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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8835A0 it is the complementary color #77CA5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8835A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8835A0 shade: #8D359B, #9E47AE, #AF59C1, #C06BD4 and #D17DE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8835A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8835A0 shade: #8835A0, #77238D, #66117A, #550067 and #440054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8835A0 shade: #8835A0, #A0359B, #A0357E, #A03562 and #A03545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8835A0 shade: #8835A0, #6B35A0, #4E35A0 and #3535A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8835A0 shade matches the following richer shades: #8835A0, #9224B1, #9B12C3 and #A501D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8835A0 shade: #8835A0, #7F468F, #75587D, #6B696C and #627A5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8835A0 shade: #4E35A0, #6B35A0, #8735A0, #A0359D and #A03580

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8835A0 shade: #532062, #6E2B81, #8835A0, #A240BF and #B15FC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8835A0 shade: #8835A0, #A03539 and #35A05C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8835A0 shade: #8835A0, #A08735 and #35A087

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8835A0 shade: #8835A0, #A03539, #4EA035 and #35A09D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8835A0 shade: #8835A0, #A05235, #4EA035 and #3584A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 67 / 0 / 37

HEX #8835A0

RGB 136 53 160

HSL 286.54, 0.5%, 0.42%

LAB 38.41, 51.39, -42.29

 

Complementary color

CMYK 41 / 0 / 53 / 21

HEX #77CA5F

RGB 119 202 95

HSL 106.54, 0.5%, 0.58%

LAB 74.18, -45.31, 45.17

 

CMYK 9 / 66 / 0 / 39

HEX #8D359B

RGB 141 53 155

HSL 291.76, 0.49%, 0.41%

LAB 38.86, 51.61, -38.52

 

CMYK 9 / 59 / 0 / 32

HEX #9E47AE

RGB 158 71 174

HSL 290.68, 0.42%, 0.48%

LAB 45.4, 51.34, -39.31

 

CMYK 9 / 54 / 0 / 24

HEX #AF59C1

RGB 175 89 193

HSL 289.62, 0.46%, 0.55%

LAB 51.96, 50.79, -39.86

 

CMYK 9 / 50 / 0 / 17

HEX #C06BD4

RGB 192 107 212

HSL 288.57, 0.55%, 0.63%

LAB 58.49, 50.1, -40.28

 

CMYK 10 / 46 / 0 / 9

HEX #D17DE7

RGB 209 125 231

HSL 287.55, 0.69%, 0.7%

LAB 64.96, 49.37, -40.61

 

CMYK 15 / 67 / 0 / 37

HEX #8835A0

RGB 136 53 160

HSL 286.54, 0.5%, 0.42%

LAB 38.41, 51.39, -42.29

 

CMYK 16 / 75 / 0 / 45

HEX #77238D

RGB 119 35 141

HSL 287.55, 0.6%, 0.35%

LAB 31.91, 51.2, -41.27

 

CMYK 16 / 86 / 0 / 52

HEX #66117A

RGB 102 17 122

HSL 288.57, 0.76%, 0.27%

LAB 25.66, 49.96, -39.59

 

CMYK 17 / 100 / 0 / 60

HEX #550067

RGB 85 0 103

HSL 289.51, 1%, 0.2%

LAB 19.68, 47.41, -37.13

 

CMYK 19 / 100 / 0 / 67

HEX #440054

RGB 68 0 84

HSL 288.57, 1%, 0.16%

LAB 14.78, 41, -32.53

 

CMYK 15 / 67 / 0 / 37

HEX #8835A0

RGB 136 53 160

HSL 286.54, 0.5%, 0.42%

LAB 38.41, 51.39, -42.29

 

CMYK 0 / 67 / 3 / 37

HEX #A0359B

RGB 160 53 155

HSL 302.8, 0.5%, 0.42%

LAB 41.82, 56.29, -33.63

 

CMYK 0 / 67 / 21 / 37

HEX #A0357E

RGB 160 53 126

HSL 319.07, 0.5%, 0.42%

LAB 40.45, 51.75, -18.1

 

CMYK 0 / 67 / 39 / 37

HEX #A03562

RGB 160 53 98

HSL 334.77, 0.5%, 0.42%

LAB 39.41, 48.14, -2.21

 

CMYK 0 / 67 / 57 / 37

HEX #A03545

RGB 160 53 69

HSL 351.03, 0.5%, 0.42%

LAB 38.64, 45.35, 15.01

 

CMYK 15 / 67 / 0 / 37

HEX #8835A0

RGB 136 53 160

HSL 286.54, 0.5%, 0.42%

LAB 38.41, 51.39, -42.29

 

CMYK 33 / 67 / 0 / 37

HEX #6B35A0

RGB 107 53 160

HSL 270.28, 0.5%, 0.42%

LAB 34.42, 44.73, -48.92

 

CMYK 51 / 67 / 0 / 37

HEX #4E35A0

RGB 78 53 160

HSL 254.02, 0.5%, 0.42%

LAB 31.12, 38.76, -54.42

 

CMYK 67 / 67 / 0 / 37

HEX #3535A0

RGB 53 53 160

HSL 240, 0.5%, 0.42%

LAB 29.01, 34.62, -57.96

 

CMYK 15 / 67 / 0 / 37

HEX #8835A0

RGB 136 53 160

HSL 286.54, 0.5%, 0.42%

LAB 38.41, 51.39, -42.29

 

CMYK 18 / 80 / 0 / 31

HEX #9224B1

RGB 146 36 177

HSL 286.81, 0.66%, 0.42%

LAB 38.81, 63.23, -51.73

 

CMYK 21 / 91 / 0 / 24

HEX #9B12C3

RGB 155 18 195

HSL 286.44, 0.83%, 0.42%

LAB 40.15, 72.17, -60.1

 

CMYK 22 / 100 / 0 / 17

HEX #A501D4

RGB 165 1 212

HSL 286.64, 0.99%, 0.42%

LAB 42.42, 78.53, -66.2

 

CMYK 15 / 67 / 0 / 37

HEX #8835A0

RGB 136 53 160

HSL 286.54, 0.5%, 0.42%

LAB 38.41, 51.39, -42.29

 

CMYK 11 / 51 / 0 / 44

HEX #7F468F

RGB 127 70 143

HSL 286.85, 0.34%, 0.42%

LAB 39.37, 36.84, -30.57

 

CMYK 6 / 30 / 0 / 51

HEX #75587D

RGB 117 88 125

HSL 287.03, 0.17%, 0.42%

LAB 41.6, 19.07, -16.24

 

CMYK 1 / 3 / 0 / 58

HEX #6B696C

RGB 107 105 108

HSL 280, 0.01%, 0.42%

LAB 44.68, 1.4, -1.41

 

CMYK 20 / 0 / 25 / 52

HEX #627A5B

RGB 98 122 91

HSL 106.45, 0.15%, 0.42%

LAB 48.6, -15.11, 14.18

 

CMYK 51 / 67 / 0 / 37

HEX #4E35A0

RGB 78 53 160

HSL 254.02, 0.5%, 0.42%

LAB 31.12, 38.76, -54.42

 

CMYK 33 / 67 / 0 / 37

HEX #6B35A0

RGB 107 53 160

HSL 270.28, 0.5%, 0.42%

LAB 34.42, 44.73, -48.92

 

CMYK 16 / 67 / 0 / 37

HEX #8735A0

RGB 135 53 160

HSL 285.98, 0.5%, 0.42%

LAB 38.26, 51.16, -42.54

 

CMYK 0 / 67 / 2 / 37

HEX #A0359D

RGB 160 53 157

HSL 301.68, 0.5%, 0.42%

LAB 41.93, 56.63, -34.67

 

CMYK 0 / 67 / 20 / 37

HEX #A03580

RGB 160 53 128

HSL 317.94, 0.5%, 0.42%

LAB 40.54, 52.04, -19.2

 

CMYK 15 / 67 / 0 / 62

HEX #532062

RGB 83 32 98

HSL 286.36, 0.51%, 0.25%

LAB 22.84, 34.81, -28.79

 

CMYK 15 / 67 / 0 / 49

HEX #6E2B81

RGB 110 43 129

HSL 286.74, 0.5%, 0.34%

LAB 30.94, 43.2, -35.44

 

CMYK 15 / 67 / 0 / 37

HEX #8835A0

RGB 136 53 160

HSL 286.54, 0.5%, 0.42%

LAB 38.41, 51.39, -42.29

 

CMYK 15 / 66 / 0 / 25

HEX #A240BF

RGB 162 64 191

HSL 286.3, 0.5%, 0.5%

LAB 45.78, 58.84, -48.62

 

CMYK 12 / 53 / 0 / 21

HEX #B15FC9

RGB 177 95 201

HSL 286.42, 0.5%, 0.58%

LAB 53.76, 49.9, -41.6

 

CMYK 15 / 67 / 0 / 37

HEX #8835A0

RGB 136 53 160

HSL 286.54, 0.5%, 0.42%

LAB 38.41, 51.39, -42.29

 

CMYK 0 / 67 / 64 / 37

HEX #A03539

RGB 160 53 57

HSL 357.76, 0.5%, 0.42%

LAB 38.4, 44.48, 22.22

 

CMYK 67 / 0 / 43 / 37

HEX #35A05C

RGB 53 160 92

HSL 141.87, 0.5%, 0.42%

LAB 58.67, -45.94, 26.77

 

CMYK 15 / 67 / 0 / 37

HEX #8835A0

RGB 136 53 160

HSL 286.54, 0.5%, 0.42%

LAB 38.41, 51.39, -42.29

 

CMYK 0 / 16 / 67 / 37

HEX #A08735

RGB 160 135 53

HSL 45.98, 0.5%, 0.42%

LAB 57.13, -0.06, 46.16

 

CMYK 67 / 0 / 16 / 37

HEX #35A087

RGB 53 160 135

HSL 165.98, 0.5%, 0.42%

LAB 59.57, -36.42, 4.2

 

CMYK 15 / 67 / 0 / 37

HEX #8835A0

RGB 136 53 160

HSL 286.54, 0.5%, 0.42%

LAB 38.41, 51.39, -42.29

 

CMYK 0 / 67 / 64 / 37

HEX #A03539

RGB 160 53 57

HSL 357.76, 0.5%, 0.42%

LAB 38.4, 44.48, 22.22

 

CMYK 51 / 0 / 67 / 37

HEX #4EA035

RGB 78 160 53

HSL 105.98, 0.5%, 0.42%

LAB 58.99, -45.13, 46.51

 

CMYK 67 / 0 / 2 / 37

HEX #35A09D

RGB 53 160 157

HSL 178.32, 0.5%, 0.42%

LAB 60.19, -30.39, -7.33

 

CMYK 15 / 67 / 0 / 37

HEX #8835A0

RGB 136 53 160

HSL 286.54, 0.5%, 0.42%

LAB 38.41, 51.39, -42.29

 

CMYK 0 / 49 / 67 / 37

HEX #A05235

RGB 160 82 53

HSL 16.26, 0.5%, 0.42%

LAB 43.89, 29.8, 31.32

 

CMYK 51 / 0 / 67 / 37

HEX #4EA035

RGB 78 160 53

HSL 105.98, 0.5%, 0.42%

LAB 58.99, -45.13, 46.51

 

CMYK 67 / 18 / 0 / 37

HEX #3584A0

RGB 53 132 160

HSL 195.7, 0.5%, 0.42%

LAB 51.61, -14.96, -22.03

 

Description

Color code: HEX #8835A0 | qconv.com Color code: HEX #8835A0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 53 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 53 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 67 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 67% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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