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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E7CDE it is the complementary color #618321. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E7CDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E7CDE shade: #A37CD9, #B48EEC, #C5A0FF, #D6B2FF and #E7C4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E7CDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E7CDE shade: #9E7CDE, #8D6ACB, #7C58B8, #6B46A5 and #5A3492

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E7CDE shade: #9E7CDE, #B87CDE, #D37CDE, #DE7CCF and #DE7CB4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E7CDE shade: #9E7CDE, #847CDE and #7C7CDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E7CDE shade matches the following richer shades: #9E7CDE, #9A6FEB and #9662F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E7CDE shade: #9E7CDE, #A289D1, #A696C3, #AAA4B6 and #AEB1A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E7CDE shade: #7C90DE, #827CDE, #9D7CDE, #B77CDE and #D17CDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E7CDE shade: #6D3ACD, #865BD6, #9E7CDE, #B69DE6 and #CFBEEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E7CDE shade: #9E7CDE, #DE7CAA and #82DE7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E7CDE shade: #9E7CDE, #DE9D7C and #7CDE9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E7CDE shade: #9E7CDE, #DE7CAA, #BDDE7C and #7CDEB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E7CDE shade: #9E7CDE, #DE7C8C, #BDDE7C and #7CDECE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 44 / 0 / 13

HEX #9E7CDE

RGB 158 124 222

HSL 260.82, 0.6%, 0.68%

LAB 58.94, 33.64, -45.44

 

Complementary color

CMYK 26 / 0 / 75 / 49

HEX #618321

RGB 97 131 33

HSL 80.82, 0.6%, 0.32%

LAB 50.55, -27.14, 46.21

 

CMYK 25 / 43 / 0 / 15

HEX #A37CD9

RGB 163 124 217

HSL 265.16, 0.55%, 0.67%

LAB 59.17, 33.82, -42.24

 

CMYK 24 / 40 / 0 / 7

HEX #B48EEC

RGB 180 142 236

HSL 264.26, 0.71%, 0.74%

LAB 65.83, 33, -42.22

 

CMYK 23 / 37 / 0 / 0

HEX #C5A0FF

RGB 197 160 255

HSL 263.37, 1%, 0.81%

LAB 72.38, 32.25, -42.23

 

CMYK 16 / 30 / 0 / 0

HEX #D6B2FF

RGB 214 178 255

HSL 268.05, 1%, 0.85%

LAB 78.09, 27.4, -33.26

 

CMYK 9 / 23 / 0 / 0

HEX #E7C4FF

RGB 231 196 255

HSL 275.59, 1%, 0.88%

LAB 83.8, 22.94, -24.37

 

CMYK 29 / 44 / 0 / 13

HEX #9E7CDE

RGB 158 124 222

HSL 260.82, 0.6%, 0.68%

LAB 58.94, 33.64, -45.44

 

CMYK 31 / 48 / 0 / 20

HEX #8D6ACB

RGB 141 106 203

HSL 261.65, 0.48%, 0.61%

LAB 52.16, 34.58, -45.54

 

CMYK 33 / 52 / 0 / 28

HEX #7C58B8

RGB 124 88 184

HSL 262.5, 0.4%, 0.53%

LAB 45.26, 35.59, -45.66

 

CMYK 35 / 58 / 0 / 35

HEX #6B46A5

RGB 107 70 165

HSL 263.37, 0.4%, 0.46%

LAB 38.24, 36.68, -45.77

 

CMYK 38 / 64 / 0 / 43

HEX #5A3492

RGB 90 52 146

HSL 264.26, 0.47%, 0.39%

LAB 31.13, 37.79, -45.82

 

CMYK 29 / 44 / 0 / 13

HEX #9E7CDE

RGB 158 124 222

HSL 260.82, 0.6%, 0.68%

LAB 58.94, 33.64, -45.44

 

CMYK 17 / 44 / 0 / 13

HEX #B87CDE

RGB 184 124 222

HSL 276.73, 0.6%, 0.68%

LAB 61.55, 40.92, -41.14

 

CMYK 5 / 44 / 0 / 13

HEX #D37CDE

RGB 211 124 222

HSL 293.27, 0.6%, 0.68%

LAB 64.59, 48.72, -36.16

 

CMYK 0 / 44 / 7 / 13

HEX #DE7CCF

RGB 222 124 207

HSL 309.18, 0.6%, 0.68%

LAB 65.32, 49.3, -26.56

 

CMYK 0 / 44 / 19 / 13

HEX #DE7CB4

RGB 222 124 180

HSL 325.71, 0.6%, 0.68%

LAB 64.35, 44.98, -12.82

 

CMYK 29 / 44 / 0 / 13

HEX #9E7CDE

RGB 158 124 222

HSL 260.82, 0.6%, 0.68%

LAB 58.94, 33.64, -45.44

 

CMYK 41 / 44 / 0 / 13

HEX #847CDE

RGB 132 124 222

HSL 244.9, 0.6%, 0.68%

LAB 56.68, 26.82, -49.16

 

CMYK 44 / 44 / 0 / 13

HEX #7C7CDE

RGB 124 124 222

HSL 240, 0.6%, 0.68%

LAB 56.06, 24.85, -50.18

 

CMYK 29 / 44 / 0 / 13

HEX #9E7CDE

RGB 158 124 222

HSL 260.82, 0.6%, 0.68%

LAB 58.94, 33.64, -45.44

 

CMYK 34 / 53 / 0 / 8

HEX #9A6FEB

RGB 154 111 235

HSL 260.81, 0.76%, 0.68%

LAB 56.32, 43.21, -56.88

 

CMYK 40 / 60 / 0 / 3

HEX #9662F8

RGB 150 98 248

HSL 260.8, 0.91%, 0.68%

LAB 54.02, 52.72, -67.84

 

CMYK 29 / 44 / 0 / 13

HEX #9E7CDE

RGB 158 124 222

HSL 260.82, 0.6%, 0.68%

LAB 58.94, 33.64, -45.44

 

CMYK 22 / 34 / 0 / 18

HEX #A289D1

RGB 162 137 209

HSL 260.83, 0.44%, 0.68%

LAB 61.81, 24.22, -33.63

 

CMYK 15 / 23 / 0 / 24

HEX #A696C3

RGB 166 150 195

HSL 261.33, 0.27%, 0.68%

LAB 64.85, 14.88, -21.07

 

CMYK 7 / 10 / 0 / 29

HEX #AAA4B6

RGB 170 164 182

HSL 260, 0.11%, 0.68%

LAB 68.37, 5.64, -8.49

 

CMYK 2 / 0 / 5 / 31

HEX #AEB1A9

RGB 174 177 169

HSL 82.5, 0.05%, 0.68%

LAB 71.76, -2.54, 3.71

 

CMYK 44 / 35 / 0 / 13

HEX #7C90DE

RGB 124 144 222

HSL 227.76, 0.6%, 0.68%

LAB 61.23, 13.04, -42.01

 

CMYK 41 / 44 / 0 / 13

HEX #827CDE

RGB 130 124 222

HSL 243.67, 0.6%, 0.68%

LAB 56.52, 26.32, -49.42

 

CMYK 29 / 44 / 0 / 13

HEX #9D7CDE

RGB 157 124 222

HSL 260.2, 0.6%, 0.68%

LAB 58.84, 33.37, -45.59

 

CMYK 18 / 44 / 0 / 13

HEX #B77CDE

RGB 183 124 222

HSL 276.12, 0.6%, 0.68%

LAB 61.44, 40.64, -41.32

 

CMYK 6 / 44 / 0 / 13

HEX #D17CDE

RGB 209 124 222

HSL 292.04, 0.6%, 0.68%

LAB 64.36, 48.14, -36.55

 

CMYK 47 / 72 / 0 / 20

HEX #6D3ACD

RGB 109 58 205

HSL 260.82, 0.6%, 0.52%

LAB 39.04, 54.26, -67.99

 

CMYK 37 / 57 / 0 / 16

HEX #865BD6

RGB 134 91 214

HSL 260.98, 0.6%, 0.6%

LAB 48.77, 44.2, -57.27

 

CMYK 29 / 44 / 0 / 13

HEX #9E7CDE

RGB 158 124 222

HSL 260.82, 0.6%, 0.68%

LAB 58.94, 33.64, -45.44

 

CMYK 21 / 32 / 0 / 10

HEX #B69DE6

RGB 182 157 230

HSL 260.55, 0.59%, 0.76%

LAB 69.31, 23.81, -33.49

 

CMYK 13 / 20 / 0 / 7

HEX #CFBEEE

RGB 207 190 238

HSL 261.25, 0.59%, 0.84%

LAB 79.76, 15.13, -21.61

 

CMYK 29 / 44 / 0 / 13

HEX #9E7CDE

RGB 158 124 222

HSL 260.82, 0.6%, 0.68%

LAB 58.94, 33.64, -45.44

 

CMYK 0 / 44 / 23 / 13

HEX #DE7CAA

RGB 222 124 170

HSL 331.84, 0.6%, 0.68%

LAB 64.04, 43.52, -7.62

 

CMYK 41 / 0 / 44 / 13

HEX #82DE7C

RGB 130 222 124

HSL 116.33, 0.6%, 0.68%

LAB 80.98, -46.6, 39.59

 

CMYK 29 / 44 / 0 / 13

HEX #9E7CDE

RGB 158 124 222

HSL 260.82, 0.6%, 0.68%

LAB 58.94, 33.64, -45.44

 

CMYK 0 / 29 / 44 / 13

HEX #DE9D7C

RGB 222 157 124

HSL 20.2, 0.6%, 0.68%

LAB 70.25, 20.3, 26.91

 

CMYK 44 / 0 / 29 / 13

HEX #7CDE9D

RGB 124 222 157

HSL 140.2, 0.6%, 0.68%

LAB 81.27, -42.96, 23.12

 

CMYK 29 / 44 / 0 / 13

HEX #9E7CDE

RGB 158 124 222

HSL 260.82, 0.6%, 0.68%

LAB 58.94, 33.64, -45.44

 

CMYK 0 / 44 / 23 / 13

HEX #DE7CAA

RGB 222 124 170

HSL 331.84, 0.6%, 0.68%

LAB 64.04, 43.52, -7.62

 

CMYK 15 / 0 / 44 / 13

HEX #BDDE7C

RGB 189 222 124

HSL 80.2, 0.6%, 0.68%

LAB 84.23, -26.42, 44.36

 

CMYK 44 / 0 / 21 / 13

HEX #7CDEB0

RGB 124 222 176

HSL 151.84, 0.6%, 0.68%

LAB 81.65, -39.27, 13.7

 

CMYK 29 / 44 / 0 / 13

HEX #9E7CDE

RGB 158 124 222

HSL 260.82, 0.6%, 0.68%

LAB 58.94, 33.64, -45.44

 

CMYK 0 / 44 / 37 / 13

HEX #DE7C8C

RGB 222 124 140

HSL 350.2, 0.6%, 0.68%

LAB 63.21, 39.62, 8.27

 

CMYK 15 / 0 / 44 / 13

HEX #BDDE7C

RGB 189 222 124

HSL 80.2, 0.6%, 0.68%

LAB 84.23, -26.42, 44.36

 

CMYK 44 / 0 / 7 / 13

HEX #7CDECE

RGB 124 222 206

HSL 170.2, 0.6%, 0.68%

LAB 82.37, -32.66, -1.15

 

Description

Color code: HEX #9E7CDE | qconv.com Color code: HEX #9E7CDE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 124 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 124 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 44 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 44% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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