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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BDD2B it is the complementary color #7422D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BDD2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BDD2B shade: #90DD26, #A1EF39, #B2FF4C, #C3FF5F and #D4FF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BDD2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BDD2B shade: #8BDD2B, #7ACB18, #69B905, #58A700 and #479500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BDD2B shade: #8BDC2C, #BBDC2C, #DCCE2C, #DC9F2C and #DC6F2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BDD2B shade: #8BDC2C, #5CDC2C, #2CDC2C, #2CDC5C and #2CDC8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BDD2B shade matches the following richer shades: #8BDC2C and #8DF018

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BDD2B shade: #8BDC2C, #89C840, #88B554, #86A167 and #858D7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BDD2B shade: #DCCE2C, #BCDC2C, #8DDC2C, #5EDC2C and #2FDC2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BDD2B shade: #609D19, #76C01F, #8BDC2C, #9EE24F and #B2E873

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BDD2B shade: #8BDD2B, #2CDC9F and #DC2CD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BDD2B shade: #8BDD2B, #2C8DDC and #DC2C8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BDD2B shade: #8BDD2B, #2CDC9F, #7B2CDC and #DC2C6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BDD2B shade: #8BDD2B, #2CDCD3, #7B2CDC and #DC2C35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 81 / 13

HEX #8BDD2B

RGB 139 221 43

HSL 87.64, 0.72%, 0.52%

LAB 80.39, -50.59, 71.89

 

Complementary color

CMYK 45 / 84 / 0 / 17

HEX #7422D4

RGB 116 34 212

HSL 267.64, 0.72%, 0.48%

LAB 37.13, 66.66, -75.14

 

CMYK 35 / 0 / 83 / 13

HEX #90DD26

RGB 144 221 38

HSL 85.25, 0.73%, 0.51%

LAB 80.62, -49.06, 73.44

 

CMYK 33 / 0 / 76 / 6

HEX #A1EF39

RGB 161 239 57

HSL 85.71, 0.85%, 0.58%

LAB 86.8, -49.69, 74.26

 

CMYK 30 / 0 / 70 / 0

HEX #B2FF4C

RGB 178 255 76

HSL 85.81, 1%, 0.65%

LAB 92.36, -49.33, 73.8

 

CMYK 24 / 0 / 63 / 0

HEX #C3FF5F

RGB 195 255 95

HSL 82.5, 1%, 0.69%

LAB 93.43, -41.97, 68.11

 

CMYK 17 / 0 / 55 / 0

HEX #D4FF72

RGB 212 255 114

HSL 78.3, 1%, 0.72%

LAB 94.62, -34.18, 61.78

 

CMYK 37 / 0 / 81 / 13

HEX #8BDD2B

RGB 139 221 43

HSL 87.64, 0.72%, 0.52%

LAB 80.39, -50.59, 71.89

 

CMYK 40 / 0 / 88 / 20

HEX #7ACB18

RGB 122 203 24

HSL 87.15, 0.79%, 0.45%

LAB 74.14, -49.81, 70.39

 

CMYK 43 / 0 / 97 / 27

HEX #69B905

RGB 105 185 5

HSL 86.67, 0.95%, 0.37%

LAB 67.81, -48.75, 67.55

 

CMYK 47 / 0 / 100 / 35

HEX #58A700

RGB 88 167 0

HSL 88.38, 1%, 0.33%

LAB 61.41, -47.35, 62.83

 

CMYK 52 / 0 / 100 / 42

HEX #479500

RGB 71 149 0

HSL 91.41, 1%, 0.29%

LAB 54.9, -45.73, 57.44

 

CMYK 37 / 0 / 80 / 14

HEX #8BDC2C

RGB 139 220 44

HSL 87.61, 0.72%, 0.52%

LAB 80.1, -50.14, 71.36

 

CMYK 15 / 0 / 80 / 14

HEX #BBDC2C

RGB 187 220 44

HSL 71.25, 0.72%, 0.52%

LAB 82.88, -32.1, 74.9

 

CMYK 0 / 6 / 80 / 14

HEX #DCCE2C

RGB 220 206 44

HSL 55.23, 0.72%, 0.52%

LAB 81.59, -11.59, 74.73

 

CMYK 0 / 28 / 80 / 14

HEX #DC9F2C

RGB 220 159 44

HSL 39.2, 0.72%, 0.52%

LAB 69.61, 12.95, 64.15

 

CMYK 0 / 50 / 80 / 14

HEX #DC6F2C

RGB 220 111 44

HSL 22.84, 0.72%, 0.52%

LAB 58.76, 38.37, 54.21

 

CMYK 37 / 0 / 80 / 14

HEX #8BDC2C

RGB 139 220 44

HSL 87.61, 0.72%, 0.52%

LAB 80.1, -50.14, 71.36

 

CMYK 58 / 0 / 80 / 14

HEX #5CDC2C

RGB 92 220 44

HSL 103.64, 0.72%, 0.52%

LAB 78.25, -64.1, 68.99

 

CMYK 80 / 0 / 80 / 14

HEX #2CDC2C

RGB 44 220 44

HSL 120, 0.72%, 0.52%

LAB 77.22, -72.79, 67.66

 

CMYK 80 / 0 / 58 / 14

HEX #2CDC5C

RGB 44 220 92

HSL 136.36, 0.72%, 0.52%

LAB 77.58, -68.43, 50.06

 

CMYK 80 / 0 / 37 / 14

HEX #2CDC8B

RGB 44 220 139

HSL 152.39, 0.72%, 0.52%

LAB 78.22, -60.87, 27.94

 

CMYK 37 / 0 / 80 / 14

HEX #8BDC2C

RGB 139 220 44

HSL 87.61, 0.72%, 0.52%

LAB 80.1, -50.14, 71.36

 

CMYK 41 / 0 / 90 / 6

HEX #8DF018

RGB 141 240 24

HSL 87.5, 0.88%, 0.52%

LAB 86.03, -58.02, 80.65

 

CMYK 37 / 0 / 80 / 14

HEX #8BDC2C

RGB 139 220 44

HSL 87.61, 0.72%, 0.52%

LAB 80.1, -50.14, 71.36

 

CMYK 32 / 0 / 68 / 22

HEX #89C840

RGB 137 200 64

HSL 87.79, 0.55%, 0.52%

LAB 74.19, -41.28, 58.97

 

CMYK 25 / 0 / 54 / 29

HEX #88B554

RGB 136 181 84

HSL 87.84, 0.4%, 0.52%

LAB 68.69, -31.28, 44.1

 

CMYK 17 / 0 / 36 / 37

HEX #86A167

RGB 134 161 103

HSL 87.93, 0.24%, 0.52%

LAB 62.96, -19.87, 27.19

 

CMYK 6 / 0 / 13 / 45

HEX #858D7B

RGB 133 141 123

HSL 86.67, 0.07%, 0.52%

LAB 57.53, -6.38, 8.61

 

CMYK 0 / 6 / 80 / 14

HEX #DCCE2C

RGB 220 206 44

HSL 55.23, 0.72%, 0.52%

LAB 81.59, -11.59, 74.73

 

CMYK 15 / 0 / 80 / 14

HEX #BCDC2C

RGB 188 220 44

HSL 70.91, 0.72%, 0.52%

LAB 82.95, -31.7, 74.98

 

CMYK 36 / 0 / 80 / 14

HEX #8DDC2C

RGB 141 220 44

HSL 86.93, 0.72%, 0.52%

LAB 80.2, -49.45, 71.49

 

CMYK 57 / 0 / 80 / 14

HEX #5EDC2C

RGB 94 220 44

HSL 102.95, 0.72%, 0.52%

LAB 78.31, -63.6, 69.07

 

CMYK 79 / 0 / 80 / 14

HEX #2FDC2C

RGB 47 220 44

HSL 118.98, 0.72%, 0.52%

LAB 77.26, -72.43, 67.71

 

CMYK 39 / 0 / 84 / 38

HEX #609D19

RGB 96 157 25

HSL 87.73, 0.73%, 0.36%

LAB 58.67, -39.82, 56.32

 

CMYK 39 / 0 / 84 / 25

HEX #76C01F

RGB 118 192 31

HSL 87.58, 0.72%, 0.44%

LAB 70.63, -46.48, 65.82

 

CMYK 37 / 0 / 80 / 14

HEX #8BDC2C

RGB 139 220 44

HSL 87.61, 0.72%, 0.52%

LAB 80.1, -50.14, 71.36

 

CMYK 30 / 0 / 65 / 11

HEX #9EE24F

RGB 158 226 79

HSL 87.76, 0.72%, 0.6%

LAB 83.03, -43.9, 62.72

 

CMYK 23 / 0 / 50 / 9

HEX #B2E873

RGB 178 232 115

HSL 87.69, 0.72%, 0.68%

LAB 86.21, -36.11, 50.93

 

CMYK 37 / 0 / 81 / 13

HEX #8BDD2B

RGB 139 221 43

HSL 87.64, 0.72%, 0.52%

LAB 80.39, -50.59, 71.89

 

CMYK 80 / 0 / 28 / 14

HEX #2CDC9F

RGB 44 220 159

HSL 159.2, 0.72%, 0.52%

LAB 78.59, -56.7, 18.04

 

CMYK 0 / 80 / 4 / 14

HEX #DC2CD3

RGB 220 44 211

HSL 303.07, 0.72%, 0.52%

LAB 53.73, 80.81, -46.96

 

CMYK 37 / 0 / 81 / 13

HEX #8BDD2B

RGB 139 221 43

HSL 87.64, 0.72%, 0.52%

LAB 80.39, -50.59, 71.89

 

CMYK 80 / 36 / 0 / 14

HEX #2C8DDC

RGB 44 141 220

HSL 206.93, 0.72%, 0.52%

LAB 56.83, -0.2, -48.06

 

CMYK 0 / 80 / 36 / 14

HEX #DC2C8D

RGB 220 44 141

HSL 326.93, 0.72%, 0.52%

LAB 50.62, 72, -10.79

 

CMYK 37 / 0 / 81 / 13

HEX #8BDD2B

RGB 139 221 43

HSL 87.64, 0.72%, 0.52%

LAB 80.39, -50.59, 71.89

 

CMYK 80 / 0 / 28 / 14

HEX #2CDC9F

RGB 44 220 159

HSL 159.2, 0.72%, 0.52%

LAB 78.59, -56.7, 18.04

 

CMYK 44 / 80 / 0 / 14

HEX #7B2CDC

RGB 123 44 220

HSL 266.93, 0.72%, 0.52%

LAB 39.88, 66.07, -75.2

 

CMYK 0 / 80 / 52 / 14

HEX #DC2C6A

RGB 220 44 106

HSL 338.86, 0.72%, 0.52%

LAB 49.57, 68.87, 8.88

 

CMYK 37 / 0 / 81 / 13

HEX #8BDD2B

RGB 139 221 43

HSL 87.64, 0.72%, 0.52%

LAB 80.39, -50.59, 71.89

 

CMYK 80 / 0 / 4 / 14

HEX #2CDCD3

RGB 44 220 211

HSL 176.93, 0.72%, 0.52%

LAB 79.86, -43.57, -7.75

 

CMYK 44 / 80 / 0 / 14

HEX #7B2CDC

RGB 123 44 220

HSL 266.93, 0.72%, 0.52%

LAB 39.88, 66.07, -75.2

 

CMYK 0 / 80 / 76 / 14

HEX #DC2C35

RGB 220 44 53

HSL 356.93, 0.72%, 0.52%

LAB 48.6, 65.93, 39.45

 

Description

Color code: HEX #8BDD2B | qconv.com Color code: HEX #8BDD2B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 221 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 221 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 81 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 81% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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