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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8823AD it is the complementary color #77DC52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8823AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8823AD shade: #8D23A8, #9E35BB, #AF47CE, #C059E1 and #D16BF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8823AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8823AD shade: #8823AD, #77119A, #660087, #550074 and #440061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8823AD shade: #8823AD, #AD23AD, #AD2388, #AD2362 and #AD233D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8823AD shade: #8823AD, #6323AD, #3E23AD and #2323AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8823AD shade matches the following richer shades: #8823AD, #9012BE and #9801CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8823AD shade: #8823AD, #80349C, #78458B, #71567A and #696769

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8823AD shade: #3C23AD, #6123AD, #8623AD, #AB23AD and #AD238B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8823AD shade: #521569, #6D1C8B, #8823AD, #A32ACF and #B349D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8823AD shade: #8823AD, #AD232F and #23AD4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8823AD shade: #8823AD, #AD8623 and #23AD86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8823AD shade: #8823AD, #AD232F, #4AAD23 and #23ADA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8823AD shade: #8823AD, #AD4123, #4AAD23 and #238FAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 80 / 0 / 32

HEX #8823AD

RGB 136 35 173

HSL 283.91, 0.66%, 0.41%

LAB 36.84, 60.93, -52.6

 

Complementary color

CMYK 46 / 0 / 63 / 14

HEX #77DC52

RGB 119 220 82

HSL 103.91, 0.66%, 0.59%

LAB 79.45, -54, 57.08

 

CMYK 16 / 79 / 0 / 34

HEX #8D23A8

RGB 141 35 168

HSL 287.82, 0.66%, 0.4%

LAB 37.28, 60.89, -48.86

 

CMYK 16 / 72 / 0 / 27

HEX #9E35BB

RGB 158 53 187

HSL 287.01, 0.56%, 0.47%

LAB 43.36, 61.65, -50.2

 

CMYK 15 / 66 / 0 / 19

HEX #AF47CE

RGB 175 71 206

HSL 286.22, 0.58%, 0.54%

LAB 49.59, 61.73, -51.11

 

CMYK 15 / 60 / 0 / 12

HEX #C059E1

RGB 192 89 225

HSL 285.44, 0.69%, 0.62%

LAB 55.87, 61.43, -51.74

 

CMYK 14 / 56 / 0 / 4

HEX #D16BF4

RGB 209 107 244

HSL 284.67, 0.86%, 0.69%

LAB 62.17, 60.9, -52.2

 

CMYK 21 / 80 / 0 / 32

HEX #8823AD

RGB 136 35 173

HSL 283.91, 0.66%, 0.41%

LAB 36.84, 60.93, -52.6

 

CMYK 23 / 89 / 0 / 40

HEX #77119A

RGB 119 17 154

HSL 284.67, 0.8%, 0.34%

LAB 31.01, 59.15, -50.71

 

CMYK 24 / 100 / 0 / 47

HEX #660087

RGB 102 0 135

HSL 285.33, 1%, 0.26%

LAB 25.49, 56.06, -48.08

 

CMYK 27 / 100 / 0 / 55

HEX #550074

RGB 85 0 116

HSL 283.97, 1%, 0.23%

LAB 20.8, 49.96, -43.77

 

CMYK 30 / 100 / 0 / 62

HEX #440061

RGB 68 0 97

HSL 282.06, 1%, 0.19%

LAB 15.96, 43.67, -39.36

 

CMYK 21 / 80 / 0 / 32

HEX #8823AD

RGB 136 35 173

HSL 283.91, 0.66%, 0.41%

LAB 36.84, 60.93, -52.6

 

CMYK 0 / 80 / 0 / 32

HEX #AD23AD

RGB 173 35 173

HSL 300, 0.66%, 0.41%

LAB 42.92, 68, -42.52

 

CMYK 0 / 80 / 21 / 32

HEX #AD2388

RGB 173 35 136

HSL 316.09, 0.66%, 0.41%

LAB 41, 62.6, -23.22

 

CMYK 0 / 80 / 43 / 32

HEX #AD2362

RGB 173 35 98

HSL 332.61, 0.66%, 0.41%

LAB 39.53, 58.25, -1.77

 

CMYK 0 / 80 / 65 / 32

HEX #AD233D

RGB 173 35 61

HSL 348.7, 0.66%, 0.41%

LAB 38.59, 55.38, 20.45

 

CMYK 21 / 80 / 0 / 32

HEX #8823AD

RGB 136 35 173

HSL 283.91, 0.66%, 0.41%

LAB 36.84, 60.93, -52.6

 

CMYK 43 / 80 / 0 / 32

HEX #6323AD

RGB 99 35 173

HSL 267.83, 0.66%, 0.41%

LAB 31.51, 54.71, -61.51

 

CMYK 64 / 80 / 0 / 32

HEX #3E23AD

RGB 62 35 173

HSL 251.74, 0.66%, 0.41%

LAB 27.42, 49.92, -68.4

 

CMYK 80 / 80 / 0 / 32

HEX #2323AD

RGB 35 35 173

HSL 240, 0.66%, 0.41%

LAB 25.49, 47.67, -71.64

 

CMYK 21 / 80 / 0 / 32

HEX #8823AD

RGB 136 35 173

HSL 283.91, 0.66%, 0.41%

LAB 36.84, 60.93, -52.6

 

CMYK 24 / 91 / 0 / 25

HEX #9012BE

RGB 144 18 190

HSL 283.95, 0.83%, 0.41%

LAB 37.98, 69.64, -60.76

 

CMYK 27 / 100 / 0 / 19

HEX #9801CF

RGB 152 1 207

HSL 283.98, 0.99%, 0.41%

LAB 39.92, 75.97, -67.48

 

CMYK 21 / 80 / 0 / 32

HEX #8823AD

RGB 136 35 173

HSL 283.91, 0.66%, 0.41%

LAB 36.84, 60.93, -52.6

 

CMYK 18 / 67 / 0 / 39

HEX #80349C

RGB 128 52 156

HSL 283.85, 0.5%, 0.41%

LAB 36.83, 49.12, -42.48

 

CMYK 14 / 50 / 0 / 45

HEX #78458B

RGB 120 69 139

HSL 283.71, 0.34%, 0.41%

LAB 38.05, 34.42, -30.28

 

CMYK 7 / 30 / 0 / 52

HEX #71567A

RGB 113 86 122

HSL 285, 0.17%, 0.41%

LAB 40.53, 18.19, -16.09

 

CMYK 0 / 2 / 0 / 59

HEX #696769

RGB 105 103 105

HSL 300, 0.01%, 0.41%

LAB 43.83, 1.19, -0.85

 

CMYK 65 / 80 / 0 / 32

HEX #3C23AD

RGB 60 35 173

HSL 250.87, 0.66%, 0.41%

LAB 27.24, 49.72, -68.69

 

CMYK 44 / 80 / 0 / 32

HEX #6123AD

RGB 97 35 173

HSL 266.96, 0.66%, 0.41%

LAB 31.26, 54.41, -61.94

 

CMYK 23 / 80 / 0 / 32

HEX #8623AD

RGB 134 35 173

HSL 283.04, 0.66%, 0.41%

LAB 36.53, 60.57, -53.12

 

CMYK 1 / 80 / 0 / 32

HEX #AB23AD

RGB 171 35 173

HSL 299.13, 0.66%, 0.41%

LAB 42.58, 67.61, -43.08

 

CMYK 0 / 80 / 20 / 32

HEX #AD238B

RGB 173 35 139

HSL 314.78, 0.66%, 0.41%

LAB 41.14, 63, -24.84

 

CMYK 22 / 80 / 0 / 59

HEX #521569

RGB 82 21 105

HSL 283.57, 0.67%, 0.25%

LAB 21.39, 41.14, -35.69

 

CMYK 22 / 80 / 0 / 45

HEX #6D1C8B

RGB 109 28 139

HSL 283.78, 0.66%, 0.33%

LAB 29.28, 51.3, -44.36

 

CMYK 21 / 80 / 0 / 32

HEX #8823AD

RGB 136 35 173

HSL 283.91, 0.66%, 0.41%

LAB 36.84, 60.93, -52.6

 

CMYK 21 / 80 / 0 / 19

HEX #A32ACF

RGB 163 42 207

HSL 284, 0.66%, 0.49%

LAB 44.16, 70.17, -60.51

 

CMYK 18 / 66 / 0 / 15

HEX #B349D9

RGB 179 73 217

HSL 284.17, 0.65%, 0.57%

LAB 51.1, 63.94, -54.94

 

CMYK 21 / 80 / 0 / 32

HEX #8823AD

RGB 136 35 173

HSL 283.91, 0.66%, 0.41%

LAB 36.84, 60.93, -52.6

 

CMYK 0 / 80 / 73 / 32

HEX #AD232F

RGB 173 35 47

HSL 354.78, 0.66%, 0.41%

LAB 38.36, 54.66, 28.89

 

CMYK 80 / 0 / 54 / 32

HEX #23AD4F

RGB 35 173 79

HSL 139.13, 0.66%, 0.41%

LAB 62.35, -55.72, 38.02

 

CMYK 21 / 80 / 0 / 32

HEX #8823AD

RGB 136 35 173

HSL 283.91, 0.66%, 0.41%

LAB 36.84, 60.93, -52.6

 

CMYK 0 / 23 / 80 / 32

HEX #AD8623

RGB 173 134 35

HSL 43.04, 0.66%, 0.41%

LAB 58.09, 5.48, 54.97

 

CMYK 80 / 0 / 23 / 32

HEX #23AD86

RGB 35 173 134

HSL 163.04, 0.66%, 0.41%

LAB 63.31, -44.78, 10.06

 

CMYK 21 / 80 / 0 / 32

HEX #8823AD

RGB 136 35 173

HSL 283.91, 0.66%, 0.41%

LAB 36.84, 60.93, -52.6

 

CMYK 0 / 80 / 73 / 32

HEX #AD232F

RGB 173 35 47

HSL 354.78, 0.66%, 0.41%

LAB 38.36, 54.66, 28.89

 

CMYK 57 / 0 / 80 / 32

HEX #4AAD23

RGB 74 173 35

HSL 103.04, 0.66%, 0.41%

LAB 62.9, -52.57, 57.03

 

CMYK 80 / 0 / 6 / 32

HEX #23ADA2

RGB 35 173 162

HSL 175.22, 0.66%, 0.41%

LAB 64.04, -37.28, -4.46

 

CMYK 21 / 80 / 0 / 32

HEX #8823AD

RGB 136 35 173

HSL 283.91, 0.66%, 0.41%

LAB 36.84, 60.93, -52.6

 

CMYK 0 / 62 / 80 / 32

HEX #AD4123

RGB 173 65 35

HSL 13.04, 0.66%, 0.41%

LAB 42.44, 42.64, 40.12

 

CMYK 57 / 0 / 80 / 32

HEX #4AAD23

RGB 74 173 35

HSL 103.04, 0.66%, 0.41%

LAB 62.9, -52.57, 57.03

 

CMYK 80 / 17 / 0 / 32

HEX #238FAD

RGB 35 143 173

HSL 193.04, 0.66%, 0.41%

LAB 55.09, -18.99, -24.19

 

Description

Color code: HEX #8823AD | qconv.com Color code: HEX #8823AD | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 35 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 35 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 80 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 80% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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