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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87723A it is the complementary color #788DC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87723A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87723A shade: #8C7235, #9D8448, #AE965B, #BFA86E and #D0BA81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87723A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87723A shade: #87723A, #766027, #654E14, #543C01 and #432A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87723A shade: #87723A, #875D3A, #87483A and #873A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87723A shade: #87723A, #87873A, #72873A, #5E873A and #49873A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87723A shade matches the following richer shades: #87723A, #97792A, #A7801A and #B6870B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87723A shade: #87723A, #776B49, #686459, #585D69 and #485678

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87723A shade: #87483A, #875D3A, #87713A, #87863A and #74873A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87723A shade: #4D4121, #6A5A2D, #87723A, #A48A46 and #B89F5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87723A shade: #87723A, #40873A and #523A87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87723A shade: #87723A, #3A8771 and #713A87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87723A shade: #87723A, #40873A, #3A5087 and #813A87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87723A shade: #87723A, #3A874A, #3A5087 and #873A76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 57 / 47

HEX #87723A

RGB 135 114 58

HSL 43.64, 0.4%, 0.38%

LAB 48.87, 0.83, 33.7

 

Complementary color

CMYK 39 / 28 / 0 / 23

HEX #788DC5

RGB 120 141 197

HSL 223.64, 0.4%, 0.62%

LAB 59.04, 6.63, -31.43

 

CMYK 0 / 19 / 62 / 45

HEX #8C7235

RGB 140 114 53

HSL 42.07, 0.45%, 0.38%

LAB 49.33, 2.7, 36.98

 

CMYK 0 / 16 / 54 / 38

HEX #9D8448

RGB 157 132 72

HSL 42.35, 0.37%, 0.45%

LAB 56.23, 1.72, 35.63

 

CMYK 0 / 14 / 48 / 32

HEX #AE965B

RGB 174 150 91

HSL 42.65, 0.34%, 0.52%

LAB 62.98, 0.93, 34.29

 

CMYK 0 / 12 / 42 / 25

HEX #BFA86E

RGB 191 168 110

HSL 42.96, 0.39%, 0.59%

LAB 69.62, 0.28, 33

 

CMYK 0 / 11 / 38 / 18

HEX #D0BA81

RGB 208 186 129

HSL 43.29, 0.46%, 0.66%

LAB 76.14, -0.27, 31.77

 

CMYK 0 / 16 / 57 / 47

HEX #87723A

RGB 135 114 58

HSL 43.64, 0.4%, 0.38%

LAB 48.87, 0.83, 33.7

 

CMYK 0 / 19 / 67 / 54

HEX #766027

RGB 118 96 39

HSL 43.29, 0.5%, 0.31%

LAB 41.79, 1.89, 35.02

 

CMYK 0 / 23 / 80 / 60

HEX #654E14

RGB 101 78 20

HSL 42.96, 0.67%, 0.24%

LAB 34.53, 3.29, 35.95

 

CMYK 0 / 29 / 99 / 67

HEX #543C01

RGB 84 60 1

HSL 42.65, 0.98%, 0.17%

LAB 27.07, 5.1, 36.11

 

CMYK 0 / 37 / 100 / 74

HEX #432A00

RGB 67 42 0

HSL 37.61, 1%, 0.13%

LAB 19.43, 7.77, 28

 

CMYK 0 / 16 / 57 / 47

HEX #87723A

RGB 135 114 58

HSL 43.64, 0.4%, 0.38%

LAB 48.87, 0.83, 33.7

 

CMYK 0 / 31 / 57 / 47

HEX #875D3A

RGB 135 93 58

HSL 27.27, 0.4%, 0.38%

LAB 43.19, 13.08, 26.82

 

CMYK 0 / 47 / 57 / 47

HEX #87483A

RGB 135 72 58

HSL 10.91, 0.4%, 0.38%

LAB 38.01, 25.31, 20.26

 

CMYK 0 / 57 / 57 / 47

HEX #873A3A

RGB 135 58 58

HSL 0, 0.4%, 0.38%

LAB 34.97, 33, 16.29

 

CMYK 0 / 16 / 57 / 47

HEX #87723A

RGB 135 114 58

HSL 43.64, 0.4%, 0.38%

LAB 48.87, 0.83, 33.7

 

CMYK 0 / 0 / 57 / 47

HEX #87873A

RGB 135 135 58

HSL 60, 0.4%, 0.38%

LAB 54.85, -10.9, 40.62

 

CMYK 16 / 0 / 57 / 47

HEX #72873A

RGB 114 135 58

HSL 76.36, 0.4%, 0.38%

LAB 53.18, -20.01, 38.27

 

CMYK 30 / 0 / 57 / 47

HEX #5E873A

RGB 94 135 58

HSL 91.95, 0.4%, 0.38%

LAB 51.85, -28.13, 36.39

 

CMYK 46 / 0 / 57 / 47

HEX #49873A

RGB 73 135 58

HSL 108.31, 0.4%, 0.38%

LAB 50.75, -35.65, 34.81

 

CMYK 0 / 16 / 57 / 47

HEX #87723A

RGB 135 114 58

HSL 43.64, 0.4%, 0.38%

LAB 48.87, 0.83, 33.7

 

CMYK 0 / 20 / 72 / 41

HEX #97792A

RGB 151 121 42

HSL 43.49, 0.56%, 0.38%

LAB 52.31, 3.04, 45.79

 

CMYK 0 / 23 / 84 / 35

HEX #A7801A

RGB 167 128 26

HSL 43.4, 0.73%, 0.38%

LAB 55.81, 5.79, 55.71

 

CMYK 0 / 26 / 94 / 29

HEX #B6870B

RGB 182 135 11

HSL 43.51, 0.89%, 0.38%

LAB 59.25, 8.41, 62.65

 

CMYK 0 / 16 / 57 / 47

HEX #87723A

RGB 135 114 58

HSL 43.64, 0.4%, 0.38%

LAB 48.87, 0.83, 33.7

 

CMYK 0 / 10 / 39 / 53

HEX #776B49

RGB 119 107 73

HSL 44.35, 0.24%, 0.38%

LAB 45.52, -0.7, 20.79

 

CMYK 0 / 4 / 14 / 59

HEX #686459

RGB 104 100 89

HSL 44, 0.08%, 0.38%

LAB 42.43, -0.53, 6.8

 

CMYK 16 / 11 / 0 / 59

HEX #585D69

RGB 88 93 105

HSL 222.35, 0.09%, 0.38%

LAB 39.45, 0.81, -7.5

 

CMYK 40 / 28 / 0 / 53

HEX #485678

RGB 72 86 120

HSL 222.5, 0.25%, 0.38%

LAB 36.72, 3.89, -21.03

 

CMYK 0 / 47 / 57 / 47

HEX #87483A

RGB 135 72 58

HSL 10.91, 0.4%, 0.38%

LAB 38.01, 25.31, 20.26

 

CMYK 0 / 31 / 57 / 47

HEX #875D3A

RGB 135 93 58

HSL 27.27, 0.4%, 0.38%

LAB 43.19, 13.08, 26.82

 

CMYK 0 / 16 / 57 / 47

HEX #87713A

RGB 135 113 58

HSL 42.86, 0.4%, 0.38%

LAB 48.59, 1.4, 33.37

 

CMYK 0 / 1 / 57 / 47

HEX #87863A

RGB 135 134 58

HSL 59.22, 0.4%, 0.38%

LAB 54.56, -10.35, 40.29

 

CMYK 14 / 0 / 57 / 47

HEX #74873A

RGB 116 135 58

HSL 74.81, 0.4%, 0.38%

LAB 53.33, -19.17, 38.48

 

CMYK 0 / 16 / 57 / 70

HEX #4D4121

RGB 77 65 33

HSL 43.64, 0.4%, 0.22%

LAB 28.03, 0.34, 21.28

 

CMYK 0 / 15 / 58 / 58

HEX #6A5A2D

RGB 106 90 45

HSL 44.26, 0.4%, 0.3%

LAB 38.84, 0.24, 28.11

 

CMYK 0 / 16 / 57 / 47

HEX #87723A

RGB 135 114 58

HSL 43.64, 0.4%, 0.38%

LAB 48.87, 0.83, 33.7

 

CMYK 0 / 16 / 57 / 36

HEX #A48A46

RGB 164 138 70

HSL 43.4, 0.4%, 0.46%

LAB 58.52, 1.29, 39.57

 

CMYK 0 / 14 / 51 / 28

HEX #B89F5B

RGB 184 159 91

HSL 43.87, 0.4%, 0.54%

LAB 66.32, 0.29, 38.64

 

CMYK 0 / 16 / 57 / 47

HEX #87723A

RGB 135 114 58

HSL 43.64, 0.4%, 0.38%

LAB 48.87, 0.83, 33.7

 

CMYK 53 / 0 / 57 / 47

HEX #40873A

RGB 64 135 58

HSL 115.32, 0.4%, 0.38%

LAB 50.36, -38.44, 34.26

 

CMYK 39 / 57 / 0 / 47

HEX #523A87

RGB 82 58 135

HSL 258.7, 0.4%, 0.38%

LAB 30.81, 29.2, -39.6

 

CMYK 0 / 16 / 57 / 47

HEX #87723A

RGB 135 114 58

HSL 43.64, 0.4%, 0.38%

LAB 48.87, 0.83, 33.7

 

CMYK 57 / 0 / 16 / 47

HEX #3A8771

RGB 58 135 113

HSL 162.86, 0.4%, 0.38%

LAB 51.17, -29.38, 4.72

 

CMYK 16 / 57 / 0 / 47

HEX #713A87

RGB 113 58 135

HSL 282.86, 0.4%, 0.38%

LAB 34.57, 37.61, -33.37

 

CMYK 0 / 16 / 57 / 47

HEX #87723A

RGB 135 114 58

HSL 43.64, 0.4%, 0.38%

LAB 48.87, 0.83, 33.7

 

CMYK 53 / 0 / 57 / 47

HEX #40873A

RGB 64 135 58

HSL 115.32, 0.4%, 0.38%

LAB 50.36, -38.44, 34.26

 

CMYK 57 / 41 / 0 / 47

HEX #3A5087

RGB 58 80 135

HSL 222.86, 0.4%, 0.38%

LAB 34.77, 8.93, -33.38

 

CMYK 4 / 57 / 0 / 47

HEX #813A87

RGB 129 58 135

HSL 295.32, 0.4%, 0.38%

LAB 36.82, 42.15, -29.67

 

CMYK 0 / 16 / 57 / 47

HEX #87723A

RGB 135 114 58

HSL 43.64, 0.4%, 0.38%

LAB 48.87, 0.83, 33.7

 

CMYK 57 / 0 / 45 / 47

HEX #3A874A

RGB 58 135 74

HSL 132.47, 0.4%, 0.38%

LAB 50.36, -37.7, 25.78

 

CMYK 57 / 41 / 0 / 47

HEX #3A5087

RGB 58 80 135

HSL 222.86, 0.4%, 0.38%

LAB 34.77, 8.93, -33.38

 

CMYK 0 / 57 / 13 / 47

HEX #873A76

RGB 135 58 118

HSL 313.25, 0.4%, 0.38%

LAB 36.9, 40.82, -18.94

 

Description

Color code: HEX #87723A | qconv.com Color code: HEX #87723A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 114 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 114 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 57 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 57% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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