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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 163 238 it is the complementary color RGB 117 92 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 163 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 163 238 shade: RGB 143 163 233, RGB 160 181 252, RGB 177 199 255, RGB 194 217 255 and RGB 211 235 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 163 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 163 238 shade: RGB 138 163 238, RGB 121 145 219, RGB 104 127 200, RGB 87 109 181 and RGB 70 91 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 163 238 shade: RGB 138 163 238, RGB 140 138 238, RGB 167 138 238, RGB 194 138 238 and RGB 221 138 238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 163 238 shade: RGB 138 163 238 and RGB 138 138 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 163 238 shade matches the following richer shades: RGB 138 163 238 and RGB 128 158 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 163 238 shade: RGB 138 163 238, RGB 149 169 227, RGB 160 174 216, RGB 171 179 206 and RGB 181 185 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 163 238 shade: RGB 138 216 238, RGB 138 190 238, RGB 138 163 238, RGB 140 138 238 and RGB 167 138 238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 163 238 shade: RGB 66 107 228, RGB 102 135 233, RGB 138 163 238, RGB 175 192 243 and RGB 211 220 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 163 238 shade: RGB 138 163 238, RGB 233 138 238 and RGB 203 238 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 163 238 shade: RGB 138 163 238, RGB 238 138 163 and RGB 163 238 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 163 238 shade: RGB 138 163 238, RGB 233 138 238, RGB 238 213 138 and RGB 143 238 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 163 238 shade: RGB 138 163 238, RGB 238 138 213, RGB 238 213 138 and RGB 138 238 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 32 / 0 / 7

HEX #8AA3EE

RGB 138 163 238

HSL 225, 0.75%, 0.74%

LAB 67.85, 10.15, -40.39

 

Complementary color

CMYK 0 / 21 / 85 / 54

HEX #755C11

RGB 117 92 17

HSL 45, 0.75%, 0.26%

LAB 40.37, 2.62, 43.12

 

CMYK 39 / 30 / 0 / 9

HEX #8FA3E9

RGB 143 163 233

HSL 226.67, 0.67%, 0.74%

LAB 67.96, 10.07, -37.46

 

CMYK 37 / 28 / 0 / 1

HEX #A0B5FC

RGB 160 181 252

HSL 226.3, 0.94%, 0.81%

LAB 74.54, 9.54, -37.46

 

CMYK 31 / 22 / 0 / 0

HEX #B1C7FF

RGB 177 199 255

HSL 223.08, 1%, 0.85%

LAB 80.41, 5.1, -29.92

 

CMYK 24 / 15 / 0 / 0

HEX #C2D9FF

RGB 194 217 255

HSL 217.38, 1%, 0.88%

LAB 86.16, 0.41, -21.05

 

CMYK 17 / 8 / 0 / 0

HEX #D3EBFF

RGB 211 235 255

HSL 207.27, 1%, 0.91%

LAB 91.9, -3.84, -12.31

 

CMYK 42 / 32 / 0 / 7

HEX #8AA3EE

RGB 138 163 238

HSL 225, 0.75%, 0.74%

LAB 67.85, 10.15, -40.39

 

CMYK 45 / 34 / 0 / 14

HEX #7991DB

RGB 121 145 219

HSL 225.31, 0.58%, 0.67%

LAB 61.16, 10.84, -40.46

 

CMYK 48 / 37 / 0 / 22

HEX #687FC8

RGB 104 127 200

HSL 225.63, 0.47%, 0.6%

LAB 54.34, 11.64, -40.57

 

CMYK 52 / 40 / 0 / 29

HEX #576DB5

RGB 87 109 181

HSL 225.96, 0.39%, 0.53%

LAB 47.37, 12.61, -40.74

 

CMYK 57 / 44 / 0 / 36

HEX #465BA2

RGB 70 91 162

HSL 226.3, 0.4%, 0.45%

LAB 40.23, 13.82, -40.96

 

CMYK 42 / 32 / 0 / 7

HEX #8AA3EE

RGB 138 163 238

HSL 225, 0.75%, 0.74%

LAB 67.85, 10.15, -40.39

 

CMYK 41 / 42 / 0 / 7

HEX #8C8AEE

RGB 140 138 238

HSL 241.2, 0.75%, 0.74%

LAB 61.59, 25.09, -50.24

 

CMYK 30 / 42 / 0 / 7

HEX #A78AEE

RGB 167 138 238

HSL 257.4, 0.75%, 0.74%

LAB 63.81, 32.12, -46.59

 

CMYK 18 / 42 / 0 / 7

HEX #C28AEE

RGB 194 138 238

HSL 273.6, 0.75%, 0.74%

LAB 66.38, 39.65, -42.36

 

CMYK 7 / 42 / 0 / 7

HEX #DD8AEE

RGB 221 138 238

HSL 289.8, 0.75%, 0.74%

LAB 69.27, 47.43, -37.63

 

CMYK 42 / 32 / 0 / 7

HEX #8AA3EE

RGB 138 163 238

HSL 225, 0.75%, 0.74%

LAB 67.85, 10.15, -40.39

 

CMYK 42 / 42 / 0 / 7

HEX #8A8AEE

RGB 138 138 238

HSL 240, 0.75%, 0.74%

LAB 61.44, 24.59, -50.48

 

CMYK 42 / 32 / 0 / 7

HEX #8AA3EE

RGB 138 163 238

HSL 225, 0.75%, 0.74%

LAB 67.85, 10.15, -40.39

 

CMYK 49 / 37 / 0 / 2

HEX #809EF9

RGB 128 158 249

HSL 225.12, 0.91%, 0.74%

LAB 66.43, 13.78, -48.68

 

CMYK 42 / 32 / 0 / 7

HEX #8AA3EE

RGB 138 163 238

HSL 225, 0.75%, 0.74%

LAB 67.85, 10.15, -40.39

 

CMYK 34 / 26 / 0 / 11

HEX #95A9E3

RGB 149 169 227

HSL 224.62, 0.58%, 0.74%

LAB 69.69, 6.73, -31.46

 

CMYK 26 / 19 / 0 / 15

HEX #A0AED8

RGB 160 174 216

HSL 225, 0.42%, 0.74%

LAB 71.35, 4.4, -22.82

 

CMYK 17 / 13 / 0 / 19

HEX #ABB3CE

RGB 171 179 206

HSL 226.29, 0.26%, 0.74%

LAB 73.12, 2.79, -14.59

 

CMYK 7 / 5 / 0 / 24

HEX #B5B9C3

RGB 181 185 195

HSL 222.86, 0.1%, 0.74%

LAB 75.12, 0.55, -5.54

 

CMYK 42 / 9 / 0 / 7

HEX #8AD8EE

RGB 138 216 238

HSL 193.2, 0.75%, 0.74%

LAB 82.21, -18.43, -18.33

 

CMYK 42 / 20 / 0 / 7

HEX #8ABEEE

RGB 138 190 238

HSL 208.8, 0.75%, 0.74%

LAB 75.08, -4.83, -29.19

 

CMYK 42 / 32 / 0 / 7

HEX #8AA3EE

RGB 138 163 238

HSL 225, 0.75%, 0.74%

LAB 67.85, 10.15, -40.39

 

CMYK 41 / 42 / 0 / 7

HEX #8C8AEE

RGB 140 138 238

HSL 241.2, 0.75%, 0.74%

LAB 61.59, 25.09, -50.24

 

CMYK 30 / 42 / 0 / 7

HEX #A78AEE

RGB 167 138 238

HSL 257.4, 0.75%, 0.74%

LAB 63.81, 32.12, -46.59

 

CMYK 71 / 53 / 0 / 11

HEX #426BE4

RGB 66 107 228

HSL 224.81, 0.75%, 0.58%

LAB 48.6, 26.22, -65.71

 

CMYK 56 / 42 / 0 / 9

HEX #6687E9

RGB 102 135 233

HSL 224.89, 0.75%, 0.66%

LAB 58.07, 16.76, -53.21

 

CMYK 42 / 32 / 0 / 7

HEX #8AA3EE

RGB 138 163 238

HSL 225, 0.75%, 0.74%

LAB 67.85, 10.15, -40.39

 

CMYK 28 / 21 / 0 / 5

HEX #AFC0F3

RGB 175 192 243

HSL 225, 0.74%, 0.82%

LAB 78.04, 5.43, -27.14

 

CMYK 15 / 11 / 0 / 3

HEX #D3DCF8

RGB 211 220 248

HSL 225.41, 0.73%, 0.9%

LAB 87.88, 2.49, -14.66

 

CMYK 42 / 32 / 0 / 7

HEX #8AA3EE

RGB 138 163 238

HSL 225, 0.75%, 0.74%

LAB 67.85, 10.15, -40.39

 

CMYK 2 / 42 / 0 / 7

HEX #E98AEE

RGB 233 138 238

HSL 297, 0.75%, 0.74%

LAB 70.65, 50.93, -35.39

 

CMYK 15 / 0 / 42 / 7

HEX #CBEE8A

RGB 203 238 138

HSL 81, 0.75%, 0.74%

LAB 89.71, -27.23, 44.61

 

CMYK 42 / 32 / 0 / 7

HEX #8AA3EE

RGB 138 163 238

HSL 225, 0.75%, 0.74%

LAB 67.85, 10.15, -40.39

 

CMYK 0 / 42 / 32 / 7

HEX #EE8AA3

RGB 238 138 163

HSL 345, 0.75%, 0.74%

LAB 68.75, 40.89, 3.49

 

CMYK 32 / 0 / 42 / 7

HEX #A3EE8A

RGB 163 238 138

HSL 105, 0.75%, 0.74%

LAB 87.37, -41.23, 41.15

 

CMYK 42 / 32 / 0 / 7

HEX #8AA3EE

RGB 138 163 238

HSL 225, 0.75%, 0.74%

LAB 67.85, 10.15, -40.39

 

CMYK 2 / 42 / 0 / 7

HEX #E98AEE

RGB 233 138 238

HSL 297, 0.75%, 0.74%

LAB 70.65, 50.93, -35.39

 

CMYK 0 / 11 / 42 / 7

HEX #EED58A

RGB 238 213 138

HSL 45, 0.75%, 0.74%

LAB 85.81, -1.39, 40.19

 

CMYK 40 / 0 / 42 / 7

HEX #8FEE8A

RGB 143 238 138

HSL 117, 0.75%, 0.74%

LAB 86.42, -47.5, 39.73

 

CMYK 42 / 32 / 0 / 7

HEX #8AA3EE

RGB 138 163 238

HSL 225, 0.75%, 0.74%

LAB 67.85, 10.15, -40.39

 

CMYK 0 / 42 / 11 / 7

HEX #EE8AD5

RGB 238 138 213

HSL 315, 0.75%, 0.74%

LAB 70.29, 48.13, -22.12

 

CMYK 0 / 11 / 42 / 7

HEX #EED58A

RGB 238 213 138

HSL 45, 0.75%, 0.74%

LAB 85.81, -1.39, 40.19

 

CMYK 42 / 0 / 32 / 7

HEX #8AEEA3

RGB 138 238 163

HSL 135, 0.75%, 0.74%

LAB 86.6, -45, 27.38

 

Description

Color code: RGB 138 163 238 | qconv.com Color code: RGB 138 163 238 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 163 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 163 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 32 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 32% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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