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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #888FA5 it is the complementary color #77705A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #888FA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #888FA5 shade: #8D8FA0, #9EA1B3, #AFB3C6, #C0C5D9 and #D1D7EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #888FA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #888FA5 shade: #888FA5, #777D92, #666B7F, #55596C and #444759

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #888FA5 shade: #878EA5, #8887A5, #9087A5, #9887A5 and #A087A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #888FA5 shade: #878EA5 and #8787A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #888FA5 shade matches the following richer shades: #878EA5, #7686B6, #657DC6, #5574D7 and #446BE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #888FA5 shade: #878EA5, #989794, #A9A083, #BAA972 and #CBB161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #888FA5 shade: #879EA5, #8796A5, #878FA5, #8887A5 and #9087A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #888FA5 shade: #5D657C, #707893, #878EA5, #9FA5B6 and #B6BBC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #888FA5 shade: #888FA5, #A387A5 and #9AA587

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #888FA5 shade: #888FA5, #A5878F and #8FA587

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #888FA5 shade: #888FA5, #A387A5, #A59D87 and #89A587

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #888FA5 shade: #888FA5, #A5879D, #A59D87 and #87A58F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 13 / 0 / 35

HEX #888FA5

RGB 136 143 165

HSL 225.52, 0.14%, 0.59%

LAB 59.52, 2.21, -12.45

 

Complementary color

CMYK 0 / 6 / 24 / 53

HEX #77705A

RGB 119 112 90

HSL 45.52, 0.14%, 0.41%

LAB 47.3, -1.16, 13.23

 

CMYK 12 / 11 / 0 / 37

HEX #8D8FA0

RGB 141 143 160

HSL 233.68, 0.09%, 0.59%

LAB 59.75, 2.8, -9.22

 

CMYK 12 / 10 / 0 / 30

HEX #9EA1B3

RGB 158 161 179

HSL 231.43, 0.12%, 0.66%

LAB 66.53, 2.59, -9.66

 

CMYK 12 / 10 / 0 / 22

HEX #AFB3C6

RGB 175 179 198

HSL 229.57, 0.17%, 0.73%

LAB 73.18, 2.39, -10.11

 

CMYK 12 / 9 / 0 / 15

HEX #C0C5D9

RGB 192 197 217

HSL 228, 0.25%, 0.8%

LAB 79.7, 2.21, -10.55

 

CMYK 11 / 9 / 0 / 7

HEX #D1D7EC

RGB 209 215 236

HSL 226.67, 0.42%, 0.87%

LAB 86.11, 2.03, -10.98

 

CMYK 18 / 13 / 0 / 35

HEX #888FA5

RGB 136 143 165

HSL 225.52, 0.14%, 0.59%

LAB 59.52, 2.21, -12.45

 

CMYK 18 / 14 / 0 / 43

HEX #777D92

RGB 119 125 146

HSL 226.67, 0.11%, 0.52%

LAB 52.58, 2.43, -12.08

 

CMYK 20 / 16 / 0 / 50

HEX #666B7F

RGB 102 107 127

HSL 228, 0.11%, 0.45%

LAB 45.46, 2.67, -11.72

 

CMYK 21 / 18 / 0 / 58

HEX #55596C

RGB 85 89 108

HSL 229.57, 0.12%, 0.38%

LAB 38.13, 2.94, -11.38

 

CMYK 24 / 20 / 0 / 65

HEX #444759

RGB 68 71 89

HSL 231.43, 0.13%, 0.31%

LAB 30.54, 3.25, -11.06

 

CMYK 18 / 14 / 0 / 35

HEX #878EA5

RGB 135 142 165

HSL 226, 0.14%, 0.59%

LAB 59.17, 2.45, -12.98

 

CMYK 18 / 18 / 0 / 35

HEX #8887A5

RGB 136 135 165

HSL 242, 0.14%, 0.59%

LAB 57.35, 6.79, -15.73

 

CMYK 13 / 18 / 0 / 35

HEX #9087A5

RGB 144 135 165

HSL 258, 0.14%, 0.59%

LAB 58.01, 9.49, -14.66

 

CMYK 8 / 18 / 0 / 35

HEX #9887A5

RGB 152 135 165

HSL 274, 0.14%, 0.59%

LAB 58.71, 12.24, -13.53

 

CMYK 3 / 18 / 0 / 35

HEX #A087A5

RGB 160 135 165

HSL 290, 0.14%, 0.59%

LAB 59.45, 15.03, -12.35

 

CMYK 18 / 14 / 0 / 35

HEX #878EA5

RGB 135 142 165

HSL 226, 0.14%, 0.59%

LAB 59.17, 2.45, -12.98

 

CMYK 18 / 18 / 0 / 35

HEX #8787A5

RGB 135 135 165

HSL 240, 0.14%, 0.59%

LAB 57.27, 6.46, -15.86

 

CMYK 18 / 14 / 0 / 35

HEX #878EA5

RGB 135 142 165

HSL 226, 0.14%, 0.59%

LAB 59.17, 2.45, -12.98

 

CMYK 35 / 26 / 0 / 29

HEX #7686B6

RGB 118 134 182

HSL 225, 0.3%, 0.59%

LAB 56.37, 6.02, -27.08

 

CMYK 49 / 37 / 0 / 22

HEX #657DC6

RGB 101 125 198

HSL 225.15, 0.46%, 0.59%

LAB 53.5, 11.51, -40.76

 

CMYK 60 / 46 / 0 / 16

HEX #5574D7

RGB 85 116 215

HSL 225.69, 0.62%, 0.59%

LAB 51.07, 19.1, -54.35

 

CMYK 71 / 54 / 0 / 9

HEX #446BE8

RGB 68 107 232

HSL 225.73, 0.78%, 0.59%

LAB 48.97, 27.91, -67.37

 

CMYK 18 / 14 / 0 / 35

HEX #878EA5

RGB 135 142 165

HSL 226, 0.14%, 0.59%

LAB 59.17, 2.45, -12.98

 

CMYK 0 / 1 / 3 / 40

HEX #989794

RGB 152 151 148

HSL 45, 0.02%, 0.59%

LAB 62.46, -0.2, 1.7

 

CMYK 0 / 5 / 22 / 34

HEX #A9A083

RGB 169 160 131

HSL 45.79, 0.18%, 0.59%

LAB 65.92, -1.56, 16.32

 

CMYK 0 / 9 / 39 / 27

HEX #BAA972

RGB 186 169 114

HSL 45.83, 0.34%, 0.59%

LAB 69.49, -1.86, 30.63

 

CMYK 0 / 13 / 52 / 20

HEX #CBB161

RGB 203 177 97

HSL 45.28, 0.5%, 0.59%

LAB 72.89, -0.8, 44

 

CMYK 18 / 4 / 0 / 35

HEX #879EA5

RGB 135 158 165

HSL 194, 0.14%, 0.59%

LAB 63.61, -6.49, -6.35

 

CMYK 18 / 9 / 0 / 35

HEX #8796A5

RGB 135 150 165

HSL 210, 0.14%, 0.59%

LAB 61.38, -2.06, -9.67

 

CMYK 18 / 13 / 0 / 35

HEX #878FA5

RGB 135 143 165

HSL 224, 0.14%, 0.59%

LAB 59.45, 1.88, -12.57

 

CMYK 18 / 18 / 0 / 35

HEX #8887A5

RGB 136 135 165

HSL 242, 0.14%, 0.59%

LAB 57.35, 6.79, -15.73

 

CMYK 13 / 18 / 0 / 35

HEX #9087A5

RGB 144 135 165

HSL 258, 0.14%, 0.59%

LAB 58.01, 9.49, -14.66

 

CMYK 25 / 19 / 0 / 51

HEX #5D657C

RGB 93 101 124

HSL 224.52, 0.14%, 0.43%

LAB 42.9, 2.46, -13.86

 

CMYK 24 / 18 / 0 / 42

HEX #707893

RGB 112 120 147

HSL 226.29, 0.14%, 0.51%

LAB 50.67, 3.26, -15.61

 

CMYK 18 / 14 / 0 / 35

HEX #878EA5

RGB 135 142 165

HSL 226, 0.14%, 0.59%

LAB 59.17, 2.45, -12.98

 

CMYK 13 / 9 / 0 / 29

HEX #9FA5B6

RGB 159 165 182

HSL 224.35, 0.14%, 0.67%

LAB 67.77, 1.35, -9.48

 

CMYK 9 / 7 / 0 / 22

HEX #B6BBC8

RGB 182 187 200

HSL 223.33, 0.14%, 0.75%

LAB 75.86, 0.81, -7.15

 

CMYK 18 / 13 / 0 / 35

HEX #888FA5

RGB 136 143 165

HSL 225.52, 0.14%, 0.59%

LAB 59.52, 2.21, -12.45

 

CMYK 1 / 18 / 0 / 35

HEX #A387A5

RGB 163 135 165

HSL 296, 0.14%, 0.59%

LAB 59.74, 16.09, -11.89

 

CMYK 7 / 0 / 18 / 35

HEX #9AA587

RGB 154 165 135

HSL 82, 0.14%, 0.59%

LAB 66.16, -9.39, 14.26

 

CMYK 18 / 13 / 0 / 35

HEX #888FA5

RGB 136 143 165

HSL 225.52, 0.14%, 0.59%

LAB 59.52, 2.21, -12.45

 

CMYK 0 / 18 / 13 / 35

HEX #A5878F

RGB 165 135 143

HSL 344, 0.14%, 0.59%

LAB 59.26, 12.74, 0.02

 

CMYK 13 / 0 / 18 / 35

HEX #8FA587

RGB 143 165 135

HSL 104, 0.14%, 0.59%

LAB 65.36, -13.47, 13.02

 

CMYK 18 / 13 / 0 / 35

HEX #888FA5

RGB 136 143 165

HSL 225.52, 0.14%, 0.59%

LAB 59.52, 2.21, -12.45

 

CMYK 1 / 18 / 0 / 35

HEX #A387A5

RGB 163 135 165

HSL 296, 0.14%, 0.59%

LAB 59.74, 16.09, -11.89

 

CMYK 0 / 5 / 18 / 35

HEX #A59D87

RGB 165 157 135

HSL 44, 0.14%, 0.59%

LAB 64.85, -0.86, 12.56

 

CMYK 17 / 0 / 18 / 35

HEX #89A587

RGB 137 165 135

HSL 116, 0.14%, 0.59%

LAB 64.95, -15.64, 12.38

 

CMYK 18 / 13 / 0 / 35

HEX #888FA5

RGB 136 143 165

HSL 225.52, 0.14%, 0.59%

LAB 59.52, 2.21, -12.45

 

CMYK 0 / 18 / 5 / 35

HEX #A5879D

RGB 165 135 157

HSL 316, 0.14%, 0.59%

LAB 59.67, 15.26, -7.39

 

CMYK 0 / 5 / 18 / 35

HEX #A59D87

RGB 165 157 135

HSL 44, 0.14%, 0.59%

LAB 64.85, -0.86, 12.56

 

CMYK 18 / 0 / 13 / 35

HEX #87A58F

RGB 135 165 143

HSL 136, 0.14%, 0.59%

LAB 65, -14.84, 7.99

 

Description

Color code: HEX #888FA5 | qconv.com Color code: HEX #888FA5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 143 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 143 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 13 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 13% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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