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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #849AC6 it is the complementary color #7B6539. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #849AC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #849AC6 shade: #899AC1, #9AACD4, #ABBEE7, #BCD0FA and #CDE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #849AC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #849AC6 shade: #849AC6, #7388B3, #6276A0, #51648D and #40527A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #849AC6 shade: #849AC6, #8488C6, #9284C6, #A484C6 and #B584C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #849AC6 shade: #849AC6, #8488C6 and #8484C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #849AC6 shade matches the following richer shades: #849AC6, #7695D5, #6791E3 and #598CF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #849AC6 shade: #849AC6, #939FB8, #A1A4A9, #B0A99B and #BEAD8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #849AC6 shade: #84BDC6, #84ACC6, #849AC6, #8489C6 and #9184C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #849AC6 shade: #4E6DAA, #6883B9, #849AC6, #A0B1D3 and #BDC9E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #849AC6 shade: #849AC6, #BD84C6 and #B5C684

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #849AC6 shade: #849AC6, #C6849A and #9AC684

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #849AC6 shade: #849AC6, #BD84C6, #C6B084 and #8DC684

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #849AC6 shade: #849AC6, #C684BB, #C6B084 and #84C68F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 22 / 0 / 22

HEX #849AC6

RGB 132 154 198

HSL 220, 0.37%, 0.65%

LAB 63.42, 2.82, -25.17

 

Complementary color

CMYK 0 / 18 / 54 / 52

HEX #7B6539

RGB 123 101 57

HSL 40, 0.37%, 0.35%

LAB 43.96, 2.8, 28.04

 

CMYK 29 / 20 / 0 / 24

HEX #899AC1

RGB 137 154 193

HSL 221.79, 0.31%, 0.65%

LAB 63.57, 3.02, -22.11

 

CMYK 27 / 19 / 0 / 17

HEX #9AACD4

RGB 154 172 212

HSL 221.38, 0.4%, 0.72%

LAB 70.27, 2.74, -22.32

 

CMYK 26 / 18 / 0 / 9

HEX #ABBEE7

RGB 171 190 231

HSL 221, 0.56%, 0.79%

LAB 76.83, 2.49, -22.55

 

CMYK 25 / 17 / 0 / 2

HEX #BCD0FA

RGB 188 208 250

HSL 220.65, 0.86%, 0.86%

LAB 83.29, 2.26, -22.8

 

CMYK 20 / 11 / 0 / 0

HEX #CDE2FF

RGB 205 226 255

HSL 214.8, 1%, 0.9%

LAB 89.2, -1.01, -16.4

 

CMYK 33 / 22 / 0 / 22

HEX #849AC6

RGB 132 154 198

HSL 220, 0.37%, 0.65%

LAB 63.42, 2.82, -25.17

 

CMYK 36 / 24 / 0 / 30

HEX #7388B3

RGB 115 136 179

HSL 220.31, 0.3%, 0.58%

LAB 56.59, 3.18, -25.03

 

CMYK 39 / 26 / 0 / 37

HEX #6276A0

RGB 98 118 160

HSL 220.65, 0.25%, 0.51%

LAB 49.61, 3.6, -24.94

 

CMYK 43 / 29 / 0 / 45

HEX #51648D

RGB 81 100 141

HSL 221, 0.27%, 0.44%

LAB 42.44, 4.11, -24.88

 

CMYK 48 / 33 / 0 / 52

HEX #40527A

RGB 64 82 122

HSL 221.38, 0.31%, 0.36%

LAB 35.06, 4.76, -24.89

 

CMYK 33 / 22 / 0 / 22

HEX #849AC6

RGB 132 154 198

HSL 220, 0.37%, 0.65%

LAB 63.42, 2.82, -25.17

 

CMYK 33 / 31 / 0 / 22

HEX #8488C6

RGB 132 136 198

HSL 236.36, 0.37%, 0.65%

LAB 58.59, 13.19, -32.63

 

CMYK 26 / 33 / 0 / 22

HEX #9284C6

RGB 146 132 198

HSL 252.73, 0.37%, 0.65%

LAB 58.69, 19.63, -32.4

 

CMYK 17 / 33 / 0 / 22

HEX #A484C6

RGB 164 132 198

HSL 269.09, 0.37%, 0.65%

LAB 60.31, 25.14, -29.75

 

CMYK 9 / 33 / 0 / 22

HEX #B584C6

RGB 181 132 198

HSL 284.55, 0.37%, 0.65%

LAB 62, 30.51, -27

 

CMYK 33 / 22 / 0 / 22

HEX #849AC6

RGB 132 154 198

HSL 220, 0.37%, 0.65%

LAB 63.42, 2.82, -25.17

 

CMYK 33 / 31 / 0 / 22

HEX #8488C6

RGB 132 136 198

HSL 236.36, 0.37%, 0.65%

LAB 58.59, 13.19, -32.63

 

CMYK 33 / 33 / 0 / 22

HEX #8484C6

RGB 132 132 198

HSL 240, 0.37%, 0.65%

LAB 57.55, 15.53, -34.27

 

CMYK 33 / 22 / 0 / 22

HEX #849AC6

RGB 132 154 198

HSL 220, 0.37%, 0.65%

LAB 63.42, 2.82, -25.17

 

CMYK 45 / 30 / 0 / 16

HEX #7695D5

RGB 118 149 213

HSL 220.42, 0.53%, 0.65%

LAB 61.78, 6.02, -36.15

 

CMYK 55 / 36 / 0 / 11

HEX #6791E3

RGB 103 145 227

HSL 219.68, 0.69%, 0.65%

LAB 60.5, 9.12, -46.02

 

CMYK 63 / 42 / 0 / 5

HEX #598CF2

RGB 89 140 242

HSL 220, 0.85%, 0.65%

LAB 59.24, 14.3, -56.37

 

CMYK 33 / 22 / 0 / 22

HEX #849AC6

RGB 132 154 198

HSL 220, 0.37%, 0.65%

LAB 63.42, 2.82, -25.17

 

CMYK 20 / 14 / 0 / 28

HEX #939FB8

RGB 147 159 184

HSL 220.54, 0.21%, 0.65%

LAB 65.33, 1.17, -14.34

 

CMYK 5 / 3 / 0 / 34

HEX #A1A4A9

RGB 161 164 169

HSL 217.5, 0.04%, 0.65%

LAB 67.27, -0.09, -2.96

 

CMYK 0 / 4 / 12 / 31

HEX #B0A99B

RGB 176 169 155

HSL 40, 0.12%, 0.65%

LAB 69.45, 0.05, 8.11

 

CMYK 0 / 9 / 26 / 25

HEX #BEAD8D

RGB 190 173 141

HSL 39.18, 0.27%, 0.65%

LAB 71.39, 1.07, 18.69

 

CMYK 33 / 5 / 0 / 22

HEX #84BDC6

RGB 132 189 198

HSL 188.18, 0.37%, 0.65%

LAB 73.14, -16.18, -10.45

 

CMYK 33 / 13 / 0 / 22

HEX #84ACC6

RGB 132 172 198

HSL 203.64, 0.37%, 0.65%

LAB 68.38, -7.17, -17.61

 

CMYK 33 / 22 / 0 / 22

HEX #849AC6

RGB 132 154 198

HSL 220, 0.37%, 0.65%

LAB 63.42, 2.82, -25.17

 

CMYK 33 / 31 / 0 / 22

HEX #8489C6

RGB 132 137 198

HSL 235.45, 0.37%, 0.65%

LAB 58.86, 12.6, -32.22

 

CMYK 27 / 33 / 0 / 22

HEX #9184C6

RGB 145 132 198

HSL 251.82, 0.37%, 0.65%

LAB 58.6, 19.33, -32.54

 

CMYK 54 / 36 / 0 / 33

HEX #4E6DAA

RGB 78 109 170

HSL 219.78, 0.37%, 0.49%

LAB 46.26, 6.96, -36.11

 

CMYK 44 / 29 / 0 / 27

HEX #6883B9

RGB 104 131 185

HSL 220, 0.37%, 0.57%

LAB 54.74, 4.77, -31.39

 

CMYK 33 / 22 / 0 / 22

HEX #849AC6

RGB 132 154 198

HSL 220, 0.37%, 0.65%

LAB 63.42, 2.82, -25.17

 

CMYK 24 / 16 / 0 / 17

HEX #A0B1D3

RGB 160 177 211

HSL 220, 0.37%, 0.73%

LAB 71.97, 1.57, -19.14

 

CMYK 16 / 10 / 0 / 12

HEX #BDC9E0

RGB 189 201 224

HSL 219.43, 0.36%, 0.81%

LAB 80.72, 0.57, -12.79

 

CMYK 33 / 22 / 0 / 22

HEX #849AC6

RGB 132 154 198

HSL 220, 0.37%, 0.65%

LAB 63.42, 2.82, -25.17

 

CMYK 5 / 33 / 0 / 22

HEX #BD84C6

RGB 189 132 198

HSL 291.82, 0.37%, 0.65%

LAB 62.84, 33.07, -25.64

 

CMYK 9 / 0 / 33 / 22

HEX #B5C684

RGB 181 198 132

HSL 75.45, 0.37%, 0.65%

LAB 77.21, -16.69, 31.21

 

CMYK 33 / 22 / 0 / 22

HEX #849AC6

RGB 132 154 198

HSL 220, 0.37%, 0.65%

LAB 63.42, 2.82, -25.17

 

CMYK 0 / 33 / 22 / 22

HEX #C6849A

RGB 198 132 154

HSL 340, 0.37%, 0.65%

LAB 62.37, 28.49, -1.29

 

CMYK 22 / 0 / 33 / 22

HEX #9AC684

RGB 154 198 132

HSL 100, 0.37%, 0.65%

LAB 75.4, -26.66, 28.49

 

CMYK 33 / 22 / 0 / 22

HEX #849AC6

RGB 132 154 198

HSL 220, 0.37%, 0.65%

LAB 63.42, 2.82, -25.17

 

CMYK 5 / 33 / 0 / 22

HEX #BD84C6

RGB 189 132 198

HSL 291.82, 0.37%, 0.65%

LAB 62.84, 33.07, -25.64

 

CMYK 0 / 11 / 33 / 22

HEX #C6B084

RGB 198 176 132

HSL 40, 0.37%, 0.65%

LAB 72.71, 1.41, 25.47

 

CMYK 29 / 0 / 33 / 22

HEX #8DC684

RGB 141 198 132

HSL 111.82, 0.37%, 0.65%

LAB 74.65, -31.16, 27.35

 

CMYK 33 / 22 / 0 / 22

HEX #849AC6

RGB 132 154 198

HSL 220, 0.37%, 0.65%

LAB 63.42, 2.82, -25.17

 

CMYK 0 / 33 / 6 / 22

HEX #C684BB

RGB 198 132 187

HSL 310, 0.37%, 0.65%

LAB 63.42, 33.94, -18.46

 

CMYK 0 / 11 / 33 / 22

HEX #C6B084

RGB 198 176 132

HSL 40, 0.37%, 0.65%

LAB 72.71, 1.41, 25.47

 

CMYK 33 / 0 / 28 / 22

HEX #84C68F

RGB 132 198 143

HSL 130, 0.37%, 0.65%

LAB 74.37, -32.27, 21.08

 

Description

Color code: HEX #849AC6 | qconv.com Color code: HEX #849AC6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 154 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 154 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 22 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 22% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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