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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85B54A it is the complementary color #7A4AB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85B54A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85B54A shade: #8AB545, #9BC758, #ACD96B, #BDEB7E and #CEFD91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85B54A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85B54A shade: #85B54A, #74A337, #639124, #527F11 and #416D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85B54A shade: #84B549, #A1B549, #B5AB49, #B58E49 and #B57149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85B54A shade: #84B549, #68B549, #4BB549, #49B565 and #49B582

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85B54A shade matches the following richer shades: #84B549, #87C935, #89DE20 and #8BF20C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85B54A shade: #84B549, #82A05E, #808B73, #7E7787 and #7C629C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85B54A shade: #B5AA49, #A3B549, #86B549, #6AB549 and #4DB549

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85B54A shade: #597A32, #6F973D, #84B549, #98C167 and #ACCC84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85B54A shade: #85B54A, #49B58D and #B549B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85B54A shade: #85B54A, #4986B5 and #B54986

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85B54A shade: #85B54A, #49B58D, #7849B5 and #B54971

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85B54A shade: #85B54A, #49B5AD, #7849B5 and #B54951

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 59 / 29

HEX #85B54A

RGB 133 181 74

HSL 86.92, 0.42%, 0.5%

LAB 68.41, -33.4, 48.41

 

Complementary color

CMYK 33 / 59 / 0 / 29

HEX #7A4AB5

RGB 122 74 181

HSL 266.92, 0.42%, 0.5%

LAB 41.8, 42.26, -49.44

 

CMYK 24 / 0 / 62 / 29

HEX #8AB545

RGB 138 181 69

HSL 83.04, 0.45%, 0.49%

LAB 68.66, -31.93, 51.01

 

CMYK 22 / 0 / 56 / 22

HEX #9BC758

RGB 155 199 88

HSL 83.78, 0.5%, 0.56%

LAB 75.15, -32.13, 50.07

 

CMYK 21 / 0 / 51 / 15

HEX #ACD96B

RGB 172 217 107

HSL 84.55, 0.59%, 0.64%

LAB 81.54, -32.25, 48.99

 

CMYK 20 / 0 / 46 / 8

HEX #BDEB7E

RGB 189 235 126

HSL 85.32, 0.73%, 0.71%

LAB 87.84, -32.31, 47.87

 

CMYK 19 / 0 / 43 / 1

HEX #CEFD91

RGB 206 253 145

HSL 86.11, 0.96%, 0.78%

LAB 94.06, -32.34, 46.75

 

CMYK 27 / 0 / 59 / 29

HEX #85B54A

RGB 133 181 74

HSL 86.92, 0.42%, 0.5%

LAB 68.41, -33.4, 48.41

 

CMYK 29 / 0 / 66 / 36

HEX #74A337

RGB 116 163 55

HSL 86.11, 0.5%, 0.43%

LAB 61.81, -33.18, 49.24

 

CMYK 32 / 0 / 75 / 43

HEX #639124

RGB 99 145 36

HSL 85.32, 0.6%, 0.35%

LAB 55.1, -32.79, 49.6

 

CMYK 35 / 0 / 87 / 50

HEX #527F11

RGB 82 127 17

HSL 84.55, 0.76%, 0.28%

LAB 48.28, -32.14, 48.94

 

CMYK 40 / 0 / 100 / 57

HEX #416D00

RGB 65 109 0

HSL 84.22, 1%, 0.21%

LAB 41.31, -31.17, 46.71

 

CMYK 27 / 0 / 60 / 29

HEX #84B549

RGB 132 181 73

HSL 87.22, 0.43%, 0.5%

LAB 68.34, -33.87, 48.77

 

CMYK 11 / 0 / 60 / 29

HEX #A1B549

RGB 161 181 73

HSL 71.11, 0.43%, 0.5%

LAB 70.25, -22.4, 51.43

 

CMYK 0 / 6 / 60 / 29

HEX #B5AB49

RGB 181 171 73

HSL 54.44, 0.43%, 0.5%

LAB 69.06, -8.87, 50.56

 

CMYK 0 / 22 / 60 / 29

HEX #B58E49

RGB 181 142 73

HSL 38.33, 0.43%, 0.5%

LAB 61.35, 6.76, 41.8

 

CMYK 0 / 38 / 60 / 29

HEX #B57149

RGB 181 113 73

HSL 22.22, 0.43%, 0.5%

LAB 54.15, 22.89, 33.21

 

CMYK 27 / 0 / 60 / 29

HEX #84B549

RGB 132 181 73

HSL 87.22, 0.43%, 0.5%

LAB 68.34, -33.87, 48.77

 

CMYK 43 / 0 / 60 / 29

HEX #68B549

RGB 104 181 73

HSL 102.78, 0.43%, 0.5%

LAB 66.88, -43.71, 46.72

 

CMYK 59 / 0 / 60 / 29

HEX #4BB549

RGB 75 181 73

HSL 118.89, 0.43%, 0.5%

LAB 65.77, -51.97, 45.15

 

CMYK 60 / 0 / 44 / 29

HEX #49B565

RGB 73 181 101

HSL 135.56, 0.43%, 0.5%

LAB 66.06, -48.5, 31.71

 

CMYK 60 / 0 / 28 / 29

HEX #49B582

RGB 73 181 130

HSL 151.67, 0.43%, 0.5%

LAB 66.58, -43.01, 16.95

 

CMYK 27 / 0 / 60 / 29

HEX #84B549

RGB 132 181 73

HSL 87.22, 0.43%, 0.5%

LAB 68.34, -33.87, 48.77

 

CMYK 33 / 0 / 74 / 21

HEX #87C935

RGB 135 201 53

HSL 86.76, 0.58%, 0.5%

LAB 74.31, -43.16, 63.08

 

CMYK 38 / 0 / 86 / 13

HEX #89DE20

RGB 137 222 32

HSL 86.84, 0.75%, 0.5%

LAB 80.55, -52.09, 74.57

 

CMYK 43 / 0 / 95 / 5

HEX #8BF20C

RGB 139 242 12

HSL 86.87, 0.91%, 0.5%

LAB 86.51, -59.63, 82.4

 

CMYK 27 / 0 / 60 / 29

HEX #84B549

RGB 132 181 73

HSL 87.22, 0.43%, 0.5%

LAB 68.34, -33.87, 48.77

 

CMYK 19 / 0 / 41 / 37

HEX #82A05E

RGB 130 160 94

HSL 87.27, 0.26%, 0.5%

LAB 62.25, -22.15, 31.03

 

CMYK 8 / 0 / 17 / 45

HEX #808B73

RGB 128 139 115

HSL 87.5, 0.09%, 0.5%

LAB 56.38, -8.61, 11.5

 

CMYK 7 / 12 / 0 / 47

HEX #7E7787

RGB 126 119 135

HSL 266.25, 0.06%, 0.5%

LAB 51.13, 5.93, -7.75

 

CMYK 21 / 37 / 0 / 39

HEX #7C629C

RGB 124 98 156

HSL 266.9, 0.23%, 0.5%

LAB 46.21, 22.58, -27.69

 

CMYK 0 / 6 / 60 / 29

HEX #B5AA49

RGB 181 170 73

HSL 53.89, 0.43%, 0.5%

LAB 68.79, -8.35, 50.26

 

CMYK 10 / 0 / 60 / 29

HEX #A3B549

RGB 163 181 73

HSL 70, 0.43%, 0.5%

LAB 70.4, -21.58, 51.63

 

CMYK 26 / 0 / 60 / 29

HEX #86B549

RGB 134 181 73

HSL 86.11, 0.43%, 0.5%

LAB 68.46, -33.11, 48.93

 

CMYK 41 / 0 / 60 / 29

HEX #6AB549

RGB 106 181 73

HSL 101.67, 0.43%, 0.5%

LAB 66.97, -43.06, 46.85

 

CMYK 57 / 0 / 60 / 29

HEX #4DB549

RGB 77 181 73

HSL 117.78, 0.43%, 0.5%

LAB 65.83, -51.48, 45.24

 

CMYK 27 / 0 / 59 / 52

HEX #597A32

RGB 89 122 50

HSL 87.5, 0.42%, 0.34%

LAB 47.33, -24.57, 35.06

 

CMYK 26 / 0 / 60 / 41

HEX #6F973D

RGB 111 151 61

HSL 86.67, 0.42%, 0.42%

LAB 57.89, -28.93, 42.16

 

CMYK 27 / 0 / 60 / 29

HEX #84B549

RGB 132 181 73

HSL 87.22, 0.43%, 0.5%

LAB 68.34, -33.87, 48.77

 

CMYK 21 / 0 / 47 / 24

HEX #98C167

RGB 152 193 103

HSL 87.33, 0.42%, 0.58%

LAB 73.41, -28.84, 40.75

 

CMYK 16 / 0 / 35 / 20

HEX #ACCC84

RGB 172 204 132

HSL 86.67, 0.41%, 0.66%

LAB 78.24, -23.06, 32.45

 

CMYK 27 / 0 / 59 / 29

HEX #85B54A

RGB 133 181 74

HSL 86.92, 0.42%, 0.5%

LAB 68.41, -33.4, 48.41

 

CMYK 60 / 0 / 22 / 29

HEX #49B58D

RGB 73 181 141

HSL 157.78, 0.43%, 0.5%

LAB 66.81, -40.58, 11.28

 

CMYK 0 / 60 / 2 / 29

HEX #B549B1

RGB 181 73 177

HSL 302.22, 0.43%, 0.5%

LAB 49.21, 56.98, -34.85

 

CMYK 27 / 0 / 59 / 29

HEX #85B54A

RGB 133 181 74

HSL 86.92, 0.42%, 0.5%

LAB 68.41, -33.4, 48.41

 

CMYK 60 / 26 / 0 / 29

HEX #4986B5

RGB 73 134 181

HSL 206.11, 0.43%, 0.5%

LAB 53.82, -5.47, -30.66

 

CMYK 0 / 60 / 26 / 29

HEX #B54986

RGB 181 73 134

HSL 326.11, 0.43%, 0.5%

LAB 47.38, 50.31, -12.12

 

CMYK 27 / 0 / 59 / 29

HEX #85B54A

RGB 133 181 74

HSL 86.92, 0.42%, 0.5%

LAB 68.41, -33.4, 48.41

 

CMYK 60 / 0 / 22 / 29

HEX #49B58D

RGB 73 181 141

HSL 157.78, 0.43%, 0.5%

LAB 66.81, -40.58, 11.28

 

CMYK 34 / 60 / 0 / 29

HEX #7849B5

RGB 120 73 181

HSL 266.11, 0.43%, 0.5%

LAB 41.37, 42.34, -50.15

 

CMYK 0 / 60 / 38 / 29

HEX #B54971

RGB 181 73 113

HSL 337.78, 0.43%, 0.5%

LAB 46.69, 47.66, -0.42

 

CMYK 27 / 0 / 59 / 29

HEX #85B54A

RGB 133 181 74

HSL 86.92, 0.42%, 0.5%

LAB 68.41, -33.4, 48.41

 

CMYK 60 / 0 / 4 / 29

HEX #49B5AD

RGB 73 181 173

HSL 175.56, 0.43%, 0.5%

LAB 67.64, -32.57, -5.17

 

CMYK 34 / 60 / 0 / 29

HEX #7849B5

RGB 120 73 181

HSL 266.11, 0.43%, 0.5%

LAB 41.37, 42.34, -50.15

 

CMYK 0 / 60 / 55 / 29

HEX #B54951

RGB 181 73 81

HSL 355.56, 0.43%, 0.5%

LAB 45.88, 44.49, 17.97

 

Description

Color code: HEX #85B54A | qconv.com Color code: HEX #85B54A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 181 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 181 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 59 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 59% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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