CE, #9C82CE and #B182CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82A5CE shade: #82A5CE, #8290CE and #8282CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82A5CE shade matches the following richer shades: #82A5CE, #74A4DC, #66A3EA and #58A1F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82A5CE shade: #82A5CE, #90A6C0, #9EA7B2, #ACA8A4 and #BAA996

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82A5CE shade: #82CECE, #82BACE, #82A5CE, #8291CE and #8782CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82A5CE shade: #477AB6, #648FC2, #82A5CE, #9FBADA and #BDCFE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82A5CE shade: #82A5CE, #BA82CE and #C4CE82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82A5CE shade: #82A5CE, #CE82A5 and #A5CE82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82A5CE shade: #82A5CE, #BA82CE, #CEAA82 and #96CE82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82A5CE shade: #82A5CE, #CE82CB, #CEAA82 and #82CE84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 20 / 0 / 19

HEX #82A5CE

RGB 130 165 206

HSL 212.37, 0.44%, 0.66%

LAB 66.61, -1.81, -24.74

 

Complementary color

CMYK 0 / 28 / 61 / 51

HEX #7D5A31

RGB 125 90 49

HSL 32.37, 0.44%, 0.34%

LAB 41.05, 9.51, 29.04

 

CMYK 33 / 18 / 0 / 21

HEX #87A5C9

RGB 135 165 201

HSL 212.73, 0.38%, 0.66%

LAB 66.73, -1.7, -21.75

 

CMYK 31 / 17 / 0 / 14

HEX #98B7DC

RGB 152 183 220

HSL 212.65, 0.49%, 0.73%

LAB 73.36, -1.92, -22

 

CMYK 29 / 16 / 0 / 6

HEX #A9C9EF

RGB 169 201 239

HSL 212.57, 0.69%, 0.8%

LAB 79.86, -2.11, -22.26

 

CMYK 27 / 14 / 0 / 0

HEX #BADBFF

RGB 186 219 255

HSL 211.3, 1%, 0.86%

LAB 86.17, -2.97, -21.09

 

CMYK 20 / 7 / 0 / 0

HEX #CBEDFF

RGB 203 237 255

HSL 200.77, 1%, 0.9%

LAB 91.9, -7.28, -12.37

 

CMYK 37 / 20 / 0 / 19

HEX #82A5CE

RGB 130 165 206

HSL 212.37, 0.44%, 0.66%

LAB 66.61, -1.81, -24.74

 

CMYK 40 / 21 / 0 / 27

HEX #7193BB

RGB 113 147 187

HSL 212.43, 0.35%, 0.59%

LAB 59.86, -1.51, -24.56

 

CMYK 43 / 23 / 0 / 34

HEX #6081A8

RGB 96 129 168

HSL 212.5, 0.29%, 0.52%

LAB 52.97, -1.15, -24.41

 

CMYK 47 / 26 / 0 / 42

HEX #4F6F95

RGB 79 111 149

HSL 212.57, 0.31%, 0.45%

LAB 45.91, -0.71, -24.28

 

CMYK 52 / 28 / 0 / 49

HEX #3E5D82

RGB 62 93 130

HSL 212.65, 0.35%, 0.38%

LAB 38.66, -0.13, -24.2

 

CMYK 37 / 20 / 0 / 19

HEX #82A5CE

RGB 130 165 206

HSL 212.37, 0.44%, 0.66%

LAB 66.61, -1.81, -24.74

 

CMYK 37 / 30 / 0 / 19

HEX #8290CE

RGB 130 144 206

HSL 228.95, 0.44%, 0.66%

LAB 60.91, 10.12, -33.54

 

CMYK 34 / 37 / 0 / 19

HEX #8882CE

RGB 136 130 206

HSL 244.74, 0.44%, 0.66%

LAB 57.71, 19.96, -38.51

 

CMYK 24 / 37 / 0 / 19

HEX #9C82CE

RGB 156 130 206

HSL 260.53, 0.44%, 0.66%

LAB 59.42, 25.72, -35.7

 

CMYK 14 / 37 / 0 / 19

HEX #B182CE

RGB 177 130 206

HSL 277.11, 0.44%, 0.66%

LAB 61.45, 32.06, -32.38

 

CMYK 37 / 20 / 0 / 19

HEX #82A5CE

RGB 130 165 206

HSL 212.37, 0.44%, 0.66%

LAB 66.61, -1.81, -24.74

 

CMYK 37 / 30 / 0 / 19

HEX #8290CE

RGB 130 144 206

HSL 228.95, 0.44%, 0.66%

LAB 60.91, 10.12, -33.54

 

CMYK 37 / 37 / 0 / 19

HEX #8282CE

RGB 130 130 206

HSL 240, 0.44%, 0.66%

LAB 57.24, 18.31, -39.28

 

CMYK 37 / 20 / 0 / 19

HEX #82A5CE

RGB 130 165 206

HSL 212.37, 0.44%, 0.66%

LAB 66.61, -1.81, -24.74

 

CMYK 47 / 25 / 0 / 14

HEX #74A4DC

RGB 116 164 220

HSL 212.31, 0.6%, 0.66%

LAB 66.08, -0.98, -33.35

 

CMYK 56 / 30 / 0 / 8

HEX #66A3EA

RGB 102 163 234

HSL 212.27, 0.76%, 0.66%

LAB 65.72, 0.7, -41.68

 

CMYK 65 / 35 / 0 / 3

HEX #58A1F8

RGB 88 161 248

HSL 212.63, 0.92%, 0.66%

LAB 65.23, 3.79, -50.15

 

CMYK 37 / 20 / 0 / 19

HEX #82A5CE

RGB 130 165 206

HSL 212.37, 0.44%, 0.66%

LAB 66.61, -1.81, -24.74

 

CMYK 25 / 14 / 0 / 25

HEX #90A6C0

RGB 144 166 192

HSL 212.5, 0.28%, 0.66%

LAB 67.28, -1.79, -15.87

 

CMYK 11 / 6 / 0 / 30

HEX #9EA7B2

RGB 158 167 178

HSL 213, 0.11%, 0.66%

LAB 68.11, -0.93, -6.76

 

CMYK 0 / 2 / 5 / 33

HEX #ACA8A4

RGB 172 168 164

HSL 30, 0.05%, 0.66%

LAB 69.08, 0.7, 2.56

 

CMYK 0 / 9 / 19 / 27

HEX #BAA996

RGB 186 169 150

HSL 31.67, 0.21%, 0.66%

LAB 70.19, 3.02, 12.03

 

CMYK 37 / 0 / 0 / 19

HEX #82CECE

RGB 130 206 206

HSL 180, 0.44%, 0.66%

LAB 78.08, -23.41, -7.44

 

CMYK 37 / 10 / 0 / 19

HEX #82BACE

RGB 130 186 206

HSL 195.79, 0.44%, 0.66%

LAB 72.44, -13.18, -15.87

 

CMYK 37 / 20 / 0 / 19

HEX #82A5CE

RGB 130 165 206

HSL 212.37, 0.44%, 0.66%

LAB 66.61, -1.81, -24.74

 

CMYK 37 / 30 / 0 / 19

HEX #8291CE

RGB 130 145 206

HSL 228.16, 0.44%, 0.66%

LAB 61.18, 9.54, -33.12

 

CMYK 34 / 37 / 0 / 19

HEX #8782CE

RGB 135 130 206

HSL 243.95, 0.44%, 0.66%

LAB 57.63, 19.68, -38.64

 

CMYK 61 / 33 / 0 / 29

HEX #477AB6

RGB 71 122 182

HSL 212.43, 0.44%, 0.5%

LAB 50.26, 1.54, -36.81

 

CMYK 48 / 26 / 0 / 24

HEX #648FC2

RGB 100 143 194

HSL 212.55, 0.44%, 0.58%

LAB 58.27, -0.57, -31.03

 

CMYK 37 / 20 / 0 / 19

HEX #82A5CE

RGB 130 165 206

HSL 212.37, 0.44%, 0.66%

LAB 66.61, -1.81, -24.74

 

CMYK 27 / 15 / 0 / 15

HEX #9FBADA

RGB 159 186 218

HSL 212.54, 0.44%, 0.74%

LAB 74.54, -1.98, -19.07

 

CMYK 17 / 10 / 0 / 10

HEX #BDCFE5

RGB 189 207 229

HSL 213, 0.43%, 0.82%

LAB 82.43, -1.55, -12.91

 

CMYK 37 / 20 / 0 / 19

HEX #82A5CE

RGB 130 165 206

HSL 212.37, 0.44%, 0.66%

LAB 66.61, -1.81, -24.74

 

CMYK 10 / 37 / 0 / 19

HEX #BA82CE

RGB 186 130 206

HSL 284.21, 0.44%, 0.66%

LAB 62.39, 34.84, -30.86

 

CMYK 5 / 0 / 37 / 19

HEX #C4CE82

RGB 196 206 130

HSL 67.89, 0.44%, 0.66%

LAB 80.45, -15.2, 36.68

 

CMYK 37 / 20 / 0 / 19

HEX #82A5CE

RGB 130 165 206

HSL 212.37, 0.44%, 0.66%

LAB 66.61, -1.81, -24.74

 

CMYK 0 / 37 / 20 / 19

HEX #CE82A5

RGB 206 130 165

HSL 332.37, 0.44%, 0.66%

LAB 63.18, 34.11, -6.26

 

CMYK 20 / 0 / 37 / 19

HEX #A5CE82

RGB 165 206 130

HSL 92.37, 0.44%, 0.66%

LAB 78.32, -26.86, 33.49

 

CMYK 37 / 20 / 0 / 19

HEX #82A5CE

RGB 130 165 206

HSL 212.37, 0.44%, 0.66%

LAB 66.61, -1.81, -24.74

 

CMYK 10 / 37 / 0 / 19

HEX #BA82CE

RGB 186 130 206

HSL 284.21, 0.44%, 0.66%

LAB 62.39, 34.84, -30.86

 

CMYK 0 / 17 / 37 / 19

HEX #CEAA82

RGB 206 170 130

HSL 31.58, 0.44%, 0.66%

LAB 71.88, 7.57, 25.56

 

CMYK 27 / 0 / 37 / 19

HEX #96CE82

RGB 150 206 130

HSL 104.21, 0.44%, 0.66%

LAB 77.42, -32.16, 32.15

 

CMYK 37 / 20 / 0 / 19

HEX #82A5CE

RGB 130 165 206

HSL 212.37, 0.44%, 0.66%

LAB 66.61, -1.81, -24.74

 

CMYK 0 / 37 / 1 / 19

HEX #CE82CB

RGB 206 130 203

HSL 302.37, 0.44%, 0.66%

LAB 64.48, 40.51, -25.76

 

CMYK 0 / 17 / 37 / 19

HEX #CEAA82

RGB 206 170 130

HSL 31.58, 0.44%, 0.66%

LAB 71.88, 7.57, 25.56

 

CMYK 37 / 0 / 36 / 19

HEX #82CE84

RGB 130 206 132

HSL 121.58, 0.44%, 0.66%

LAB 76.41, -38.43, 29.59

 

Description

Color code: HEX #82A5CE | qconv.com Color code: HEX #82A5CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 165 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 165 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 20 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 20% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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