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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20CF77 it is the complementary color #DF3088. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20CF77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20CF77 shade: #25CF72, #36E185, #47F398, #58FFAB and #69FFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20CF77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20CF77 shade: #20CF77, #0FBD64, #00AB51, #00993E and #00872B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20CF77 shade: #20CF77, #20CF48, #27CF20, #56CF20 and #86CF20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20CF77 shade: #20CF77, #20CFA6, #20C8CF, #2099CF and #206ACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20CF77 shade matches the following richer shades: #20CF77 and #0CE277

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20CF77 shade: #20CF77, #33BB77, #47A877, #5A9577 and #6D8177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20CF77 shade: #29CF20, #20CF46, #20CF74, #20CFA3 and #20CCCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20CF77 shade: #15874E, #1AAB62, #20CF77, #38E08C and #5CE5A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20CF77 shade: #20CF77, #2057CF and #CF2E20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20CF77 shade: #20CF77, #7420CF and #CF7420

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20CF77 shade: #20CF77, #2057CF, #CF207A and #CF9720

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20CF77 shade: #20CF77, #2023CF, #CF207A and #CFCC20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 43 / 19

HEX #20CF77

RGB 32 207 119

HSL 149.83, 0.73%, 0.47%

LAB 73.72, -61.15, 32.22

 

Complementary color

CMYK 0 / 78 / 39 / 13

HEX #DF3088

RGB 223 48 136

HSL 329.83, 0.73%, 0.53%

LAB 51.36, 71.2, -6.62

 

CMYK 82 / 0 / 45 / 19

HEX #25CF72

RGB 37 207 114

HSL 147.18, 0.7%, 0.48%

LAB 73.7, -61.58, 34.74

 

CMYK 76 / 0 / 41 / 12

HEX #36E185

RGB 54 225 133

HSL 147.72, 0.74%, 0.55%

LAB 79.8, -62.65, 33.12

 

CMYK 71 / 0 / 37 / 5

HEX #47F398

RGB 71 243 152

HSL 148.26, 0.88%, 0.62%

LAB 85.86, -63.37, 31.61

 

CMYK 65 / 0 / 33 / 0

HEX #58FFAB

RGB 88 255 171

HSL 149.82, 1%, 0.67%

LAB 90.11, -61.59, 27.81

 

CMYK 59 / 0 / 25 / 0

HEX #69FFBE

RGB 105 255 190

HSL 154, 1%, 0.71%

LAB 90.89, -54.75, 19.3

 

CMYK 85 / 0 / 43 / 19

HEX #20CF77

RGB 32 207 119

HSL 149.83, 0.73%, 0.47%

LAB 73.72, -61.15, 32.22

 

CMYK 92 / 0 / 47 / 26

HEX #0FBD64

RGB 15 189 100

HSL 149.31, 0.85%, 0.4%

LAB 67.59, -59.5, 33.97

 

CMYK 100 / 0 / 53 / 33

HEX #00AB51

RGB 0 171 81

HSL 148.42, 1%, 0.34%

LAB 61.41, -57.32, 35.81

 

CMYK 100 / 0 / 59 / 40

HEX #00993E

RGB 0 153 62

HSL 144.31, 1%, 0.3%

LAB 55.21, -54.29, 37.71

 

CMYK 100 / 0 / 68 / 47

HEX #00872B

RGB 0 135 43

HSL 139.11, 1%, 0.26%

LAB 48.89, -50.95, 39.39

 

CMYK 85 / 0 / 43 / 19

HEX #20CF77

RGB 32 207 119

HSL 149.83, 0.73%, 0.47%

LAB 73.72, -61.15, 32.22

 

CMYK 85 / 0 / 65 / 19

HEX #20CF48

RGB 32 207 72

HSL 133.71, 0.73%, 0.47%

LAB 73.15, -67.92, 53.68

 

CMYK 81 / 0 / 85 / 19

HEX #27CF20

RGB 39 207 32

HSL 117.6, 0.73%, 0.47%

LAB 73, -70.19, 66.81

 

CMYK 58 / 0 / 85 / 19

HEX #56CF20

RGB 86 207 32

HSL 101.49, 0.73%, 0.47%

LAB 74, -61.67, 68.09

 

CMYK 35 / 0 / 85 / 19

HEX #86CF20

RGB 134 207 32

HSL 85.03, 0.73%, 0.47%

LAB 75.95, -47.02, 70.54

 

CMYK 85 / 0 / 43 / 19

HEX #20CF77

RGB 32 207 119

HSL 149.83, 0.73%, 0.47%

LAB 73.72, -61.15, 32.22

 

CMYK 85 / 0 / 20 / 19

HEX #20CFA6

RGB 32 207 166

HSL 165.94, 0.73%, 0.47%

LAB 74.63, -50.99, 8.71

 

CMYK 85 / 3 / 0 / 19

HEX #20C8CF

RGB 32 200 207

HSL 182.4, 0.73%, 0.47%

LAB 73.62, -36.63, -14.93

 

CMYK 85 / 26 / 0 / 19

HEX #2099CF

RGB 32 153 207

HSL 198.51, 0.73%, 0.47%

LAB 59.52, -12.82, -36.57

 

CMYK 85 / 49 / 0 / 19

HEX #206ACF

RGB 32 106 207

HSL 214.63, 0.73%, 0.47%

LAB 45.8, 15.41, -58.37

 

CMYK 85 / 0 / 43 / 19

HEX #20CF77

RGB 32 207 119

HSL 149.83, 0.73%, 0.47%

LAB 73.72, -61.15, 32.22

 

CMYK 95 / 0 / 47 / 11

HEX #0CE277

RGB 12 226 119

HSL 150, 0.9%, 0.47%

LAB 79.5, -68.67, 39.62

 

CMYK 85 / 0 / 43 / 19

HEX #20CF77

RGB 32 207 119

HSL 149.83, 0.73%, 0.47%

LAB 73.72, -61.15, 32.22

 

CMYK 73 / 0 / 36 / 27

HEX #33BB77

RGB 51 187 119

HSL 150, 0.57%, 0.47%

LAB 67.71, -51.66, 24.32

 

CMYK 58 / 0 / 29 / 34

HEX #47A877

RGB 71 168 119

HSL 149.69, 0.41%, 0.47%

LAB 62.23, -40.16, 16.95

 

CMYK 40 / 0 / 20 / 42

HEX #5A9577

RGB 90 149 119

HSL 149.49, 0.25%, 0.47%

LAB 57.08, -26.3, 9.87

 

CMYK 16 / 0 / 8 / 49

HEX #6D8177

RGB 109 129 119

HSL 150, 0.08%, 0.47%

LAB 52.16, -9.4, 2.98

 

CMYK 80 / 0 / 85 / 19

HEX #29CF20

RGB 41 207 32

HSL 116.91, 0.73%, 0.47%

LAB 73.02, -69.96, 66.84

 

CMYK 85 / 0 / 66 / 19

HEX #20CF46

RGB 32 207 70

HSL 133.03, 0.73%, 0.47%

LAB 73.14, -68.13, 54.48

 

CMYK 85 / 0 / 44 / 19

HEX #20CF74

RGB 32 207 116

HSL 148.8, 0.73%, 0.47%

LAB 73.67, -61.69, 33.68

 

CMYK 85 / 0 / 21 / 19

HEX #20CFA3

RGB 32 207 163

HSL 164.91, 0.73%, 0.47%

LAB 74.56, -51.73, 10.22

 

CMYK 85 / 1 / 0 / 19

HEX #20CCCF

RGB 32 204 207

HSL 181.03, 0.73%, 0.47%

LAB 74.82, -38.47, -13.12

 

CMYK 84 / 0 / 42 / 47

HEX #15874E

RGB 21 135 78

HSL 150, 0.73%, 0.31%

LAB 49.54, -43.75, 22.34

 

CMYK 85 / 0 / 43 / 33

HEX #1AAB62

RGB 26 171 98

HSL 149.79, 0.74%, 0.39%

LAB 61.85, -52.78, 27.63

 

CMYK 85 / 0 / 43 / 19

HEX #20CF77

RGB 32 207 119

HSL 149.83, 0.73%, 0.47%

LAB 73.72, -61.15, 32.22

 

CMYK 75 / 0 / 38 / 12

HEX #38E08C

RGB 56 224 140

HSL 150, 0.73%, 0.55%

LAB 79.64, -60.75, 29.36

 

CMYK 60 / 0 / 30 / 10

HEX #5CE5A0

RGB 92 229 160

HSL 149.78, 0.72%, 0.63%

LAB 82.3, -52.86, 22.79

 

CMYK 85 / 0 / 43 / 19

HEX #20CF77

RGB 32 207 119

HSL 149.83, 0.73%, 0.47%

LAB 73.72, -61.15, 32.22

 

CMYK 85 / 58 / 0 / 19

HEX #2057CF

RGB 32 87 207

HSL 221.14, 0.73%, 0.47%

LAB 40.62, 27.74, -66.78

 

CMYK 0 / 78 / 85 / 19

HEX #CF2E20

RGB 207 46 32

HSL 4.8, 0.73%, 0.47%

LAB 46.07, 61, 47.28

 

CMYK 85 / 0 / 43 / 19

HEX #20CF77

RGB 32 207 119

HSL 149.83, 0.73%, 0.47%

LAB 73.72, -61.15, 32.22

 

CMYK 44 / 85 / 0 / 19

HEX #7420CF

RGB 116 32 207

HSL 268.8, 0.73%, 0.47%

LAB 36.46, 66.12, -73.35

 

CMYK 0 / 44 / 85 / 19

HEX #CF7420

RGB 207 116 32

HSL 28.8, 0.73%, 0.47%

LAB 57.9, 30.14, 57.47

 

CMYK 85 / 0 / 43 / 19

HEX #20CF77

RGB 32 207 119

HSL 149.83, 0.73%, 0.47%

LAB 73.72, -61.15, 32.22

 

CMYK 85 / 58 / 0 / 19

HEX #2057CF

RGB 32 87 207

HSL 221.14, 0.73%, 0.47%

LAB 40.62, 27.74, -66.78

 

CMYK 0 / 85 / 41 / 19

HEX #CF207A

RGB 207 32 122

HSL 329.14, 0.73%, 0.47%

LAB 46.58, 69.77, -5.55

 

CMYK 0 / 27 / 85 / 19

HEX #CF9720

RGB 207 151 32

HSL 40.8, 0.73%, 0.47%

LAB 66.14, 11.23, 64.4

 

CMYK 85 / 0 / 43 / 19

HEX #20CF77

RGB 32 207 119

HSL 149.83, 0.73%, 0.47%

LAB 73.72, -61.15, 32.22

 

CMYK 85 / 83 / 0 / 19

HEX #2023CF

RGB 32 35 207

HSL 238.97, 0.73%, 0.47%

LAB 29.45, 58.1, -85.19

 

CMYK 0 / 85 / 41 / 19

HEX #CF207A

RGB 207 32 122

HSL 329.14, 0.73%, 0.47%

LAB 46.58, 69.77, -5.55

 

CMYK 0 / 1 / 85 / 19

HEX #CFCC20

RGB 207 204 32

HSL 58.97, 0.73%, 0.47%

LAB 79.93, -16.46, 75.84

 

Description

Color code: HEX #20CF77 | qconv.com Color code: HEX #20CF77 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 207 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 207 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 43 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 43% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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