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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #86CF20 it is the complementary color #7930DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #86CF20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #86CF20 shade: #8BCF1B, #9CE12E, #ADF341, #BEFF54 and #CFFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #86CF20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #86CF20 shade: #86CF20, #75BD0D, #64AB00, #539900 and #428700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #86CF20 shade: #86CF20, #B5CF20, #CFB920, #CF8A20 and #CF5B20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #86CF20 shade: #86CF20, #57CF20, #27CF20, #20CF47 and #20CF77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #86CF20 shade matches the following richer shades: #86CF20 and #89E20C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #86CF20 shade: #86CF20, #83BB33, #7FA847, #7C955A and #79816D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #86CF20 shade: #CFBA20, #B5CF20, #86CF20, #57CF20 and #29CF20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #86CF20 shade: #588715, #6FAB1A, #86CF20, #9AE038 and #ACE55C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #86CF20 shade: #86CF20, #20CF8C and #CF20CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #86CF20 shade: #86CF20, #2086CF and #CF2086

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #86CF20 shade: #86CF20, #20CF8C, #6920CF and #CF2063

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #86CF20 shade: #86CF20, #20CFC0, #6920CF and #CF202E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 85 / 19

HEX #86CF20

RGB 134 207 32

HSL 85.03, 0.73%, 0.47%

LAB 75.95, -47.02, 70.54

 

Complementary color

CMYK 46 / 78 / 0 / 13

HEX #7930DF

RGB 121 48 223

HSL 265.03, 0.73%, 0.53%

LAB 40.42, 65.01, -76.04

 

CMYK 33 / 0 / 87 / 19

HEX #8BCF1B

RGB 139 207 27

HSL 82.67, 0.77%, 0.46%

LAB 76.19, -45.38, 71.9

 

CMYK 31 / 0 / 80 / 12

HEX #9CE12E

RGB 156 225 46

HSL 83.13, 0.75%, 0.53%

LAB 82.44, -46.13, 73.27

 

CMYK 29 / 0 / 73 / 5

HEX #ADF341

RGB 173 243 65

HSL 83.6, 0.88%, 0.6%

LAB 88.62, -46.69, 73.72

 

CMYK 25 / 0 / 67 / 0

HEX #BEFF54

RGB 190 255 84

HSL 82.81, 1%, 0.66%

LAB 93.06, -44.55, 71.86

 

CMYK 19 / 0 / 60 / 0

HEX #CFFF67

RGB 207 255 103

HSL 78.95, 1%, 0.7%

LAB 94.21, -36.94, 65.91

 

CMYK 35 / 0 / 85 / 19

HEX #86CF20

RGB 134 207 32

HSL 85.03, 0.73%, 0.47%

LAB 75.95, -47.02, 70.54

 

CMYK 38 / 0 / 93 / 26

HEX #75BD0D

RGB 117 189 13

HSL 84.55, 0.87%, 0.4%

LAB 69.62, -46.11, 68.3

 

CMYK 42 / 0 / 100 / 33

HEX #64AB00

RGB 100 171 0

HSL 84.91, 1%, 0.34%

LAB 63.21, -44.91, 64.47

 

CMYK 46 / 0 / 100 / 40

HEX #539900

RGB 83 153 0

HSL 87.45, 1%, 0.3%

LAB 56.7, -43.43, 59.07

 

CMYK 51 / 0 / 100 / 47

HEX #428700

RGB 66 135 0

HSL 90.67, 1%, 0.26%

LAB 50.08, -41.83, 53.57

 

CMYK 35 / 0 / 85 / 19

HEX #86CF20

RGB 134 207 32

HSL 85.03, 0.73%, 0.47%

LAB 75.95, -47.02, 70.54

 

CMYK 13 / 0 / 85 / 19

HEX #B5CF20

RGB 181 207 32

HSL 68.91, 0.73%, 0.47%

LAB 78.78, -28.83, 74.09

 

CMYK 0 / 11 / 85 / 19

HEX #CFB920

RGB 207 185 32

HSL 52.46, 0.73%, 0.47%

LAB 74.87, -6.82, 71.66

 

CMYK 0 / 33 / 85 / 19

HEX #CF8A20

RGB 207 138 32

HSL 36.34, 0.73%, 0.47%

LAB 62.97, 18.29, 61.74

 

CMYK 0 / 56 / 85 / 19

HEX #CF5B20

RGB 207 91 32

HSL 20.23, 0.73%, 0.47%

LAB 52.79, 42.93, 53.1

 

CMYK 35 / 0 / 85 / 19

HEX #86CF20

RGB 134 207 32

HSL 85.03, 0.73%, 0.47%

LAB 75.95, -47.02, 70.54

 

CMYK 58 / 0 / 85 / 19

HEX #57CF20

RGB 87 207 32

HSL 101.14, 0.73%, 0.47%

LAB 74.03, -61.42, 68.13

 

CMYK 81 / 0 / 85 / 19

HEX #27CF20

RGB 39 207 32

HSL 117.6, 0.73%, 0.47%

LAB 73, -70.19, 66.81

 

CMYK 85 / 0 / 66 / 19

HEX #20CF47

RGB 32 207 71

HSL 133.37, 0.73%, 0.47%

LAB 73.15, -68.02, 54.08

 

CMYK 85 / 0 / 43 / 19

HEX #20CF77

RGB 32 207 119

HSL 149.83, 0.73%, 0.47%

LAB 73.72, -61.15, 32.22

 

CMYK 35 / 0 / 85 / 19

HEX #86CF20

RGB 134 207 32

HSL 85.03, 0.73%, 0.47%

LAB 75.95, -47.02, 70.54

 

CMYK 39 / 0 / 95 / 11

HEX #89E20C

RGB 137 226 12

HSL 84.95, 0.9%, 0.47%

LAB 81.7, -54.12, 78.51

 

CMYK 35 / 0 / 85 / 19

HEX #86CF20

RGB 134 207 32

HSL 85.03, 0.73%, 0.47%

LAB 75.95, -47.02, 70.54

 

CMYK 30 / 0 / 73 / 27

HEX #83BB33

RGB 131 187 51

HSL 84.71, 0.57%, 0.47%

LAB 69.9, -38.64, 59.37

 

CMYK 24 / 0 / 58 / 34

HEX #7FA847

RGB 127 168 71

HSL 85.36, 0.41%, 0.47%

LAB 64.14, -29.87, 44.83

 

CMYK 17 / 0 / 40 / 42

HEX #7C955A

RGB 124 149 90

HSL 85.42, 0.25%, 0.47%

LAB 58.53, -19.42, 28.3

 

CMYK 6 / 0 / 16 / 49

HEX #79816D

RGB 121 129 109

HSL 84, 0.08%, 0.47%

LAB 52.81, -6.84, 9.85

 

CMYK 0 / 10 / 85 / 19

HEX #CFBA20

RGB 207 186 32

HSL 52.8, 0.73%, 0.47%

LAB 75.13, -7.34, 71.88

 

CMYK 13 / 0 / 85 / 19

HEX #B5CF20

RGB 181 207 32

HSL 68.91, 0.73%, 0.47%

LAB 78.78, -28.83, 74.09

 

CMYK 35 / 0 / 85 / 19

HEX #86CF20

RGB 134 207 32

HSL 85.03, 0.73%, 0.47%

LAB 75.95, -47.02, 70.54

 

CMYK 58 / 0 / 85 / 19

HEX #57CF20

RGB 87 207 32

HSL 101.14, 0.73%, 0.47%

LAB 74.03, -61.42, 68.13

 

CMYK 80 / 0 / 85 / 19

HEX #29CF20

RGB 41 207 32

HSL 116.91, 0.73%, 0.47%

LAB 73.02, -69.96, 66.84

 

CMYK 35 / 0 / 84 / 47

HEX #588715

RGB 88 135 21

HSL 84.74, 0.73%, 0.31%

LAB 51.22, -33.28, 50.6

 

CMYK 35 / 0 / 85 / 33

HEX #6FAB1A

RGB 111 171 26

HSL 84.83, 0.74%, 0.39%

LAB 63.82, -40.32, 60.91

 

CMYK 35 / 0 / 85 / 19

HEX #86CF20

RGB 134 207 32

HSL 85.03, 0.73%, 0.47%

LAB 75.95, -47.02, 70.54

 

CMYK 31 / 0 / 75 / 12

HEX #9AE038

RGB 154 224 56

HSL 85, 0.73%, 0.55%

LAB 82.09, -45.95, 69.97

 

CMYK 25 / 0 / 60 / 10

HEX #ACE55C

RGB 172 229 92

HSL 84.96, 0.72%, 0.63%

LAB 84.78, -39.12, 59.49

 

CMYK 35 / 0 / 85 / 19

HEX #86CF20

RGB 134 207 32

HSL 85.03, 0.73%, 0.47%

LAB 75.95, -47.02, 70.54

 

CMYK 85 / 0 / 32 / 19

HEX #20CF8C

RGB 32 207 140

HSL 157.03, 0.73%, 0.47%

LAB 74.08, -57, 21.79

 

CMYK 0 / 85 / 1 / 19

HEX #CF20CC

RGB 207 32 204

HSL 301.03, 0.73%, 0.47%

LAB 50.28, 79.86, -48.56

 

CMYK 35 / 0 / 85 / 19

HEX #86CF20

RGB 134 207 32

HSL 85.03, 0.73%, 0.47%

LAB 75.95, -47.02, 70.54

 

CMYK 85 / 35 / 0 / 19

HEX #2086CF

RGB 32 134 207

HSL 205.03, 0.73%, 0.47%

LAB 53.88, -1.93, -45.44

 

CMYK 0 / 85 / 35 / 19

HEX #CF2086

RGB 207 32 134

HSL 325.03, 0.73%, 0.47%

LAB 47, 70.95, -12.25

 

CMYK 35 / 0 / 85 / 19

HEX #86CF20

RGB 134 207 32

HSL 85.03, 0.73%, 0.47%

LAB 75.95, -47.02, 70.54

 

CMYK 85 / 0 / 32 / 19

HEX #20CF8C

RGB 32 207 140

HSL 157.03, 0.73%, 0.47%

LAB 74.08, -57, 21.79

 

CMYK 49 / 85 / 0 / 19

HEX #6920CF

RGB 105 32 207

HSL 265.03, 0.73%, 0.47%

LAB 35.09, 64.82, -75.66

 

CMYK 0 / 85 / 52 / 19

HEX #CF2063

RGB 207 32 99

HSL 337.03, 0.73%, 0.47%

LAB 45.91, 67.83, 7.66

 

CMYK 35 / 0 / 85 / 19

HEX #86CF20

RGB 134 207 32

HSL 85.03, 0.73%, 0.47%

LAB 75.95, -47.02, 70.54

 

CMYK 85 / 0 / 7 / 19

HEX #20CFC0

RGB 32 207 192

HSL 174.86, 0.73%, 0.47%

LAB 75.29, -44.12, -4.33

 

CMYK 49 / 85 / 0 / 19

HEX #6920CF

RGB 105 32 207

HSL 265.03, 0.73%, 0.47%

LAB 35.09, 64.82, -75.66

 

CMYK 0 / 85 / 78 / 19

HEX #CF202E

RGB 207 32 46

HSL 355.2, 0.73%, 0.47%

LAB 44.94, 64.98, 38.72

 

Description

Color code: HEX #86CF20 | qconv.com Color code: HEX #86CF20 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 207 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 207 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 85 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 85% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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