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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C4095 it is the complementary color #73BF6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C4095. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C4095 shade: #914090, #A252A3, #B364B6, #C476C9 and #D588DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C4095. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C4095 shade: #8C4095, #7B2E82, #6A1C6F, #590A5C and #480049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C4095 shade: #8C4095, #954087, #954070, #954059 and #954042

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C4095 shade: #8C4095, #754095, #5E4095, #474095 and #404095

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C4095 shade matches the following richer shades: #8C4095, #9A2EA7, #A81DB8 and #B50CC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C4095 shade: #8C4095, #7F5184, #716273, #637461 and #568550

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C4095 shade: #5E4095, #754095, #8B4095, #954089 and #954072

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C4095 shade: #56275C, #713379, #8C4095, #A74CB2 and #B569BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C4095 shade: #8C4095, #954740 and #409569

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C4095 shade: #8C4095, #958B40 and #40958B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C4095 shade: #8C4095, #954740, #4A9540 and #408E95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C4095 shade: #8C4095, #956140, #4A9540 and #407595

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 57 / 0 / 42

HEX #8C4095

RGB 140 64 149

HSL 293.65, 0.4%, 0.42%

LAB 40.27, 45, -32.67

 

Complementary color

CMYK 40 / 0 / 45 / 25

HEX #73BF6A

RGB 115 191 106

HSL 113.65, 0.4%, 0.58%

LAB 70.83, -40.4, 35.57

 

CMYK 0 / 56 / 1 / 43

HEX #914090

RGB 145 64 144

HSL 300.74, 0.39%, 0.41%

LAB 40.74, 45.45, -28.86

 

CMYK 1 / 50 / 0 / 36

HEX #A252A3

RGB 162 82 163

HSL 299.26, 0.33%, 0.48%

LAB 47.44, 44.87, -29.57

 

CMYK 2 / 45 / 0 / 29

HEX #B364B6

RGB 179 100 182

HSL 297.8, 0.36%, 0.55%

LAB 54.11, 44.16, -30.12

 

CMYK 2 / 41 / 0 / 21

HEX #C476C9

RGB 196 118 201

HSL 296.39, 0.43%, 0.63%

LAB 60.7, 43.41, -30.57

 

CMYK 3 / 38 / 0 / 14

HEX #D588DC

RGB 213 136 220

HSL 295, 0.55%, 0.7%

LAB 67.22, 42.66, -30.96

 

CMYK 6 / 57 / 0 / 42

HEX #8C4095

RGB 140 64 149

HSL 293.65, 0.4%, 0.42%

LAB 40.27, 45, -32.67

 

CMYK 5 / 65 / 0 / 49

HEX #7B2E82

RGB 123 46 130

HSL 295, 0.48%, 0.35%

LAB 33.51, 45.34, -31.86

 

CMYK 5 / 75 / 0 / 56

HEX #6A1C6F

RGB 106 28 111

HSL 296.39, 0.6%, 0.27%

LAB 26.86, 45.09, -30.6

 

CMYK 3 / 89 / 0 / 64

HEX #590A5C

RGB 89 10 92

HSL 297.8, 0.8%, 0.2%

LAB 20.49, 43.54, -28.51

 

CMYK 1 / 100 / 0 / 71

HEX #480049

RGB 72 0 73

HSL 299.18, 1%, 0.14%

LAB 14.73, 39.64, -25.02

 

CMYK 6 / 57 / 0 / 42

HEX #8C4095

RGB 140 64 149

HSL 293.65, 0.4%, 0.42%

LAB 40.27, 45, -32.67

 

CMYK 0 / 57 / 9 / 42

HEX #954087

RGB 149 64 135

HSL 309.88, 0.4%, 0.42%

LAB 40.91, 45.01, -23.07

 

CMYK 0 / 57 / 25 / 42

HEX #954070

RGB 149 64 112

HSL 326.12, 0.4%, 0.42%

LAB 39.96, 41.35, -10.35

 

CMYK 0 / 57 / 40 / 42

HEX #954059

RGB 149 64 89

HSL 342.35, 0.4%, 0.42%

LAB 39.2, 38.31, 2.92

 

CMYK 0 / 57 / 56 / 42

HEX #954042

RGB 149 64 66

HSL 358.59, 0.4%, 0.42%

LAB 38.64, 35.96, 16.56

 

CMYK 6 / 57 / 0 / 42

HEX #8C4095

RGB 140 64 149

HSL 293.65, 0.4%, 0.42%

LAB 40.27, 45, -32.67

 

CMYK 21 / 57 / 0 / 42

HEX #754095

RGB 117 64 149

HSL 277.41, 0.4%, 0.42%

LAB 37.15, 38.65, -37.81

 

CMYK 37 / 57 / 0 / 42

HEX #5E4095

RGB 94 64 149

HSL 261.18, 0.4%, 0.42%

LAB 34.43, 32.59, -42.31

 

CMYK 52 / 57 / 0 / 42

HEX #474095

RGB 71 64 149

HSL 244.94, 0.4%, 0.42%

LAB 32.2, 27.13, -46.01

 

CMYK 57 / 57 / 0 / 42

HEX #404095

RGB 64 64 149

HSL 240, 0.4%, 0.42%

LAB 31.64, 25.66, -46.95

 

CMYK 6 / 57 / 0 / 42

HEX #8C4095

RGB 140 64 149

HSL 293.65, 0.4%, 0.42%

LAB 40.27, 45, -32.67

 

CMYK 8 / 72 / 0 / 35

HEX #9A2EA7

RGB 154 46 167

HSL 293.55, 0.57%, 0.42%

LAB 40.6, 59.65, -42.84

 

CMYK 9 / 84 / 0 / 28

HEX #A81DB8

RGB 168 29 184

HSL 293.81, 0.73%, 0.42%

LAB 42.25, 70.29, -50.13

 

CMYK 10 / 94 / 0 / 21

HEX #B50CC9

RGB 181 12 201

HSL 293.65, 0.89%, 0.42%

LAB 44.67, 77.92, -56.08

 

CMYK 6 / 57 / 0 / 42

HEX #8C4095

RGB 140 64 149

HSL 293.65, 0.4%, 0.42%

LAB 40.27, 45, -32.67

 

CMYK 4 / 39 / 0 / 48

HEX #7F5184

RGB 127 81 132

HSL 294.12, 0.24%, 0.42%

LAB 41.32, 28.22, -20.84

 

CMYK 2 / 15 / 0 / 55

HEX #716273

RGB 113 98 115

HSL 292.94, 0.08%, 0.42%

LAB 43.48, 9.36, -7.35

 

CMYK 15 / 0 / 16 / 55

HEX #637461

RGB 99 116 97

HSL 113.68, 0.09%, 0.42%

LAB 46.98, -10.29, 8.41

 

CMYK 35 / 0 / 40 / 48

HEX #568550

RGB 86 133 80

HSL 113.21, 0.25%, 0.42%

LAB 51.07, -27.12, 23.64

 

CMYK 37 / 57 / 0 / 42

HEX #5E4095

RGB 94 64 149

HSL 261.18, 0.4%, 0.42%

LAB 34.43, 32.59, -42.31

 

CMYK 21 / 57 / 0 / 42

HEX #754095

RGB 117 64 149

HSL 277.41, 0.4%, 0.42%

LAB 37.15, 38.65, -37.81

 

CMYK 7 / 57 / 0 / 42

HEX #8B4095

RGB 139 64 149

HSL 292.94, 0.4%, 0.42%

LAB 40.12, 44.72, -32.91

 

CMYK 0 / 57 / 8 / 42

HEX #954089

RGB 149 64 137

HSL 308.47, 0.4%, 0.42%

LAB 41, 45.35, -24.15

 

CMYK 0 / 57 / 23 / 42

HEX #954072

RGB 149 64 114

HSL 324.71, 0.4%, 0.42%

LAB 40.03, 41.65, -11.47

 

CMYK 7 / 58 / 0 / 64

HEX #56275C

RGB 86 39 92

HSL 293.21, 0.4%, 0.26%

LAB 24.33, 30.59, -22.46

 

CMYK 7 / 58 / 0 / 53

HEX #713379

RGB 113 51 121

HSL 293.14, 0.41%, 0.34%

LAB 32.39, 38.33, -28.11

 

CMYK 6 / 57 / 0 / 42

HEX #8C4095

RGB 140 64 149

HSL 293.65, 0.4%, 0.42%

LAB 40.27, 45, -32.67

 

CMYK 6 / 57 / 0 / 30

HEX #A74CB2

RGB 167 76 178

HSL 293.53, 0.4%, 0.5%

LAB 47.75, 52.09, -37.86

 

CMYK 5 / 45 / 0 / 25

HEX #B569BF

RGB 181 105 191

HSL 293.02, 0.4%, 0.58%

LAB 55.77, 43.86, -32.68

 

CMYK 6 / 57 / 0 / 42

HEX #8C4095

RGB 140 64 149

HSL 293.65, 0.4%, 0.42%

LAB 40.27, 45, -32.67

 

CMYK 0 / 52 / 57 / 42

HEX #954740

RGB 149 71 64

HSL 4.94, 0.4%, 0.42%

LAB 40.03, 32.11, 19.63

 

CMYK 57 / 0 / 30 / 42

HEX #409569

RGB 64 149 105

HSL 148.94, 0.4%, 0.42%

LAB 55.69, -36.36, 15.68

 

CMYK 6 / 57 / 0 / 42

HEX #8C4095

RGB 140 64 149

HSL 293.65, 0.4%, 0.42%

LAB 40.27, 45, -32.67

 

CMYK 0 / 7 / 57 / 42

HEX #958B40

RGB 149 139 64

HSL 52.94, 0.4%, 0.42%

LAB 57.29, -6.38, 40.79

 

CMYK 57 / 0 / 7 / 42

HEX #40958B

RGB 64 149 139

HSL 172.94, 0.4%, 0.42%

LAB 56.53, -28.08, -2.46

 

CMYK 6 / 57 / 0 / 42

HEX #8C4095

RGB 140 64 149

HSL 293.65, 0.4%, 0.42%

LAB 40.27, 45, -32.67

 

CMYK 0 / 52 / 57 / 42

HEX #954740

RGB 149 71 64

HSL 4.94, 0.4%, 0.42%

LAB 40.03, 32.11, 19.63

 

CMYK 50 / 0 / 57 / 42

HEX #4A9540

RGB 74 149 64

HSL 112.94, 0.4%, 0.42%

LAB 55.4, -40.62, 37.34

 

CMYK 57 / 5 / 0 / 42

HEX #408E95

RGB 64 142 149

HSL 184.94, 0.4%, 0.42%

LAB 54.66, -21.71, -10.98

 

CMYK 6 / 57 / 0 / 42

HEX #8C4095

RGB 140 64 149

HSL 293.65, 0.4%, 0.42%

LAB 40.27, 45, -32.67

 

CMYK 0 / 35 / 57 / 42

HEX #956140

RGB 149 97 64

HSL 23.29, 0.4%, 0.42%

LAB 46.05, 17.48, 27.34

 

CMYK 50 / 0 / 57 / 42

HEX #4A9540

RGB 74 149 64

HSL 112.94, 0.4%, 0.42%

LAB 55.4, -40.62, 37.34

 

CMYK 57 / 21 / 0 / 42

HEX #407595

RGB 64 117 149

HSL 202.59, 0.4%, 0.42%

LAB 46.95, -7.91, -22.73

 

Description

Color code: HEX #8C4095 | qconv.com Color code: HEX #8C4095 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 64 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 64 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 57 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 57% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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