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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B95C5 it is the complementary color #746A3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B95C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B95C5 shade: #9095C0, #A1A7D3, #B2B9E6, #C3CBF9 and #D4DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B95C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B95C5 shade: #8B95C5, #7A83B2, #69719F, #585F8C and #474D79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B95C5 shade: #8B95C4, #918BC4, #A08BC4, #B08BC4 and #BF8BC4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B95C5 shade: #8B95C4 and #8B8BC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B95C5 shade matches the following richer shades: #8B95C4, #7D8CD2, #6F83E0, #6179EE and #5370FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B95C5 shade: #8B95C4, #999EB6, #A7A7A8, #B5B19A and #C3BA8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B95C5 shade: #8BB4C4, #8BA5C4, #8B96C4, #908BC4 and #9F8BC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B95C5 shade: #5563A8, #707CB7, #8B95C4, #A7AED2 and #C2C7E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B95C5 shade: #8B95C5, #C48BC3 and #ADC48B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B95C5 shade: #8B95C5, #C48B96 and #96C48B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B95C5 shade: #8B95C5, #C48BC3, #C4BA8B and #8BC48C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B95C5 shade: #8B95C5, #C48BB2, #C4BA8B and #8BC49D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 24 / 0 / 23

HEX #8B95C5

RGB 139 149 197

HSL 229.66, 0.33%, 0.66%

LAB 62.52, 7.47, -25.95

 

Complementary color

CMYK 0 / 9 / 50 / 55

HEX #746A3A

RGB 116 106 58

HSL 49.66, 0.33%, 0.34%

LAB 44.7, -3.22, 28.22

 

CMYK 25 / 22 / 0 / 25

HEX #9095C0

RGB 144 149 192

HSL 233.75, 0.28%, 0.66%

LAB 62.7, 7.75, -22.84

 

CMYK 24 / 21 / 0 / 17

HEX #A1A7D3

RGB 161 167 211

HSL 232.8, 0.36%, 0.73%

LAB 69.41, 7.4, -23.03

 

CMYK 23 / 20 / 0 / 10

HEX #B2B9E6

RGB 178 185 230

HSL 231.92, 0.51%, 0.8%

LAB 75.99, 7.08, -23.25

 

CMYK 22 / 18 / 0 / 2

HEX #C3CBF9

RGB 195 203 249

HSL 231.11, 0.82%, 0.87%

LAB 82.46, 6.79, -23.48

 

CMYK 17 / 13 / 0 / 0

HEX #D4DDFF

RGB 212 221 255

HSL 227.44, 1%, 0.92%

LAB 88.41, 3.73, -17.53

 

CMYK 29 / 24 / 0 / 23

HEX #8B95C5

RGB 139 149 197

HSL 229.66, 0.33%, 0.66%

LAB 62.52, 7.47, -25.95

 

CMYK 31 / 26 / 0 / 30

HEX #7A83B2

RGB 122 131 178

HSL 230.36, 0.27%, 0.59%

LAB 55.67, 7.89, -25.84

 

CMYK 34 / 29 / 0 / 38

HEX #69719F

RGB 105 113 159

HSL 231.11, 0.22%, 0.52%

LAB 48.66, 8.38, -25.78

 

CMYK 37 / 32 / 0 / 45

HEX #585F8C

RGB 88 95 140

HSL 231.92, 0.23%, 0.45%

LAB 41.46, 8.96, -25.77

 

CMYK 41 / 36 / 0 / 53

HEX #474D79

RGB 71 77 121

HSL 232.8, 0.26%, 0.38%

LAB 34.04, 9.67, -25.84

 

CMYK 29 / 24 / 0 / 23

HEX #8B95C4

RGB 139 149 196

HSL 229.47, 0.33%, 0.66%

LAB 62.48, 7.21, -25.45

 

CMYK 26 / 29 / 0 / 23

HEX #918BC4

RGB 145 139 196

HSL 246.32, 0.33%, 0.66%

LAB 60.31, 14.78, -28.76

 

CMYK 18 / 29 / 0 / 23

HEX #A08BC4

RGB 160 139 196

HSL 262.11, 0.33%, 0.66%

LAB 61.59, 19.43, -26.68

 

CMYK 10 / 29 / 0 / 23

HEX #B08BC4

RGB 176 139 196

HSL 278.95, 0.33%, 0.66%

LAB 63.08, 24.56, -24.26

 

CMYK 3 / 29 / 0 / 23

HEX #BF8BC4

RGB 191 139 196

HSL 294.74, 0.33%, 0.66%

LAB 64.59, 29.46, -21.82

 

CMYK 29 / 24 / 0 / 23

HEX #8B95C4

RGB 139 149 196

HSL 229.47, 0.33%, 0.66%

LAB 62.48, 7.21, -25.45

 

CMYK 29 / 29 / 0 / 23

HEX #8B8BC4

RGB 139 139 196

HSL 240, 0.33%, 0.66%

LAB 59.83, 12.97, -29.53

 

CMYK 29 / 24 / 0 / 23

HEX #8B95C4

RGB 139 149 196

HSL 229.47, 0.33%, 0.66%

LAB 62.48, 7.21, -25.45

 

CMYK 40 / 33 / 0 / 18

HEX #7D8CD2

RGB 125 140 210

HSL 229.41, 0.49%, 0.66%

LAB 59.68, 12.2, -37.73

 

CMYK 50 / 42 / 0 / 12

HEX #6F83E0

RGB 111 131 224

HSL 229.38, 0.65%, 0.66%

LAB 57.07, 18.24, -49.75

 

CMYK 59 / 49 / 0 / 7

HEX #6179EE

RGB 97 121 238

HSL 229.79, 0.81%, 0.66%

LAB 54.44, 25.88, -61.82

 

CMYK 67 / 56 / 0 / 1

HEX #5370FD

RGB 83 112 253

HSL 229.76, 0.98%, 0.66%

LAB 52.42, 34.14, -73.46

 

CMYK 29 / 24 / 0 / 23

HEX #8B95C4

RGB 139 149 196

HSL 229.47, 0.33%, 0.66%

LAB 62.48, 7.21, -25.45

 

CMYK 16 / 13 / 0 / 29

HEX #999EB6

RGB 153 158 182

HSL 229.66, 0.17%, 0.66%

LAB 65.44, 3.23, -13.01

 

CMYK 1 / 1 / 0 / 34

HEX #A7A7A8

RGB 167 167 168

HSL 240, 0.01%, 0.66%

LAB 68.52, 0.19, -0.52

 

CMYK 0 / 2 / 15 / 29

HEX #B5B19A

RGB 181 177 154

HSL 51.11, 0.15%, 0.66%

LAB 71.96, -2.55, 12.28

 

CMYK 0 / 5 / 28 / 24

HEX #C3BA8C

RGB 195 186 140

HSL 50.18, 0.31%, 0.66%

LAB 75.21, -4.03, 24.52

 

CMYK 29 / 8 / 0 / 23

HEX #8BB4C4

RGB 139 180 196

HSL 196.84, 0.33%, 0.66%

LAB 70.95, -9.93, -12.59

 

CMYK 29 / 16 / 0 / 23

HEX #8BA5C4

RGB 139 165 196

HSL 212.63, 0.33%, 0.66%

LAB 66.81, -1.79, -18.83

 

CMYK 29 / 23 / 0 / 23

HEX #8B96C4

RGB 139 150 196

HSL 228.42, 0.33%, 0.66%

LAB 62.75, 6.64, -25.04

 

CMYK 27 / 29 / 0 / 23

HEX #908BC4

RGB 144 139 196

HSL 245.26, 0.33%, 0.66%

LAB 60.23, 14.47, -28.89

 

CMYK 19 / 29 / 0 / 23

HEX #9F8BC4

RGB 159 139 196

HSL 261.05, 0.33%, 0.66%

LAB 61.5, 19.12, -26.82

 

CMYK 49 / 41 / 0 / 34

HEX #5563A8

RGB 85 99 168

HSL 229.88, 0.33%, 0.5%

LAB 43.77, 14.2, -38.83

 

CMYK 39 / 32 / 0 / 28

HEX #707CB7

RGB 112 124 183

HSL 229.86, 0.33%, 0.58%

LAB 53.25, 10.51, -32.52

 

CMYK 29 / 24 / 0 / 23

HEX #8B95C4

RGB 139 149 196

HSL 229.47, 0.33%, 0.66%

LAB 62.48, 7.21, -25.45

 

CMYK 20 / 17 / 0 / 18

HEX #A7AED2

RGB 167 174 210

HSL 230.23, 0.32%, 0.74%

LAB 71.65, 5.15, -19.03

 

CMYK 13 / 11 / 0 / 12

HEX #C2C7E0

RGB 194 199 224

HSL 230, 0.33%, 0.82%

LAB 80.57, 3.23, -12.99

 

CMYK 29 / 24 / 0 / 23

HEX #8B95C5

RGB 139 149 197

HSL 229.66, 0.33%, 0.66%

LAB 62.52, 7.47, -25.95

 

CMYK 0 / 29 / 1 / 23

HEX #C48BC3

RGB 196 139 195

HSL 301.05, 0.33%, 0.66%

LAB 65.07, 30.92, -20.47

 

CMYK 12 / 0 / 29 / 23

HEX #ADC48B

RGB 173 196 139

HSL 84.21, 0.33%, 0.66%

LAB 76.21, -17.73, 26.11

 

CMYK 29 / 24 / 0 / 23

HEX #8B95C5

RGB 139 149 197

HSL 229.66, 0.33%, 0.66%

LAB 62.52, 7.47, -25.95

 

CMYK 0 / 29 / 23 / 23

HEX #C48B96

RGB 196 139 150

HSL 348.42, 0.33%, 0.66%

LAB 63.67, 23.3, 2.85

 

CMYK 23 / 0 / 29 / 23

HEX #96C48B

RGB 150 196 139

HSL 108.42, 0.33%, 0.66%

LAB 74.72, -26.01, 23.84

 

CMYK 29 / 24 / 0 / 23

HEX #8B95C5

RGB 139 149 197

HSL 229.66, 0.33%, 0.66%

LAB 62.52, 7.47, -25.95

 

CMYK 0 / 29 / 1 / 23

HEX #C48BC3

RGB 196 139 195

HSL 301.05, 0.33%, 0.66%

LAB 65.07, 30.92, -20.47

 

CMYK 0 / 5 / 29 / 23

HEX #C4BA8B

RGB 196 186 139

HSL 49.47, 0.33%, 0.66%

LAB 75.28, -3.78, 25.15

 

CMYK 29 / 0 / 29 / 23

HEX #8BC48C

RGB 139 196 140

HSL 121.05, 0.33%, 0.66%

LAB 74.1, -29.57, 22.37

 

CMYK 29 / 24 / 0 / 23

HEX #8B95C5

RGB 139 149 197

HSL 229.66, 0.33%, 0.66%

LAB 62.52, 7.47, -25.95

 

CMYK 0 / 29 / 9 / 23

HEX #C48BB2

RGB 196 139 178

HSL 318.95, 0.33%, 0.66%

LAB 64.5, 27.83, -11.78

 

CMYK 0 / 5 / 29 / 23

HEX #C4BA8B

RGB 196 186 139

HSL 49.47, 0.33%, 0.66%

LAB 75.28, -3.78, 25.15

 

CMYK 29 / 0 / 20 / 23

HEX #8BC49D

RGB 139 196 157

HSL 138.95, 0.33%, 0.66%

LAB 74.45, -26.52, 13.75

 

Description

Color code: HEX #8B95C5 | qconv.com Color code: HEX #8B95C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 149 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 149 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 24 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 24% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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