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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #840FE0 it is the complementary color #7BF01F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #840FE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #840FE0 shade: #890FDB, #9A21EE, #AB33FF, #BC45FF and #CD57FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #840FE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #840FE0 shade: #840FE0, #7300CD, #6200BA, #5100A7 and #400094

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #840FE0 shade: #840FE0, #BC0FE0, #E00FCB, #E00F93 and #E00F5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #840FE0 shade: #840FE0, #4C0FE0, #130FE0 and #0F0FE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #840FE0 shade matches the following richer shades: #840FE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #840FE0 shade: #840FE0, #8222CC, #7F36B9, #7D49A5 and #7B5D92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #840FE0 shade: #130FE0, #4A0FE0, #820FE0, #B90FE0 and #E00FCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #840FE0 shade: #560A92, #6D0CB9, #840FE0, #9828F0 and #AA4FF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #840FE0 shade: #840FE0, #E00F43 and #0FE02E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #840FE0 shade: #840FE0, #E0820F and #0FE082

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #840FE0 shade: #840FE0, #E00F43, #6DE00F and #0FE0AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #840FE0 shade: #840FE0, #E01A0F, #6DE00F and #0FD5E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 93 / 0 / 12

HEX #840FE0

RGB 132 15 224

HSL 273.59, 0.87%, 0.47%

LAB 38.95, 75.37, -78.98

 

Complementary color

CMYK 49 / 0 / 87 / 6

HEX #7BF01F

RGB 123 240 31

HSL 93.59, 0.87%, 0.53%

LAB 85.32, -63.35, 78.61

 

CMYK 37 / 93 / 0 / 14

HEX #890FDB

RGB 137 15 219

HSL 275.88, 0.87%, 0.46%

LAB 39.2, 74.89, -75.68

 

CMYK 35 / 86 / 0 / 7

HEX #9A21EE

RGB 154 33 238

HSL 275.41, 0.86%, 0.53%

LAB 44.42, 77.34, -77.84

 

CMYK 33 / 80 / 0 / 0

HEX #AB33FF

RGB 171 51 255

HSL 275.29, 1%, 0.6%

LAB 49.79, 78.27, -78.5

 

CMYK 26 / 73 / 0 / 0

HEX #BC45FF

RGB 188 69 255

HSL 278.39, 1%, 0.64%

LAB 54.2, 74.93, -71.22

 

CMYK 20 / 66 / 0 / 0

HEX #CD57FF

RGB 205 87 255

HSL 282.14, 1%, 0.67%

LAB 58.99, 71.13, -63.39

 

CMYK 41 / 93 / 0 / 12

HEX #840FE0

RGB 132 15 224

HSL 273.59, 0.87%, 0.47%

LAB 38.95, 75.37, -78.98

 

CMYK 44 / 100 / 0 / 20

HEX #7300CD

RGB 115 0 205

HSL 273.66, 1%, 0.4%

LAB 34.09, 71.69, -76.09

 

CMYK 47 / 100 / 0 / 27

HEX #6200BA

RGB 98 0 186

HSL 271.61, 1%, 0.36%

LAB 29.77, 66.15, -72.14

 

CMYK 51 / 100 / 0 / 35

HEX #5100A7

RGB 81 0 167

HSL 269.1, 1%, 0.33%

LAB 25.38, 60.54, -68.08

 

CMYK 57 / 100 / 0 / 42

HEX #400094

RGB 64 0 148

HSL 265.95, 1%, 0.29%

LAB 20.94, 54.87, -63.87

 

CMYK 41 / 93 / 0 / 12

HEX #840FE0

RGB 132 15 224

HSL 273.59, 0.87%, 0.47%

LAB 38.95, 75.37, -78.98

 

CMYK 16 / 93 / 0 / 12

HEX #BC0FE0

RGB 188 15 224

HSL 289.67, 0.87%, 0.47%

LAB 47.51, 82.43, -64.64

 

CMYK 0 / 93 / 9 / 12

HEX #E00FCB

RGB 224 15 203

HSL 306.03, 0.87%, 0.47%

LAB 52.4, 85.08, -44.44

 

CMYK 0 / 93 / 34 / 12

HEX #E00F93

RGB 224 15 147

HSL 322.11, 0.87%, 0.47%

LAB 49.85, 78.51, -15.48

 

CMYK 0 / 93 / 60 / 12

HEX #E00F5A

RGB 224 15 90

HSL 338.47, 0.87%, 0.47%

LAB 48.17, 73.97, 16.89

 

CMYK 41 / 93 / 0 / 12

HEX #840FE0

RGB 132 15 224

HSL 273.59, 0.87%, 0.47%

LAB 38.95, 75.37, -78.98

 

CMYK 66 / 93 / 0 / 12

HEX #4C0FE0

RGB 76 15 224

HSL 257.51, 0.87%, 0.47%

LAB 32.39, 70.93, -90.04

 

CMYK 92 / 93 / 0 / 12

HEX #130FE0

RGB 19 15 224

HSL 241.15, 0.87%, 0.47%

LAB 29.06, 69.16, -95.68

 

CMYK 93 / 93 / 0 / 12

HEX #0F0FE0

RGB 15 15 224

HSL 240, 0.87%, 0.47%

LAB 28.97, 69.12, -95.84

 

CMYK 41 / 93 / 0 / 12

HEX #840FE0

RGB 132 15 224

HSL 273.59, 0.87%, 0.47%

LAB 38.95, 75.37, -78.98

 

CMYK 41 / 93 / 0 / 12

HEX #840FE0

RGB 132 15 224

HSL 273.59, 0.87%, 0.47%

LAB 38.95, 75.37, -78.98

 

CMYK 36 / 83 / 0 / 20

HEX #8222CC

RGB 130 34 204

HSL 273.88, 0.71%, 0.47%

LAB 38.29, 66.72, -68.54

 

CMYK 31 / 71 / 0 / 27

HEX #7F36B9

RGB 127 54 185

HSL 273.44, 0.55%, 0.47%

LAB 38.99, 54.45, -56.3

 

CMYK 24 / 56 / 0 / 35

HEX #7D49A5

RGB 125 73 165

HSL 273.91, 0.39%, 0.47%

LAB 40.96, 39.63, -41.29

 

CMYK 16 / 36 / 0 / 43

HEX #7B5D92

RGB 123 93 146

HSL 273.96, 0.22%, 0.47%

LAB 44.4, 22.87, -24.56

 

CMYK 92 / 93 / 0 / 12

HEX #130FE0

RGB 19 15 224

HSL 241.15, 0.87%, 0.47%

LAB 29.06, 69.16, -95.68

 

CMYK 67 / 93 / 0 / 12

HEX #4A0FE0

RGB 74 15 224

HSL 256.94, 0.87%, 0.47%

LAB 32.21, 70.83, -90.34

 

CMYK 42 / 93 / 0 / 12

HEX #820FE0

RGB 130 15 224

HSL 273.01, 0.87%, 0.47%

LAB 38.67, 75.16, -79.45

 

CMYK 17 / 93 / 0 / 12

HEX #B90FE0

RGB 185 15 224

HSL 288.8, 0.87%, 0.47%

LAB 47.02, 82, -65.45

 

CMYK 0 / 93 / 8 / 12

HEX #E00FCE

RGB 224 15 206

HSL 305.17, 0.87%, 0.47%

LAB 52.56, 85.48, -45.91

 

CMYK 41 / 93 / 0 / 43

HEX #560A92

RGB 86 10 146

HSL 273.53, 0.87%, 0.31%

LAB 24.55, 54.25, -56.57

 

CMYK 41 / 94 / 0 / 27

HEX #6D0CB9

RGB 109 12 185

HSL 273.64, 0.88%, 0.39%

LAB 31.85, 65.14, -68.07

 

CMYK 41 / 93 / 0 / 12

HEX #840FE0

RGB 132 15 224

HSL 273.59, 0.87%, 0.47%

LAB 38.95, 75.37, -78.98

 

CMYK 37 / 83 / 0 / 6

HEX #9828F0

RGB 152 40 240

HSL 273.6, 0.87%, 0.55%

LAB 44.92, 75.7, -78.16

 

CMYK 30 / 67 / 0 / 5

HEX #AA4FF2

RGB 170 79 242

HSL 273.5, 0.86%, 0.63%

LAB 52.45, 64.69, -66.93

 

CMYK 41 / 93 / 0 / 12

HEX #840FE0

RGB 132 15 224

HSL 273.59, 0.87%, 0.47%

LAB 38.95, 75.37, -78.98

 

CMYK 0 / 93 / 70 / 12

HEX #E00F43

RGB 224 15 67

HSL 345.07, 0.87%, 0.47%

LAB 47.74, 72.8, 30.44

 

CMYK 93 / 0 / 79 / 12

HEX #0FE02E

RGB 15 224 46

HSL 128.9, 0.87%, 0.47%

LAB 78.23, -76.1, 67.96

 

CMYK 41 / 93 / 0 / 12

HEX #840FE0

RGB 132 15 224

HSL 273.59, 0.87%, 0.47%

LAB 38.95, 75.37, -78.98

 

CMYK 0 / 42 / 93 / 12

HEX #E0820F

RGB 224 130 15

HSL 33.01, 0.87%, 0.47%

LAB 63.22, 29.49, 67.16

 

CMYK 93 / 0 / 42 / 12

HEX #0FE082

RGB 15 224 130

HSL 153.01, 0.87%, 0.47%

LAB 79.06, -65.99, 33.58

 

CMYK 41 / 93 / 0 / 12

HEX #840FE0

RGB 132 15 224

HSL 273.59, 0.87%, 0.47%

LAB 38.95, 75.37, -78.98

 

CMYK 0 / 93 / 70 / 12

HEX #E00F43

RGB 224 15 67

HSL 345.07, 0.87%, 0.47%

LAB 47.74, 72.8, 30.44

 

CMYK 51 / 0 / 93 / 12

HEX #6DE00F

RGB 109 224 15

HSL 93.01, 0.87%, 0.47%

LAB 79.95, -61.99, 76.31

 

CMYK 93 / 0 / 24 / 12

HEX #0FE0AB

RGB 15 224 171

HSL 164.78, 0.87%, 0.47%

LAB 79.81, -57.35, 13.4

 

CMYK 41 / 93 / 0 / 12

HEX #840FE0

RGB 132 15 224

HSL 273.59, 0.87%, 0.47%

LAB 38.95, 75.37, -78.98

 

CMYK 0 / 88 / 93 / 12

HEX #E01A0F

RGB 224 26 15

HSL 3.16, 0.87%, 0.47%

LAB 47.78, 69.99, 57.05

 

CMYK 51 / 0 / 93 / 12

HEX #6DE00F

RGB 109 224 15

HSL 93.01, 0.87%, 0.47%

LAB 79.95, -61.99, 76.31

 

CMYK 93 / 5 / 0 / 12

HEX #0FD5E0

RGB 15 213 224

HSL 183.16, 0.87%, 0.47%

LAB 77.92, -38.27, -17.63

 

Description

Color code: HEX #840FE0 | qconv.com Color code: HEX #840FE0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 15 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 15 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 93 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 93% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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