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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82BACE it is the complementary color #7D4531. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82BACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82BACE shade: #87BAC9, #98CCDC, #A9DEEF, #BAF0FF and #CBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82BACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82BACE shade: #82BACE, #71A8BB, #6096A8, #4F8495 and #3E7282

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82BACE shade: #82BACE, #82A5CE, #8291CE, #8782CE and #9C82CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82BACE shade: #82BACE, #82A5CE, #8291CE and #8282CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82BACE shade matches the following richer shades: #82BACE, #74C1DC, #66C7EA and #58CEF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82BACE shade: #82BACE, #90B3C0, #9EADB2, #ACA6A4 and #BA9F96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82BACE shade: #82CEB8, #82CECD, #82BBCE, #82A7CE and #8292CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82BACE shade: #4799B6, #64AAC2, #82BACE, #9FCADA and #BDDBE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82BACE shade: #82BACE, #A482CE and #CEC382

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82BACE shade: #82BACE, #CE82BB and #BBCE82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82BACE shade: #82BACE, #A482CE, #CE9582 and #ACCE82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82BACE shade: #82BACE, #BB82CE, #CE9582 and #95CE82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 10 / 0 / 19

HEX #82BACE

RGB 130 186 206

HSL 195.79, 0.44%, 0.66%

LAB 72.44, -13.18, -15.87

 

Complementary color

CMYK 0 / 45 / 61 / 51

HEX #7D4531

RGB 125 69 49

HSL 15.79, 0.44%, 0.34%

LAB 35.67, 21.97, 22.47

 

CMYK 33 / 7 / 0 / 21

HEX #87BAC9

RGB 135 186 201

HSL 193.64, 0.38%, 0.66%

LAB 72.55, -13.05, -12.95

 

CMYK 31 / 7 / 0 / 14

HEX #98CCDC

RGB 152 204 220

HSL 194.12, 0.49%, 0.73%

LAB 79.06, -13.06, -13.39

 

CMYK 29 / 7 / 0 / 6

HEX #A9DEEF

RGB 169 222 239

HSL 194.57, 0.69%, 0.8%

LAB 85.46, -13.07, -13.82

 

CMYK 27 / 6 / 0 / 0

HEX #BAF0FF

RGB 186 240 255

HSL 193.04, 1%, 0.86%

LAB 91.68, -13.75, -12.81

 

CMYK 20 / 0 / 0 / 0

HEX #CBFFFF

RGB 203 255 255

HSL 180, 1%, 0.9%

LAB 96.59, -16.31, -5.41

 

CMYK 37 / 10 / 0 / 19

HEX #82BACE

RGB 130 186 206

HSL 195.79, 0.44%, 0.66%

LAB 72.44, -13.18, -15.87

 

CMYK 40 / 10 / 0 / 27

HEX #71A8BB

RGB 113 168 187

HSL 195.41, 0.35%, 0.59%

LAB 65.83, -13.11, -15.47

 

CMYK 43 / 11 / 0 / 34

HEX #6096A8

RGB 96 150 168

HSL 195, 0.29%, 0.52%

LAB 59.09, -13.01, -15.05

 

CMYK 47 / 11 / 0 / 42

HEX #4F8495

RGB 79 132 149

HSL 194.57, 0.31%, 0.45%

LAB 52.21, -12.86, -14.62

 

CMYK 52 / 12 / 0 / 49

HEX #3E7282

RGB 62 114 130

HSL 194.12, 0.35%, 0.38%

LAB 45.18, -12.64, -14.17

 

CMYK 37 / 10 / 0 / 19

HEX #82BACE

RGB 130 186 206

HSL 195.79, 0.44%, 0.66%

LAB 72.44, -13.18, -15.87

 

CMYK 37 / 20 / 0 / 19

HEX #82A5CE

RGB 130 165 206

HSL 212.37, 0.44%, 0.66%

LAB 66.61, -1.81, -24.74

 

CMYK 37 / 30 / 0 / 19

HEX #8291CE

RGB 130 145 206

HSL 228.16, 0.44%, 0.66%

LAB 61.18, 9.54, -33.12

 

CMYK 34 / 37 / 0 / 19

HEX #8782CE

RGB 135 130 206

HSL 243.95, 0.44%, 0.66%

LAB 57.63, 19.68, -38.64

 

CMYK 24 / 37 / 0 / 19

HEX #9C82CE

RGB 156 130 206

HSL 260.53, 0.44%, 0.66%

LAB 59.42, 25.72, -35.7

 

CMYK 37 / 10 / 0 / 19

HEX #82BACE

RGB 130 186 206

HSL 195.79, 0.44%, 0.66%

LAB 72.44, -13.18, -15.87

 

CMYK 37 / 20 / 0 / 19

HEX #82A5CE

RGB 130 165 206

HSL 212.37, 0.44%, 0.66%

LAB 66.61, -1.81, -24.74

 

CMYK 37 / 30 / 0 / 19

HEX #8291CE

RGB 130 145 206

HSL 228.16, 0.44%, 0.66%

LAB 61.18, 9.54, -33.12

 

CMYK 37 / 37 / 0 / 19

HEX #8282CE

RGB 130 130 206

HSL 240, 0.44%, 0.66%

LAB 57.24, 18.31, -39.28

 

CMYK 37 / 10 / 0 / 19

HEX #82BACE

RGB 130 186 206

HSL 195.79, 0.44%, 0.66%

LAB 72.44, -13.18, -15.87

 

CMYK 47 / 12 / 0 / 14

HEX #74C1DC

RGB 116 193 220

HSL 195.58, 0.6%, 0.66%

LAB 74.2, -16.65, -20.89

 

CMYK 56 / 15 / 0 / 8

HEX #66C7EA

RGB 102 199 234

HSL 195.91, 0.76%, 0.66%

LAB 75.83, -18.79, -26.02

 

CMYK 65 / 17 / 0 / 3

HEX #58CEF8

RGB 88 206 248

HSL 195.75, 0.92%, 0.66%

LAB 77.87, -20.67, -30.44

 

CMYK 37 / 10 / 0 / 19

HEX #82BACE

RGB 130 186 206

HSL 195.79, 0.44%, 0.66%

LAB 72.44, -13.18, -15.87

 

CMYK 25 / 7 / 0 / 25

HEX #90B3C0

RGB 144 179 192

HSL 196.25, 0.28%, 0.66%

LAB 70.85, -8.84, -10.51

 

CMYK 11 / 3 / 0 / 30

HEX #9EADB2

RGB 158 173 178

HSL 195, 0.11%, 0.66%

LAB 69.73, -4.19, -4.35

 

CMYK 0 / 3 / 5 / 33

HEX #ACA6A4

RGB 172 166 164

HSL 15, 0.05%, 0.66%

LAB 68.55, 1.79, 1.79

 

CMYK 0 / 15 / 19 / 27

HEX #BA9F96

RGB 186 159 150

HSL 15, 0.21%, 0.66%

LAB 67.6, 8.47, 8.37

 

CMYK 37 / 0 / 11 / 19

HEX #82CEB8

RGB 130 206 184

HSL 162.63, 0.44%, 0.66%

LAB 77.49, -28.5, 3.52

 

CMYK 37 / 0 / 0 / 19

HEX #82CECD

RGB 130 206 205

HSL 179.21, 0.44%, 0.66%

LAB 78.05, -23.65, -6.95

 

CMYK 37 / 9 / 0 / 19

HEX #82BBCE

RGB 130 187 206

HSL 195, 0.44%, 0.66%

LAB 72.72, -13.7, -15.45

 

CMYK 37 / 19 / 0 / 19

HEX #82A7CE

RGB 130 167 206

HSL 210.79, 0.44%, 0.66%

LAB 67.16, -2.92, -23.9

 

CMYK 37 / 29 / 0 / 19

HEX #8292CE

RGB 130 146 206

HSL 227.37, 0.44%, 0.66%

LAB 61.45, 8.96, -32.71

 

CMYK 61 / 16 / 0 / 29

HEX #4799B6

RGB 71 153 182

HSL 195.68, 0.44%, 0.5%

LAB 59.43, -16.15, -22.56

 

CMYK 48 / 12 / 0 / 24

HEX #64AAC2

RGB 100 170 194

HSL 195.32, 0.44%, 0.58%

LAB 66.02, -15.52, -19.12

 

CMYK 37 / 10 / 0 / 19

HEX #82BACE

RGB 130 186 206

HSL 195.79, 0.44%, 0.66%

LAB 72.44, -13.18, -15.87

 

CMYK 27 / 7 / 0 / 15

HEX #9FCADA

RGB 159 202 218

HSL 196.27, 0.44%, 0.74%

LAB 78.85, -10.47, -12.58

 

CMYK 17 / 4 / 0 / 10

HEX #BDDBE5

RGB 189 219 229

HSL 195, 0.43%, 0.82%

LAB 85.57, -7.81, -8.23

 

CMYK 37 / 10 / 0 / 19

HEX #82BACE

RGB 130 186 206

HSL 195.79, 0.44%, 0.66%

LAB 72.44, -13.18, -15.87

 

CMYK 20 / 37 / 0 / 19

HEX #A482CE

RGB 164 130 206

HSL 266.84, 0.44%, 0.66%

LAB 60.17, 28.11, -34.48

 

CMYK 0 / 5 / 37 / 19

HEX #CEC382

RGB 206 195 130

HSL 51.32, 0.44%, 0.66%

LAB 78.32, -5.66, 34.07

 

CMYK 37 / 10 / 0 / 19

HEX #82BACE

RGB 130 186 206

HSL 195.79, 0.44%, 0.66%

LAB 72.44, -13.18, -15.87

 

CMYK 0 / 37 / 9 / 19

HEX #CE82BB

RGB 206 130 187

HSL 315, 0.44%, 0.66%

LAB 63.9, 37.68, -17.66

 

CMYK 9 / 0 / 37 / 19

HEX #BBCE82

RGB 187 206 130

HSL 75, 0.44%, 0.66%

LAB 79.8, -18.66, 35.7

 

CMYK 37 / 10 / 0 / 19

HEX #82BACE

RGB 130 186 206

HSL 195.79, 0.44%, 0.66%

LAB 72.44, -13.18, -15.87

 

CMYK 20 / 37 / 0 / 19

HEX #A482CE

RGB 164 130 206

HSL 266.84, 0.44%, 0.66%

LAB 60.17, 28.11, -34.48

 

CMYK 0 / 28 / 37 / 19

HEX #CE9582

RGB 206 149 130

HSL 15, 0.44%, 0.66%

LAB 66.69, 18.97, 18.51

 

CMYK 17 / 0 / 37 / 19

HEX #ACCE82

RGB 172 206 130

HSL 86.84, 0.44%, 0.66%

LAB 78.77, -24.3, 34.17

 

CMYK 37 / 10 / 0 / 19

HEX #82BACE

RGB 130 186 206

HSL 195.79, 0.44%, 0.66%

LAB 72.44, -13.18, -15.87

 

CMYK 9 / 37 / 0 / 19

HEX #BB82CE

RGB 187 130 206

HSL 285, 0.44%, 0.66%

LAB 62.5, 35.15, -30.69

 

CMYK 0 / 28 / 37 / 19

HEX #CE9582

RGB 206 149 130

HSL 15, 0.44%, 0.66%

LAB 66.69, 18.97, 18.51

 

CMYK 28 / 0 / 37 / 19

HEX #95CE82

RGB 149 206 130

HSL 105, 0.44%, 0.66%

LAB 77.37, -32.51, 32.07

 

Description

Color code: HEX #82BACE | qconv.com Color code: HEX #82BACE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 186 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 186 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 10 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 10% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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