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Color name
RGB 203 100 37

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 203 100 37 it is the complementary color RGB 52 155 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 203 100 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 203 100 37 shade: RGB 208 100 32, RGB 225 118 51, RGB 242 136 70, RGB 255 154 89 and RGB 255 172 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 203 100 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 203 100 37 shade: RGB 203 100 37, RGB 186 82 18, RGB 169 64 0, RGB 152 46 0 and RGB 135 28 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 203 100 37 shade: RGB 202 99 37, RGB 202 55 37 and RGB 202 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 203 100 37 shade: RGB 202 99 37, RGB 202 144 37, RGB 202 189 37, RGB 171 202 37 and RGB 126 202 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 203 100 37 shade matches the following richer shades: RGB 202 99 37 and RGB 221 95 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 203 100 37 shade: RGB 202 99 37, RGB 183 104 56, RGB 163 109 75, RGB 144 113 95 and RGB 124 118 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 203 100 37 shade: RGB 202 37 64, RGB 202 53 37, RGB 202 97 37, RGB 202 141 37 and RGB 202 186 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 203 100 37 shade: RGB 132 65 24, RGB 167 82 30, RGB 202 99 37, RGB 219 121 61 and RGB 225 145 96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 203 100 37 shade: RGB 203 100 37, RGB 108 202 37 and RGB 37 42 202

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 203 100 37 shade: RGB 203 100 37, RGB 37 202 97 and RGB 97 37 202

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 203 100 37 shade: RGB 203 100 37, RGB 108 202 37, RGB 37 141 202 and RGB 130 37 202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 203 100 37 shade: RGB 203 100 37, RGB 59 202 37, RGB 37 141 202 and RGB 180 37 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 82 / 20

HEX #CB6425

RGB 203 100 37

HSL 22.77, 0.69%, 0.47%

LAB 53.97, 37.02, 51.85

 

Complementary color

CMYK 76 / 29 / 0 / 15

HEX #349BDA

RGB 52 155 218

HSL 202.77, 0.69%, 0.53%

LAB 60.99, -8.14, -40.38

 

CMYK 0 / 52 / 85 / 18

HEX #D06420

RGB 208 100 32

HSL 23.18, 0.73%, 0.47%

LAB 54.69, 38.86, 54.79

 

CMYK 0 / 48 / 77 / 12

HEX #E17633

RGB 225 118 51

HSL 23.1, 0.74%, 0.54%

LAB 60.96, 37.03, 53.5

 

CMYK 0 / 44 / 71 / 5

HEX #F28846

RGB 242 136 70

HSL 23.02, 0.87%, 0.61%

LAB 67.22, 35.34, 51.86

 

CMYK 0 / 40 / 65 / 0

HEX #FF9A59

RGB 255 154 89

HSL 23.49, 1%, 0.67%

LAB 72.95, 32.22, 49.44

 

CMYK 0 / 33 / 58 / 0

HEX #FFAC6C

RGB 255 172 108

HSL 26.12, 1%, 0.71%

LAB 77.19, 24.12, 44.93

 

CMYK 0 / 51 / 82 / 20

HEX #CB6425

RGB 203 100 37

HSL 22.77, 0.69%, 0.47%

LAB 53.97, 37.02, 51.85

 

CMYK 0 / 56 / 90 / 27

HEX #BA5212

RGB 186 82 18

HSL 22.86, 0.82%, 0.4%

LAB 47.65, 38.93, 52.68

 

CMYK 0 / 62 / 100 / 34

HEX #A94000

RGB 169 64 0

HSL 22.72, 1%, 0.33%

LAB 41.38, 40.85, 52.33

 

CMYK 0 / 70 / 100 / 40

HEX #982E00

RGB 152 46 0

HSL 18.16, 1%, 0.3%

LAB 35.26, 42.64, 47.47

 

CMYK 0 / 79 / 100 / 47

HEX #871C00

RGB 135 28 0

HSL 12.44, 1%, 0.26%

LAB 29.37, 43.66, 41.96

 

CMYK 0 / 51 / 82 / 21

HEX #CA6325

RGB 202 99 37

HSL 22.55, 0.69%, 0.47%

LAB 53.61, 37.13, 51.47

 

CMYK 0 / 73 / 82 / 21

HEX #CA3725

RGB 202 55 37

HSL 6.55, 0.69%, 0.47%

LAB 46.21, 56.68, 44.56

 

CMYK 0 / 82 / 82 / 21

HEX #CA2525

RGB 202 37 37

HSL 0, 0.69%, 0.47%

LAB 44.25, 62.15, 42.69

 

CMYK 0 / 51 / 82 / 21

HEX #CA6325

RGB 202 99 37

HSL 22.55, 0.69%, 0.47%

LAB 53.61, 37.13, 51.47

 

CMYK 0 / 29 / 82 / 21

HEX #CA9025

RGB 202 144 37

HSL 38.91, 0.69%, 0.47%

LAB 63.87, 12.98, 60.66

 

CMYK 0 / 6 / 82 / 21

HEX #CABD25

RGB 202 189 37

HSL 55.27, 0.69%, 0.47%

LAB 75.5, -10.91, 70.76

 

CMYK 15 / 0 / 82 / 21

HEX #ABCA25

RGB 171 202 37

HSL 71.27, 0.69%, 0.47%

LAB 76.7, -30.42, 70.86

 

CMYK 38 / 0 / 82 / 21

HEX #7ECA25

RGB 126 202 37

HSL 87.64, 0.69%, 0.47%

LAB 74.07, -47.57, 67.52

 

CMYK 0 / 51 / 82 / 21

HEX #CA6325

RGB 202 99 37

HSL 22.55, 0.69%, 0.47%

LAB 53.61, 37.13, 51.47

 

CMYK 0 / 57 / 92 / 13

HEX #DD5F11

RGB 221 95 17

HSL 22.94, 0.86%, 0.47%

LAB 55.68, 46, 61.28

 

CMYK 0 / 51 / 82 / 21

HEX #CA6325

RGB 202 99 37

HSL 22.55, 0.69%, 0.47%

LAB 53.61, 37.13, 51.47

 

CMYK 0 / 43 / 69 / 28

HEX #B76838

RGB 183 104 56

HSL 22.68, 0.53%, 0.47%

LAB 52.12, 27.55, 40

 

CMYK 0 / 33 / 54 / 36

HEX #A36D4B

RGB 163 109 75

HSL 23.18, 0.37%, 0.47%

LAB 50.96, 17.65, 27.63

 

CMYK 0 / 22 / 34 / 44

HEX #90715F

RGB 144 113 95

HSL 22.04, 0.21%, 0.47%

LAB 50.18, 9.52, 14.65

 

CMYK 0 / 5 / 8 / 51

HEX #7C7672

RGB 124 118 114

HSL 24, 0.04%, 0.47%

LAB 50.05, 1.53, 3.01

 

CMYK 0 / 82 / 68 / 21

HEX #CA2540

RGB 202 37 64

HSL 350.18, 0.69%, 0.47%

LAB 44.59, 63.18, 27.38

 

CMYK 0 / 74 / 82 / 21

HEX #CA3525

RGB 202 53 37

HSL 5.82, 0.69%, 0.47%

LAB 45.96, 57.37, 44.32

 

CMYK 0 / 52 / 82 / 21

HEX #CA6125

RGB 202 97 37

HSL 21.82, 0.69%, 0.47%

LAB 53.21, 38.15, 51.1

 

CMYK 0 / 30 / 82 / 21

HEX #CA8D25

RGB 202 141 37

HSL 37.82, 0.69%, 0.47%

LAB 63.13, 14.62, 60.01

 

CMYK 0 / 8 / 82 / 21

HEX #CABA25

RGB 202 186 37

HSL 54.18, 0.69%, 0.47%

LAB 74.7, -9.37, 70.07

 

CMYK 0 / 51 / 82 / 48

HEX #844118

RGB 132 65 24

HSL 22.78, 0.69%, 0.31%

LAB 35.5, 25.81, 36.53

 

CMYK 0 / 51 / 82 / 35

HEX #A7521E

RGB 167 82 30

HSL 22.77, 0.7%, 0.39%

LAB 44.72, 31.58, 44.38

 

CMYK 0 / 51 / 82 / 21

HEX #CA6325

RGB 202 99 37

HSL 22.55, 0.69%, 0.47%

LAB 53.61, 37.13, 51.47

 

CMYK 0 / 45 / 72 / 14

HEX #DB793D

RGB 219 121 61

HSL 22.78, 0.69%, 0.55%

LAB 60.84, 33.5, 48.44

 

CMYK 0 / 36 / 57 / 12

HEX #E19160

RGB 225 145 96

HSL 22.79, 0.68%, 0.63%

LAB 67.35, 25.41, 38.29

 

CMYK 0 / 51 / 82 / 20

HEX #CB6425

RGB 203 100 37

HSL 22.77, 0.69%, 0.47%

LAB 53.97, 37.02, 51.85

 

CMYK 47 / 0 / 82 / 21

HEX #6CCA25

RGB 108 202 37

HSL 94.18, 0.69%, 0.47%

LAB 73.26, -53.49, 66.49

 

CMYK 82 / 79 / 0 / 21

HEX #252ACA

RGB 37 42 202

HSL 238.18, 0.69%, 0.47%

LAB 30.19, 53.48, -81.03

 

CMYK 0 / 51 / 82 / 20

HEX #CB6425

RGB 203 100 37

HSL 22.77, 0.69%, 0.47%

LAB 53.97, 37.02, 51.85

 

CMYK 82 / 0 / 52 / 21

HEX #25CA61

RGB 37 202 97

HSL 141.82, 0.69%, 0.47%

LAB 71.89, -62.63, 40.89

 

CMYK 52 / 82 / 0 / 21

HEX #6125CA

RGB 97 37 202

HSL 261.82, 0.69%, 0.47%

LAB 34.25, 60.93, -74.16

 

CMYK 0 / 51 / 82 / 20

HEX #CB6425

RGB 203 100 37

HSL 22.77, 0.69%, 0.47%

LAB 53.97, 37.02, 51.85

 

CMYK 47 / 0 / 82 / 21

HEX #6CCA25

RGB 108 202 37

HSL 94.18, 0.69%, 0.47%

LAB 73.26, -53.49, 66.49

 

CMYK 82 / 30 / 0 / 21

HEX #258DCA

RGB 37 141 202

HSL 202.18, 0.69%, 0.47%

LAB 55.79, -7.43, -39.59

 

CMYK 36 / 82 / 0 / 21

HEX #8225CA

RGB 130 37 202

HSL 273.82, 0.69%, 0.47%

LAB 38.43, 65.36, -67.14

 

CMYK 0 / 51 / 82 / 20

HEX #CB6425

RGB 203 100 37

HSL 22.77, 0.69%, 0.47%

LAB 53.97, 37.02, 51.85

 

CMYK 71 / 0 / 82 / 21

HEX #3BCA25

RGB 59 202 37

HSL 112, 0.69%, 0.47%

LAB 71.76, -65.54, 64.57

 

CMYK 82 / 30 / 0 / 21

HEX #258DCA

RGB 37 141 202

HSL 202.18, 0.69%, 0.47%

LAB 55.79, -7.43, -39.59

 

CMYK 11 / 82 / 0 / 21

HEX #B425CA

RGB 180 37 202

HSL 292, 0.69%, 0.47%

LAB 46.03, 73.61, -54.47

 

Description

Color code: RGB 203 100 37 | qconv.com Color code: RGB 203 100 37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 100 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 100 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 82 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 82% 20% C M Y K

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Provide designers and agencies with accurate color values.

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