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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #865BD6 it is the complementary color #79A429. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #865BD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #865BD6 shade: #8B5BD1, #9C6DE4, #AD7FF7, #BE91FF and #CFA3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #865BD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #865BD6 shade: #865BD6, #7549C3, #6437B0, #53259D and #42138A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #865BD6 shade: #865BD6, #A75BD6, #C85BD6, #D65BC2 and #D65BA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #865BD6 shade: #865BD6, #655BD6 and #5B5BD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #865BD6 shade matches the following richer shades: #865BD6, #814BE6 and #7C3AF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #865BD6 shade: #865BD6, #8B6CC5, #907CB5, #958DA4 and #9A9D94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #865BD6 shade: #5B74D6, #635BD6, #845BD6, #A55BD6 and #C55BD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #865BD6 shade: #5B2CB2, #6E3ACD, #865BD6, #9E7CDE and #B79DE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #865BD6 shade: #865BD6, #D65B94 and #63D65B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #865BD6 shade: #865BD6, #D6845B and #5BD684

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #865BD6 shade: #865BD6, #D65B94, #ADD65B and #5BD69D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #865BD6 shade: #865BD6, #D65B70, #ADD65B and #5BD6C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 57 / 0 / 16

HEX #865BD6

RGB 134 91 214

HSL 260.98, 0.6%, 0.6%

LAB 48.77, 44.2, -57.27

 

Complementary color

CMYK 26 / 0 / 75 / 36

HEX #79A429

RGB 121 164 41

HSL 80.98, 0.6%, 0.4%

LAB 62.32, -32.64, 55.29

 

CMYK 33 / 56 / 0 / 18

HEX #8B5BD1

RGB 139 91 209

HSL 264.41, 0.56%, 0.59%

LAB 48.98, 44.08, -54.05

 

CMYK 32 / 52 / 0 / 11

HEX #9C6DE4

RGB 156 109 228

HSL 263.7, 0.69%, 0.66%

LAB 55.69, 43.05, -53.97

 

CMYK 30 / 49 / 0 / 3

HEX #AD7FF7

RGB 173 127 247

HSL 263, 0.88%, 0.73%

LAB 62.32, 42.07, -53.87

 

CMYK 25 / 43 / 0 / 0

HEX #BE91FF

RGB 190 145 255

HSL 264.55, 1%, 0.78%

LAB 68.33, 38.55, -48.64

 

CMYK 19 / 36 / 0 / 0

HEX #CFA3FF

RGB 207 163 255

HSL 268.7, 1%, 0.82%

LAB 73.98, 33.48, -39.66

 

CMYK 37 / 57 / 0 / 16

HEX #865BD6

RGB 134 91 214

HSL 260.98, 0.6%, 0.6%

LAB 48.77, 44.2, -57.27

 

CMYK 40 / 63 / 0 / 24

HEX #7549C3

RGB 117 73 195

HSL 261.64, 0.5%, 0.53%

LAB 41.98, 45.33, -57.37

 

CMYK 43 / 69 / 0 / 31

HEX #6437B0

RGB 100 55 176

HSL 262.31, 0.52%, 0.45%

LAB 35.16, 46.41, -57.35

 

CMYK 47 / 76 / 0 / 38

HEX #53259D

RGB 83 37 157

HSL 263, 0.62%, 0.38%

LAB 28.37, 47.24, -57.07

 

CMYK 52 / 86 / 0 / 46

HEX #42138A

RGB 66 19 138

HSL 263.7, 0.76%, 0.31%

LAB 21.8, 47.34, -56.22

 

CMYK 37 / 57 / 0 / 16

HEX #865BD6

RGB 134 91 214

HSL 260.98, 0.6%, 0.6%

LAB 48.77, 44.2, -57.27

 

CMYK 22 / 57 / 0 / 16

HEX #A75BD6

RGB 167 91 214

HSL 277.07, 0.6%, 0.6%

LAB 52.46, 52.09, -51.15

 

CMYK 7 / 57 / 0 / 16

HEX #C85BD6

RGB 200 91 214

HSL 293.17, 0.6%, 0.6%

LAB 56.7, 60.39, -44.15

 

CMYK 0 / 57 / 9 / 16

HEX #D65BC2

RGB 214 91 194

HSL 309.76, 0.6%, 0.6%

LAB 57.73, 60.65, -31.02

 

CMYK 0 / 57 / 25 / 16

HEX #D65BA1

RGB 214 91 161

HSL 325.85, 0.6%, 0.6%

LAB 56.44, 55.8, -13.94

 

CMYK 37 / 57 / 0 / 16

HEX #865BD6

RGB 134 91 214

HSL 260.98, 0.6%, 0.6%

LAB 48.77, 44.2, -57.27

 

CMYK 53 / 57 / 0 / 16

HEX #655BD6

RGB 101 91 214

HSL 244.88, 0.6%, 0.6%

LAB 45.78, 37.17, -62.25

 

CMYK 57 / 57 / 0 / 16

HEX #5B5BD6

RGB 91 91 214

HSL 240, 0.6%, 0.6%

LAB 45.03, 35.3, -63.5

 

CMYK 37 / 57 / 0 / 16

HEX #865BD6

RGB 134 91 214

HSL 260.98, 0.6%, 0.6%

LAB 48.77, 44.2, -57.27

 

CMYK 44 / 67 / 0 / 10

HEX #814BE6

RGB 129 75 230

HSL 260.9, 0.76%, 0.6%

LAB 46.19, 55.88, -70.55

 

CMYK 50 / 77 / 0 / 3

HEX #7C3AF7

RGB 124 58 247

HSL 260.95, 0.92%, 0.6%

LAB 44.27, 67.32, -83.29

 

CMYK 37 / 57 / 0 / 16

HEX #865BD6

RGB 134 91 214

HSL 260.98, 0.6%, 0.6%

LAB 48.77, 44.2, -57.27

 

CMYK 29 / 45 / 0 / 23

HEX #8B6CC5

RGB 139 108 197

HSL 260.9, 0.43%, 0.6%

LAB 52.11, 31.35, -42.19

 

CMYK 20 / 31 / 0 / 29

HEX #907CB5

RGB 144 124 181

HSL 261.05, 0.28%, 0.6%

LAB 55.77, 19.55, -27.27

 

CMYK 9 / 14 / 0 / 36

HEX #958DA4

RGB 149 141 164

HSL 260.87, 0.11%, 0.6%

LAB 60, 7.56, -11.06

 

CMYK 2 / 0 / 6 / 38

HEX #9A9D94

RGB 154 157 148

HSL 80, 0.04%, 0.6%

LAB 64.26, -2.78, 4.32

 

CMYK 57 / 46 / 0 / 16

HEX #5B74D6

RGB 91 116 214

HSL 227.8, 0.6%, 0.6%

LAB 51.35, 19.91, -53.32

 

CMYK 54 / 57 / 0 / 16

HEX #635BD6

RGB 99 91 214

HSL 243.9, 0.6%, 0.6%

LAB 45.62, 36.78, -62.51

 

CMYK 38 / 57 / 0 / 16

HEX #845BD6

RGB 132 91 214

HSL 260, 0.6%, 0.6%

LAB 48.56, 43.74, -57.61

 

CMYK 23 / 57 / 0 / 16

HEX #A55BD6

RGB 165 91 214

HSL 276.1, 0.6%, 0.6%

LAB 52.22, 51.6, -51.55

 

CMYK 8 / 57 / 0 / 16

HEX #C55BD6

RGB 197 91 214

HSL 291.71, 0.6%, 0.6%

LAB 56.29, 59.63, -44.82

 

CMYK 49 / 75 / 0 / 30

HEX #5B2CB2

RGB 91 44 178

HSL 261.04, 0.6%, 0.44%

LAB 32.35, 50.87, -63.17

 

CMYK 46 / 72 / 0 / 20

HEX #6E3ACD

RGB 110 58 205

HSL 261.22, 0.6%, 0.52%

LAB 39.15, 54.43, -67.8

 

CMYK 37 / 57 / 0 / 16

HEX #865BD6

RGB 134 91 214

HSL 260.98, 0.6%, 0.6%

LAB 48.77, 44.2, -57.27

 

CMYK 29 / 44 / 0 / 13

HEX #9E7CDE

RGB 158 124 222

HSL 260.82, 0.6%, 0.68%

LAB 58.94, 33.64, -45.44

 

CMYK 20 / 32 / 0 / 10

HEX #B79DE6

RGB 183 157 230

HSL 261.37, 0.59%, 0.76%

LAB 69.39, 24.11, -33.35

 

CMYK 37 / 57 / 0 / 16

HEX #865BD6

RGB 134 91 214

HSL 260.98, 0.6%, 0.6%

LAB 48.77, 44.2, -57.27

 

CMYK 0 / 57 / 31 / 16

HEX #D65B94

RGB 214 91 148

HSL 332.2, 0.6%, 0.6%

LAB 56, 54.12, -6.99

 

CMYK 54 / 0 / 57 / 16

HEX #63D65B

RGB 99 214 91

HSL 116.1, 0.6%, 0.6%

LAB 76.98, -56.31, 50.14

 

CMYK 37 / 57 / 0 / 16

HEX #865BD6

RGB 134 91 214

HSL 260.98, 0.6%, 0.6%

LAB 48.77, 44.2, -57.27

 

CMYK 0 / 38 / 57 / 16

HEX #D6845B

RGB 214 132 91

HSL 20, 0.6%, 0.6%

LAB 62.97, 27.53, 35.23

 

CMYK 57 / 0 / 38 / 16

HEX #5BD684

RGB 91 214 132

HSL 140, 0.6%, 0.6%

LAB 77.27, -52.3, 30.45

 

CMYK 37 / 57 / 0 / 16

HEX #865BD6

RGB 134 91 214

HSL 260.98, 0.6%, 0.6%

LAB 48.77, 44.2, -57.27

 

CMYK 0 / 57 / 31 / 16

HEX #D65B94

RGB 214 91 148

HSL 332.2, 0.6%, 0.6%

LAB 56, 54.12, -6.99

 

CMYK 19 / 0 / 57 / 16

HEX #ADD65B

RGB 173 214 91

HSL 80, 0.6%, 0.6%

LAB 80.59, -32, 55.23

 

CMYK 57 / 0 / 27 / 16

HEX #5BD69D

RGB 91 214 157

HSL 152.2, 0.6%, 0.6%

LAB 77.73, -47.52, 18.05

 

CMYK 37 / 57 / 0 / 16

HEX #865BD6

RGB 134 91 214

HSL 260.98, 0.6%, 0.6%

LAB 48.77, 44.2, -57.27

 

CMYK 0 / 57 / 48 / 16

HEX #D65B70

RGB 214 91 112

HSL 349.76, 0.6%, 0.6%

LAB 55.02, 50.2, 12.79

 

CMYK 19 / 0 / 57 / 16

HEX #ADD65B

RGB 173 214 91

HSL 80, 0.6%, 0.6%

LAB 80.59, -32, 55.23

 

CMYK 57 / 0 / 10 / 16

HEX #5BD6C1

RGB 91 214 193

HSL 169.76, 0.6%, 0.6%

LAB 78.56, -39.28, 0.07

 

Description

Color code: HEX #865BD6 | qconv.com Color code: HEX #865BD6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 91 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 91 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 57 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 57% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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