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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85972F it is the complementary color #7A68D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85972F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85972F shade: #8A972A, #9BA93D, #ACBB50, #BDCD63 and #CEDF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85972F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85972F shade: #85972F, #74851C, #637309, #526100 and #414F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85972F shade: #85982E, #988D2E, #98712E, #98552E and #98382E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85972F shade: #85982E, #69982E, #4D982E, #30982E and #2E9849

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85972F shade matches the following richer shades: #85982E, #90A81E and #9AB80E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85972F shade: #85982E, #7B883E, #70774E, #66675F and #5B576F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85972F shade: #98712E, #988D2E, #86982E, #6A982E and #4E982E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85972F shade: #4E591B, #6A7825, #85982E, #A1B738 and #B4C950

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85972F shade: #85972F, #2E9855 and #7F2E98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85972F shade: #85972F, #2E8698 and #982E86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85972F shade: #85972F, #2E9855, #402E98 and #982E71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85972F shade: #85972F, #2E9875, #402E98 and #982E51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 69 / 41

HEX #85972F

RGB 133 151 47

HSL 70.38, 0.53%, 0.39%

LAB 59.27, -20.98, 50.26

 

Complementary color

CMYK 41 / 50 / 0 / 18

HEX #7A68D0

RGB 122 104 208

HSL 250.38, 0.53%, 0.61%

LAB 50.21, 32.23, -51.6

 

CMYK 9 / 0 / 72 / 41

HEX #8A972A

RGB 138 151 42

HSL 67.16, 0.56%, 0.38%

LAB 59.62, -19.11, 52.7

 

CMYK 8 / 0 / 64 / 34

HEX #9BA93D

RGB 155 169 61

HSL 67.78, 0.47%, 0.45%

LAB 66.28, -19.79, 52.23

 

CMYK 8 / 0 / 57 / 27

HEX #ACBB50

RGB 172 187 80

HSL 68.41, 0.44%, 0.52%

LAB 72.82, -20.31, 51.37

 

CMYK 8 / 0 / 52 / 20

HEX #BDCD63

RGB 189 205 99

HSL 69.06, 0.51%, 0.6%

LAB 79.26, -20.71, 50.33

 

CMYK 8 / 0 / 47 / 13

HEX #CEDF76

RGB 206 223 118

HSL 69.71, 0.62%, 0.67%

LAB 85.61, -21.03, 49.21

 

CMYK 12 / 0 / 69 / 41

HEX #85972F

RGB 133 151 47

HSL 70.38, 0.53%, 0.39%

LAB 59.27, -20.98, 50.26

 

CMYK 13 / 0 / 79 / 48

HEX #74851C

RGB 116 133 28

HSL 69.71, 0.65%, 0.32%

LAB 52.48, -20.24, 50.29

 

CMYK 14 / 0 / 92 / 55

HEX #637309

RGB 99 115 9

HSL 69.06, 0.85%, 0.24%

LAB 45.54, -19.23, 48.93

 

CMYK 15 / 0 / 100 / 62

HEX #526100

RGB 82 97 0

HSL 69.28, 1%, 0.19%

LAB 38.45, -17.85, 45.02

 

CMYK 18 / 0 / 100 / 69

HEX #414F00

RGB 65 79 0

HSL 70.63, 1%, 0.15%

LAB 31.15, -16.19, 38.94

 

CMYK 13 / 0 / 70 / 40

HEX #85982E

RGB 133 152 46

HSL 70.75, 0.54%, 0.39%

LAB 59.56, -21.55, 50.96

 

CMYK 0 / 7 / 70 / 40

HEX #988D2E

RGB 152 141 46

HSL 53.77, 0.54%, 0.39%

LAB 57.96, -7.38, 49.85

 

CMYK 0 / 26 / 70 / 40

HEX #98712E

RGB 152 113 46

HSL 37.92, 0.54%, 0.39%

LAB 50.31, 8.29, 41.91

 

CMYK 0 / 44 / 70 / 40

HEX #98552E

RGB 152 85 46

HSL 22.08, 0.54%, 0.39%

LAB 43.32, 24.32, 34.23

 

CMYK 0 / 63 / 70 / 40

HEX #98382E

RGB 152 56 46

HSL 5.66, 0.54%, 0.39%

LAB 37.3, 39.59, 27.27

 

CMYK 13 / 0 / 70 / 40

HEX #85982E

RGB 133 152 46

HSL 70.75, 0.54%, 0.39%

LAB 59.56, -21.55, 50.96

 

CMYK 31 / 0 / 70 / 40

HEX #69982E

RGB 105 152 46

HSL 86.6, 0.54%, 0.39%

LAB 57.71, -33.01, 48.47

 

CMYK 49 / 0 / 70 / 40

HEX #4D982E

RGB 77 152 46

HSL 102.45, 0.54%, 0.39%

LAB 56.32, -42.83, 46.59

 

CMYK 68 / 0 / 70 / 40

HEX #30982E

RGB 48 152 46

HSL 118.87, 0.54%, 0.39%

LAB 55.36, -50.37, 45.29

 

CMYK 70 / 0 / 52 / 40

HEX #2E9849

RGB 46 152 73

HSL 135.28, 0.54%, 0.39%

LAB 55.6, -47.38, 32.83

 

CMYK 13 / 0 / 70 / 40

HEX #85982E

RGB 133 152 46

HSL 70.75, 0.54%, 0.39%

LAB 59.56, -21.55, 50.96

 

CMYK 14 / 0 / 82 / 34

HEX #90A81E

RGB 144 168 30

HSL 70.43, 0.7%, 0.39%

LAB 64.99, -25.59, 61.71

 

CMYK 16 / 0 / 92 / 28

HEX #9AB80E

RGB 154 184 14

HSL 70.59, 0.86%, 0.39%

LAB 70.3, -29.51, 69.63

 

CMYK 13 / 0 / 70 / 40

HEX #85982E

RGB 133 152 46

HSL 70.75, 0.54%, 0.39%

LAB 59.56, -21.55, 50.96

 

CMYK 10 / 0 / 54 / 47

HEX #7B883E

RGB 123 136 62

HSL 70.54, 0.37%, 0.39%

LAB 54.2, -16.31, 37.64

 

CMYK 6 / 0 / 34 / 53

HEX #70774E

RGB 112 119 78

HSL 70.24, 0.21%, 0.39%

LAB 48.5, -9.89, 21.71

 

CMYK 1 / 0 / 8 / 60

HEX #66675F

RGB 102 103 95

HSL 67.5, 0.04%, 0.39%

LAB 43.29, -2, 4.37

 

CMYK 18 / 22 / 0 / 56

HEX #5B576F

RGB 91 87 111

HSL 250, 0.12%, 0.39%

LAB 38.18, 7.08, -13.1

 

CMYK 0 / 26 / 70 / 40

HEX #98712E

RGB 152 113 46

HSL 37.92, 0.54%, 0.39%

LAB 50.31, 8.29, 41.91

 

CMYK 0 / 7 / 70 / 40

HEX #988D2E

RGB 152 141 46

HSL 53.77, 0.54%, 0.39%

LAB 57.96, -7.38, 49.85

 

CMYK 12 / 0 / 70 / 40

HEX #86982E

RGB 134 152 46

HSL 70.19, 0.54%, 0.39%

LAB 59.64, -21.12, 51.06

 

CMYK 30 / 0 / 70 / 40

HEX #6A982E

RGB 106 152 46

HSL 86.04, 0.54%, 0.39%

LAB 57.77, -32.63, 48.55

 

CMYK 49 / 0 / 70 / 40

HEX #4E982E

RGB 78 152 46

HSL 101.89, 0.54%, 0.39%

LAB 56.36, -42.52, 46.65

 

CMYK 12 / 0 / 70 / 65

HEX #4E591B

RGB 78 89 27

HSL 70.65, 0.53%, 0.23%

LAB 35.68, -14.06, 33.19

 

CMYK 12 / 0 / 69 / 53

HEX #6A7825

RGB 106 120 37

HSL 70.12, 0.53%, 0.31%

LAB 47.79, -17.39, 42.01

 

CMYK 13 / 0 / 70 / 40

HEX #85982E

RGB 133 152 46

HSL 70.75, 0.54%, 0.39%

LAB 59.56, -21.55, 50.96

 

CMYK 12 / 0 / 69 / 28

HEX #A1B738

RGB 161 183 56

HSL 70.39, 0.53%, 0.47%

LAB 70.68, -24.56, 58.95

 

CMYK 10 / 0 / 60 / 21

HEX #B4C950

RGB 180 201 80

HSL 70.41, 0.53%, 0.55%

LAB 77.31, -23.94, 56.53

 

CMYK 12 / 0 / 69 / 41

HEX #85972F

RGB 133 151 47

HSL 70.38, 0.53%, 0.39%

LAB 59.27, -20.98, 50.26

 

CMYK 70 / 0 / 44 / 40

HEX #2E9855

RGB 46 152 85

HSL 142.08, 0.54%, 0.39%

LAB 55.78, -45.37, 26.74

 

CMYK 16 / 70 / 0 / 40

HEX #7F2E98

RGB 127 46 152

HSL 285.85, 0.54%, 0.39%

LAB 35.47, 50.73, -42.24

 

CMYK 12 / 0 / 69 / 41

HEX #85972F

RGB 133 151 47

HSL 70.38, 0.53%, 0.39%

LAB 59.27, -20.98, 50.26

 

CMYK 70 / 12 / 0 / 40

HEX #2E8698

RGB 46 134 152

HSL 190.19, 0.54%, 0.39%

LAB 51.72, -19.8, -17.23

 

CMYK 0 / 70 / 12 / 40

HEX #982E86

RGB 152 46 134

HSL 310.19, 0.54%, 0.39%

LAB 38.46, 53.58, -26.22

 

CMYK 12 / 0 / 69 / 41

HEX #85972F

RGB 133 151 47

HSL 70.38, 0.53%, 0.39%

LAB 59.27, -20.98, 50.26

 

CMYK 70 / 0 / 44 / 40

HEX #2E9855

RGB 46 152 85

HSL 142.08, 0.54%, 0.39%

LAB 55.78, -45.37, 26.74

 

CMYK 58 / 70 / 0 / 40

HEX #402E98

RGB 64 46 152

HSL 250.19, 0.54%, 0.39%

LAB 27.6, 37.9, -55.35

 

CMYK 0 / 70 / 26 / 40

HEX #982E71

RGB 152 46 113

HSL 322.08, 0.54%, 0.39%

LAB 37.52, 50.5, -14.63

 

CMYK 12 / 0 / 69 / 41

HEX #85972F

RGB 133 151 47

HSL 70.38, 0.53%, 0.39%

LAB 59.27, -20.98, 50.26

 

CMYK 70 / 0 / 23 / 40

HEX #2E9875

RGB 46 152 117

HSL 160.19, 0.54%, 0.39%

LAB 56.41, -38.55, 9.83

 

CMYK 58 / 70 / 0 / 40

HEX #402E98

RGB 64 46 152

HSL 250.19, 0.54%, 0.39%

LAB 27.6, 37.9, -55.35

 

CMYK 0 / 70 / 47 / 40

HEX #982E51

RGB 152 46 81

HSL 340.19, 0.54%, 0.39%

LAB 36.41, 46.74, 4.05

 

Description

Color code: HEX #85972F | qconv.com Color code: HEX #85972F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 151 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 151 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 69 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 69% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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