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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8ACB8A it is the complementary color #753475. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8ACB8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8ACB8A shade: #8FCB85, #A0DD98, #B1EFAB, #C2FFBE and #D3FFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8ACB8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8ACB8A shade: #8ACB8A, #79B977, #68A764, #579551 and #46833E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8ACB8A shade: #8ACA8A, #9CCA8A, #ADCA8A, #BECA8A and #CAC58A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8ACB8A shade: #8ACA8A, #8ACA9C, #8ACAAD, #8ACABE and #8AC5CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8ACB8A shade matches the following richer shades: #8ACA8A, #7DD87D, #6FE66F and #62F362

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8ACB8A shade: #8ACA8A, #98BD98, #A6AFA6, #B3A1B3 and #C194C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8ACB8A shade: #ACCA8A, #9BCA8A, #8ACA8A, #8ACA9B and #8ACAAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8ACB8A shade: #51B151, #6EBE6E, #8ACA8A, #A7D7A7 and #C3E4C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8ACB8A shade: #8ACB8A, #8ABECA and #CA8AA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8ACB8A shade: #8ACB8A, #8A8ACA and #CA8A8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8ACB8A shade: #8ACB8A, #8ABECA, #CA8ACA and #CA978A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8ACB8A shade: #8ACB8A, #8AAACA, #CA8ACA and #CAAA8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 32 / 20

HEX #8ACB8A

RGB 138 203 138

HSL 120, 0.38%, 0.67%

LAB 76.04, -33.54, 26.04

 

Complementary color

CMYK 0 / 56 / 0 / 54

HEX #753475

RGB 117 52 117

HSL 300, 0.38%, 0.33%

LAB 32.97, 38.19, -24.65

 

CMYK 30 / 0 / 34 / 20

HEX #8FCB85

RGB 143 203 133

HSL 111.43, 0.4%, 0.66%

LAB 76.22, -32.69, 28.94

 

CMYK 28 / 0 / 31 / 13

HEX #A0DD98

RGB 160 221 152

HSL 113.04, 0.5%, 0.73%

LAB 82.62, -32.47, 27.83

 

CMYK 26 / 0 / 28 / 6

HEX #B1EFAB

RGB 177 239 171

HSL 114.71, 0.68%, 0.8%

LAB 88.93, -32.26, 26.78

 

CMYK 24 / 0 / 25 / 0

HEX #C2FFBE

RGB 194 255 190

HSL 116.31, 1%, 0.87%

LAB 94.61, -31.13, 25.03

 

CMYK 17 / 0 / 18 / 0

HEX #D3FFD1

RGB 211 255 209

HSL 117.39, 1%, 0.91%

LAB 95.99, -22.45, 17.41

 

CMYK 32 / 0 / 32 / 20

HEX #8ACB8A

RGB 138 203 138

HSL 120, 0.38%, 0.67%

LAB 76.04, -33.54, 26.04

 

CMYK 35 / 0 / 36 / 27

HEX #79B977

RGB 121 185 119

HSL 118.18, 0.32%, 0.6%

LAB 69.54, -33.78, 27.19

 

CMYK 38 / 0 / 40 / 35

HEX #68A764

RGB 104 167 100

HSL 116.42, 0.28%, 0.52%

LAB 62.93, -34.01, 28.42

 

CMYK 42 / 0 / 46 / 42

HEX #579551

RGB 87 149 81

HSL 114.71, 0.3%, 0.45%

LAB 56.2, -34.21, 29.71

 

CMYK 47 / 0 / 53 / 49

HEX #46833E

RGB 70 131 62

HSL 113.04, 0.36%, 0.38%

LAB 49.35, -34.31, 31.05

 

CMYK 32 / 0 / 32 / 21

HEX #8ACA8A

RGB 138 202 138

HSL 120, 0.38%, 0.67%

LAB 75.75, -33.07, 25.65

 

CMYK 23 / 0 / 32 / 21

HEX #9CCA8A

RGB 156 202 138

HSL 103.13, 0.38%, 0.67%

LAB 76.77, -26.98, 27.19

 

CMYK 14 / 0 / 32 / 21

HEX #ADCA8A

RGB 173 202 138

HSL 87.19, 0.38%, 0.67%

LAB 77.85, -20.87, 28.84

 

CMYK 6 / 0 / 32 / 21

HEX #BECA8A

RGB 190 202 138

HSL 71.25, 0.38%, 0.67%

LAB 79.05, -14.49, 30.65

 

CMYK 0 / 2 / 32 / 21

HEX #CAC58A

RGB 202 197 138

HSL 55.31, 0.38%, 0.67%

LAB 78.65, -7.3, 30.28

 

CMYK 32 / 0 / 32 / 21

HEX #8ACA8A

RGB 138 202 138

HSL 120, 0.38%, 0.67%

LAB 75.75, -33.07, 25.65

 

CMYK 32 / 0 / 23 / 21

HEX #8ACA9C

RGB 138 202 156

HSL 136.88, 0.38%, 0.67%

LAB 76.1, -29.91, 16.59

 

CMYK 32 / 0 / 14 / 21

HEX #8ACAAD

RGB 138 202 173

HSL 152.81, 0.38%, 0.67%

LAB 76.47, -26.59, 8.02

 

CMYK 32 / 0 / 6 / 21

HEX #8ACABE

RGB 138 202 190

HSL 168.75, 0.38%, 0.67%

LAB 76.9, -22.95, -0.52

 

CMYK 32 / 2 / 0 / 21

HEX #8AC5CA

RGB 138 197 202

HSL 184.69, 0.38%, 0.67%

LAB 75.82, -17.67, -8.59

 

CMYK 32 / 0 / 32 / 21

HEX #8ACA8A

RGB 138 202 138

HSL 120, 0.38%, 0.67%

LAB 75.75, -33.07, 25.65

 

CMYK 42 / 0 / 42 / 15

HEX #7DD87D

RGB 125 216 125

HSL 120, 0.54%, 0.67%

LAB 79.01, -45.4, 36.52

 

CMYK 52 / 0 / 52 / 10

HEX #6FE66F

RGB 111 230 111

HSL 120, 0.7%, 0.67%

LAB 82.44, -56.89, 47.51

 

CMYK 60 / 0 / 60 / 5

HEX #62F362

RGB 98 243 98

HSL 120, 0.86%, 0.67%

LAB 85.8, -66.3, 57.22

 

CMYK 32 / 0 / 32 / 21

HEX #8ACA8A

RGB 138 202 138

HSL 120, 0.38%, 0.67%

LAB 75.75, -33.07, 25.65

 

CMYK 20 / 0 / 20 / 26

HEX #98BD98

RGB 152 189 152

HSL 120, 0.22%, 0.67%

LAB 73.11, -19.64, 14.69

 

CMYK 5 / 0 / 5 / 31

HEX #A6AFA6

RGB 166 175 166

HSL 120, 0.05%, 0.67%

LAB 70.54, -4.87, 3.51

 

CMYK 0 / 10 / 0 / 30

HEX #B3A1B3

RGB 179 161 179

HSL 300, 0.11%, 0.67%

LAB 68.26, 9.84, -6.9

 

CMYK 0 / 23 / 0 / 24

HEX #C194C1

RGB 193 148 193

HSL 300, 0.27%, 0.67%

LAB 66.8, 24.57, -16.76

 

CMYK 15 / 0 / 32 / 21

HEX #ACCA8A

RGB 172 202 138

HSL 88.13, 0.38%, 0.67%

LAB 77.78, -21.24, 28.73

 

CMYK 23 / 0 / 32 / 21

HEX #9BCA8A

RGB 155 202 138

HSL 104.06, 0.38%, 0.67%

LAB 76.71, -27.33, 27.1

 

CMYK 32 / 0 / 32 / 21

HEX #8ACA8A

RGB 138 202 138

HSL 120, 0.38%, 0.67%

LAB 75.75, -33.07, 25.65

 

CMYK 32 / 0 / 23 / 21

HEX #8ACA9B

RGB 138 202 155

HSL 135.94, 0.38%, 0.67%

LAB 76.08, -30.1, 17.1

 

CMYK 32 / 0 / 15 / 21

HEX #8ACAAC

RGB 138 202 172

HSL 151.88, 0.38%, 0.67%

LAB 76.45, -26.79, 8.52

 

CMYK 54 / 0 / 54 / 31

HEX #51B151

RGB 81 177 81

HSL 120, 0.38%, 0.51%

LAB 64.79, -47.91, 40.26

 

CMYK 42 / 0 / 42 / 25

HEX #6EBE6E

RGB 110 190 110

HSL 120, 0.38%, 0.59%

LAB 70.36, -40.92, 32.87

 

CMYK 32 / 0 / 32 / 21

HEX #8ACA8A

RGB 138 202 138

HSL 120, 0.38%, 0.67%

LAB 75.75, -33.07, 25.65

 

CMYK 22 / 0 / 22 / 16

HEX #A7D7A7

RGB 167 215 167

HSL 120, 0.38%, 0.75%

LAB 81.62, -24.81, 18.71

 

CMYK 14 / 0 / 14 / 11

HEX #C3E4C3

RGB 195 228 195

HSL 120, 0.38%, 0.83%

LAB 87.5, -16.96, 12.52

 

CMYK 32 / 0 / 32 / 20

HEX #8ACB8A

RGB 138 203 138

HSL 120, 0.38%, 0.67%

LAB 76.04, -33.54, 26.04

 

CMYK 32 / 6 / 0 / 21

HEX #8ABECA

RGB 138 190 202

HSL 191.25, 0.38%, 0.67%

LAB 73.87, -14.05, -11.51

 

CMYK 0 / 32 / 19 / 21

HEX #CA8AA4

RGB 202 138 164

HSL 335.63, 0.38%, 0.67%

LAB 64.49, 28.19, -3.8

 

CMYK 32 / 0 / 32 / 20

HEX #8ACB8A

RGB 138 203 138

HSL 120, 0.38%, 0.67%

LAB 76.04, -33.54, 26.04

 

CMYK 32 / 32 / 0 / 21

HEX #8A8ACA

RGB 138 138 202

HSL 240, 0.38%, 0.67%

LAB 59.75, 14.8, -33.06

 

CMYK 0 / 32 / 32 / 21

HEX #CA8A8A

RGB 202 138 138

HSL 0, 0.38%, 0.67%

LAB 63.81, 24.44, 9.93

 

CMYK 32 / 0 / 32 / 20

HEX #8ACB8A

RGB 138 203 138

HSL 120, 0.38%, 0.67%

LAB 76.04, -33.54, 26.04

 

CMYK 32 / 6 / 0 / 21

HEX #8ABECA

RGB 138 190 202

HSL 191.25, 0.38%, 0.67%

LAB 73.87, -14.05, -11.51

 

CMYK 0 / 32 / 0 / 21

HEX #CA8ACA

RGB 202 138 202

HSL 300, 0.38%, 0.67%

LAB 65.75, 34.74, -23.31

 

CMYK 0 / 25 / 32 / 21

HEX #CA978A

RGB 202 151 138

HSL 12.19, 0.38%, 0.67%

LAB 66.92, 17.32, 14.31

 

CMYK 32 / 0 / 32 / 20

HEX #8ACB8A

RGB 138 203 138

HSL 120, 0.38%, 0.67%

LAB 76.04, -33.54, 26.04

 

CMYK 32 / 16 / 0 / 21

HEX #8AAACA

RGB 138 170 202

HSL 210, 0.38%, 0.67%

LAB 68.33, -3.34, -19.86

 

CMYK 0 / 32 / 0 / 21

HEX #CA8ACA

RGB 202 138 202

HSL 300, 0.38%, 0.67%

LAB 65.75, 34.74, -23.31

 

CMYK 0 / 16 / 32 / 21

HEX #CAAA8A

RGB 202 170 138

HSL 30, 0.38%, 0.67%

LAB 71.65, 6.98, 20.85

 

Description

Color code: HEX #8ACB8A | qconv.com Color code: HEX #8ACB8A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 203 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 203 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 32 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 32% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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