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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82BE03 it is the complementary color #7D41FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82BE03. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82BE03 shade: #87BE00, #98D011, #A9E224, #BAF437 and #CBFF4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82BE03. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82BE03 shade: #82BE03, #71AC00, #609A00, #4F8800 and #3E7600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82BE03 shade: #82BE02, #B5BE02, #BE9502, #BE6302 and #BE3002

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82BE03 shade: #82BE02, #4FBE02, #1DBE02, #02BE1B and #02BE4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82BE03 shade matches the following richer shades: #82BE02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82BE03 shade: #82BE02, #7CAF12, #779F22, #718F31 and #6C8041

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82BE03 shade: #BE9602, #B5BE02, #83BE02, #51BE02 and #1FBE02

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82BE03 shade: #4A6D01, #669602, #82BE02, #9EE703 and #B2FB18

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82BE03 shade: #82BE03, #02BE64 and #AF02BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82BE03 shade: #82BE03, #0283BE and #BE0283

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82BE03 shade: #82BE03, #02BE64, #3E02BE and #BE025D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82BE03 shade: #82BE03, #02BE9C, #3E02BE and #BE0225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 98 / 25

HEX #82BE03

RGB 130 190 3

HSL 79.25, 0.97%, 0.38%

LAB 70.58, -41.95, 70.49

 

Complementary color

CMYK 50 / 74 / 0 / 1

HEX #7D41FC

RGB 125 65 252

HSL 259.25, 0.97%, 0.62%

LAB 45.86, 65.71, -83.47

 

CMYK 29 / 0 / 100 / 25

HEX #87BE00

RGB 135 190 0

HSL 77.37, 1%, 0.37%

LAB 70.86, -40.09, 71.17

 

CMYK 27 / 0 / 92 / 18

HEX #98D011

RGB 152 208 17

HSL 77.59, 0.85%, 0.44%

LAB 77.18, -41.19, 74.65

 

CMYK 25 / 0 / 84 / 11

HEX #A9E224

RGB 169 226 36

HSL 78, 0.77%, 0.51%

LAB 83.42, -42.1, 76.85

 

CMYK 24 / 0 / 77 / 4

HEX #BAF437

RGB 186 244 55

HSL 78.41, 0.9%, 0.59%

LAB 89.59, -42.83, 77.93

 

CMYK 20 / 0 / 71 / 0

HEX #CBFF4A

RGB 203 255 74

HSL 77.24, 1%, 0.65%

LAB 93.76, -40.34, 76.35

 

CMYK 32 / 0 / 98 / 25

HEX #82BE03

RGB 130 190 3

HSL 79.25, 0.97%, 0.38%

LAB 70.58, -41.95, 70.49

 

CMYK 34 / 0 / 100 / 33

HEX #71AC00

RGB 113 172 0

HSL 80.58, 1%, 0.34%

LAB 64.17, -40.63, 65.5

 

CMYK 38 / 0 / 100 / 40

HEX #609A00

RGB 96 154 0

HSL 82.6, 1%, 0.3%

LAB 57.65, -39.23, 60.08

 

CMYK 42 / 0 / 100 / 47

HEX #4F8800

RGB 79 136 0

HSL 85.15, 1%, 0.27%

LAB 51, -37.77, 54.55

 

CMYK 47 / 0 / 100 / 54

HEX #3E7600

RGB 62 118 0

HSL 88.47, 1%, 0.23%

LAB 44.21, -36.22, 48.9

 

CMYK 32 / 0 / 99 / 25

HEX #82BE02

RGB 130 190 2

HSL 79.15, 0.98%, 0.38%

LAB 70.58, -41.96, 70.6

 

CMYK 5 / 0 / 99 / 25

HEX #B5BE02

RGB 181 190 2

HSL 62.87, 0.98%, 0.38%

LAB 73.97, -21.14, 74.67

 

CMYK 0 / 22 / 99 / 25

HEX #BE9502

RGB 190 149 2

HSL 46.91, 0.98%, 0.38%

LAB 63.71, 4.23, 67.6

 

CMYK 0 / 48 / 99 / 25

HEX #BE6302

RGB 190 99 2

HSL 30.96, 0.98%, 0.38%

LAB 51.7, 31.56, 59.58

 

CMYK 0 / 75 / 99 / 25

HEX #BE3002

RGB 190 48 2

HSL 14.68, 0.98%, 0.38%

LAB 42.86, 54.68, 54.59

 

CMYK 32 / 0 / 99 / 25

HEX #82BE02

RGB 130 190 2

HSL 79.15, 0.98%, 0.38%

LAB 70.58, -41.96, 70.6

 

CMYK 58 / 0 / 99 / 25

HEX #4FBE02

RGB 79 190 2

HSL 95.43, 0.98%, 0.38%

LAB 68.38, -58.37, 67.94

 

CMYK 85 / 0 / 99 / 25

HEX #1DBE02

RGB 29 190 2

HSL 111.38, 0.98%, 0.38%

LAB 67.35, -67.25, 66.68

 

CMYK 99 / 0 / 86 / 25

HEX #02BE1B

RGB 2 190 27

HSL 127.98, 0.98%, 0.38%

LAB 67.22, -68.21, 62.67

 

CMYK 99 / 0 / 59 / 25

HEX #02BE4E

RGB 2 190 78

HSL 144.26, 0.98%, 0.38%

LAB 67.57, -63.74, 44.65

 

CMYK 32 / 0 / 99 / 25

HEX #82BE02

RGB 130 190 2

HSL 79.15, 0.98%, 0.38%

LAB 70.58, -41.96, 70.6

 

CMYK 32 / 0 / 99 / 25

HEX #82BE02

RGB 130 190 2

HSL 79.15, 0.98%, 0.38%

LAB 70.58, -41.96, 70.6

 

CMYK 29 / 0 / 90 / 31

HEX #7CAF12

RGB 124 175 18

HSL 79.49, 0.81%, 0.38%

LAB 65.74, -37.39, 64.51

 

CMYK 25 / 0 / 79 / 38

HEX #779F22

RGB 119 159 34

HSL 79.2, 0.65%, 0.38%

LAB 60.63, -31.47, 55.98

 

CMYK 21 / 0 / 66 / 44

HEX #718F31

RGB 113 143 49

HSL 79.15, 0.49%, 0.38%

LAB 55.46, -25.27, 44.99

 

CMYK 16 / 0 / 49 / 50

HEX #6C8041

RGB 108 128 65

HSL 79.05, 0.33%, 0.38%

LAB 50.7, -18.14, 31.62

 

CMYK 0 / 21 / 99 / 25

HEX #BE9602

RGB 190 150 2

HSL 47.23, 0.98%, 0.38%

LAB 63.97, 3.69, 67.79

 

CMYK 5 / 0 / 99 / 25

HEX #B5BE02

RGB 181 190 2

HSL 62.87, 0.98%, 0.38%

LAB 73.97, -21.14, 74.67

 

CMYK 31 / 0 / 99 / 25

HEX #83BE02

RGB 131 190 2

HSL 78.83, 0.98%, 0.38%

LAB 70.63, -41.58, 70.67

 

CMYK 57 / 0 / 99 / 25

HEX #51BE02

RGB 81 190 2

HSL 94.79, 0.98%, 0.38%

LAB 68.45, -57.85, 68.02

 

CMYK 84 / 0 / 99 / 25

HEX #1FBE02

RGB 31 190 2

HSL 110.74, 0.98%, 0.38%

LAB 67.37, -67.05, 66.7

 

CMYK 32 / 0 / 99 / 57

HEX #4A6D01

RGB 74 109 1

HSL 79.44, 0.98%, 0.22%

LAB 41.84, -27.49, 47.09

 

CMYK 32 / 0 / 99 / 41

HEX #669602

RGB 102 150 2

HSL 79.46, 0.97%, 0.3%

LAB 56.72, -35.13, 59.18

 

CMYK 32 / 0 / 99 / 25

HEX #82BE02

RGB 130 190 2

HSL 79.15, 0.98%, 0.38%

LAB 70.58, -41.96, 70.6

 

CMYK 32 / 0 / 99 / 9

HEX #9EE703

RGB 158 231 3

HSL 79.21, 0.97%, 0.46%

LAB 84.19, -48.92, 81.69

 

CMYK 29 / 0 / 90 / 2

HEX #B2FB18

RGB 178 251 24

HSL 79.3, 0.97%, 0.54%

LAB 91.02, -49.69, 85.46

 

CMYK 32 / 0 / 98 / 25

HEX #82BE03

RGB 130 190 3

HSL 79.25, 0.97%, 0.38%

LAB 70.58, -41.95, 70.49

 

CMYK 99 / 0 / 47 / 25

HEX #02BE64

RGB 2 190 100

HSL 151.28, 0.98%, 0.38%

LAB 67.84, -60.38, 34.28

 

CMYK 8 / 99 / 0 / 25

HEX #AF02BE

RGB 175 2 190

HSL 295.21, 0.98%, 0.38%

LAB 42.57, 76.19, -53.08

 

CMYK 32 / 0 / 98 / 25

HEX #82BE03

RGB 130 190 3

HSL 79.25, 0.97%, 0.38%

LAB 70.58, -41.95, 70.49

 

CMYK 99 / 31 / 0 / 25

HEX #0283BE

RGB 2 131 190

HSL 198.83, 0.98%, 0.38%

LAB 51.8, -8.12, -39.09

 

CMYK 0 / 99 / 31 / 25

HEX #BE0283

RGB 190 2 131

HSL 318.83, 0.98%, 0.38%

LAB 42.2, 71, -18.03

 

CMYK 32 / 0 / 98 / 25

HEX #82BE03

RGB 130 190 3

HSL 79.25, 0.97%, 0.38%

LAB 70.58, -41.95, 70.49

 

CMYK 99 / 0 / 47 / 25

HEX #02BE64

RGB 2 190 100

HSL 151.28, 0.98%, 0.38%

LAB 67.84, -60.38, 34.28

 

CMYK 67 / 99 / 0 / 25

HEX #3E02BE

RGB 62 2 190

HSL 259.15, 0.98%, 0.38%

LAB 26.11, 64.35, -80.7

 

CMYK 0 / 99 / 51 / 25

HEX #BE025D

RGB 190 2 93

HSL 330.96, 0.98%, 0.38%

LAB 40.87, 67.51, 3.77

 

CMYK 32 / 0 / 98 / 25

HEX #82BE03

RGB 130 190 3

HSL 79.25, 0.97%, 0.38%

LAB 70.58, -41.95, 70.49

 

CMYK 99 / 0 / 18 / 25

HEX #02BE9C

RGB 2 190 156

HSL 169.15, 0.98%, 0.38%

LAB 68.92, -48.11, 5.93

 

CMYK 67 / 99 / 0 / 25

HEX #3E02BE

RGB 62 2 190

HSL 259.15, 0.98%, 0.38%

LAB 26.11, 64.35, -80.7

 

CMYK 0 / 99 / 81 / 25

HEX #BE0225

RGB 190 2 37

HSL 348.83, 0.98%, 0.38%

LAB 39.79, 64.61, 37.44

 

Description

Color code: HEX #82BE03 | qconv.com Color code: HEX #82BE03 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 190 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 190 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 98 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 98% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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