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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #844118 it is the complementary color #7BBEE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #844118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #844118 shade: #894113, #9A5326, #AB6539, #BC774C and #CD895F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #844118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #844118 shade: #844118, #732F05, #621D00, #510B00 and #400000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #844118 shade: #854118, #852418 and #851818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #844118 shade: #854118, #855F18, #857C18, #718518 and #538518

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #844118 shade matches the following richer shades: #854118 and #923E0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #844118 shade: #854118, #784525, #6C4832, #5F4B3E and #524E4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #844118 shade: #85182A, #852318, #854018, #855D18 and #857A18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #844118 shade: #3F1F0B, #623012, #854118, #A8531E and #CB6425

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #844118 shade: #844118, #478518 and #181C85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #844118 shade: #844118, #188540 and #401885

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #844118 shade: #844118, #478518, #185D85 and #561885

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #844118 shade: #844118, #278518, #185D85 and #771885

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 82 / 48

HEX #844118

RGB 132 65 24

HSL 22.78, 0.69%, 0.31%

LAB 35.5, 25.81, 36.53

 

Complementary color

CMYK 47 / 18 / 0 / 9

HEX #7BBEE7

RGB 123 190 231

HSL 202.78, 0.69%, 0.69%

LAB 74.07, -10.41, -27.03

 

CMYK 0 / 53 / 86 / 46

HEX #894113

RGB 137 65 19

HSL 23.39, 0.76%, 0.31%

LAB 36.26, 27.8, 39.81

 

CMYK 0 / 46 / 75 / 40

HEX #9A5326

RGB 154 83 38

HSL 23.28, 0.6%, 0.38%

LAB 43.06, 25.87, 38.25

 

CMYK 0 / 41 / 67 / 33

HEX #AB6539

RGB 171 101 57

HSL 23.16, 0.5%, 0.45%

LAB 49.81, 24.19, 36.41

 

CMYK 0 / 37 / 60 / 26

HEX #BC774C

RGB 188 119 76

HSL 23.04, 0.46%, 0.52%

LAB 56.49, 22.74, 34.64

 

CMYK 0 / 33 / 54 / 20

HEX #CD895F

RGB 205 137 95

HSL 22.91, 0.52%, 0.59%

LAB 63.09, 21.48, 32.99

 

CMYK 0 / 51 / 82 / 48

HEX #844118

RGB 132 65 24

HSL 22.78, 0.69%, 0.31%

LAB 35.5, 25.81, 36.53

 

CMYK 0 / 59 / 96 / 55

HEX #732F05

RGB 115 47 5

HSL 22.91, 0.92%, 0.24%

LAB 28.61, 27.86, 37.69

 

CMYK 0 / 70 / 100 / 62

HEX #621D00

RGB 98 29 0

HSL 17.76, 1%, 0.19%

LAB 21.86, 29.95, 32.21

 

CMYK 0 / 86 / 100 / 68

HEX #510B00

RGB 81 11 0

HSL 8.15, 1%, 0.16%

LAB 15.43, 31.09, 23.76

 

CMYK 0 / 100 / 100 / 75

HEX #400000

RGB 64 0 0

HSL 0, 1%, 0.13%

LAB 9.72, 29.76, 15.34

 

CMYK 0 / 51 / 82 / 48

HEX #854118

RGB 133 65 24

HSL 22.57, 0.69%, 0.31%

LAB 35.66, 26.25, 36.74

 

CMYK 0 / 73 / 82 / 48

HEX #852418

RGB 133 36 24

HSL 6.61, 0.69%, 0.31%

LAB 30.19, 40.57, 31.37

 

CMYK 0 / 82 / 82 / 48

HEX #851818

RGB 133 24 24

HSL 0, 0.69%, 0.31%

LAB 28.66, 44.84, 29.81

 

CMYK 0 / 51 / 82 / 48

HEX #854118

RGB 133 65 24

HSL 22.57, 0.69%, 0.31%

LAB 35.66, 26.25, 36.74

 

CMYK 0 / 29 / 82 / 48

HEX #855F18

RGB 133 95 24

HSL 39.08, 0.69%, 0.31%

LAB 43.12, 8.8, 43.71

 

CMYK 0 / 7 / 82 / 48

HEX #857C18

RGB 133 124 24

HSL 55.05, 0.69%, 0.31%

LAB 51.23, -7.82, 51

 

CMYK 15 / 0 / 82 / 48

HEX #718518

RGB 113 133 24

HSL 71.01, 0.69%, 0.31%

LAB 52.23, -21.75, 51.25

 

CMYK 38 / 0 / 82 / 48

HEX #538518

RGB 83 133 24

HSL 87.52, 0.69%, 0.31%

LAB 50.31, -34.16, 48.79

 

CMYK 0 / 51 / 82 / 48

HEX #854118

RGB 133 65 24

HSL 22.57, 0.69%, 0.31%

LAB 35.66, 26.25, 36.74

 

CMYK 0 / 58 / 92 / 43

HEX #923E0B

RGB 146 62 11

HSL 22.67, 0.86%, 0.31%

LAB 37.08, 32.97, 44.14

 

CMYK 0 / 51 / 82 / 48

HEX #854118

RGB 133 65 24

HSL 22.57, 0.69%, 0.31%

LAB 35.66, 26.25, 36.74

 

CMYK 0 / 43 / 69 / 53

HEX #784525

RGB 120 69 37

HSL 23.13, 0.53%, 0.31%

LAB 34.77, 18.84, 28.29

 

CMYK 0 / 33 / 54 / 58

HEX #6C4832

RGB 108 72 50

HSL 22.76, 0.37%, 0.31%

LAB 34.09, 12.63, 19.37

 

CMYK 0 / 21 / 35 / 63

HEX #5F4B3E

RGB 95 75 62

HSL 23.64, 0.21%, 0.31%

LAB 33.59, 6.33, 10.95

 

CMYK 0 / 5 / 9 / 68

HEX #524E4B

RGB 82 78 75

HSL 25.71, 0.04%, 0.31%

LAB 33.46, 1.03, 2.36

 

CMYK 0 / 82 / 68 / 48

HEX #85182A

RGB 133 24 42

HSL 350.09, 0.69%, 0.31%

LAB 28.92, 45.66, 18.68

 

CMYK 0 / 74 / 82 / 48

HEX #852318

RGB 133 35 24

HSL 6.06, 0.69%, 0.31%

LAB 30.05, 40.97, 31.22

 

CMYK 0 / 52 / 82 / 48

HEX #854018

RGB 133 64 24

HSL 22.02, 0.69%, 0.31%

LAB 35.44, 26.8, 36.52

 

CMYK 0 / 30 / 82 / 48

HEX #855D18

RGB 133 93 24

HSL 37.98, 0.69%, 0.31%

LAB 42.58, 9.97, 43.22

 

CMYK 0 / 8 / 82 / 48

HEX #857A18

RGB 133 122 24

HSL 53.94, 0.69%, 0.31%

LAB 50.65, -6.71, 50.49

 

CMYK 0 / 51 / 83 / 75

HEX #3F1F0B

RGB 63 31 11

HSL 23.08, 0.7%, 0.15%

LAB 15.8, 13.58, 18.99

 

CMYK 0 / 51 / 82 / 62

HEX #623012

RGB 98 48 18

HSL 22.5, 0.69%, 0.23%

LAB 26.02, 20.18, 28.41

 

CMYK 0 / 51 / 82 / 48

HEX #854118

RGB 133 65 24

HSL 22.57, 0.69%, 0.31%

LAB 35.66, 26.25, 36.74

 

CMYK 0 / 51 / 82 / 34

HEX #A8531E

RGB 168 83 30

HSL 23.04, 0.7%, 0.39%

LAB 45.09, 31.46, 44.78

 

CMYK 0 / 51 / 82 / 20

HEX #CB6425

RGB 203 100 37

HSL 22.77, 0.69%, 0.47%

LAB 53.97, 37.02, 51.85

 

CMYK 0 / 51 / 82 / 48

HEX #844118

RGB 132 65 24

HSL 22.78, 0.69%, 0.31%

LAB 35.5, 25.81, 36.53

 

CMYK 47 / 0 / 82 / 48

HEX #478518

RGB 71 133 24

HSL 94.13, 0.69%, 0.31%

LAB 49.71, -38.48, 48.02

 

CMYK 82 / 79 / 0 / 48

HEX #181C85

RGB 24 28 133

HSL 237.8, 0.69%, 0.31%

LAB 18.88, 37.33, -58.02

 

CMYK 0 / 51 / 82 / 48

HEX #844118

RGB 132 65 24

HSL 22.78, 0.69%, 0.31%

LAB 35.5, 25.81, 36.53

 

CMYK 82 / 0 / 52 / 48

HEX #188540

RGB 24 133 64

HSL 142.02, 0.69%, 0.31%

LAB 48.68, -45.24, 28.87

 

CMYK 52 / 82 / 0 / 48

HEX #401885

RGB 64 24 133

HSL 262.02, 0.69%, 0.31%

LAB 21.71, 43.72, -53.22

 

CMYK 0 / 51 / 82 / 48

HEX #844118

RGB 132 65 24

HSL 22.78, 0.69%, 0.31%

LAB 35.5, 25.81, 36.53

 

CMYK 47 / 0 / 82 / 48

HEX #478518

RGB 71 133 24

HSL 94.13, 0.69%, 0.31%

LAB 49.71, -38.48, 48.02

 

CMYK 82 / 30 / 0 / 48

HEX #185D85

RGB 24 93 133

HSL 202.02, 0.69%, 0.31%

LAB 37.33, -6.05, -28.22

 

CMYK 35 / 82 / 0 / 48

HEX #561885

RGB 86 24 133

HSL 274.13, 0.69%, 0.31%

LAB 24.72, 47.19, -48.18

 

CMYK 0 / 51 / 82 / 48

HEX #844118

RGB 132 65 24

HSL 22.78, 0.69%, 0.31%

LAB 35.5, 25.81, 36.53

 

CMYK 71 / 0 / 82 / 48

HEX #278518

RGB 39 133 24

HSL 111.74, 0.69%, 0.31%

LAB 48.6, -47.32, 46.58

 

CMYK 82 / 30 / 0 / 48

HEX #185D85

RGB 24 93 133

HSL 202.02, 0.69%, 0.31%

LAB 37.33, -6.05, -28.22

 

CMYK 11 / 82 / 0 / 48

HEX #771885

RGB 119 24 133

HSL 292.29, 0.69%, 0.31%

LAB 30.08, 53.38, -39.24

 

Description

Color code: HEX #844118 | qconv.com Color code: HEX #844118 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 65 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 65 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 82 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 82% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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