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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84800F it is the complementary color #7B7FF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84800F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84800F shade: #89800A, #9A921D, #ABA430, #BCB643 and #CDC856

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84800F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84800F shade: #84800F, #736E00, #625C00, #514A00 and #403800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84800F shade: #85810E, #85610E, #85410E, #85210E and #850E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84800F shade: #85810E, #69850E, #49850E, #29850E and #0E8514

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84800F shade matches the following richer shades: #85810E and #918C02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84800F shade: #85810E, #79751A, #6D6A26, #615F32 and #55543E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84800F shade: #85400E, #855F0E, #857F0E, #6B850E and #4B850E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84800F shade: #3A3906, #5F5D0A, #85810E, #AAA512 and #CFC917

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84800F shade: #84800F, #0E8520 and #4F0E85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84800F shade: #84800F, #0E857F and #7F0E85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84800F shade: #84800F, #0E8520, #0E1485 and #850E73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84800F shade: #84800F, #0E8544, #0E1485 and #850E4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 89 / 48

HEX #84800F

RGB 132 128 15

HSL 57.95, 0.8%, 0.29%

LAB 52.26, -10.76, 54.27

 

Complementary color

CMYK 49 / 47 / 0 / 6

HEX #7B7FF0

RGB 123 127 240

HSL 237.95, 0.8%, 0.71%

LAB 57.73, 28.15, -57.56

 

CMYK 0 / 7 / 93 / 46

HEX #89800A

RGB 137 128 10

HSL 55.75, 0.86%, 0.29%

LAB 52.71, -8.54, 55.82

 

CMYK 0 / 5 / 81 / 40

HEX #9A921D

RGB 154 146 29

HSL 56.16, 0.68%, 0.36%

LAB 59.45, -9.94, 57.44

 

CMYK 0 / 4 / 72 / 33

HEX #ABA430

RGB 171 164 48

HSL 56.59, 0.56%, 0.43%

LAB 66.08, -11.08, 57.67

 

CMYK 0 / 3 / 64 / 26

HEX #BCB643

RGB 188 182 67

HSL 57.02, 0.47%, 0.5%

LAB 72.6, -11.99, 57.18

 

CMYK 0 / 2 / 58 / 20

HEX #CDC856

RGB 205 200 86

HSL 57.48, 0.54%, 0.57%

LAB 79.02, -12.75, 56.32

 

CMYK 0 / 3 / 89 / 48

HEX #84800F

RGB 132 128 15

HSL 57.95, 0.8%, 0.29%

LAB 52.26, -10.76, 54.27

 

CMYK 0 / 4 / 100 / 55

HEX #736E00

RGB 115 110 0

HSL 57.39, 1%, 0.23%

LAB 45.35, -9.2, 51.4

 

CMYK 0 / 6 / 100 / 62

HEX #625C00

RGB 98 92 0

HSL 56.33, 1%, 0.19%

LAB 38.29, -7.26, 45.54

 

CMYK 0 / 9 / 100 / 68

HEX #514A00

RGB 81 74 0

HSL 54.81, 1%, 0.16%

LAB 30.99, -5.22, 39.48

 

CMYK 0 / 13 / 100 / 75

HEX #403800

RGB 64 56 0

HSL 52.5, 1%, 0.13%

LAB 23.4, -3.03, 32.19

 

CMYK 0 / 3 / 89 / 48

HEX #85810E

RGB 133 129 14

HSL 57.98, 0.81%, 0.29%

LAB 52.64, -10.86, 54.83

 

CMYK 0 / 27 / 89 / 48

HEX #85610E

RGB 133 97 14

HSL 41.85, 0.81%, 0.29%

LAB 43.61, 7.3, 47.52

 

CMYK 0 / 51 / 89 / 48

HEX #85410E

RGB 133 65 14

HSL 25.71, 0.81%, 0.29%

LAB 35.59, 25.93, 41.01

 

CMYK 0 / 75 / 89 / 48

HEX #85210E

RGB 133 33 14

HSL 9.58, 0.81%, 0.29%

LAB 29.68, 41.46, 36.17

 

CMYK 0 / 89 / 89 / 48

HEX #850E0E

RGB 133 14 14

HSL 0, 0.81%, 0.29%

LAB 27.66, 47.13, 34.5

 

CMYK 0 / 3 / 89 / 48

HEX #85810E

RGB 133 129 14

HSL 57.98, 0.81%, 0.29%

LAB 52.64, -10.86, 54.83

 

CMYK 21 / 0 / 89 / 48

HEX #69850E

RGB 105 133 14

HSL 74.12, 0.81%, 0.29%

LAB 51.62, -25.59, 53.08

 

CMYK 45 / 0 / 89 / 48

HEX #49850E

RGB 73 133 14

HSL 90.25, 0.81%, 0.29%

LAB 49.77, -38.24, 50.77

 

CMYK 69 / 0 / 89 / 48

HEX #29850E

RGB 41 133 14

HSL 106.39, 0.81%, 0.29%

LAB 48.61, -47.42, 49.32

 

CMYK 89 / 0 / 85 / 48

HEX #0E8514

RGB 14 133 20

HSL 123.03, 0.81%, 0.29%

LAB 48.16, -51.25, 47.21

 

CMYK 0 / 3 / 89 / 48

HEX #85810E

RGB 133 129 14

HSL 57.98, 0.81%, 0.29%

LAB 52.64, -10.86, 54.83

 

CMYK 0 / 3 / 99 / 43

HEX #918C02

RGB 145 140 2

HSL 57.9, 0.97%, 0.29%

LAB 56.86, -11.47, 60.67

 

CMYK 0 / 3 / 89 / 48

HEX #85810E

RGB 133 129 14

HSL 57.98, 0.81%, 0.29%

LAB 52.64, -10.86, 54.83

 

CMYK 0 / 3 / 79 / 53

HEX #79751A

RGB 121 117 26

HSL 57.47, 0.65%, 0.29%

LAB 48.09, -9.48, 47.08

 

CMYK 0 / 3 / 65 / 57

HEX #6D6A26

RGB 109 106 38

HSL 57.46, 0.48%, 0.29%

LAB 43.8, -8.25, 37.43

 

CMYK 0 / 2 / 48 / 62

HEX #615F32

RGB 97 95 50

HSL 57.45, 0.32%, 0.29%

LAB 39.51, -6.42, 25.91

 

CMYK 0 / 1 / 27 / 67

HEX #55543E

RGB 85 84 62

HSL 57.39, 0.16%, 0.29%

LAB 35.24, -3.72, 13.05

 

CMYK 0 / 52 / 89 / 48

HEX #85400E

RGB 133 64 14

HSL 25.21, 0.81%, 0.29%

LAB 35.37, 26.49, 40.83

 

CMYK 0 / 29 / 89 / 48

HEX #855F0E

RGB 133 95 14

HSL 40.84, 0.81%, 0.29%

LAB 43.07, 8.48, 47.09

 

CMYK 0 / 5 / 89 / 48

HEX #857F0E

RGB 133 127 14

HSL 56.97, 0.81%, 0.29%

LAB 52.06, -9.77, 54.36

 

CMYK 20 / 0 / 89 / 48

HEX #6B850E

RGB 107 133 14

HSL 73.11, 0.81%, 0.29%

LAB 51.76, -24.72, 53.26

 

CMYK 44 / 0 / 89 / 48

HEX #4B850E

RGB 75 133 14

HSL 89.24, 0.81%, 0.29%

LAB 49.86, -37.53, 50.89

 

CMYK 0 / 2 / 90 / 77

HEX #3A3906

RGB 58 57 6

HSL 58.85, 0.81%, 0.13%

LAB 23.13, -6.53, 29.26

 

CMYK 0 / 2 / 89 / 63

HEX #5F5D0A

RGB 95 93 10

HSL 58.59, 0.81%, 0.21%

LAB 38.35, -9.02, 42.62

 

CMYK 0 / 3 / 89 / 48

HEX #85810E

RGB 133 129 14

HSL 57.98, 0.81%, 0.29%

LAB 52.64, -10.86, 54.83

 

CMYK 0 / 3 / 89 / 33

HEX #AAA512

RGB 170 165 18

HSL 58.03, 0.81%, 0.37%

LAB 66.14, -13.07, 66.21

 

CMYK 0 / 3 / 89 / 19

HEX #CFC917

RGB 207 201 23

HSL 58.04, 0.8%, 0.45%

LAB 79.1, -15.16, 76.9

 

CMYK 0 / 3 / 89 / 48

HEX #84800F

RGB 132 128 15

HSL 57.95, 0.8%, 0.29%

LAB 52.26, -10.76, 54.27

 

CMYK 89 / 0 / 76 / 48

HEX #0E8520

RGB 14 133 32

HSL 129.08, 0.81%, 0.29%

LAB 48.23, -50.39, 43.28

 

CMYK 41 / 89 / 0 / 48

HEX #4F0E85

RGB 79 14 133

HSL 272.77, 0.81%, 0.29%

LAB 22.55, 49.39, -51.77

 

CMYK 0 / 3 / 89 / 48

HEX #84800F

RGB 132 128 15

HSL 57.95, 0.8%, 0.29%

LAB 52.26, -10.76, 54.27

 

CMYK 89 / 0 / 5 / 48

HEX #0E857F

RGB 14 133 127

HSL 176.97, 0.81%, 0.29%

LAB 49.98, -30.81, -5.32

 

CMYK 5 / 89 / 0 / 48

HEX #7F0E85

RGB 127 14 133

HSL 296.97, 0.81%, 0.29%

LAB 30.69, 57.32, -38.19

 

CMYK 0 / 3 / 89 / 48

HEX #84800F

RGB 132 128 15

HSL 57.95, 0.8%, 0.29%

LAB 52.26, -10.76, 54.27

 

CMYK 89 / 0 / 76 / 48

HEX #0E8520

RGB 14 133 32

HSL 129.08, 0.81%, 0.29%

LAB 48.23, -50.39, 43.28

 

CMYK 89 / 85 / 0 / 48

HEX #0E1485

RGB 14 20 133

HSL 236.97, 0.81%, 0.29%

LAB 16.93, 41.14, -61.27

 

CMYK 0 / 89 / 14 / 48

HEX #850E73

RGB 133 14 115

HSL 309.08, 0.81%, 0.29%

LAB 30.73, 55.68, -26.7

 

CMYK 0 / 3 / 89 / 48

HEX #84800F

RGB 132 128 15

HSL 57.95, 0.8%, 0.29%

LAB 52.26, -10.76, 54.27

 

CMYK 89 / 0 / 49 / 48

HEX #0E8544

RGB 14 133 68

HSL 147.23, 0.81%, 0.29%

LAB 48.62, -45.58, 26.61

 

CMYK 89 / 85 / 0 / 48

HEX #0E1485

RGB 14 20 133

HSL 236.97, 0.81%, 0.29%

LAB 16.93, 41.14, -61.27

 

CMYK 0 / 89 / 41 / 48

HEX #850E4F

RGB 133 14 79

HSL 327.23, 0.81%, 0.29%

LAB 29.07, 51.16, -5.84

 

Description

Color code: HEX #84800F | qconv.com Color code: HEX #84800F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 128 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 128 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 89 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 89% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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