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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6849A it is the complementary color #397B65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6849A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6849A shade: #CB8495, #DC96A8, #EDA8BB, #FEBACE and #FFCCE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6849A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6849A shade: #C6849A, #B57287, #A46074, #934E61 and #823C4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6849A shade: #C6849A, #C68488 and #C68484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6849A shade: #C6849A, #C684AC, #C684BE, #BD84C6 and #AB84C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6849A shade matches the following richer shades: #C6849A, #D57695, #E36791 and #F2598C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6849A shade: #C6849A, #B8939F, #A9A1A4, #9BB0A9 and #8DBEAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6849A shade: #C684BD, #C684AC, #C6849A, #C68489 and #C69184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6849A shade: #AA4E6D, #B96883, #C6849A, #D3A0B1 and #E0BDC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6849A shade: #C6849A, #C6BD84 and #84B5C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6849A shade: #C6849A, #9AC684 and #849AC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6849A shade: #C6849A, #C6BD84, #84C6B0 and #848DC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6849A shade: #C6849A, #BBC684, #84C6B0 and #8F84C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 22 / 22

HEX #C6849A

RGB 198 132 154

HSL 340, 0.37%, 0.65%

LAB 62.37, 28.49, -1.29

 

Complementary color

CMYK 54 / 0 / 18 / 52

HEX #397B65

RGB 57 123 101

HSL 160, 0.37%, 0.35%

LAB 46.94, -26.76, 5.67

 

CMYK 0 / 35 / 27 / 20

HEX #CB8495

RGB 203 132 149

HSL 345.63, 0.41%, 0.66%

LAB 62.82, 29.59, 2.27

 

CMYK 0 / 32 / 24 / 14

HEX #DC96A8

RGB 220 150 168

HSL 344.57, 0.5%, 0.73%

LAB 69.37, 28.8, 1.32

 

CMYK 0 / 29 / 21 / 7

HEX #EDA8BB

RGB 237 168 187

HSL 343.48, 0.66%, 0.79%

LAB 75.82, 28.06, 0.46

 

CMYK 0 / 27 / 19 / 0

HEX #FEBACE

RGB 254 186 206

HSL 342.35, 0.97%, 0.86%

LAB 82.19, 27.39, -0.34

 

CMYK 0 / 20 / 12 / 0

HEX #FFCCE1

RGB 255 204 225

HSL 335.29, 1%, 0.9%

LAB 86.94, 21.24, -3.51

 

CMYK 0 / 33 / 22 / 22

HEX #C6849A

RGB 198 132 154

HSL 340, 0.37%, 0.65%

LAB 62.37, 28.49, -1.29

 

CMYK 0 / 37 / 25 / 29

HEX #B57287

RGB 181 114 135

HSL 341.19, 0.31%, 0.58%

LAB 55.69, 29.31, -0.35

 

CMYK 0 / 41 / 29 / 36

HEX #A46074

RGB 164 96 116

HSL 342.35, 0.27%, 0.51%

LAB 48.91, 30.19, 0.72

 

CMYK 0 / 47 / 34 / 42

HEX #934E61

RGB 147 78 97

HSL 343.48, 0.31%, 0.44%

LAB 42.02, 31.14, 1.98

 

CMYK 0 / 54 / 40 / 49

HEX #823C4E

RGB 130 60 78

HSL 344.57, 0.37%, 0.37%

LAB 35.06, 32.12, 3.53

 

CMYK 0 / 33 / 22 / 22

HEX #C6849A

RGB 198 132 154

HSL 340, 0.37%, 0.65%

LAB 62.37, 28.49, -1.29

 

CMYK 0 / 33 / 31 / 22

HEX #C68488

RGB 198 132 136

HSL 356.36, 0.37%, 0.65%

LAB 61.9, 25.93, 8.29

 

CMYK 0 / 33 / 33 / 22

HEX #C68484

RGB 198 132 132

HSL 0, 0.37%, 0.65%

LAB 61.8, 25.41, 10.43

 

CMYK 0 / 33 / 22 / 22

HEX #C6849A

RGB 198 132 154

HSL 340, 0.37%, 0.65%

LAB 62.37, 28.49, -1.29

 

CMYK 0 / 33 / 13 / 22

HEX #C684AC

RGB 198 132 172

HSL 323.64, 0.37%, 0.65%

LAB 62.92, 31.34, -10.73

 

CMYK 0 / 33 / 4 / 22

HEX #C684BE

RGB 198 132 190

HSL 307.27, 0.37%, 0.65%

LAB 63.53, 34.48, -19.99

 

CMYK 5 / 33 / 0 / 22

HEX #BD84C6

RGB 189 132 198

HSL 291.82, 0.37%, 0.65%

LAB 62.84, 33.07, -25.64

 

CMYK 14 / 33 / 0 / 22

HEX #AB84C6

RGB 171 132 198

HSL 275.45, 0.37%, 0.65%

LAB 60.99, 27.34, -28.65

 

CMYK 0 / 33 / 22 / 22

HEX #C6849A

RGB 198 132 154

HSL 340, 0.37%, 0.65%

LAB 62.37, 28.49, -1.29

 

CMYK 0 / 45 / 30 / 16

HEX #D57695

RGB 213 118 149

HSL 340.42, 0.53%, 0.65%

LAB 61.02, 40.64, -0.19

 

CMYK 0 / 55 / 36 / 11

HEX #E36791

RGB 227 103 145

HSL 339.68, 0.69%, 0.65%

LAB 59.96, 52.34, 0.8

 

CMYK 0 / 63 / 42 / 5

HEX #F2598C

RGB 242 89 140

HSL 340, 0.85%, 0.65%

LAB 59.81, 62.7, 3.78

 

CMYK 0 / 33 / 22 / 22

HEX #C6849A

RGB 198 132 154

HSL 340, 0.37%, 0.65%

LAB 62.37, 28.49, -1.29

 

CMYK 0 / 20 / 14 / 28

HEX #B8939F

RGB 184 147 159

HSL 340.54, 0.21%, 0.65%

LAB 64.61, 15.83, -1.03

 

CMYK 0 / 5 / 3 / 34

HEX #A9A1A4

RGB 169 161 164

HSL 337.5, 0.04%, 0.65%

LAB 66.98, 3.45, -0.53

 

CMYK 12 / 0 / 4 / 31

HEX #9BB0A9

RGB 155 176 169

HSL 160, 0.12%, 0.65%

LAB 70.09, -8.65, 1.12

 

CMYK 26 / 0 / 9 / 25

HEX #8DBEAD

RGB 141 190 173

HSL 159.18, 0.27%, 0.65%

LAB 73.22, -19.7, 3.36

 

CMYK 0 / 33 / 5 / 22

HEX #C684BD

RGB 198 132 189

HSL 308.18, 0.37%, 0.65%

LAB 63.49, 34.3, -19.48

 

CMYK 0 / 33 / 13 / 22

HEX #C684AC

RGB 198 132 172

HSL 323.64, 0.37%, 0.65%

LAB 62.92, 31.34, -10.73

 

CMYK 0 / 33 / 22 / 22

HEX #C6849A

RGB 198 132 154

HSL 340, 0.37%, 0.65%

LAB 62.37, 28.49, -1.29

 

CMYK 0 / 33 / 31 / 22

HEX #C68489

RGB 198 132 137

HSL 355.45, 0.37%, 0.65%

LAB 61.92, 26.07, 7.75

 

CMYK 0 / 27 / 33 / 22

HEX #C69184

RGB 198 145 132

HSL 11.82, 0.37%, 0.65%

LAB 64.9, 18.27, 14.78

 

CMYK 0 / 54 / 36 / 33

HEX #AA4E6D

RGB 170 78 109

HSL 339.78, 0.37%, 0.49%

LAB 45.77, 41.04, 0.48

 

CMYK 0 / 44 / 29 / 27

HEX #B96883

RGB 185 104 131

HSL 340, 0.37%, 0.57%

LAB 53.87, 35.65, -0.61

 

CMYK 0 / 33 / 22 / 22

HEX #C6849A

RGB 198 132 154

HSL 340, 0.37%, 0.65%

LAB 62.37, 28.49, -1.29

 

CMYK 0 / 24 / 16 / 17

HEX #D3A0B1

RGB 211 160 177

HSL 340, 0.37%, 0.73%

LAB 70.98, 21.49, -1.43

 

CMYK 0 / 16 / 10 / 12

HEX #E0BDC9

RGB 224 189 201

HSL 339.43, 0.36%, 0.81%

LAB 79.87, 14.42, -1.37

 

CMYK 0 / 33 / 22 / 22

HEX #C6849A

RGB 198 132 154

HSL 340, 0.37%, 0.65%

LAB 62.37, 28.49, -1.29

 

CMYK 0 / 5 / 33 / 22

HEX #C6BD84

RGB 198 189 132

HSL 51.82, 0.37%, 0.65%

LAB 76.11, -5.46, 30

 

CMYK 33 / 9 / 0 / 22

HEX #84B5C6

RGB 132 181 198

HSL 195.45, 0.37%, 0.65%

LAB 70.89, -11.99, -13.82

 

CMYK 0 / 33 / 22 / 22

HEX #C6849A

RGB 198 132 154

HSL 340, 0.37%, 0.65%

LAB 62.37, 28.49, -1.29

 

CMYK 22 / 0 / 33 / 22

HEX #9AC684

RGB 154 198 132

HSL 100, 0.37%, 0.65%

LAB 75.4, -26.66, 28.49

 

CMYK 33 / 22 / 0 / 22

HEX #849AC6

RGB 132 154 198

HSL 220, 0.37%, 0.65%

LAB 63.42, 2.82, -25.17

 

CMYK 0 / 33 / 22 / 22

HEX #C6849A

RGB 198 132 154

HSL 340, 0.37%, 0.65%

LAB 62.37, 28.49, -1.29

 

CMYK 0 / 5 / 33 / 22

HEX #C6BD84

RGB 198 189 132

HSL 51.82, 0.37%, 0.65%

LAB 76.11, -5.46, 30

 

CMYK 33 / 0 / 11 / 22

HEX #84C6B0

RGB 132 198 176

HSL 160, 0.37%, 0.65%

LAB 75.09, -25.78, 4.38

 

CMYK 33 / 29 / 0 / 22

HEX #848DC6

RGB 132 141 198

HSL 231.82, 0.37%, 0.65%

LAB 59.92, 10.28, -30.57

 

CMYK 0 / 33 / 22 / 22

HEX #C6849A

RGB 198 132 154

HSL 340, 0.37%, 0.65%

LAB 62.37, 28.49, -1.29

 

CMYK 6 / 0 / 33 / 22

HEX #BBC684

RGB 187 198 132

HSL 70, 0.37%, 0.65%

LAB 77.65, -14.39, 31.87

 

CMYK 33 / 0 / 11 / 22

HEX #84C6B0

RGB 132 198 176

HSL 160, 0.37%, 0.65%

LAB 75.09, -25.78, 4.38

 

CMYK 28 / 33 / 0 / 22

HEX #8F84C6

RGB 143 132 198

HSL 250, 0.37%, 0.65%

LAB 58.43, 18.74, -32.81

 

Description

Color code: HEX #C6849A | qconv.com Color code: HEX #C6849A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 132 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 132 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 22 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 22% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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