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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A38C2 it is the complementary color #75C73D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A38C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A38C2 shade: #8F38BD, #A04AD0, #B15CE3, #C26EF6 and #D380FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A38C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A38C2 shade: #8A38C2, #7926AF, #68149C, #570289 and #460076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A38C2 shade: #8938C1, #AE38C1, #C138AF, #C1388A and #C13865

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A38C2 shade: #8938C1, #6438C1, #3F38C1 and #3838C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A38C2 shade matches the following richer shades: #8938C1, #8D24D5 and #910FEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A38C2 shade: #8938C1, #864CAD, #826099, #7E7485 and #7A8970

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A38C2 shade: #3F38C1, #6338C1, #8838C1, #AD38C1 and #C138B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A38C2 shade: #5C2581, #732EA1, #8938C1, #9C55CD and #AF75D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A38C2 shade: #8A38C2, #C13856 and #38C151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A38C2 shade: #8A38C2, #C18838 and #38C188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A38C2 shade: #8A38C2, #C13856, #71C138 and #38C1A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A38C2 shade: #8A38C2, #C14338, #71C138 and #38B6C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 71 / 0 / 24

HEX #8A38C2

RGB 138 56 194

HSL 275.65, 0.55%, 0.49%

LAB 41.42, 57.79, -57.58

 

Complementary color

CMYK 41 / 0 / 69 / 22

HEX #75C73D

RGB 117 199 61

HSL 95.65, 0.55%, 0.51%

LAB 72.87, -48, 58.45

 

CMYK 24 / 70 / 0 / 26

HEX #8F38BD

RGB 143 56 189

HSL 279.25, 0.54%, 0.48%

LAB 41.75, 57.71, -54.07

 

CMYK 23 / 64 / 0 / 18

HEX #A04AD0

RGB 160 74 208

HSL 278.51, 0.59%, 0.55%

LAB 48.17, 57.42, -54.65

 

CMYK 22 / 59 / 0 / 11

HEX #B15CE3

RGB 177 92 227

HSL 277.78, 0.71%, 0.63%

LAB 54.6, 56.85, -55.01

 

CMYK 21 / 55 / 0 / 4

HEX #C26EF6

RGB 194 110 246

HSL 277.06, 0.88%, 0.7%

LAB 61.02, 56.13, -55.24

 

CMYK 17 / 50 / 0 / 0

HEX #D380FF

RGB 211 128 255

HSL 279.21, 1%, 0.75%

LAB 66.91, 53.24, -50.74

 

CMYK 29 / 71 / 0 / 24

HEX #8A38C2

RGB 138 56 194

HSL 275.65, 0.55%, 0.49%

LAB 41.42, 57.79, -57.58

 

CMYK 31 / 78 / 0 / 31

HEX #7926AF

RGB 121 38 175

HSL 276.35, 0.64%, 0.42%

LAB 35.1, 57.64, -56.73

 

CMYK 33 / 87 / 0 / 39

HEX #68149C

RGB 104 20 156

HSL 277.06, 0.77%, 0.35%

LAB 29.01, 56.52, -55.29

 

CMYK 36 / 99 / 0 / 46

HEX #570289

RGB 87 2 137

HSL 277.78, 0.97%, 0.27%

LAB 23.26, 54.1, -53.08

 

CMYK 41 / 100 / 0 / 54

HEX #460076

RGB 70 0 118

HSL 275.59, 1%, 0.23%

LAB 18.41, 48.49, -49.08

 

CMYK 29 / 71 / 0 / 24

HEX #8938C1

RGB 137 56 193

HSL 275.47, 0.55%, 0.49%

LAB 41.21, 57.37, -57.33

 

CMYK 10 / 71 / 0 / 24

HEX #AE38C1

RGB 174 56 193

HSL 291.68, 0.55%, 0.49%

LAB 46.55, 65.04, -48.47

 

CMYK 0 / 71 / 9 / 24

HEX #C138AF

RGB 193 56 175

HSL 307.88, 0.55%, 0.49%

LAB 48.59, 66.31, -34.52

 

CMYK 0 / 71 / 28 / 24

HEX #C1388A

RGB 193 56 138

HSL 324.09, 0.55%, 0.49%

LAB 46.98, 61.22, -14.95

 

CMYK 0 / 71 / 48 / 24

HEX #C13865

RGB 193 56 101

HSL 340.29, 0.55%, 0.49%

LAB 45.78, 57.27, 5.88

 

CMYK 29 / 71 / 0 / 24

HEX #8938C1

RGB 137 56 193

HSL 275.47, 0.55%, 0.49%

LAB 41.21, 57.37, -57.33

 

CMYK 48 / 71 / 0 / 24

HEX #6438C1

RGB 100 56 193

HSL 259.27, 0.55%, 0.49%

LAB 36.72, 50.52, -64.83

 

CMYK 67 / 71 / 0 / 24

HEX #3F38C1

RGB 63 56 193

HSL 243.07, 0.55%, 0.49%

LAB 33.43, 45.17, -70.36

 

CMYK 71 / 71 / 0 / 24

HEX #3838C1

RGB 56 56 193

HSL 240, 0.55%, 0.49%

LAB 32.96, 44.38, -71.15

 

CMYK 29 / 71 / 0 / 24

HEX #8938C1

RGB 137 56 193

HSL 275.47, 0.55%, 0.49%

LAB 41.21, 57.37, -57.33

 

CMYK 34 / 83 / 0 / 16

HEX #8D24D5

RGB 141 36 213

HSL 275.59, 0.71%, 0.49%

LAB 40.78, 69.63, -69.61

 

CMYK 38 / 94 / 0 / 8

HEX #910FEA

RGB 145 15 234

HSL 275.62, 0.88%, 0.49%

LAB 41.69, 78.79, -80.1

 

CMYK 29 / 71 / 0 / 24

HEX #8938C1

RGB 137 56 193

HSL 275.47, 0.55%, 0.49%

LAB 41.21, 57.37, -57.33

 

CMYK 23 / 56 / 0 / 32

HEX #864CAD

RGB 134 76 173

HSL 275.88, 0.39%, 0.49%

LAB 43.14, 42.26, -42.5

 

CMYK 15 / 37 / 0 / 40

HEX #826099

RGB 130 96 153

HSL 275.79, 0.23%, 0.49%

LAB 46.19, 24.99, -25.89

 

CMYK 5 / 13 / 0 / 48

HEX #7E7485

RGB 126 116 133

HSL 275.29, 0.07%, 0.49%

LAB 50.24, 7.26, -7.9

 

CMYK 11 / 0 / 18 / 46

HEX #7A8970

RGB 122 137 112

HSL 96, 0.1%, 0.49%

LAB 55.28, -10.35, 11.6

 

CMYK 67 / 71 / 0 / 24

HEX #3F38C1

RGB 63 56 193

HSL 243.07, 0.55%, 0.49%

LAB 33.43, 45.17, -70.36

 

CMYK 49 / 71 / 0 / 24

HEX #6338C1

RGB 99 56 193

HSL 258.83, 0.55%, 0.49%

LAB 36.61, 50.35, -65.01

 

CMYK 30 / 71 / 0 / 24

HEX #8838C1

RGB 136 56 193

HSL 275.04, 0.55%, 0.49%

LAB 41.08, 57.17, -57.55

 

CMYK 10 / 71 / 0 / 24

HEX #AD38C1

RGB 173 56 193

HSL 291.24, 0.55%, 0.49%

LAB 46.4, 64.83, -48.72

 

CMYK 0 / 71 / 8 / 24

HEX #C138B1

RGB 193 56 177

HSL 307.01, 0.55%, 0.49%

LAB 48.69, 66.62, -35.54

 

CMYK 29 / 71 / 0 / 49

HEX #5C2581

RGB 92 37 129

HSL 275.87, 0.55%, 0.33%

LAB 27.25, 41.79, -41.52

 

CMYK 29 / 71 / 0 / 37

HEX #732EA1

RGB 115 46 161

HSL 276, 0.56%, 0.41%

LAB 34.34, 50.07, -49.6

 

CMYK 29 / 71 / 0 / 24

HEX #8938C1

RGB 137 56 193

HSL 275.47, 0.55%, 0.49%

LAB 41.21, 57.37, -57.33

 

CMYK 24 / 59 / 0 / 20

HEX #9C55CD

RGB 156 85 205

HSL 275.5, 0.55%, 0.57%

LAB 49.46, 50.44, -50.88

 

CMYK 19 / 46 / 0 / 16

HEX #AF75D7

RGB 175 117 215

HSL 275.51, 0.55%, 0.65%

LAB 58.74, 40.65, -41.71

 

CMYK 29 / 71 / 0 / 24

HEX #8A38C2

RGB 138 56 194

HSL 275.65, 0.55%, 0.49%

LAB 41.42, 57.79, -57.58

 

CMYK 0 / 71 / 55 / 24

HEX #C13856

RGB 193 56 86

HSL 346.86, 0.55%, 0.49%

LAB 45.41, 56.02, 14.62

 

CMYK 71 / 0 / 58 / 24

HEX #38C151

RGB 56 193 81

HSL 130.95, 0.55%, 0.49%

LAB 69.17, -59.23, 45.29

 

CMYK 29 / 71 / 0 / 24

HEX #8A38C2

RGB 138 56 194

HSL 275.65, 0.55%, 0.49%

LAB 41.42, 57.79, -57.58

 

CMYK 0 / 30 / 71 / 24

HEX #C18838

RGB 193 136 56

HSL 35.04, 0.55%, 0.49%

LAB 60.99, 14.22, 49.94

 

CMYK 71 / 0 / 30 / 24

HEX #38C188

RGB 56 193 136

HSL 155.04, 0.55%, 0.49%

LAB 70.01, -49.74, 18.38

 

CMYK 29 / 71 / 0 / 24

HEX #8A38C2

RGB 138 56 194

HSL 275.65, 0.55%, 0.49%

LAB 41.42, 57.79, -57.58

 

CMYK 0 / 71 / 55 / 24

HEX #C13856

RGB 193 56 86

HSL 346.86, 0.55%, 0.49%

LAB 45.41, 56.02, 14.62

 

CMYK 41 / 0 / 71 / 24

HEX #71C138

RGB 113 193 56

HSL 95.04, 0.55%, 0.49%

LAB 70.83, -47.23, 58.18

 

CMYK 71 / 0 / 16 / 24

HEX #38C1A3

RGB 56 193 163

HSL 166.86, 0.55%, 0.49%

LAB 70.61, -43.38, 4.62

 

CMYK 29 / 71 / 0 / 24

HEX #8A38C2

RGB 138 56 194

HSL 275.65, 0.55%, 0.49%

LAB 41.42, 57.79, -57.58

 

CMYK 0 / 65 / 71 / 24

HEX #C14338

RGB 193 67 56

HSL 4.82, 0.55%, 0.49%

LAB 46.49, 49.75, 34.01

 

CMYK 41 / 0 / 71 / 24

HEX #71C138

RGB 113 193 56

HSL 95.04, 0.55%, 0.49%

LAB 70.83, -47.23, 58.18

 

CMYK 71 / 6 / 0 / 24

HEX #38B6C1

RGB 56 182 193

HSL 184.82, 0.55%, 0.49%

LAB 68.13, -29.99, -15.51

 

Description

Color code: HEX #8A38C2 | qconv.com Color code: HEX #8A38C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 56 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 56 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 71 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 71% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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