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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8777D3 it is the complementary color #78882C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8777D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8777D3 shade: #8C77CE, #9D89E1, #AE9BF4, #BFADFF and #D0BFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8777D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8777D3 shade: #8777D3, #7665C0, #6553AD, #54419A and #432F87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8777D3 shade: #8878D3, #A078D3, #B978D3, #D178D3 and #D378BC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8777D3 shade: #8878D3 and #7878D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8777D3 shade matches the following richer shades: #8878D3, #7E69E1, #755BF0 and #6B4CFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8777D3 shade: #8878D3, #9186C4, #9A95B6, #A4A3A7 and #ADB199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8777D3 shade: #7899D3, #7881D3, #8778D3, #9F78D3 and #B778D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8777D3 shade: #533DBB, #6C59C9, #8878D3, #A397DD and #BFB6E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8777D3 shade: #8777D3, #D378B1 and #8DD378

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8777D3 shade: #8777D3, #D38778 and #78D387

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8777D3 shade: #8777D3, #D378B1, #C4D378 and #78D399

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8777D3 shade: #8777D3, #D37896, #C4D378 and #78D3B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 44 / 0 / 17

HEX #8777D3

RGB 135 119 211

HSL 250.43, 0.51%, 0.65%

LAB 55.12, 27.5, -45.42

 

Complementary color

CMYK 12 / 0 / 68 / 47

HEX #78882C

RGB 120 136 44

HSL 70.43, 0.51%, 0.35%

LAB 53.8, -19.11, 45.56

 

CMYK 32 / 42 / 0 / 19

HEX #8C77CE

RGB 140 119 206

HSL 254.48, 0.47%, 0.64%

LAB 55.3, 27.52, -42.27

 

CMYK 30 / 39 / 0 / 12

HEX #9D89E1

RGB 157 137 225

HSL 253.64, 0.59%, 0.71%

LAB 62.08, 26.68, -42.17

 

CMYK 29 / 36 / 0 / 4

HEX #AE9BF4

RGB 174 155 244

HSL 252.81, 0.8%, 0.78%

LAB 68.73, 25.93, -42.1

 

CMYK 25 / 32 / 0 / 0

HEX #BFADFF

RGB 191 173 255

HSL 253.17, 1%, 0.84%

LAB 74.94, 23.35, -38.28

 

CMYK 18 / 25 / 0 / 0

HEX #D0BFFF

RGB 208 191 255

HSL 255.94, 1%, 0.87%

LAB 80.68, 18.52, -29.31

 

CMYK 36 / 44 / 0 / 17

HEX #8777D3

RGB 135 119 211

HSL 250.43, 0.51%, 0.65%

LAB 55.12, 27.5, -45.42

 

CMYK 39 / 47 / 0 / 25

HEX #7665C0

RGB 118 101 192

HSL 251.21, 0.42%, 0.57%

LAB 48.22, 28.52, -45.62

 

CMYK 42 / 52 / 0 / 32

HEX #6553AD

RGB 101 83 173

HSL 252, 0.35%, 0.5%

LAB 41.17, 29.68, -45.86

 

CMYK 45 / 58 / 0 / 40

HEX #54419A

RGB 84 65 154

HSL 252.81, 0.41%, 0.43%

LAB 33.98, 31, -46.13

 

CMYK 50 / 65 / 0 / 47

HEX #432F87

RGB 67 47 135

HSL 253.64, 0.48%, 0.36%

LAB 26.67, 32.49, -46.37

 

CMYK 36 / 43 / 0 / 17

HEX #8878D3

RGB 136 120 211

HSL 250.55, 0.51%, 0.65%

LAB 55.45, 27.18, -44.89

 

CMYK 24 / 43 / 0 / 17

HEX #A078D3

RGB 160 120 211

HSL 266.37, 0.51%, 0.65%

LAB 57.66, 33.8, -41.25

 

CMYK 12 / 43 / 0 / 17

HEX #B978D3

RGB 185 120 211

HSL 282.86, 0.51%, 0.65%

LAB 60.29, 41.04, -36.94

 

CMYK 1 / 43 / 0 / 17

HEX #D178D3

RGB 209 120 211

HSL 298.68, 0.51%, 0.65%

LAB 63.09, 48.14, -32.38

 

CMYK 0 / 43 / 11 / 17

HEX #D378BC

RGB 211 120 188

HSL 315.16, 0.51%, 0.65%

LAB 62.43, 44.74, -20.39

 

CMYK 36 / 43 / 0 / 17

HEX #8878D3

RGB 136 120 211

HSL 250.55, 0.51%, 0.65%

LAB 55.45, 27.18, -44.89

 

CMYK 43 / 43 / 0 / 17

HEX #7878D3

RGB 120 120 211

HSL 240, 0.51%, 0.65%

LAB 54.16, 23.06, -47.01

 

CMYK 36 / 43 / 0 / 17

HEX #8878D3

RGB 136 120 211

HSL 250.55, 0.51%, 0.65%

LAB 55.45, 27.18, -44.89

 

CMYK 44 / 53 / 0 / 12

HEX #7E69E1

RGB 126 105 225

HSL 250.5, 0.67%, 0.65%

LAB 51.81, 37.4, -58.65

 

CMYK 51 / 62 / 0 / 6

HEX #755BF0

RGB 117 91 240

HSL 250.47, 0.83%, 0.65%

LAB 48.95, 47.93, -71.74

 

CMYK 58 / 70 / 0 / 0

HEX #6B4CFE

RGB 107 76 254

HSL 250.45, 0.99%, 0.65%

LAB 46.25, 58.5, -84.03

 

CMYK 36 / 43 / 0 / 17

HEX #8878D3

RGB 136 120 211

HSL 250.55, 0.51%, 0.65%

LAB 55.45, 27.18, -44.89

 

CMYK 26 / 32 / 0 / 23

HEX #9186C4

RGB 145 134 196

HSL 250.65, 0.34%, 0.65%

LAB 59.03, 17.67, -30.75

 

CMYK 15 / 18 / 0 / 29

HEX #9A95B6

RGB 154 149 182

HSL 249.09, 0.18%, 0.65%

LAB 63.13, 8.63, -16.49

 

CMYK 2 / 2 / 0 / 35

HEX #A4A3A7

RGB 164 163 167

HSL 255, 0.02%, 0.65%

LAB 67.18, 1.13, -1.95

 

CMYK 2 / 0 / 14 / 31

HEX #ADB199

RGB 173 177 153

HSL 70, 0.13%, 0.65%

LAB 71.3, -5.69, 11.81

 

CMYK 43 / 27 / 0 / 17

HEX #7899D3

RGB 120 153 211

HSL 218.24, 0.51%, 0.65%

LAB 62.91, 3.66, -33.27

 

CMYK 43 / 39 / 0 / 17

HEX #7881D3

RGB 120 129 211

HSL 234.07, 0.51%, 0.65%

LAB 56.48, 17.69, -43.34

 

CMYK 36 / 43 / 0 / 17

HEX #8778D3

RGB 135 120 211

HSL 249.89, 0.51%, 0.65%

LAB 55.37, 26.91, -45.03

 

CMYK 25 / 43 / 0 / 17

HEX #9F78D3

RGB 159 120 211

HSL 265.71, 0.51%, 0.65%

LAB 57.57, 33.52, -41.41

 

CMYK 13 / 43 / 0 / 17

HEX #B778D3

RGB 183 120 211

HSL 281.54, 0.51%, 0.65%

LAB 60.07, 40.45, -37.3

 

CMYK 56 / 67 / 0 / 27

HEX #533DBB

RGB 83 61 187

HSL 250.48, 0.51%, 0.49%

LAB 35.53, 43.25, -63.33

 

CMYK 46 / 56 / 0 / 21

HEX #6C59C9

RGB 108 89 201

HSL 250.18, 0.51%, 0.57%

LAB 45.01, 35.89, -55.99

 

CMYK 36 / 43 / 0 / 17

HEX #8878D3

RGB 136 120 211

HSL 250.55, 0.51%, 0.65%

LAB 55.45, 27.18, -44.89

 

CMYK 26 / 32 / 0 / 13

HEX #A397DD

RGB 163 151 221

HSL 250.29, 0.51%, 0.73%

LAB 65.86, 19.41, -34.01

 

CMYK 17 / 21 / 0 / 9

HEX #BFB6E7

RGB 191 182 231

HSL 251.02, 0.51%, 0.81%

LAB 76.25, 12.96, -23.3

 

CMYK 36 / 44 / 0 / 17

HEX #8777D3

RGB 135 119 211

HSL 250.43, 0.51%, 0.65%

LAB 55.12, 27.5, -45.42

 

CMYK 0 / 43 / 16 / 17

HEX #D378B1

RGB 211 120 177

HSL 322.42, 0.51%, 0.65%

LAB 62.05, 42.97, -14.73

 

CMYK 33 / 0 / 43 / 17

HEX #8DD378

RGB 141 211 120

HSL 106.15, 0.51%, 0.65%

LAB 78.23, -38.9, 38.18

 

CMYK 36 / 44 / 0 / 17

HEX #8777D3

RGB 135 119 211

HSL 250.43, 0.51%, 0.65%

LAB 55.12, 27.5, -45.42

 

CMYK 0 / 36 / 43 / 17

HEX #D38778

RGB 211 135 120

HSL 9.89, 0.51%, 0.65%

LAB 63.78, 27.4, 20.2

 

CMYK 43 / 0 / 36 / 17

HEX #78D387

RGB 120 211 135

HSL 129.89, 0.51%, 0.65%

LAB 77.48, -43.14, 29.38

 

CMYK 36 / 44 / 0 / 17

HEX #8777D3

RGB 135 119 211

HSL 250.43, 0.51%, 0.65%

LAB 55.12, 27.5, -45.42

 

CMYK 0 / 43 / 16 / 17

HEX #D378B1

RGB 211 120 177

HSL 322.42, 0.51%, 0.65%

LAB 62.05, 42.97, -14.73

 

CMYK 7 / 0 / 43 / 17

HEX #C4D378

RGB 196 211 120

HSL 69.89, 0.51%, 0.65%

LAB 81.66, -18.83, 43.23

 

CMYK 43 / 0 / 27 / 17

HEX #78D399

RGB 120 211 153

HSL 141.76, 0.51%, 0.65%

LAB 77.8, -39.94, 20.42

 

CMYK 36 / 44 / 0 / 17

HEX #8777D3

RGB 135 119 211

HSL 250.43, 0.51%, 0.65%

LAB 55.12, 27.5, -45.42

 

CMYK 0 / 43 / 29 / 17

HEX #D37896

RGB 211 120 150

HSL 340.22, 0.51%, 0.65%

LAB 61.21, 39.03, -0.53

 

CMYK 7 / 0 / 43 / 17

HEX #C4D378

RGB 196 211 120

HSL 69.89, 0.51%, 0.65%

LAB 81.66, -18.83, 43.23

 

CMYK 43 / 0 / 15 / 17

HEX #78D3B4

RGB 120 211 180

HSL 159.56, 0.51%, 0.65%

LAB 78.39, -34.43, 6.9

 

Description

Color code: HEX #8777D3 | qconv.com Color code: HEX #8777D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 119 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 119 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 44 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 44% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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