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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89AC15 it is the complementary color #7653EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89AC15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89AC15 shade: #8EAC10, #9FBE23, #B0D036, #C1E249 and #D2F45C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89AC15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89AC15 shade: #89AC15, #789A02, #678800, #567600 and #456400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89AC15 shade: #89AC15, #ACA615, #AC7D15, #AC5515 and #AC2C15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89AC15 shade: #89AC15, #60AC15, #37AC15, #15AC1B and #15AC44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89AC15 shade matches the following richer shades: #89AC15 and #91BC05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89AC15 shade: #89AC15, #819C24, #788D34, #707D44 and #676D54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89AC15 shade: #AC7C15, #ACA415, #8BAC15, #63AC15 and #3BAC15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89AC15 shade: #4E630C, #6C8710, #89AC15, #A6D119 and #BBE52F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89AC15 shade: #89AC15, #15AC54 and #9015AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89AC15 shade: #89AC15, #158BAC and #AC158B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89AC15 shade: #89AC15, #15AC54, #3615AC and #AC156D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89AC15 shade: #89AC15, #15AC81, #3615AC and #AC1540

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 88 / 33

HEX #89AC15

RGB 137 172 21

HSL 73.91, 0.78%, 0.38%

LAB 65.65, -30.72, 64.2

 

Complementary color

CMYK 50 / 65 / 0 / 8

HEX #7653EA

RGB 118 83 234

HSL 253.91, 0.78%, 0.62%

LAB 46.95, 50.8, -71.63

 

CMYK 17 / 0 / 91 / 33

HEX #8EAC10

RGB 142 172 16

HSL 71.54, 0.83%, 0.37%

LAB 65.98, -28.77, 65.52

 

CMYK 16 / 0 / 82 / 25

HEX #9FBE23

RGB 159 190 35

HSL 72, 0.69%, 0.44%

LAB 72.44, -29.74, 67.33

 

CMYK 15 / 0 / 74 / 18

HEX #B0D036

RGB 176 208 54

HSL 72.47, 0.62%, 0.51%

LAB 78.82, -30.51, 67.95

 

CMYK 15 / 0 / 68 / 11

HEX #C1E249

RGB 193 226 73

HSL 72.94, 0.73%, 0.59%

LAB 85.1, -31.12, 67.85

 

CMYK 14 / 0 / 62 / 4

HEX #D2F45C

RGB 210 244 92

HSL 73.42, 0.87%, 0.66%

LAB 91.31, -31.6, 67.31

 

CMYK 20 / 0 / 88 / 33

HEX #89AC15

RGB 137 172 21

HSL 73.91, 0.78%, 0.38%

LAB 65.65, -30.72, 64.2

 

CMYK 22 / 0 / 99 / 40

HEX #789A02

RGB 120 154 2

HSL 73.42, 0.97%, 0.31%

LAB 59.07, -29.65, 61.48

 

CMYK 24 / 0 / 100 / 47

HEX #678800

RGB 103 136 0

HSL 74.56, 1%, 0.27%

LAB 52.39, -28.24, 56.21

 

CMYK 27 / 0 / 100 / 54

HEX #567600

RGB 86 118 0

HSL 76.27, 1%, 0.23%

LAB 45.55, -26.78, 50.51

 

CMYK 31 / 0 / 100 / 61

HEX #456400

RGB 69 100 0

HSL 78.6, 1%, 0.2%

LAB 38.52, -25.28, 44.66

 

CMYK 20 / 0 / 88 / 33

HEX #89AC15

RGB 137 172 21

HSL 73.91, 0.78%, 0.38%

LAB 65.65, -30.72, 64.2

 

CMYK 0 / 3 / 88 / 33

HEX #ACA615

RGB 172 166 21

HSL 57.62, 0.78%, 0.38%

LAB 66.59, -12.63, 66.07

 

CMYK 0 / 27 / 88 / 33

HEX #AC7D15

RGB 172 125 21

HSL 41.32, 0.78%, 0.38%

LAB 55.58, 9.62, 57.18

 

CMYK 0 / 51 / 88 / 33

HEX #AC5515

RGB 172 85 21

HSL 25.43, 0.78%, 0.38%

LAB 46.07, 31.8, 49.49

 

CMYK 0 / 74 / 88 / 33

HEX #AC2C15

RGB 172 44 21

HSL 9.14, 0.78%, 0.38%

LAB 38.94, 50.57, 43.69

 

CMYK 20 / 0 / 88 / 33

HEX #89AC15

RGB 137 172 21

HSL 73.91, 0.78%, 0.38%

LAB 65.65, -30.72, 64.2

 

CMYK 44 / 0 / 88 / 33

HEX #60AC15

RGB 96 172 21

HSL 90.2, 0.78%, 0.38%

LAB 63.38, -46.2, 61.37

 

CMYK 68 / 0 / 88 / 33

HEX #37AC15

RGB 55 172 21

HSL 106.49, 0.78%, 0.38%

LAB 61.97, -57.37, 59.6

 

CMYK 88 / 0 / 84 / 33

HEX #15AC1B

RGB 21 172 27

HSL 122.38, 0.78%, 0.38%

LAB 61.43, -62.01, 57.51

 

CMYK 88 / 0 / 60 / 33

HEX #15AC44

RGB 21 172 68

HSL 138.68, 0.78%, 0.38%

LAB 61.72, -58.34, 42.51

 

CMYK 20 / 0 / 88 / 33

HEX #89AC15

RGB 137 172 21

HSL 73.91, 0.78%, 0.38%

LAB 65.65, -30.72, 64.2

 

CMYK 23 / 0 / 97 / 26

HEX #91BC05

RGB 145 188 5

HSL 74.1, 0.95%, 0.38%

LAB 70.87, -35.19, 70.87

 

CMYK 20 / 0 / 88 / 33

HEX #89AC15

RGB 137 172 21

HSL 73.91, 0.78%, 0.38%

LAB 65.65, -30.72, 64.2

 

CMYK 17 / 0 / 77 / 39

HEX #819C24

RGB 129 156 36

HSL 73.5, 0.63%, 0.38%

LAB 60.4, -25.8, 55.35

 

CMYK 15 / 0 / 63 / 45

HEX #788D34

RGB 120 141 52

HSL 74.16, 0.46%, 0.38%

LAB 55.37, -21.08, 43.7

 

CMYK 10 / 0 / 46 / 51

HEX #707D44

RGB 112 125 68

HSL 73.68, 0.3%, 0.38%

LAB 50.13, -14.5, 29.38

 

CMYK 6 / 0 / 23 / 57

HEX #676D54

RGB 103 109 84

HSL 74.4, 0.13%, 0.38%

LAB 44.89, -7.08, 13.23

 

CMYK 0 / 28 / 88 / 33

HEX #AC7C15

RGB 172 124 21

HSL 40.93, 0.78%, 0.38%

LAB 55.32, 10.18, 56.97

 

CMYK 0 / 5 / 88 / 33

HEX #ACA415

RGB 172 164 21

HSL 56.82, 0.78%, 0.38%

LAB 66.04, -11.59, 65.62

 

CMYK 19 / 0 / 88 / 33

HEX #8BAC15

RGB 139 172 21

HSL 73.11, 0.78%, 0.38%

LAB 65.79, -29.9, 64.36

 

CMYK 42 / 0 / 88 / 33

HEX #63AC15

RGB 99 172 21

HSL 89.01, 0.78%, 0.38%

LAB 63.52, -45.19, 61.54

 

CMYK 66 / 0 / 88 / 33

HEX #3BAC15

RGB 59 172 21

HSL 104.9, 0.78%, 0.38%

LAB 62.07, -56.53, 59.73

 

CMYK 21 / 0 / 88 / 61

HEX #4E630C

RGB 78 99 12

HSL 74.48, 0.78%, 0.22%

LAB 38.85, -20.34, 41.94

 

CMYK 20 / 0 / 88 / 47

HEX #6C8710

RGB 108 135 16

HSL 73.61, 0.79%, 0.3%

LAB 52.46, -25.22, 53.43

 

CMYK 20 / 0 / 88 / 33

HEX #89AC15

RGB 137 172 21

HSL 73.91, 0.78%, 0.38%

LAB 65.65, -30.72, 64.2

 

CMYK 21 / 0 / 88 / 18

HEX #A6D119

RGB 166 209 25

HSL 74.02, 0.79%, 0.46%

LAB 78.33, -36.01, 74.69

 

CMYK 18 / 0 / 79 / 10

HEX #BBE52F

RGB 187 229 47

HSL 73.85, 0.78%, 0.54%

LAB 85.41, -36.11, 76.36

 

CMYK 20 / 0 / 88 / 33

HEX #89AC15

RGB 137 172 21

HSL 73.91, 0.78%, 0.38%

LAB 65.65, -30.72, 64.2

 

CMYK 88 / 0 / 51 / 33

HEX #15AC54

RGB 21 172 84

HSL 145.03, 0.78%, 0.38%

LAB 61.92, -56.01, 34.96

 

CMYK 16 / 88 / 0 / 33

HEX #9015AC

RGB 144 21 172

HSL 288.87, 0.78%, 0.38%

LAB 36.83, 65.76, -51.97

 

CMYK 20 / 0 / 88 / 33

HEX #89AC15

RGB 137 172 21

HSL 73.91, 0.78%, 0.38%

LAB 65.65, -30.72, 64.2

 

CMYK 88 / 19 / 0 / 33

HEX #158BAC

RGB 21 139 172

HSL 193.11, 0.78%, 0.38%

LAB 53.6, -18.37, -25.93

 

CMYK 0 / 88 / 19 / 33

HEX #AC158B

RGB 172 21 139

HSL 313.11, 0.78%, 0.38%

LAB 39.87, 65.92, -26.84

 

CMYK 20 / 0 / 88 / 33

HEX #89AC15

RGB 137 172 21

HSL 73.91, 0.78%, 0.38%

LAB 65.65, -30.72, 64.2

 

CMYK 88 / 0 / 51 / 33

HEX #15AC54

RGB 21 172 84

HSL 145.03, 0.78%, 0.38%

LAB 61.92, -56.01, 34.96

 

CMYK 69 / 88 / 0 / 33

HEX #3615AC

RGB 54 21 172

HSL 253.11, 0.78%, 0.38%

LAB 24.64, 54.71, -72.42

 

CMYK 0 / 88 / 37 / 33

HEX #AC156D

RGB 172 21 109

HSL 325.03, 0.78%, 0.38%

LAB 38.57, 62.38, -10.16

 

CMYK 20 / 0 / 88 / 33

HEX #89AC15

RGB 137 172 21

HSL 73.91, 0.78%, 0.38%

LAB 65.65, -30.72, 64.2

 

CMYK 88 / 0 / 25 / 33

HEX #15AC81

RGB 21 172 129

HSL 162.91, 0.78%, 0.38%

LAB 62.72, -46.82, 11.96

 

CMYK 69 / 88 / 0 / 33

HEX #3615AC

RGB 54 21 172

HSL 253.11, 0.78%, 0.38%

LAB 24.64, 54.71, -72.42

 

CMYK 0 / 88 / 63 / 33

HEX #AC1540

RGB 172 21 64

HSL 342.91, 0.78%, 0.38%

LAB 37.26, 58.67, 16.75

 

Description

Color code: HEX #89AC15 | qconv.com Color code: HEX #89AC15 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 172 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 172 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 88 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 88% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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