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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82EDBD it is the complementary color #7D1242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82EDBD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82EDBD shade: #87EDB8, #98FFCB, #A9FFDE, #BAFFF1 and #CBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82EDBD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82EDBD shade: #82EDBD, #71DBAA, #60C997, #4FB784 and #3EA571

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82EDBD shade: #82EDBD, #82EDA0, #82ED83, #9DED82 and #BAED82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82EDBD shade: #82EDBD, #82EDD9, #82E3ED, #82C6ED and #82A9ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82EDBD shade matches the following richer shades: #82EDBD and #76F8BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82EDBD shade: #82EDBD, #8DE1BB, #99D6BA, #A4CAB9 and #B0BEB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82EDBD shade: #82ED83, #82EDA0, #82EDBC, #82EDD9 and #82E4ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82EDBD shade: #39E297, #5DE7AA, #82EDBD, #A6F2D0 and #CAF7E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82EDBD shade: #82EDBD, #829CED and #ED9282

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82EDBD shade: #82EDBD, #BC82ED and #EDBC82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82EDBD shade: #82EDBD, #829CED, #ED82B2 and #EDD282

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82EDBD shade: #82EDBD, #8782ED, #ED82B2 and #E7ED82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 20 / 7

HEX #82EDBD

RGB 130 237 189

HSL 153.08, 0.75%, 0.72%

LAB 86.5, -41.77, 13.77

 

Complementary color

CMYK 0 / 86 / 47 / 51

HEX #7D1242

RGB 125 18 66

HSL 333.08, 0.75%, 0.28%

LAB 27.26, 46.86, 0

 

CMYK 43 / 0 / 22 / 7

HEX #87EDB8

RGB 135 237 184

HSL 148.82, 0.74%, 0.73%

LAB 86.59, -41.49, 16.53

 

CMYK 40 / 0 / 20 / 0

HEX #98FFCB

RGB 152 255 203

HSL 149.71, 1%, 0.8%

LAB 92.8, -41.26, 15.55

 

CMYK 34 / 0 / 13 / 0

HEX #A9FFDE

RGB 169 255 222

HSL 156.98, 1%, 0.83%

LAB 93.98, -32.85, 7.58

 

CMYK 27 / 0 / 5 / 0

HEX #BAFFF1

RGB 186 255 241

HSL 167.83, 1%, 0.86%

LAB 95.29, -24.15, -0.21

 

CMYK 20 / 0 / 0 / 0

HEX #CBFFFF

RGB 203 255 255

HSL 180, 1%, 0.9%

LAB 96.59, -16.31, -5.41

 

CMYK 45 / 0 / 20 / 7

HEX #82EDBD

RGB 130 237 189

HSL 153.08, 0.75%, 0.72%

LAB 86.5, -41.77, 13.77

 

CMYK 48 / 0 / 22 / 14

HEX #71DBAA

RGB 113 219 170

HSL 152.26, 0.6%, 0.65%

LAB 80.22, -41.95, 14.78

 

CMYK 52 / 0 / 25 / 21

HEX #60C997

RGB 96 201 151

HSL 151.43, 0.49%, 0.58%

LAB 73.87, -42.08, 15.88

 

CMYK 57 / 0 / 28 / 28

HEX #4FB784

RGB 79 183 132

HSL 150.58, 0.42%, 0.51%

LAB 67.42, -42.14, 17.06

 

CMYK 62 / 0 / 32 / 35

HEX #3EA571

RGB 62 165 113

HSL 149.71, 0.45%, 0.45%

LAB 60.89, -42.08, 18.37

 

CMYK 45 / 0 / 20 / 7

HEX #82EDBD

RGB 130 237 189

HSL 153.08, 0.75%, 0.72%

LAB 86.5, -41.77, 13.77

 

CMYK 45 / 0 / 32 / 7

HEX #82EDA0

RGB 130 237 160

HSL 136.82, 0.75%, 0.72%

LAB 85.93, -47.27, 27.95

 

CMYK 45 / 0 / 45 / 7

HEX #82ED83

RGB 130 237 131

HSL 120.56, 0.75%, 0.72%

LAB 85.48, -51.84, 41.86

 

CMYK 34 / 0 / 45 / 7

HEX #9DED82

RGB 157 237 130

HSL 104.86, 0.75%, 0.72%

LAB 86.68, -43.8, 44.11

 

CMYK 22 / 0 / 45 / 7

HEX #BAED82

RGB 186 237 130

HSL 88.6, 0.75%, 0.72%

LAB 88.27, -33.87, 46.44

 

CMYK 45 / 0 / 20 / 7

HEX #82EDBD

RGB 130 237 189

HSL 153.08, 0.75%, 0.72%

LAB 86.5, -41.77, 13.77

 

CMYK 45 / 0 / 8 / 7

HEX #82EDD9

RGB 130 237 217

HSL 168.79, 0.75%, 0.72%

LAB 87.16, -35.66, 0.07

 

CMYK 45 / 4 / 0 / 7

HEX #82E3ED

RGB 130 227 237

HSL 185.61, 0.75%, 0.72%

LAB 84.89, -26.05, -13.8

 

CMYK 45 / 16 / 0 / 7

HEX #82C6ED

RGB 130 198 237

HSL 201.87, 0.75%, 0.72%

LAB 76.83, -11.34, -26

 

CMYK 45 / 29 / 0 / 7

HEX #82A9ED

RGB 130 169 237

HSL 218.13, 0.75%, 0.72%

LAB 68.92, 4.48, -38.21

 

CMYK 45 / 0 / 20 / 7

HEX #82EDBD

RGB 130 237 189

HSL 153.08, 0.75%, 0.72%

LAB 86.5, -41.77, 13.77

 

CMYK 52 / 0 / 23 / 3

HEX #76F8BE

RGB 118 248 190

HSL 153.23, 0.9%, 0.72%

LAB 89.25, -49.16, 17.07

 

CMYK 45 / 0 / 20 / 7

HEX #82EDBD

RGB 130 237 189

HSL 153.08, 0.75%, 0.72%

LAB 86.5, -41.77, 13.77

 

CMYK 37 / 0 / 17 / 12

HEX #8DE1BB

RGB 141 225 187

HSL 152.86, 0.58%, 0.72%

LAB 83.5, -33.81, 10.62

 

CMYK 29 / 0 / 13 / 16

HEX #99D6BA

RGB 153 214 186

HSL 152.46, 0.43%, 0.72%

LAB 80.97, -25.26, 7.61

 

CMYK 19 / 0 / 8 / 21

HEX #A4CAB9

RGB 164 202 185

HSL 153.16, 0.26%, 0.72%

LAB 78.25, -16.01, 4.32

 

CMYK 7 / 0 / 3 / 25

HEX #B0BEB8

RGB 176 190 184

HSL 154.29, 0.1%, 0.72%

LAB 75.77, -5.96, 1.36

 

CMYK 45 / 0 / 45 / 7

HEX #82ED83

RGB 130 237 131

HSL 120.56, 0.75%, 0.72%

LAB 85.48, -51.84, 41.86

 

CMYK 45 / 0 / 32 / 7

HEX #82EDA0

RGB 130 237 160

HSL 136.82, 0.75%, 0.72%

LAB 85.93, -47.27, 27.95

 

CMYK 45 / 0 / 21 / 7

HEX #82EDBC

RGB 130 237 188

HSL 152.52, 0.75%, 0.72%

LAB 86.48, -41.98, 14.26

 

CMYK 45 / 0 / 8 / 7

HEX #82EDD9

RGB 130 237 217

HSL 168.79, 0.75%, 0.72%

LAB 87.16, -35.66, 0.07

 

CMYK 45 / 4 / 0 / 7

HEX #82E4ED

RGB 130 228 237

HSL 185.05, 0.75%, 0.72%

LAB 85.17, -26.54, -13.38

 

CMYK 75 / 0 / 33 / 11

HEX #39E297

RGB 57 226 151

HSL 153.37, 0.74%, 0.55%

LAB 80.46, -59.21, 24.81

 

CMYK 60 / 0 / 26 / 9

HEX #5DE7AA

RGB 93 231 170

HSL 153.48, 0.74%, 0.64%

LAB 83.12, -51.45, 18.73

 

CMYK 45 / 0 / 20 / 7

HEX #82EDBD

RGB 130 237 189

HSL 153.08, 0.75%, 0.72%

LAB 86.5, -41.77, 13.77

 

CMYK 31 / 0 / 14 / 5

HEX #A6F2D0

RGB 166 242 208

HSL 153.16, 0.75%, 0.8%

LAB 89.94, -30.43, 8.99

 

CMYK 18 / 0 / 8 / 3

HEX #CAF7E3

RGB 202 247 227

HSL 153.33, 0.74%, 0.88%

LAB 93.72, -18.24, 4.85

 

CMYK 45 / 0 / 20 / 7

HEX #82EDBD

RGB 130 237 189

HSL 153.08, 0.75%, 0.72%

LAB 86.5, -41.77, 13.77

 

CMYK 45 / 34 / 0 / 7

HEX #829CED

RGB 130 156 237

HSL 225.42, 0.75%, 0.72%

LAB 65.47, 11.89, -43.62

 

CMYK 0 / 38 / 45 / 7

HEX #ED9282

RGB 237 146 130

HSL 8.97, 0.75%, 0.72%

LAB 69.59, 32.62, 23.05

 

CMYK 45 / 0 / 20 / 7

HEX #82EDBD

RGB 130 237 189

HSL 153.08, 0.75%, 0.72%

LAB 86.5, -41.77, 13.77

 

CMYK 21 / 45 / 0 / 7

HEX #BC82ED

RGB 188 130 237

HSL 272.52, 0.75%, 0.72%

LAB 63.98, 42.09, -45.63

 

CMYK 0 / 21 / 45 / 7

HEX #EDBC82

RGB 237 188 130

HSL 32.52, 0.75%, 0.72%

LAB 79.38, 10.39, 35.99

 

CMYK 45 / 0 / 20 / 7

HEX #82EDBD

RGB 130 237 189

HSL 153.08, 0.75%, 0.72%

LAB 86.5, -41.77, 13.77

 

CMYK 45 / 34 / 0 / 7

HEX #829CED

RGB 130 156 237

HSL 225.42, 0.75%, 0.72%

LAB 65.47, 11.89, -43.62

 

CMYK 0 / 45 / 25 / 7

HEX #ED82B2

RGB 237 130 178

HSL 333.08, 0.75%, 0.72%

LAB 67.41, 46.6, -6.91

 

CMYK 0 / 11 / 45 / 7

HEX #EDD282

RGB 237 210 130

HSL 44.86, 0.75%, 0.72%

LAB 84.85, -1.06, 42.97

 

CMYK 45 / 0 / 20 / 7

HEX #82EDBD

RGB 130 237 189

HSL 153.08, 0.75%, 0.72%

LAB 86.5, -41.77, 13.77

 

CMYK 43 / 45 / 0 / 7

HEX #8782ED

RGB 135 130 237

HSL 242.8, 0.75%, 0.72%

LAB 59.19, 28.26, -53.52

 

CMYK 0 / 45 / 25 / 7

HEX #ED82B2

RGB 237 130 178

HSL 333.08, 0.75%, 0.72%

LAB 67.41, 46.6, -6.91

 

CMYK 3 / 0 / 45 / 7

HEX #E7ED82

RGB 231 237 130

HSL 63.36, 0.75%, 0.72%

LAB 91.31, -16.96, 50.87

 

Description

Color code: HEX #82EDBD | qconv.com Color code: HEX #82EDBD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 237 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 237 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 20 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 20% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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