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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AEEA3 it is the complementary color #75115C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AEEA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AEEA3 shade: #8FEE9E, #A0FFB1, #B1FFC4, #C2FFD7 and #D3FFEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AEEA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AEEA3 shade: #8AEEA3, #79DC90, #68CA7D, #57B86A and #46A657

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AEEA3 shade: #8AEEA3, #8CEE8A, #A7EE8A, #C2EE8A and #DDEE8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AEEA3 shade: #8AEEA3, #8AEEBE, #8AEED9, #8AE8EE and #8ACDEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AEEA3 shade matches the following richer shades: #8AEEA3 and #80F99E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AEEA3 shade: #8AEEA3, #95E3A9, #A0D8AE, #ABCEB3 and #B5C3B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AEEA3 shade: #A7EE8A, #8CEE8A, #8AEEA3, #8AEEBE and #8AEED8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AEEA3 shade: #42E46B, #66E987, #8AEEA3, #AFF3C0 and #D3F8DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AEEA3 shade: #8AEEA3, #8AC1EE and #EE8A99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AEEA3 shade: #8AEEA3, #A38AEE and #EEA38A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AEEA3 shade: #8AEEA3, #8AC1EE, #EE8AD5 and #EEB78A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AEEA3 shade: #8AEEA3, #8AA3EE, #EE8AD5 and #EED58A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 32 / 7

HEX #8AEEA3

RGB 138 238 163

HSL 135, 0.75%, 0.74%

LAB 86.6, -45, 27.38

 

Complementary color

CMYK 0 / 85 / 21 / 54

HEX #75115C

RGB 117 17 92

HSL 315, 0.75%, 0.26%

LAB 26.61, 48.13, -18.49

 

CMYK 40 / 0 / 34 / 7

HEX #8FEE9E

RGB 143 238 158

HSL 129.47, 0.74%, 0.75%

LAB 86.73, -44.43, 30.14

 

CMYK 37 / 0 / 31 / 0

HEX #A0FFB1

RGB 160 255 177

HSL 130.74, 1%, 0.81%

LAB 92.65, -43.75, 28.64

 

CMYK 31 / 0 / 23 / 0

HEX #B1FFC4

RGB 177 255 196

HSL 134.62, 1%, 0.85%

LAB 93.82, -35.45, 20.74

 

CMYK 24 / 0 / 16 / 0

HEX #C2FFD7

RGB 194 255 215

HSL 140.66, 1%, 0.88%

LAB 95.12, -26.83, 12.97

 

CMYK 17 / 0 / 8 / 0

HEX #D3FFEA

RGB 211 255 234

HSL 151.36, 1%, 0.91%

LAB 96.54, -18.01, 5.38

 

CMYK 42 / 0 / 32 / 7

HEX #8AEEA3

RGB 138 238 163

HSL 135, 0.75%, 0.74%

LAB 86.6, -45, 27.38

 

CMYK 45 / 0 / 35 / 14

HEX #79DC90

RGB 121 220 144

HSL 133.94, 0.59%, 0.67%

LAB 80.33, -45.22, 28.55

 

CMYK 49 / 0 / 38 / 21

HEX #68CA7D

RGB 104 202 125

HSL 132.86, 0.48%, 0.6%

LAB 73.97, -45.39, 29.79

 

CMYK 53 / 0 / 42 / 28

HEX #57B86A

RGB 87 184 106

HSL 131.75, 0.41%, 0.53%

LAB 67.54, -45.49, 31.11

 

CMYK 58 / 0 / 48 / 35

HEX #46A657

RGB 70 166 87

HSL 130.63, 0.41%, 0.46%

LAB 61.01, -45.45, 32.51

 

CMYK 42 / 0 / 32 / 7

HEX #8AEEA3

RGB 138 238 163

HSL 135, 0.75%, 0.74%

LAB 86.6, -45, 27.38

 

CMYK 41 / 0 / 42 / 7

HEX #8CEE8A

RGB 140 238 138

HSL 118.8, 0.75%, 0.74%

LAB 86.29, -48.39, 39.54

 

CMYK 30 / 0 / 42 / 7

HEX #A7EE8A

RGB 167 238 138

HSL 102.6, 0.75%, 0.74%

LAB 87.58, -39.91, 41.46

 

CMYK 18 / 0 / 42 / 7

HEX #C2EE8A

RGB 194 238 138

HSL 86.4, 0.75%, 0.74%

LAB 89.14, -30.52, 43.76

 

CMYK 7 / 0 / 42 / 7

HEX #DDEE8A

RGB 221 238 138

HSL 70.2, 0.75%, 0.74%

LAB 90.94, -20.49, 46.42

 

CMYK 42 / 0 / 32 / 7

HEX #8AEEA3

RGB 138 238 163

HSL 135, 0.75%, 0.74%

LAB 86.6, -45, 27.38

 

CMYK 42 / 0 / 20 / 7

HEX #8AEEBE

RGB 138 238 190

HSL 151.2, 0.75%, 0.74%

LAB 87.13, -39.96, 14.18

 

CMYK 42 / 0 / 9 / 7

HEX #8AEED9

RGB 138 238 217

HSL 167.4, 0.75%, 0.74%

LAB 87.76, -34.19, 0.99

 

CMYK 42 / 3 / 0 / 7

HEX #8AE8EE

RGB 138 232 238

HSL 183.6, 0.75%, 0.74%

LAB 86.65, -26.37, -11.67

 

CMYK 42 / 14 / 0 / 7

HEX #8ACDEE

RGB 138 205 238

HSL 199.8, 0.75%, 0.74%

LAB 79.18, -12.79, -22.92

 

CMYK 42 / 0 / 32 / 7

HEX #8AEEA3

RGB 138 238 163

HSL 135, 0.75%, 0.74%

LAB 86.6, -45, 27.38

 

CMYK 49 / 0 / 37 / 2

HEX #80F99E

RGB 128 249 158

HSL 134.88, 0.91%, 0.74%

LAB 89.3, -53.11, 33.46

 

CMYK 42 / 0 / 32 / 7

HEX #8AEEA3

RGB 138 238 163

HSL 135, 0.75%, 0.74%

LAB 86.6, -45, 27.38

 

CMYK 34 / 0 / 26 / 11

HEX #95E3A9

RGB 149 227 169

HSL 135.38, 0.58%, 0.74%

LAB 84.07, -35.86, 20.9

 

CMYK 26 / 0 / 19 / 15

HEX #A0D8AE

RGB 160 216 174

HSL 135, 0.42%, 0.74%

LAB 81.64, -26.35, 14.99

 

CMYK 17 / 0 / 13 / 19

HEX #ABCEB3

RGB 171 206 179

HSL 133.71, 0.26%, 0.74%

LAB 79.65, -16.87, 9.59

 

CMYK 7 / 0 / 5 / 24

HEX #B5C3B9

RGB 181 195 185

HSL 137.14, 0.1%, 0.74%

LAB 77.49, -6.68, 3.37

 

CMYK 30 / 0 / 42 / 7

HEX #A7EE8A

RGB 167 238 138

HSL 102.6, 0.75%, 0.74%

LAB 87.58, -39.91, 41.46

 

CMYK 41 / 0 / 42 / 7

HEX #8CEE8A

RGB 140 238 138

HSL 118.8, 0.75%, 0.74%

LAB 86.29, -48.39, 39.54

 

CMYK 42 / 0 / 32 / 7

HEX #8AEEA3

RGB 138 238 163

HSL 135, 0.75%, 0.74%

LAB 86.6, -45, 27.38

 

CMYK 42 / 0 / 20 / 7

HEX #8AEEBE

RGB 138 238 190

HSL 151.2, 0.75%, 0.74%

LAB 87.13, -39.96, 14.18

 

CMYK 42 / 0 / 9 / 7

HEX #8AEED8

RGB 138 238 216

HSL 166.8, 0.75%, 0.74%

LAB 87.73, -34.42, 1.48

 

CMYK 71 / 0 / 53 / 11

HEX #42E46B

RGB 66 228 107

HSL 135.19, 0.75%, 0.58%

LAB 80.58, -66.12, 46.83

 

CMYK 56 / 0 / 42 / 9

HEX #66E987

RGB 102 233 135

HSL 135.11, 0.75%, 0.66%

LAB 83.36, -56.78, 36.98

 

CMYK 42 / 0 / 32 / 7

HEX #8AEEA3

RGB 138 238 163

HSL 135, 0.75%, 0.74%

LAB 86.6, -45, 27.38

 

CMYK 28 / 0 / 21 / 5

HEX #AFF3C0

RGB 175 243 192

HSL 135, 0.74%, 0.82%

LAB 90.33, -31.21, 17.9

 

CMYK 15 / 0 / 11 / 3

HEX #D3F8DC

RGB 211 248 220

HSL 134.59, 0.73%, 0.9%

LAB 94.38, -17.14, 9.48

 

CMYK 42 / 0 / 32 / 7

HEX #8AEEA3

RGB 138 238 163

HSL 135, 0.75%, 0.74%

LAB 86.6, -45, 27.38

 

CMYK 42 / 19 / 0 / 7

HEX #8AC1EE

RGB 138 193 238

HSL 207, 0.75%, 0.74%

LAB 75.89, -6.45, -27.94

 

CMYK 0 / 42 / 36 / 7

HEX #EE8A99

RGB 238 138 153

HSL 351, 0.75%, 0.74%

LAB 68.5, 39.67, 8.74

 

CMYK 42 / 0 / 32 / 7

HEX #8AEEA3

RGB 138 238 163

HSL 135, 0.75%, 0.74%

LAB 86.6, -45, 27.38

 

CMYK 32 / 42 / 0 / 7

HEX #A38AEE

RGB 163 138 238

HSL 255, 0.75%, 0.74%

LAB 63.46, 31.04, -47.16

 

CMYK 0 / 32 / 42 / 7

HEX #EEA38A

RGB 238 163 138

HSL 15, 0.75%, 0.74%

LAB 73.68, 24.85, 24.23

 

CMYK 42 / 0 / 32 / 7

HEX #8AEEA3

RGB 138 238 163

HSL 135, 0.75%, 0.74%

LAB 86.6, -45, 27.38

 

CMYK 42 / 19 / 0 / 7

HEX #8AC1EE

RGB 138 193 238

HSL 207, 0.75%, 0.74%

LAB 75.89, -6.45, -27.94

 

CMYK 0 / 42 / 11 / 7

HEX #EE8AD5

RGB 238 138 213

HSL 315, 0.75%, 0.74%

LAB 70.29, 48.13, -22.12

 

CMYK 0 / 23 / 42 / 7

HEX #EEB78A

RGB 238 183 138

HSL 27, 0.75%, 0.74%

LAB 78.39, 14.25, 30.54

 

CMYK 42 / 0 / 32 / 7

HEX #8AEEA3

RGB 138 238 163

HSL 135, 0.75%, 0.74%

LAB 86.6, -45, 27.38

 

CMYK 42 / 32 / 0 / 7

HEX #8AA3EE

RGB 138 163 238

HSL 225, 0.75%, 0.74%

LAB 67.85, 10.15, -40.39

 

CMYK 0 / 42 / 11 / 7

HEX #EE8AD5

RGB 238 138 213

HSL 315, 0.75%, 0.74%

LAB 70.29, 48.13, -22.12

 

CMYK 0 / 11 / 42 / 7

HEX #EED58A

RGB 238 213 138

HSL 45, 0.75%, 0.74%

LAB 85.81, -1.39, 40.19

 

Description

Color code: HEX #8AEEA3 | qconv.com Color code: HEX #8AEEA3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 238 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 238 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 32 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 32% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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