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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87EFD2 it is the complementary color #78102D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87EFD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87EFD2 shade: #8CEFCD, #9DFFE0, #AEFFF3, #BFFFFF and #D0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87EFD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87EFD2 shade: #87EFD2, #76DDBF, #65CBAC, #54B999 and #43A786

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87EFD2 shade: #85EED1, #85EEB5, #85EE98, #8FEE85 and #ABEE85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87EFD2 shade: #85EED1, #85EEED, #85D3EE, #85B6EE and #859AEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87EFD2 shade matches the following richer shades: #85EED1 and #7AF9D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87EFD2 shade: #85EED1, #90E3CC, #9CD8C7, #A7CDC2 and #B2C1BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87EFD2 shade: #85EE99, #85EEB4, #85EED0, #85EEEC and #85D4EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87EFD2 shade: #3DE4B5, #61E9C3, #85EED1, #AAF3DE and #CEF8EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87EFD2 shade: #87EFD2, #858EEE and #EEA685

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87EFD2 shade: #87EFD2, #D085EE and #EED085

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87EFD2 shade: #87EFD2, #858EEE, #EE85A3 and #EEE585

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87EFD2 shade: #87EFD2, #9C85EE, #EE85A3 and #D7EE85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 12 / 6

HEX #87EFD2

RGB 135 239 210

HSL 163.27, 0.76%, 0.73%

LAB 87.75, -36.96, 4.62

 

Complementary color

CMYK 0 / 87 / 63 / 53

HEX #78102D

RGB 120 16 45

HSL 343.27, 0.76%, 0.27%

LAB 25.42, 44.22, 11.56

 

CMYK 41 / 0 / 14 / 6

HEX #8CEFCD

RGB 140 239 205

HSL 159.39, 0.76%, 0.74%

LAB 87.83, -36.78, 7.38

 

CMYK 38 / 0 / 12 / 0

HEX #9DFFE0

RGB 157 255 224

HSL 161.02, 1%, 0.81%

LAB 93.48, -35.67, 5.75

 

CMYK 32 / 0 / 5 / 0

HEX #AEFFF3

RGB 174 255 243

HSL 171.11, 1%, 0.84%

LAB 94.73, -27.08, -2.13

 

CMYK 25 / 0 / 0 / 0

HEX #BFFFFF

RGB 191 255 255

HSL 180, 1%, 0.87%

LAB 95.92, -19.77, -6.48

 

CMYK 18 / 0 / 0 / 0

HEX #D0FFFF

RGB 208 255 255

HSL 180, 1%, 0.91%

LAB 96.88, -14.82, -4.95

 

CMYK 44 / 0 / 12 / 6

HEX #87EFD2

RGB 135 239 210

HSL 163.27, 0.76%, 0.73%

LAB 87.75, -36.96, 4.62

 

CMYK 47 / 0 / 14 / 13

HEX #76DDBF

RGB 118 221 191

HSL 162.52, 0.6%, 0.66%

LAB 81.47, -37.09, 5.47

 

CMYK 50 / 0 / 15 / 20

HEX #65CBAC

RGB 101 203 172

HSL 161.76, 0.5%, 0.6%

LAB 75.11, -37.2, 6.39

 

CMYK 55 / 0 / 17 / 27

HEX #54B999

RGB 84 185 153

HSL 160.99, 0.42%, 0.53%

LAB 68.67, -37.25, 7.38

 

CMYK 60 / 0 / 20 / 35

HEX #43A786

RGB 67 167 134

HSL 160.2, 0.43%, 0.46%

LAB 62.13, -37.21, 8.47

 

CMYK 44 / 0 / 12 / 7

HEX #85EED1

RGB 133 238 209

HSL 163.43, 0.76%, 0.73%

LAB 87.36, -37.21, 4.57

 

CMYK 44 / 0 / 24 / 7

HEX #85EEB5

RGB 133 238 181

HSL 147.43, 0.76%, 0.73%

LAB 86.74, -43.04, 18.27

 

CMYK 44 / 0 / 36 / 7

HEX #85EE98

RGB 133 238 152

HSL 130.86, 0.76%, 0.73%

LAB 86.21, -48.23, 32.4

 

CMYK 40 / 0 / 44 / 7

HEX #8FEE85

RGB 143 238 133

HSL 114.29, 0.76%, 0.73%

LAB 86.35, -48.2, 42.1

 

CMYK 28 / 0 / 44 / 7

HEX #ABEE85

RGB 171 238 133

HSL 98.29, 0.76%, 0.73%

LAB 87.73, -39.21, 44.13

 

CMYK 44 / 0 / 12 / 7

HEX #85EED1

RGB 133 238 209

HSL 163.43, 0.76%, 0.73%

LAB 87.36, -37.21, 4.57

 

CMYK 44 / 0 / 0 / 7

HEX #85EEED

RGB 133 238 237

HSL 179.43, 0.76%, 0.73%

LAB 88.09, -30.66, -9.02

 

CMYK 44 / 11 / 0 / 7

HEX #85D3EE

RGB 133 211 238

HSL 195.43, 0.76%, 0.73%

LAB 80.6, -17.1, -20.79

 

CMYK 44 / 24 / 0 / 7

HEX #85B6EE

RGB 133 182 238

HSL 212, 0.76%, 0.73%

LAB 72.64, -1.73, -32.97

 

CMYK 44 / 35 / 0 / 7

HEX #859AEE

RGB 133 154 238

HSL 228, 0.76%, 0.73%

LAB 65.18, 14.06, -44.61

 

CMYK 44 / 0 / 12 / 7

HEX #85EED1

RGB 133 238 209

HSL 163.43, 0.76%, 0.73%

LAB 87.36, -37.21, 4.57

 

CMYK 51 / 0 / 14 / 2

HEX #7AF9D6

RGB 122 249 214

HSL 163.46, 0.91%, 0.73%

LAB 90.2, -43.56, 6.02

 

CMYK 44 / 0 / 12 / 7

HEX #85EED1

RGB 133 238 209

HSL 163.43, 0.76%, 0.73%

LAB 87.36, -37.21, 4.57

 

CMYK 37 / 0 / 10 / 11

HEX #90E3CC

RGB 144 227 204

HSL 163.37, 0.6%, 0.73%

LAB 84.6, -30.35, 3.26

 

CMYK 28 / 0 / 8 / 15

HEX #9CD8C7

RGB 156 216 199

HSL 163, 0.43%, 0.73%

LAB 82, -22.67, 2.21

 

CMYK 19 / 0 / 5 / 20

HEX #A7CDC2

RGB 167 205 194

HSL 162.63, 0.28%, 0.73%

LAB 79.48, -14.77, 1.3

 

CMYK 8 / 0 / 2 / 24

HEX #B2C1BD

RGB 178 193 189

HSL 164, 0.11%, 0.73%

LAB 76.85, -5.9, 0.24

 

CMYK 44 / 0 / 36 / 7

HEX #85EE99

RGB 133 238 153

HSL 131.43, 0.76%, 0.73%

LAB 86.22, -48.06, 31.92

 

CMYK 44 / 0 / 24 / 7

HEX #85EEB4

RGB 133 238 180

HSL 146.86, 0.76%, 0.73%

LAB 86.72, -43.24, 18.76

 

CMYK 44 / 0 / 13 / 7

HEX #85EED0

RGB 133 238 208

HSL 162.86, 0.76%, 0.73%

LAB 87.33, -37.43, 5.06

 

CMYK 44 / 0 / 1 / 7

HEX #85EEEC

RGB 133 238 236

HSL 178.86, 0.76%, 0.73%

LAB 88.06, -30.9, -8.54

 

CMYK 44 / 11 / 0 / 7

HEX #85D4EE

RGB 133 212 238

HSL 194.86, 0.76%, 0.73%

LAB 80.88, -17.61, -20.37

 

CMYK 73 / 0 / 21 / 11

HEX #3DE4B5

RGB 61 228 181

HSL 163.11, 0.76%, 0.57%

LAB 81.74, -52.91, 10.93

 

CMYK 58 / 0 / 16 / 9

HEX #61E9C3

RGB 97 233 195

HSL 163.24, 0.76%, 0.65%

LAB 84.36, -46.03, 7.43

 

CMYK 44 / 0 / 12 / 7

HEX #85EED1

RGB 133 238 209

HSL 163.43, 0.76%, 0.73%

LAB 87.36, -37.21, 4.57

 

CMYK 30 / 0 / 9 / 5

HEX #AAF3DE

RGB 170 243 222

HSL 162.74, 0.75%, 0.81%

LAB 90.74, -26.91, 2.9

 

CMYK 17 / 0 / 5 / 3

HEX #CEF8EC

RGB 206 248 236

HSL 162.86, 0.75%, 0.89%

LAB 94.45, -15.75, 1.27

 

CMYK 44 / 0 / 12 / 6

HEX #87EFD2

RGB 135 239 210

HSL 163.27, 0.76%, 0.73%

LAB 87.75, -36.96, 4.62

 

CMYK 44 / 40 / 0 / 7

HEX #858EEE

RGB 133 142 238

HSL 234.86, 0.76%, 0.73%

LAB 62.09, 21.04, -49.48

 

CMYK 0 / 30 / 44 / 7

HEX #EEA685

RGB 238 166 133

HSL 18.86, 0.76%, 0.73%

LAB 74.28, 22.74, 27.74

 

CMYK 44 / 0 / 12 / 6

HEX #87EFD2

RGB 135 239 210

HSL 163.27, 0.76%, 0.73%

LAB 87.75, -36.96, 4.62

 

CMYK 13 / 44 / 0 / 7

HEX #D085EE

RGB 208 133 238

HSL 282.86, 0.76%, 0.73%

LAB 66.79, 46.31, -41.61

 

CMYK 0 / 13 / 44 / 7

HEX #EED085

RGB 238 208 133

HSL 42.86, 0.76%, 0.73%

LAB 84.47, 0.67, 41.01

 

CMYK 44 / 0 / 12 / 6

HEX #87EFD2

RGB 135 239 210

HSL 163.27, 0.76%, 0.73%

LAB 87.75, -36.96, 4.62

 

CMYK 44 / 40 / 0 / 7

HEX #858EEE

RGB 133 142 238

HSL 234.86, 0.76%, 0.73%

LAB 62.09, 21.04, -49.48

 

CMYK 0 / 44 / 32 / 7

HEX #EE85A3

RGB 238 133 163

HSL 342.86, 0.76%, 0.73%

LAB 67.72, 43.45, 2

 

CMYK 0 / 4 / 44 / 7

HEX #EEE585

RGB 238 229 133

HSL 54.86, 0.76%, 0.73%

LAB 89.82, -9.99, 47.72

 

CMYK 44 / 0 / 12 / 6

HEX #87EFD2

RGB 135 239 210

HSL 163.27, 0.76%, 0.73%

LAB 87.75, -36.96, 4.62

 

CMYK 34 / 44 / 0 / 7

HEX #9C85EE

RGB 156 133 238

HSL 253.14, 0.76%, 0.73%

LAB 61.67, 32.04, -50.03

 

CMYK 0 / 44 / 32 / 7

HEX #EE85A3

RGB 238 133 163

HSL 342.86, 0.76%, 0.73%

LAB 67.72, 43.45, 2

 

CMYK 10 / 0 / 44 / 7

HEX #D7EE85

RGB 215 238 133

HSL 73.14, 0.76%, 0.73%

LAB 90.45, -23.29, 48.13

 

Description

Color code: HEX #87EFD2 | qconv.com Color code: HEX #87EFD2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 239 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 239 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 12 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 12% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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