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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #869B17 it is the complementary color #7964E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #869B17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #869B17 shade: #8B9B12, #9CAD25, #ADBF38, #BED14B and #CFE35E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #869B17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #869B17 shade: #869B17, #758904, #647700, #536500 and #425300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #869B17 shade: #869B17, #9B8C17, #9B6917, #9B4517 and #9B2117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #869B17 shade: #869B17, #629B17, #3F9B17, #1B9B17 and #179B36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #869B17 shade matches the following richer shades: #869B17 and #90A908

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #869B17 shade: #869B17, #7C8C25, #727E34, #686F42 and #5E6150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #869B17 shade: #9B6817, #9B8B17, #879B17, #649B17 and #419B17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #869B17 shade: #48530C, #677711, #869B17, #A5BF1C and #C1DE26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #869B17 shade: #869B17, #179B45 and #7A179B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #869B17 shade: #869B17, #17879B and #9B1787

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #869B17 shade: #869B17, #179B45, #2B179B and #9B176D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #869B17 shade: #869B17, #179B6D, #2B179B and #9B1745

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 85 / 39

HEX #869B17

RGB 134 155 23

HSL 69.55, 0.74%, 0.35%

LAB 60.4, -23.69, 59.25

 

Complementary color

CMYK 48 / 57 / 0 / 9

HEX #7964E8

RGB 121 100 232

HSL 249.55, 0.74%, 0.65%

LAB 50.69, 41.24, -64.41

 

CMYK 10 / 0 / 88 / 39

HEX #8B9B12

RGB 139 155 18

HSL 67.01, 0.79%, 0.34%

LAB 60.76, -21.66, 60.82

 

CMYK 10 / 0 / 79 / 32

HEX #9CAD25

RGB 156 173 37

HSL 67.5, 0.65%, 0.41%

LAB 67.34, -22.68, 62.15

 

CMYK 9 / 0 / 71 / 25

HEX #ADBF38

RGB 173 191 56

HSL 68, 0.55%, 0.48%

LAB 73.82, -23.48, 62.36

 

CMYK 9 / 0 / 64 / 18

HEX #BED14B

RGB 190 209 75

HSL 68.51, 0.59%, 0.56%

LAB 80.21, -24.12, 61.95

 

CMYK 9 / 0 / 59 / 11

HEX #CFE35E

RGB 207 227 94

HSL 69.02, 0.7%, 0.63%

LAB 86.51, -24.64, 61.19

 

CMYK 14 / 0 / 85 / 39

HEX #869B17

RGB 134 155 23

HSL 69.55, 0.74%, 0.35%

LAB 60.4, -23.69, 59.25

 

CMYK 15 / 0 / 97 / 46

HEX #758904

RGB 117 137 4

HSL 69.02, 0.94%, 0.28%

LAB 53.69, -22.57, 56.92

 

CMYK 16 / 0 / 100 / 53

HEX #647700

RGB 100 119 0

HSL 69.58, 1%, 0.23%

LAB 46.85, -21.09, 51.93

 

CMYK 18 / 0 / 100 / 60

HEX #536500

RGB 83 101 0

HSL 70.69, 1%, 0.2%

LAB 39.83, -19.51, 46.09

 

CMYK 20 / 0 / 100 / 67

HEX #425300

RGB 66 83 0

HSL 72.29, 1%, 0.16%

LAB 32.58, -17.89, 40.05

 

CMYK 14 / 0 / 85 / 39

HEX #869B17

RGB 134 155 23

HSL 69.55, 0.74%, 0.35%

LAB 60.4, -23.69, 59.25

 

CMYK 0 / 10 / 85 / 39

HEX #9B8C17

RGB 155 140 23

HSL 53.18, 0.74%, 0.35%

LAB 57.83, -6.44, 57.78

 

CMYK 0 / 32 / 85 / 39

HEX #9B6917

RGB 155 105 23

HSL 37.27, 0.74%, 0.35%

LAB 48.43, 13.22, 49.81

 

CMYK 0 / 55 / 85 / 39

HEX #9B4517

RGB 155 69 23

HSL 20.91, 0.74%, 0.35%

LAB 40.06, 33.29, 42.54

 

CMYK 0 / 79 / 85 / 39

HEX #9B2117

RGB 155 33 23

HSL 4.55, 0.74%, 0.35%

LAB 34.23, 48.91, 37.33

 

CMYK 14 / 0 / 85 / 39

HEX #869B17

RGB 134 155 23

HSL 69.55, 0.74%, 0.35%

LAB 60.4, -23.69, 59.25

 

CMYK 37 / 0 / 85 / 39

HEX #629B17

RGB 98 155 23

HSL 85.91, 0.74%, 0.35%

LAB 58.13, -38.31, 56.4

 

CMYK 59 / 0 / 85 / 39

HEX #3F9B17

RGB 63 155 23

HSL 101.82, 0.74%, 0.35%

LAB 56.65, -49.54, 54.51

 

CMYK 83 / 0 / 85 / 39

HEX #1B9B17

RGB 27 155 23

HSL 118.18, 0.74%, 0.35%

LAB 55.82, -56.49, 53.47

 

CMYK 85 / 0 / 65 / 39

HEX #179B36

RGB 23 155 54

HSL 134.09, 0.74%, 0.35%

LAB 55.98, -54.36, 42.37

 

CMYK 14 / 0 / 85 / 39

HEX #869B17

RGB 134 155 23

HSL 69.55, 0.74%, 0.35%

LAB 60.4, -23.69, 59.25

 

CMYK 15 / 0 / 95 / 34

HEX #90A908

RGB 144 169 8

HSL 69.32, 0.91%, 0.35%

LAB 65.22, -26.62, 66.11

 

CMYK 14 / 0 / 85 / 39

HEX #869B17

RGB 134 155 23

HSL 69.55, 0.74%, 0.35%

LAB 60.4, -23.69, 59.25

 

CMYK 11 / 0 / 74 / 45

HEX #7C8C25

RGB 124 140 37

HSL 69.32, 0.58%, 0.35%

LAB 55.25, -19.86, 49.95

 

CMYK 10 / 0 / 59 / 51

HEX #727E34

RGB 114 126 52

HSL 69.73, 0.42%, 0.35%

LAB 50.39, -15.84, 38.04

 

CMYK 6 / 0 / 41 / 56

HEX #686F42

RGB 104 111 66

HSL 69.33, 0.25%, 0.35%

LAB 45.23, -10.48, 24.17

 

CMYK 3 / 0 / 18 / 62

HEX #5E6150

RGB 94 97 80

HSL 70.59, 0.1%, 0.35%

LAB 40.42, -4.53, 9.31

 

CMYK 0 / 33 / 85 / 39

HEX #9B6817

RGB 155 104 23

HSL 36.82, 0.74%, 0.35%

LAB 48.17, 13.8, 49.59

 

CMYK 0 / 10 / 85 / 39

HEX #9B8B17

RGB 155 139 23

HSL 52.73, 0.74%, 0.35%

LAB 57.56, -5.9, 57.55

 

CMYK 13 / 0 / 85 / 39

HEX #879B17

RGB 135 155 23

HSL 69.09, 0.74%, 0.35%

LAB 60.48, -23.26, 59.34

 

CMYK 35 / 0 / 85 / 39

HEX #649B17

RGB 100 155 23

HSL 85, 0.74%, 0.35%

LAB 58.24, -37.56, 56.53

 

CMYK 58 / 0 / 85 / 39

HEX #419B17

RGB 65 155 23

HSL 100.91, 0.74%, 0.35%

LAB 56.71, -49, 54.6

 

CMYK 13 / 0 / 86 / 67

HEX #48530C

RGB 72 83 12

HSL 69.3, 0.75%, 0.19%

LAB 33.12, -14.49, 36.68

 

CMYK 13 / 0 / 86 / 53

HEX #677711

RGB 103 119 17

HSL 69.41, 0.75%, 0.27%

LAB 47.13, -19.26, 48.48

 

CMYK 14 / 0 / 85 / 39

HEX #869B17

RGB 134 155 23

HSL 69.55, 0.74%, 0.35%

LAB 60.4, -23.69, 59.25

 

CMYK 14 / 0 / 85 / 25

HEX #A5BF1C

RGB 165 191 28

HSL 69.57, 0.74%, 0.43%

LAB 73.12, -27.96, 69.75

 

CMYK 13 / 0 / 83 / 13

HEX #C1DE26

RGB 193 222 38

HSL 69.46, 0.74%, 0.51%

LAB 83.82, -30.81, 77.35

 

CMYK 14 / 0 / 85 / 39

HEX #869B17

RGB 134 155 23

HSL 69.55, 0.74%, 0.35%

LAB 60.4, -23.69, 59.25

 

CMYK 85 / 0 / 55 / 39

HEX #179B45

RGB 23 155 69

HSL 140.91, 0.74%, 0.35%

LAB 56.14, -52.36, 35.43

 

CMYK 21 / 85 / 0 / 39

HEX #7A179B

RGB 122 23 155

HSL 285, 0.74%, 0.35%

LAB 32.07, 58.41, -49.58

 

CMYK 14 / 0 / 85 / 39

HEX #869B17

RGB 134 155 23

HSL 69.55, 0.74%, 0.35%

LAB 60.4, -23.69, 59.25

 

CMYK 85 / 13 / 0 / 39

HEX #17879B

RGB 23 135 155

HSL 189.09, 0.74%, 0.35%

LAB 51.7, -22, -19.05

 

CMYK 0 / 85 / 13 / 39

HEX #9B1787

RGB 155 23 135

HSL 309.09, 0.74%, 0.35%

LAB 36.61, 61.4, -29.7

 

CMYK 14 / 0 / 85 / 39

HEX #869B17

RGB 134 155 23

HSL 69.55, 0.74%, 0.35%

LAB 60.4, -23.69, 59.25

 

CMYK 85 / 0 / 55 / 39

HEX #179B45

RGB 23 155 69

HSL 140.91, 0.74%, 0.35%

LAB 56.14, -52.36, 35.43

 

CMYK 72 / 85 / 0 / 39

HEX #2B179B

RGB 43 23 155

HSL 249.09, 0.74%, 0.35%

LAB 21.92, 48.3, -66.62

 

CMYK 0 / 85 / 30 / 39

HEX #9B176D

RGB 155 23 109

HSL 320.91, 0.74%, 0.35%

LAB 35.37, 57.97, -15.34

 

CMYK 14 / 0 / 85 / 39

HEX #869B17

RGB 134 155 23

HSL 69.55, 0.74%, 0.35%

LAB 60.4, -23.69, 59.25

 

CMYK 85 / 0 / 30 / 39

HEX #179B6D

RGB 23 155 109

HSL 159.09, 0.74%, 0.35%

LAB 56.81, -44.63, 14.84

 

CMYK 72 / 85 / 0 / 39

HEX #2B179B

RGB 43 23 155

HSL 249.09, 0.74%, 0.35%

LAB 21.92, 48.3, -66.62

 

CMYK 0 / 85 / 55 / 39

HEX #9B1745

RGB 155 23 69

HSL 339.09, 0.74%, 0.35%

LAB 34.01, 54.05, 8.49

 

Description

Color code: HEX #869B17 | qconv.com Color code: HEX #869B17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 155 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 155 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 85 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 85% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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