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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85EE9C it is the complementary color #7A1163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85EE9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85EE9C shade: #8AEE97, #9BFFAA, #ACFFBD, #BDFFD0 and #CEFFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85EE9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85EE9C shade: #85EE9C, #74DC89, #63CA76, #52B863 and #41A650

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85EE9C shade: #85EE9C, #8BEE85, #A7EE85, #C3EE85 and #DFEE85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85EE9C shade: #85EE9C, #85EEB8, #85EED5, #85EBEE and #85CFEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85EE9C shade matches the following richer shades: #85EE9C and #7AF996

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85EE9C shade: #85EE9C, #90E3A3, #9CD8A9, #A7CDAF and #B2C1B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85EE9C shade: #A6EE85, #8BEE85, #85EE9C, #85EEB8 and #85EED4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85EE9C shade: #3DE461, #61E97F, #85EE9C, #AAF3BA and #CEF8D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85EE9C shade: #85EE9C, #85C2EE and #EE8599

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85EE9C shade: #85EE9C, #9C85EE and #EE9C85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85EE9C shade: #85EE9C, #85C2EE, #EE85D7 and #EEB185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85EE9C shade: #85EE9C, #85A3EE, #EE85D7 and #EED085

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 34 / 7

HEX #85EE9C

RGB 133 238 156

HSL 133.14, 0.76%, 0.73%

LAB 86.27, -47.57, 30.46

 

Complementary color

CMYK 0 / 86 / 19 / 52

HEX #7A1163

RGB 122 17 99

HSL 313.14, 0.76%, 0.27%

LAB 27.95, 50.3, -20.91

 

CMYK 42 / 0 / 37 / 7

HEX #8AEE97

RGB 138 238 151

HSL 127.8, 0.75%, 0.74%

LAB 86.4, -46.99, 33.19

 

CMYK 39 / 0 / 33 / 0

HEX #9BFFAA

RGB 155 255 170

HSL 129, 1%, 0.8%

LAB 92.31, -46.34, 31.65

 

CMYK 33 / 0 / 26 / 0

HEX #ACFFBD

RGB 172 255 189

HSL 132.29, 1%, 0.84%

LAB 93.44, -38.17, 23.73

 

CMYK 26 / 0 / 18 / 0

HEX #BDFFD0

RGB 189 255 208

HSL 137.27, 1%, 0.87%

LAB 94.69, -29.64, 15.92

 

CMYK 19 / 0 / 11 / 0

HEX #CEFFE3

RGB 206 255 227

HSL 145.71, 1%, 0.9%

LAB 96.07, -20.88, 8.27

 

CMYK 44 / 0 / 34 / 7

HEX #85EE9C

RGB 133 238 156

HSL 133.14, 0.76%, 0.73%

LAB 86.27, -47.57, 30.46

 

CMYK 47 / 0 / 38 / 14

HEX #74DC89

RGB 116 220 137

HSL 132.12, 0.6%, 0.66%

LAB 80.01, -47.75, 31.68

 

CMYK 51 / 0 / 42 / 21

HEX #63CA76

RGB 99 202 118

HSL 131.07, 0.49%, 0.59%

LAB 73.68, -47.87, 32.97

 

CMYK 55 / 0 / 46 / 28

HEX #52B863

RGB 82 184 99

HSL 130, 0.42%, 0.52%

LAB 67.26, -47.87, 34.32

 

CMYK 61 / 0 / 52 / 35

HEX #41A650

RGB 65 166 80

HSL 128.91, 0.44%, 0.45%

LAB 60.76, -47.7, 35.74

 

CMYK 44 / 0 / 34 / 7

HEX #85EE9C

RGB 133 238 156

HSL 133.14, 0.76%, 0.73%

LAB 86.27, -47.57, 30.46

 

CMYK 42 / 0 / 44 / 7

HEX #8BEE85

RGB 139 238 133

HSL 116.57, 0.76%, 0.73%

LAB 86.17, -49.39, 41.84

 

CMYK 30 / 0 / 44 / 7

HEX #A7EE85

RGB 167 238 133

HSL 100.57, 0.76%, 0.73%

LAB 87.51, -40.56, 43.81

 

CMYK 18 / 0 / 44 / 7

HEX #C3EE85

RGB 195 238 133

HSL 84.57, 0.76%, 0.73%

LAB 89.13, -30.74, 46.19

 

CMYK 6 / 0 / 44 / 7

HEX #DFEE85

RGB 223 238 133

HSL 68.57, 0.76%, 0.73%

LAB 91.02, -20.24, 48.95

 

CMYK 44 / 0 / 34 / 7

HEX #85EE9C

RGB 133 238 156

HSL 133.14, 0.76%, 0.73%

LAB 86.27, -47.57, 30.46

 

CMYK 44 / 0 / 23 / 7

HEX #85EEB8

RGB 133 238 184

HSL 149.14, 0.76%, 0.73%

LAB 86.8, -42.45, 16.8

 

CMYK 44 / 0 / 11 / 7

HEX #85EED5

RGB 133 238 213

HSL 165.71, 0.76%, 0.73%

LAB 87.46, -36.32, 2.62

 

CMYK 44 / 1 / 0 / 7

HEX #85EBEE

RGB 133 235 238

HSL 181.71, 0.76%, 0.73%

LAB 87.28, -28.98, -10.75

 

CMYK 44 / 13 / 0 / 7

HEX #85CFEE

RGB 133 207 238

HSL 197.71, 0.76%, 0.73%

LAB 79.49, -15.04, -22.47

 

CMYK 44 / 0 / 34 / 7

HEX #85EE9C

RGB 133 238 156

HSL 133.14, 0.76%, 0.73%

LAB 86.27, -47.57, 30.46

 

CMYK 51 / 0 / 40 / 2

HEX #7AF996

RGB 122 249 150

HSL 133.23, 0.91%, 0.73%

LAB 88.97, -55.91, 36.96

 

CMYK 44 / 0 / 34 / 7

HEX #85EE9C

RGB 133 238 156

HSL 133.14, 0.76%, 0.73%

LAB 86.27, -47.57, 30.46

 

CMYK 37 / 0 / 28 / 11

HEX #90E3A3

RGB 144 227 163

HSL 133.73, 0.6%, 0.73%

LAB 83.71, -38.42, 23.49

 

CMYK 28 / 0 / 22 / 15

HEX #9CD8A9

RGB 156 216 169

HSL 133, 0.43%, 0.73%

LAB 81.32, -28.54, 17.13

 

CMYK 19 / 0 / 15 / 20

HEX #A7CDAF

RGB 167 205 175

HSL 132.63, 0.28%, 0.73%

LAB 79.03, -18.44, 10.81

 

CMYK 8 / 0 / 6 / 24

HEX #B2C1B5

RGB 178 193 181

HSL 132, 0.11%, 0.73%

LAB 76.64, -7.42, 4.27

 

CMYK 30 / 0 / 44 / 7

HEX #A6EE85

RGB 166 238 133

HSL 101.14, 0.76%, 0.73%

LAB 87.46, -40.89, 43.74

 

CMYK 42 / 0 / 44 / 7

HEX #8BEE85

RGB 139 238 133

HSL 116.57, 0.76%, 0.73%

LAB 86.17, -49.39, 41.84

 

CMYK 44 / 0 / 34 / 7

HEX #85EE9C

RGB 133 238 156

HSL 133.14, 0.76%, 0.73%

LAB 86.27, -47.57, 30.46

 

CMYK 44 / 0 / 23 / 7

HEX #85EEB8

RGB 133 238 184

HSL 149.14, 0.76%, 0.73%

LAB 86.8, -42.45, 16.8

 

CMYK 44 / 0 / 11 / 7

HEX #85EED4

RGB 133 238 212

HSL 165.14, 0.76%, 0.73%

LAB 87.43, -36.54, 3.11

 

CMYK 73 / 0 / 57 / 11

HEX #3DE461

RGB 61 228 97

HSL 132.93, 0.76%, 0.57%

LAB 80.37, -68.19, 51.16

 

CMYK 58 / 0 / 45 / 9

HEX #61E97F

RGB 97 233 127

HSL 133.24, 0.76%, 0.65%

LAB 83.1, -59.14, 40.55

 

CMYK 44 / 0 / 34 / 7

HEX #85EE9C

RGB 133 238 156

HSL 133.14, 0.76%, 0.73%

LAB 86.27, -47.57, 30.46

 

CMYK 30 / 0 / 23 / 5

HEX #AAF3BA

RGB 170 243 186

HSL 133.15, 0.75%, 0.81%

LAB 89.95, -33.82, 20.42

 

CMYK 17 / 0 / 13 / 3

HEX #CEF8D7

RGB 206 248 215

HSL 132.86, 0.75%, 0.89%

LAB 93.95, -19.65, 11.41

 

CMYK 44 / 0 / 34 / 7

HEX #85EE9C

RGB 133 238 156

HSL 133.14, 0.76%, 0.73%

LAB 86.27, -47.57, 30.46

 

CMYK 44 / 18 / 0 / 7

HEX #85C2EE

RGB 133 194 238

HSL 205.14, 0.76%, 0.73%

LAB 75.91, -8.22, -27.93

 

CMYK 0 / 44 / 36 / 7

HEX #EE8599

RGB 238 133 153

HSL 348.57, 0.76%, 0.73%

LAB 67.47, 42.23, 7.26

 

CMYK 44 / 0 / 34 / 7

HEX #85EE9C

RGB 133 238 156

HSL 133.14, 0.76%, 0.73%

LAB 86.27, -47.57, 30.46

 

CMYK 34 / 44 / 0 / 7

HEX #9C85EE

RGB 156 133 238

HSL 253.14, 0.76%, 0.73%

LAB 61.67, 32.04, -50.03

 

CMYK 0 / 34 / 44 / 7

HEX #EE9C85

RGB 238 156 133

HSL 13.14, 0.76%, 0.73%

LAB 71.99, 28.04, 24.67

 

CMYK 44 / 0 / 34 / 7

HEX #85EE9C

RGB 133 238 156

HSL 133.14, 0.76%, 0.73%

LAB 86.27, -47.57, 30.46

 

CMYK 44 / 18 / 0 / 7

HEX #85C2EE

RGB 133 194 238

HSL 205.14, 0.76%, 0.73%

LAB 75.91, -8.22, -27.93

 

CMYK 0 / 44 / 10 / 7

HEX #EE85D7

RGB 238 133 215

HSL 313.14, 0.76%, 0.73%

LAB 69.37, 50.98, -24.63

 

CMYK 0 / 26 / 44 / 7

HEX #EEB185

RGB 238 177 133

HSL 25.14, 0.76%, 0.73%

LAB 76.87, 16.9, 31.17

 

CMYK 44 / 0 / 34 / 7

HEX #85EE9C

RGB 133 238 156

HSL 133.14, 0.76%, 0.73%

LAB 86.27, -47.57, 30.46

 

CMYK 44 / 32 / 0 / 7

HEX #85A3EE

RGB 133 163 238

HSL 222.86, 0.76%, 0.73%

LAB 67.54, 8.9, -40.9

 

CMYK 0 / 44 / 10 / 7

HEX #EE85D7

RGB 238 133 215

HSL 313.14, 0.76%, 0.73%

LAB 69.37, 50.98, -24.63

 

CMYK 0 / 13 / 44 / 7

HEX #EED085

RGB 238 208 133

HSL 42.86, 0.76%, 0.73%

LAB 84.47, 0.67, 41.01

 

Description

Color code: HEX #85EE9C | qconv.com Color code: HEX #85EE9C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 238 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 238 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 34 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 34% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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