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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #899711 it is the complementary color #7668EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #899711. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #899711 shade: #8E970C, #9FA91F, #B0BB32, #C1CD45 and #D2DF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #899711. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #899711 shade: #899711, #788500, #677300, #566100 and #454F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #899711 shade: #899710, #978110, #975C10, #973810 and #971410

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #899711 shade: #899710, #659710, #409710, #1C9710 and #109729

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #899711 shade matches the following richer shades: #899710 and #94A503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #899711 shade: #899710, #7E891E, #737C2C, #696E39 and #5E6147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #899711 shade: #975D10, #978110, #8A9710, #669710 and #429710

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #899711 shade: #464D08, #67720C, #899710, #ABBC14 and #CCE119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #899711 shade: #899711, #109739 and #6F1097

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #899711 shade: #899711, #108A97 and #97108A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #899711 shade: #899711, #109739, #1E1097 and #97106F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #899711 shade: #899711, #109761, #1E1097 and #971046

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 89 / 41

HEX #899711

RGB 137 151 17

HSL 66.27, 0.8%, 0.33%

LAB 59.43, -20.54, 59.87

 

Complementary color

CMYK 50 / 56 / 0 / 7

HEX #7668EE

RGB 118 104 238

HSL 246.27, 0.8%, 0.67%

LAB 51.75, 40.08, -66.08

 

CMYK 6 / 0 / 92 / 41

HEX #8E970C

RGB 142 151 12

HSL 63.88, 0.85%, 0.32%

LAB 59.81, -18.43, 61.25

 

CMYK 6 / 0 / 82 / 34

HEX #9FA91F

RGB 159 169 31

HSL 64.35, 0.69%, 0.39%

LAB 66.4, -19.61, 63.11

 

CMYK 6 / 0 / 73 / 27

HEX #B0BB32

RGB 176 187 50

HSL 64.82, 0.58%, 0.46%

LAB 72.89, -20.56, 63.65

 

CMYK 6 / 0 / 66 / 20

HEX #C1CD45

RGB 193 205 69

HSL 65.29, 0.58%, 0.54%

LAB 79.29, -21.32, 63.43

 

CMYK 6 / 0 / 61 / 13

HEX #D2DF58

RGB 210 223 88

HSL 65.78, 0.68%, 0.61%

LAB 85.6, -21.94, 62.79

 

CMYK 9 / 0 / 89 / 41

HEX #899711

RGB 137 151 17

HSL 66.27, 0.8%, 0.33%

LAB 59.43, -20.54, 59.87

 

CMYK 10 / 0 / 100 / 48

HEX #788500

RGB 120 133 0

HSL 65.86, 1%, 0.26%

LAB 52.69, -19.26, 56.99

 

CMYK 10 / 0 / 100 / 55

HEX #677300

RGB 103 115 0

HSL 66.26, 1%, 0.23%

LAB 45.83, -17.62, 51.28

 

CMYK 11 / 0 / 100 / 62

HEX #566100

RGB 86 97 0

HSL 66.8, 1%, 0.19%

LAB 38.77, -15.95, 45.4

 

CMYK 13 / 0 / 100 / 69

HEX #454F00

RGB 69 79 0

HSL 67.59, 1%, 0.15%

LAB 31.48, -14.23, 39.33

 

CMYK 9 / 0 / 89 / 41

HEX #899710

RGB 137 151 16

HSL 66.22, 0.81%, 0.33%

LAB 59.42, -20.56, 60.06

 

CMYK 0 / 15 / 89 / 41

HEX #978110

RGB 151 129 16

HSL 50.22, 0.81%, 0.33%

LAB 54.36, -2.43, 56.5

 

CMYK 0 / 39 / 89 / 41

HEX #975C10

RGB 151 92 16

HSL 33.78, 0.81%, 0.33%

LAB 44.62, 18.66, 48.71

 

CMYK 0 / 63 / 89 / 41

HEX #973810

RGB 151 56 16

HSL 17.78, 0.81%, 0.33%

LAB 36.83, 38.04, 42.49

 

CMYK 0 / 87 / 89 / 41

HEX #971410

RGB 151 20 16

HSL 1.78, 0.81%, 0.33%

LAB 32.07, 51.11, 38.71

 

CMYK 9 / 0 / 89 / 41

HEX #899710

RGB 137 151 16

HSL 66.22, 0.81%, 0.33%

LAB 59.42, -20.56, 60.06

 

CMYK 33 / 0 / 89 / 41

HEX #659710

RGB 101 151 16

HSL 82.22, 0.81%, 0.33%

LAB 57.01, -35.64, 57.09

 

CMYK 58 / 0 / 89 / 41

HEX #409710

RGB 64 151 16

HSL 98.67, 0.81%, 0.33%

LAB 55.34, -48.08, 55

 

CMYK 81 / 0 / 89 / 41

HEX #1C9710

RGB 28 151 16

HSL 114.67, 0.81%, 0.33%

LAB 54.47, -55.45, 53.9

 

CMYK 89 / 0 / 73 / 41

HEX #109729

RGB 16 151 41

HSL 131.11, 0.81%, 0.33%

LAB 54.45, -55.09, 46.19

 

CMYK 9 / 0 / 89 / 41

HEX #899710

RGB 137 151 16

HSL 66.22, 0.81%, 0.33%

LAB 59.42, -20.56, 60.06

 

CMYK 10 / 0 / 98 / 35

HEX #94A503

RGB 148 165 3

HSL 66.3, 0.96%, 0.33%

LAB 64.33, -23.01, 66.21

 

CMYK 9 / 0 / 89 / 41

HEX #899710

RGB 137 151 16

HSL 66.22, 0.81%, 0.33%

LAB 59.42, -20.56, 60.06

 

CMYK 8 / 0 / 78 / 46

HEX #7E891E

RGB 126 137 30

HSL 66.17, 0.64%, 0.33%

LAB 54.47, -17.77, 51.75

 

CMYK 7 / 0 / 65 / 51

HEX #737C2C

RGB 115 124 44

HSL 66.75, 0.48%, 0.33%

LAB 49.79, -14.98, 41.2

 

CMYK 5 / 0 / 48 / 57

HEX #696E39

RGB 105 110 57

HSL 65.66, 0.32%, 0.33%

LAB 44.87, -10.57, 28.76

 

CMYK 3 / 0 / 27 / 62

HEX #5E6147

RGB 94 97 71

HSL 66.92, 0.15%, 0.33%

LAB 40.22, -6.06, 14.48

 

CMYK 0 / 38 / 89 / 41

HEX #975D10

RGB 151 93 16

HSL 34.22, 0.81%, 0.33%

LAB 44.87, 18.09, 48.91

 

CMYK 0 / 15 / 89 / 41

HEX #978110

RGB 151 129 16

HSL 50.22, 0.81%, 0.33%

LAB 54.36, -2.43, 56.5

 

CMYK 9 / 0 / 89 / 41

HEX #8A9710

RGB 138 151 16

HSL 65.78, 0.81%, 0.33%

LAB 59.5, -20.12, 60.16

 

CMYK 32 / 0 / 89 / 41

HEX #669710

RGB 102 151 16

HSL 81.78, 0.81%, 0.33%

LAB 57.07, -35.25, 57.16

 

CMYK 56 / 0 / 89 / 41

HEX #429710

RGB 66 151 16

HSL 97.78, 0.81%, 0.33%

LAB 55.41, -47.52, 55.08

 

CMYK 9 / 0 / 90 / 70

HEX #464D08

RGB 70 77 8

HSL 66.09, 0.81%, 0.17%

LAB 30.94, -12.24, 36.02

 

CMYK 10 / 0 / 89 / 55

HEX #67720C

RGB 103 114 12

HSL 66.47, 0.81%, 0.25%

LAB 45.56, -16.77, 48.42

 

CMYK 9 / 0 / 89 / 41

HEX #899710

RGB 137 151 16

HSL 66.22, 0.81%, 0.33%

LAB 59.42, -20.56, 60.06

 

CMYK 9 / 0 / 89 / 26

HEX #ABBC14

RGB 171 188 20

HSL 66.07, 0.81%, 0.41%

LAB 72.68, -24.18, 71.11

 

CMYK 9 / 0 / 89 / 12

HEX #CCE119

RGB 204 225 25

HSL 66.3, 0.8%, 0.49%

LAB 85.38, -28.04, 81.47

 

CMYK 9 / 0 / 89 / 41

HEX #899711

RGB 137 151 17

HSL 66.27, 0.8%, 0.33%

LAB 59.43, -20.54, 59.87

 

CMYK 89 / 0 / 62 / 41

HEX #109739

RGB 16 151 57

HSL 138.22, 0.81%, 0.33%

LAB 54.59, -53.32, 39.41

 

CMYK 26 / 89 / 0 / 41

HEX #6F1097

RGB 111 16 151

HSL 282.22, 0.81%, 0.33%

LAB 29.37, 57.51, -51.6

 

CMYK 9 / 0 / 89 / 41

HEX #899711

RGB 137 151 17

HSL 66.27, 0.8%, 0.33%

LAB 59.43, -20.54, 59.87

 

CMYK 89 / 9 / 0 / 41

HEX #108A97

RGB 16 138 151

HSL 185.78, 0.81%, 0.33%

LAB 52.42, -25.39, -15.63

 

CMYK 0 / 89 / 9 / 41

HEX #97108A

RGB 151 16 138

HSL 305.78, 0.81%, 0.33%

LAB 35.57, 62.37, -33.26

 

CMYK 9 / 0 / 89 / 41

HEX #899711

RGB 137 151 17

HSL 66.27, 0.8%, 0.33%

LAB 59.43, -20.54, 59.87

 

CMYK 89 / 0 / 62 / 41

HEX #109739

RGB 16 151 57

HSL 138.22, 0.81%, 0.33%

LAB 54.59, -53.32, 39.41

 

CMYK 80 / 89 / 0 / 41

HEX #1E1097

RGB 30 16 151

HSL 246.22, 0.81%, 0.33%

LAB 19.56, 49.14, -68.11

 

CMYK 0 / 89 / 26 / 41

HEX #97106F

RGB 151 16 111

HSL 317.78, 0.81%, 0.33%

LAB 34.19, 58.7, -18.5

 

CMYK 9 / 0 / 89 / 41

HEX #899711

RGB 137 151 17

HSL 66.27, 0.8%, 0.33%

LAB 59.43, -20.54, 59.87

 

CMYK 89 / 0 / 36 / 41

HEX #109761

RGB 16 151 97

HSL 156, 0.81%, 0.33%

LAB 55.18, -46.34, 19.29

 

CMYK 80 / 89 / 0 / 41

HEX #1E1097

RGB 30 16 151

HSL 246.22, 0.81%, 0.33%

LAB 19.56, 49.14, -68.11

 

CMYK 0 / 89 / 54 / 41

HEX #971046

RGB 151 16 70

HSL 336, 0.81%, 0.33%

LAB 32.68, 54.55, 5.85

 

Description

Color code: HEX #899711 | qconv.com Color code: HEX #899711 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 151 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 151 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 89 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 89% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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