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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC5515 it is the complementary color #53AAEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC5515. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC5515 shade: #B15510, #C26723, #D37936, #E48B49 and #F59D5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC5515. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC5515 shade: #AC5515, #9B4302, #8A3100, #791F00 and #680D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC5515 shade: #AC5515, #AC2C15 and #AC1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC5515 shade: #AC5515, #AC7E15, #ACA615, #89AC15 and #60AC15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC5515 shade matches the following richer shades: #AC5515 and #BC5205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC5515 shade: #AC5515, #9C5724, #8D5A34, #7D5C44 and #6D5E54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC5515 shade: #AC1526, #AC2B15, #AC5415, #AC7C15 and #ACA415

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC5515 shade: #63310C, #874310, #AC5515, #D16719 and #E57C2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC5515 shade: #AC5515, #4FAC15 and #1715AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC5515 shade: #AC5515, #15AC54 and #5415AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC5515 shade: #AC5515, #4FAC15, #156DAC and #7215AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC5515 shade: #AC5515, #21AC15, #156DAC and #9F15AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 88 / 33

HEX #AC5515

RGB 172 85 21

HSL 25.43, 0.78%, 0.38%

LAB 46.07, 31.8, 49.49

 

Complementary color

CMYK 65 / 27 / 0 / 8

HEX #53AAEA

RGB 83 170 234

HSL 205.43, 0.78%, 0.62%

LAB 66.92, -6.74, -39.85

 

CMYK 0 / 52 / 91 / 31

HEX #B15510

RGB 177 85 16

HSL 25.71, 0.83%, 0.38%

LAB 46.82, 33.76, 52.05

 

CMYK 0 / 47 / 82 / 24

HEX #C26723

RGB 194 103 35

HSL 25.66, 0.69%, 0.45%

LAB 53.27, 31.74, 51.55

 

CMYK 0 / 43 / 74 / 17

HEX #D37936

RGB 211 121 54

HSL 25.61, 0.64%, 0.52%

LAB 59.7, 29.92, 50.23

 

CMYK 0 / 39 / 68 / 11

HEX #E48B49

RGB 228 139 73

HSL 25.55, 0.74%, 0.59%

LAB 66.09, 28.3, 48.65

 

CMYK 0 / 36 / 62 / 4

HEX #F59D5C

RGB 245 157 92

HSL 25.49, 0.88%, 0.66%

LAB 72.43, 26.85, 47.02

 

CMYK 0 / 51 / 88 / 33

HEX #AC5515

RGB 172 85 21

HSL 25.43, 0.78%, 0.38%

LAB 46.07, 31.8, 49.49

 

CMYK 0 / 57 / 99 / 39

HEX #9B4302

RGB 155 67 2

HSL 25.49, 0.97%, 0.31%

LAB 39.56, 33.9, 49.39

 

CMYK 0 / 64 / 100 / 46

HEX #8A3100

RGB 138 49 0

HSL 21.3, 1%, 0.27%

LAB 33.14, 36.08, 44.88

 

CMYK 0 / 74 / 100 / 53

HEX #791F00

RGB 121 31 0

HSL 15.37, 1%, 0.24%

LAB 26.86, 37.74, 38.7

 

CMYK 0 / 88 / 100 / 59

HEX #680D00

RGB 104 13 0

HSL 7.5, 1%, 0.2%

LAB 20.95, 38.2, 31.61

 

CMYK 0 / 51 / 88 / 33

HEX #AC5515

RGB 172 85 21

HSL 25.43, 0.78%, 0.38%

LAB 46.07, 31.8, 49.49

 

CMYK 0 / 74 / 88 / 33

HEX #AC2C15

RGB 172 44 21

HSL 9.14, 0.78%, 0.38%

LAB 38.94, 50.57, 43.69

 

CMYK 0 / 88 / 88 / 33

HEX #AC1515

RGB 172 21 21

HSL 0, 0.78%, 0.38%

LAB 36.67, 56.97, 41.84

 

CMYK 0 / 51 / 88 / 33

HEX #AC5515

RGB 172 85 21

HSL 25.43, 0.78%, 0.38%

LAB 46.07, 31.8, 49.49

 

CMYK 0 / 27 / 88 / 33

HEX #AC7E15

RGB 172 126 21

HSL 41.72, 0.78%, 0.38%

LAB 55.83, 9.06, 57.39

 

CMYK 0 / 3 / 88 / 33

HEX #ACA615

RGB 172 166 21

HSL 57.62, 0.78%, 0.38%

LAB 66.59, -12.63, 66.07

 

CMYK 20 / 0 / 88 / 33

HEX #89AC15

RGB 137 172 21

HSL 73.91, 0.78%, 0.38%

LAB 65.65, -30.72, 64.2

 

CMYK 44 / 0 / 88 / 33

HEX #60AC15

RGB 96 172 21

HSL 90.2, 0.78%, 0.38%

LAB 63.38, -46.2, 61.37

 

CMYK 0 / 51 / 88 / 33

HEX #AC5515

RGB 172 85 21

HSL 25.43, 0.78%, 0.38%

LAB 46.07, 31.8, 49.49

 

CMYK 0 / 56 / 97 / 26

HEX #BC5205

RGB 188 82 5

HSL 25.25, 0.95%, 0.38%

LAB 47.93, 39.53, 56.41

 

CMYK 0 / 51 / 88 / 33

HEX #AC5515

RGB 172 85 21

HSL 25.43, 0.78%, 0.38%

LAB 46.07, 31.8, 49.49

 

CMYK 0 / 44 / 77 / 39

HEX #9C5724

RGB 156 87 36

HSL 25.5, 0.63%, 0.38%

LAB 44.25, 24.41, 40.56

 

CMYK 0 / 36 / 63 / 45

HEX #8D5A34

RGB 141 90 52

HSL 25.62, 0.46%, 0.38%

LAB 43.1, 17.03, 30.29

 

CMYK 0 / 26 / 46 / 51

HEX #7D5C44

RGB 125 92 68

HSL 25.26, 0.3%, 0.38%

LAB 41.89, 10.22, 19.07

 

CMYK 0 / 14 / 23 / 57

HEX #6D5E54

RGB 109 94 84

HSL 24, 0.13%, 0.38%

LAB 41.05, 4.29, 7.96

 

CMYK 0 / 88 / 78 / 33

HEX #AC1526

RGB 172 21 38

HSL 353.25, 0.78%, 0.38%

LAB 36.83, 57.44, 32.57

 

CMYK 0 / 75 / 88 / 33

HEX #AC2B15

RGB 172 43 21

HSL 8.74, 0.78%, 0.38%

LAB 38.82, 50.92, 43.59

 

CMYK 0 / 51 / 88 / 33

HEX #AC5415

RGB 172 84 21

HSL 25.03, 0.78%, 0.38%

LAB 45.86, 32.33, 49.32

 

CMYK 0 / 28 / 88 / 33

HEX #AC7C15

RGB 172 124 21

HSL 40.93, 0.78%, 0.38%

LAB 55.32, 10.18, 56.97

 

CMYK 0 / 5 / 88 / 33

HEX #ACA415

RGB 172 164 21

HSL 56.82, 0.78%, 0.38%

LAB 66.04, -11.59, 65.62

 

CMYK 0 / 51 / 88 / 61

HEX #63310C

RGB 99 49 12

HSL 25.52, 0.78%, 0.22%

LAB 26.38, 19.8, 31.8

 

CMYK 0 / 50 / 88 / 47

HEX #874310

RGB 135 67 16

HSL 25.71, 0.79%, 0.3%

LAB 36.37, 25.74, 41.01

 

CMYK 0 / 51 / 88 / 33

HEX #AC5515

RGB 172 85 21

HSL 25.43, 0.78%, 0.38%

LAB 46.07, 31.8, 49.49

 

CMYK 0 / 51 / 88 / 18

HEX #D16719

RGB 209 103 25

HSL 25.43, 0.79%, 0.46%

LAB 55.41, 37.57, 57.92

 

CMYK 0 / 46 / 79 / 10

HEX #E57C2F

RGB 229 124 47

HSL 25.38, 0.78%, 0.54%

LAB 62.74, 35.39, 57.13

 

CMYK 0 / 51 / 88 / 33

HEX #AC5515

RGB 172 85 21

HSL 25.43, 0.78%, 0.38%

LAB 46.07, 31.8, 49.49

 

CMYK 54 / 0 / 88 / 33

HEX #4FAC15

RGB 79 172 21

HSL 96.95, 0.78%, 0.38%

LAB 62.69, -51.47, 60.51

 

CMYK 87 / 88 / 0 / 33

HEX #1715AC

RGB 23 21 172

HSL 240.79, 0.78%, 0.38%

LAB 22.64, 53.17, -75.79

 

CMYK 0 / 51 / 88 / 33

HEX #AC5515

RGB 172 85 21

HSL 25.43, 0.78%, 0.38%

LAB 46.07, 31.8, 49.49

 

CMYK 88 / 0 / 51 / 33

HEX #15AC54

RGB 21 172 84

HSL 145.03, 0.78%, 0.38%

LAB 61.92, -56.01, 34.96

 

CMYK 51 / 88 / 0 / 33

HEX #5415AC

RGB 84 21 172

HSL 265.03, 0.78%, 0.38%

LAB 27.84, 57.38, -67.01

 

CMYK 0 / 51 / 88 / 33

HEX #AC5515

RGB 172 85 21

HSL 25.43, 0.78%, 0.38%

LAB 46.07, 31.8, 49.49

 

CMYK 54 / 0 / 88 / 33

HEX #4FAC15

RGB 79 172 21

HSL 96.95, 0.78%, 0.38%

LAB 62.69, -51.47, 60.51

 

CMYK 88 / 37 / 0 / 33

HEX #156DAC

RGB 21 109 172

HSL 205.03, 0.78%, 0.38%

LAB 44.34, -1, -40.45

 

CMYK 34 / 88 / 0 / 33

HEX #7215AC

RGB 114 21 172

HSL 276.95, 0.78%, 0.38%

LAB 32.02, 61.14, -60.01

 

CMYK 0 / 51 / 88 / 33

HEX #AC5515

RGB 172 85 21

HSL 25.43, 0.78%, 0.38%

LAB 46.07, 31.8, 49.49

 

CMYK 81 / 0 / 88 / 33

HEX #21AC15

RGB 33 172 21

HSL 115.23, 0.78%, 0.38%

LAB 61.55, -61.02, 59.07

 

CMYK 88 / 37 / 0 / 33

HEX #156DAC

RGB 21 109 172

HSL 205.03, 0.78%, 0.38%

LAB 44.34, -1, -40.45

 

CMYK 8 / 88 / 0 / 33

HEX #9F15AC

RGB 159 21 172

HSL 294.83, 0.78%, 0.38%

LAB 39.39, 68.31, -47.71

 

Description

Color code: HEX #AC5515 | qconv.com Color code: HEX #AC5515 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 85 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 85 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 88 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 88% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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