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Color name
HEX #856EDA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #856EDA it is the complementary color #7A9125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #856EDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #856EDA shade: #8A6ED5, #9B80E8, #AC92FB, #BDA4FF and #CEB6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #856EDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #856EDA shade: #856EDA, #745CC7, #634AB4, #5238A1 and #41268E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #856EDA shade: #846DD9, #A16DD9, #BE6DD9, #D96DD6 and #D96DB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #856EDA shade: #846DD9 and #6D6DD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #856EDA shade matches the following richer shades: #846DD9, #7B5EE8 and #734FF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #856EDA shade: #846DD9, #8C7BCA, #958ABB, #9D99AC and #A6A89D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #856EDA shade: #6D91D9, #6D74D9, #826DD9, #9F6DD9 and #BC6DD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #856EDA shade: #5031C1, #684CD0, #846DD9, #9F8DE1 and #BBAEEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #856EDA shade: #856EDA, #D96DAE and #82D96D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #856EDA shade: #856EDA, #D9826D and #6DD982

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #856EDA shade: #856EDA, #D96DAE, #C3D96D and #6DD998

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #856EDA shade: #856EDA, #D96D8D, #C3D96D and #6DD9B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 50 / 0 / 15

HEX #856EDA

RGB 133 110 218

HSL 252.78, 0.59%, 0.64%

LAB 53.17, 34.17, -52.49

 

Complementary color

CMYK 16 / 0 / 74 / 43

HEX #7A9125

RGB 122 145 37

HSL 72.78, 0.59%, 0.36%

LAB 56.61, -23.27, 51.21

 

CMYK 35 / 48 / 0 / 16

HEX #8A6ED5

RGB 138 110 213

HSL 256.31, 0.55%, 0.63%

LAB 53.34, 34.08, -49.36

 

CMYK 33 / 45 / 0 / 9

HEX #9B80E8

RGB 155 128 232

HSL 255.58, 0.69%, 0.71%

LAB 60.1, 33.09, -49.2

 

CMYK 31 / 42 / 0 / 2

HEX #AC92FB

RGB 172 146 251

HSL 254.86, 0.93%, 0.78%

LAB 66.74, 32.19, -49.06

 

CMYK 26 / 36 / 0 / 0

HEX #BDA4FF

RGB 189 164 255

HSL 256.48, 1%, 0.82%

LAB 72.62, 27.77, -41.91

 

CMYK 19 / 29 / 0 / 0

HEX #CEB6FF

RGB 206 182 255

HSL 259.73, 1%, 0.86%

LAB 78.34, 22.82, -32.92

 

CMYK 39 / 50 / 0 / 15

HEX #856EDA

RGB 133 110 218

HSL 252.78, 0.59%, 0.64%

LAB 53.17, 34.17, -52.49

 

CMYK 42 / 54 / 0 / 22

HEX #745CC7

RGB 116 92 199

HSL 253.46, 0.49%, 0.57%

LAB 46.3, 35.36, -52.73

 

CMYK 45 / 59 / 0 / 29

HEX #634AB4

RGB 99 74 180

HSL 254.15, 0.42%, 0.5%

LAB 39.32, 36.67, -52.98

 

CMYK 49 / 65 / 0 / 37

HEX #5238A1

RGB 82 56 161

HSL 254.86, 0.48%, 0.43%

LAB 32.25, 38.09, -53.18

 

CMYK 54 / 73 / 0 / 44

HEX #41268E

RGB 65 38 142

HSL 255.58, 0.58%, 0.35%

LAB 25.15, 39.51, -53.21

 

CMYK 39 / 50 / 0 / 15

HEX #846DD9

RGB 132 109 217

HSL 252.78, 0.59%, 0.64%

LAB 52.79, 34.24, -52.54

 

CMYK 26 / 50 / 0 / 15

HEX #A16DD9

RGB 161 109 217

HSL 268.89, 0.59%, 0.64%

LAB 55.61, 41.67, -47.88

 

CMYK 12 / 50 / 0 / 15

HEX #BE6DD9

RGB 190 109 217

HSL 285, 0.59%, 0.64%

LAB 58.88, 49.53, -42.5

 

CMYK 0 / 50 / 1 / 15

HEX #D96DD6

RGB 217 109 214

HSL 301.67, 0.59%, 0.64%

LAB 62.12, 56.46, -35.49

 

CMYK 0 / 50 / 15 / 15

HEX #D96DB9

RGB 217 109 185

HSL 317.78, 0.59%, 0.64%

LAB 60.95, 51.68, -20.88

 

CMYK 39 / 50 / 0 / 15

HEX #846DD9

RGB 132 109 217

HSL 252.78, 0.59%, 0.64%

LAB 52.79, 34.24, -52.54

 

CMYK 50 / 50 / 0 / 15

HEX #6D6DD9

RGB 109 109 217

HSL 240, 0.59%, 0.64%

LAB 50.92, 28.9, -55.64

 

CMYK 39 / 50 / 0 / 15

HEX #846DD9

RGB 132 109 217

HSL 252.78, 0.59%, 0.64%

LAB 52.79, 34.24, -52.54

 

CMYK 47 / 59 / 0 / 9

HEX #7B5EE8

RGB 123 94 232

HSL 252.61, 0.75%, 0.64%

LAB 49.55, 45.08, -66.26

 

CMYK 53 / 68 / 0 / 3

HEX #734FF7

RGB 115 79 247

HSL 252.86, 0.91%, 0.64%

LAB 46.91, 56.11, -79

 

CMYK 39 / 50 / 0 / 15

HEX #846DD9

RGB 132 109 217

HSL 252.78, 0.59%, 0.64%

LAB 52.79, 34.24, -52.54

 

CMYK 31 / 39 / 0 / 21

HEX #8C7BCA

RGB 140 123 202

HSL 252.91, 0.43%, 0.64%

LAB 56.09, 24.14, -38.76

 

CMYK 20 / 26 / 0 / 27

HEX #958ABB

RGB 149 138 187

HSL 253.47, 0.26%, 0.64%

LAB 60.03, 14.43, -24.08

 

CMYK 9 / 11 / 0 / 33

HEX #9D99AC

RGB 157 153 172

HSL 252.63, 0.1%, 0.64%

LAB 64.1, 5.23, -9.37

 

CMYK 1 / 0 / 7 / 34

HEX #A6A89D

RGB 166 168 157

HSL 70.91, 0.06%, 0.64%

LAB 68.42, -2.75, 5.42

 

CMYK 50 / 33 / 0 / 15

HEX #6D91D9

RGB 109 145 217

HSL 220, 0.59%, 0.64%

LAB 60.35, 7.35, -40.67

 

CMYK 50 / 47 / 0 / 15

HEX #6D74D9

RGB 109 116 217

HSL 236.11, 0.59%, 0.64%

LAB 52.68, 24.67, -52.82

 

CMYK 40 / 50 / 0 / 15

HEX #826DD9

RGB 130 109 217

HSL 251.67, 0.59%, 0.64%

LAB 52.61, 33.75, -52.83

 

CMYK 27 / 50 / 0 / 15

HEX #9F6DD9

RGB 159 109 217

HSL 267.78, 0.59%, 0.64%

LAB 55.4, 41.14, -48.23

 

CMYK 13 / 50 / 0 / 15

HEX #BC6DD9

RGB 188 109 217

HSL 283.89, 0.59%, 0.64%

LAB 58.64, 48.98, -42.89

 

CMYK 59 / 75 / 0 / 24

HEX #5031C1

RGB 80 49 193

HSL 252.92, 0.6%, 0.47%

LAB 33.46, 51.06, -70.26

 

CMYK 50 / 63 / 0 / 18

HEX #684CD0

RGB 104 76 208

HSL 252.73, 0.58%, 0.56%

LAB 42.26, 44.69, -64.51

 

CMYK 39 / 50 / 0 / 15

HEX #846DD9

RGB 132 109 217

HSL 252.78, 0.59%, 0.64%

LAB 52.79, 34.24, -52.54

 

CMYK 29 / 37 / 0 / 12

HEX #9F8DE1

RGB 159 141 225

HSL 252.86, 0.58%, 0.72%

LAB 63.22, 24.95, -40.36

 

CMYK 20 / 26 / 0 / 8

HEX #BBAEEA

RGB 187 174 234

HSL 253, 0.59%, 0.8%

LAB 74.05, 16.78, -28.33

 

CMYK 39 / 50 / 0 / 15

HEX #856EDA

RGB 133 110 218

HSL 252.78, 0.59%, 0.64%

LAB 53.17, 34.17, -52.49

 

CMYK 0 / 50 / 20 / 15

HEX #D96DAE

RGB 217 109 174

HSL 323.89, 0.59%, 0.64%

LAB 60.56, 50.02, -15.19

 

CMYK 40 / 0 / 50 / 15

HEX #82D96D

RGB 130 217 109

HSL 108.33, 0.59%, 0.64%

LAB 79.31, -46.48, 44.82

 

CMYK 39 / 50 / 0 / 15

HEX #856EDA

RGB 133 110 218

HSL 252.78, 0.59%, 0.64%

LAB 53.17, 34.17, -52.49

 

CMYK 0 / 40 / 50 / 15

HEX #D9826D

RGB 217 130 109

HSL 11.67, 0.59%, 0.64%

LAB 63.19, 31.32, 25.7

 

CMYK 50 / 0 / 40 / 15

HEX #6DD982

RGB 109 217 130

HSL 131.67, 0.59%, 0.64%

LAB 78.75, -49.5, 33.53

 

CMYK 39 / 50 / 0 / 15

HEX #856EDA

RGB 133 110 218

HSL 252.78, 0.59%, 0.64%

LAB 53.17, 34.17, -52.49

 

CMYK 0 / 50 / 20 / 15

HEX #D96DAE

RGB 217 109 174

HSL 323.89, 0.59%, 0.64%

LAB 60.56, 50.02, -15.19

 

CMYK 10 / 0 / 50 / 15

HEX #C3D96D

RGB 195 217 109

HSL 72.22, 0.59%, 0.64%

LAB 83.09, -23.27, 50.27

 

CMYK 50 / 0 / 30 / 15

HEX #6DD998

RGB 109 217 152

HSL 143.89, 0.59%, 0.64%

LAB 79.12, -45.64, 22.69

 

CMYK 39 / 50 / 0 / 15

HEX #856EDA

RGB 133 110 218

HSL 252.78, 0.59%, 0.64%

LAB 53.17, 34.17, -52.49

 

CMYK 0 / 50 / 35 / 15

HEX #D96D8D

RGB 217 109 141

HSL 342.22, 0.59%, 0.64%

LAB 59.54, 45.61, 2.33

 

CMYK 10 / 0 / 50 / 15

HEX #C3D96D

RGB 195 217 109

HSL 72.22, 0.59%, 0.64%

LAB 83.09, -23.27, 50.27

 

CMYK 50 / 0 / 15 / 15

HEX #6DD9B8

RGB 109 217 184

HSL 161.67, 0.59%, 0.64%

LAB 79.81, -38.98, 6.75

 

Description

Color code: HEX #856EDA | qconv.com Color code: HEX #856EDA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 110 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 110 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 50 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 50% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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