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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C83B8 it is the complementary color #737C47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C83B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C83B8 shade: #9183B3, #A295C6, #B3A7D9, #C4B9EC and #D5CBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C83B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C83B8 shade: #8C83B8, #7B71A5, #6A5F92, #594D7F and #483B6C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C83B8 shade: #8C83B8, #9A83B8, #A983B8, #B783B8 and #B883AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C83B8 shade: #8C83B8 and #8383B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C83B8 shade matches the following richer shades: #8C83B8, #8274C7, #7864D7, #6D54E7 and #6345F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C83B8 shade: #8C83B8, #9793A8, #A1A398, #ABB289 and #B6C279

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C83B8 shade: #8397B8, #8389B8, #8C83B8, #9A83B8 and #A883B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C83B8 shade: #605594, #7469A9, #8C83B8, #A59EC7 and #BDB8D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C83B8 shade: #8C83B8, #B883A5 and #90B883

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C83B8 shade: #8C83B8, #B88C83 and #83B88C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C83B8 shade: #8C83B8, #B883A5, #AFB883 and #83B897

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C83B8 shade: #8C83B8, #B88395, #AFB883 and #83B8A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 29 / 0 / 28

HEX #8C83B8

RGB 140 131 184

HSL 250.19, 0.27%, 0.62%

LAB 57.34, 14.93, -26.58

 

Complementary color

CMYK 7 / 0 / 43 / 51

HEX #737C47

RGB 115 124 71

HSL 70.19, 0.27%, 0.38%

LAB 50.11, -12.31, 27.77

 

CMYK 19 / 27 / 0 / 30

HEX #9183B3

RGB 145 131 179

HSL 257.5, 0.24%, 0.61%

LAB 57.57, 15.32, -23.34

 

CMYK 18 / 25 / 0 / 22

HEX #A295C6

RGB 162 149 198

HSL 255.92, 0.3%, 0.68%

LAB 64.37, 14.83, -23.52

 

CMYK 18 / 23 / 0 / 15

HEX #B3A7D9

RGB 179 167 217

HSL 254.4, 0.4%, 0.75%

LAB 71.03, 14.38, -23.73

 

CMYK 17 / 22 / 0 / 7

HEX #C4B9EC

RGB 196 185 236

HSL 252.94, 0.57%, 0.83%

LAB 77.57, 13.97, -23.95

 

CMYK 16 / 20 / 0 / 0

HEX #D5CBFF

RGB 213 203 255

HSL 251.54, 1%, 0.9%

LAB 84.01, 13.59, -24.19

 

CMYK 24 / 29 / 0 / 28

HEX #8C83B8

RGB 140 131 184

HSL 250.19, 0.27%, 0.62%

LAB 57.34, 14.93, -26.58

 

CMYK 25 / 32 / 0 / 35

HEX #7B71A5

RGB 123 113 165

HSL 251.54, 0.22%, 0.55%

LAB 50.38, 15.51, -26.51

 

CMYK 27 / 35 / 0 / 43

HEX #6A5F92

RGB 106 95 146

HSL 252.94, 0.21%, 0.47%

LAB 43.25, 16.17, -26.47

 

CMYK 30 / 39 / 0 / 50

HEX #594D7F

RGB 89 77 127

HSL 254.4, 0.25%, 0.4%

LAB 35.91, 16.94, -26.5

 

CMYK 33 / 45 / 0 / 58

HEX #483B6C

RGB 72 59 108

HSL 255.92, 0.29%, 0.33%

LAB 28.35, 17.85, -26.6

 

CMYK 24 / 29 / 0 / 28

HEX #8C83B8

RGB 140 131 184

HSL 250.19, 0.27%, 0.62%

LAB 57.34, 14.93, -26.58

 

CMYK 16 / 29 / 0 / 28

HEX #9A83B8

RGB 154 131 184

HSL 266.04, 0.27%, 0.62%

LAB 58.57, 19.38, -24.58

 

CMYK 8 / 29 / 0 / 28

HEX #A983B8

RGB 169 131 184

HSL 283.02, 0.27%, 0.62%

LAB 60, 24.28, -22.25

 

CMYK 1 / 29 / 0 / 28

HEX #B783B8

RGB 183 131 184

HSL 298.87, 0.27%, 0.62%

LAB 61.45, 28.93, -19.92

 

CMYK 0 / 29 / 7 / 28

HEX #B883AB

RGB 184 131 171

HSL 314.72, 0.27%, 0.62%

LAB 61.1, 26.85, -13.05

 

CMYK 24 / 29 / 0 / 28

HEX #8C83B8

RGB 140 131 184

HSL 250.19, 0.27%, 0.62%

LAB 57.34, 14.93, -26.58

 

CMYK 29 / 29 / 0 / 28

HEX #8383B8

RGB 131 131 184

HSL 240, 0.27%, 0.62%

LAB 56.6, 12.16, -27.78

 

CMYK 24 / 29 / 0 / 28

HEX #8C83B8

RGB 140 131 184

HSL 250.19, 0.27%, 0.62%

LAB 57.34, 14.93, -26.58

 

CMYK 35 / 42 / 0 / 22

HEX #8274C7

RGB 130 116 199

HSL 250.12, 0.43%, 0.62%

LAB 53.34, 24.69, -41.44

 

CMYK 44 / 53 / 0 / 16

HEX #7864D7

RGB 120 100 215

HSL 250.43, 0.59%, 0.62%

LAB 49.51, 36.12, -56.71

 

CMYK 53 / 64 / 0 / 9

HEX #6D54E7

RGB 109 84 231

HSL 250.2, 0.75%, 0.62%

LAB 46.13, 47.81, -71.31

 

CMYK 60 / 72 / 0 / 4

HEX #6345F6

RGB 99 69 246

HSL 250.17, 0.91%, 0.62%

LAB 43.6, 58.73, -83.92

 

CMYK 24 / 29 / 0 / 28

HEX #8C83B8

RGB 140 131 184

HSL 250.19, 0.27%, 0.62%

LAB 57.34, 14.93, -26.58

 

CMYK 10 / 13 / 0 / 34

HEX #9793A8

RGB 151 147 168

HSL 251.43, 0.11%, 0.62%

LAB 61.89, 5.7, -10.48

 

CMYK 1 / 0 / 7 / 36

HEX #A1A398

RGB 161 163 152

HSL 70.91, 0.06%, 0.62%

LAB 66.55, -2.76, 5.46

 

CMYK 4 / 0 / 23 / 30

HEX #ABB289

RGB 171 178 137

HSL 70.24, 0.21%, 0.62%

LAB 71.08, -9.51, 20.18

 

CMYK 6 / 0 / 38 / 24

HEX #B6C279

RGB 182 194 121

HSL 69.86, 0.37%, 0.62%

LAB 76.01, -15.67, 35.35

 

CMYK 29 / 18 / 0 / 28

HEX #8397B8

RGB 131 151 184

HSL 217.36, 0.27%, 0.62%

LAB 62.01, 0.64, -19.47

 

CMYK 29 / 26 / 0 / 28

HEX #8389B8

RGB 131 137 184

HSL 233.21, 0.27%, 0.62%

LAB 58.2, 8.66, -25.3

 

CMYK 24 / 29 / 0 / 28

HEX #8C83B8

RGB 140 131 184

HSL 250.19, 0.27%, 0.62%

LAB 57.34, 14.93, -26.58

 

CMYK 16 / 29 / 0 / 28

HEX #9A83B8

RGB 154 131 184

HSL 266.04, 0.27%, 0.62%

LAB 58.57, 19.38, -24.58

 

CMYK 9 / 29 / 0 / 28

HEX #A883B8

RGB 168 131 184

HSL 281.89, 0.27%, 0.62%

LAB 59.91, 23.95, -22.42

 

CMYK 35 / 43 / 0 / 42

HEX #605594

RGB 96 85 148

HSL 250.48, 0.27%, 0.46%

LAB 39.79, 19.89, -33.17

 

CMYK 31 / 38 / 0 / 34

HEX #7469A9

RGB 116 105 169

HSL 250.31, 0.27%, 0.54%

LAB 47.86, 19.23, -32.82

 

CMYK 24 / 29 / 0 / 28

HEX #8C83B8

RGB 140 131 184

HSL 250.19, 0.27%, 0.62%

LAB 57.34, 14.93, -26.58

 

CMYK 17 / 21 / 0 / 22

HEX #A59EC7

RGB 165 158 199

HSL 250.24, 0.27%, 0.7%

LAB 66.96, 10.93, -20.1

 

CMYK 12 / 14 / 0 / 16

HEX #BDB8D6

RGB 189 184 214

HSL 250, 0.27%, 0.78%

LAB 76.04, 7.61, -14.42

 

CMYK 24 / 29 / 0 / 28

HEX #8C83B8

RGB 140 131 184

HSL 250.19, 0.27%, 0.62%

LAB 57.34, 14.93, -26.58

 

CMYK 0 / 29 / 10 / 28

HEX #B883A5

RGB 184 131 165

HSL 321.51, 0.27%, 0.62%

LAB 60.9, 25.78, -9.92

 

CMYK 22 / 0 / 29 / 28

HEX #90B883

RGB 144 184 131

HSL 105.28, 0.27%, 0.62%

LAB 70.77, -23.5, 22.68

 

CMYK 24 / 29 / 0 / 28

HEX #8C83B8

RGB 140 131 184

HSL 250.19, 0.27%, 0.62%

LAB 57.34, 14.93, -26.58

 

CMYK 0 / 24 / 29 / 28

HEX #B88C83

RGB 184 140 131

HSL 10.19, 0.27%, 0.62%

LAB 62.16, 15.4, 11.27

 

CMYK 29 / 0 / 24 / 28

HEX #83B88C

RGB 131 184 140

HSL 130.19, 0.27%, 0.62%

LAB 70.18, -26.41, 16.9

 

CMYK 24 / 29 / 0 / 28

HEX #8C83B8

RGB 140 131 184

HSL 250.19, 0.27%, 0.62%

LAB 57.34, 14.93, -26.58

 

CMYK 0 / 29 / 10 / 28

HEX #B883A5

RGB 184 131 165

HSL 321.51, 0.27%, 0.62%

LAB 60.9, 25.78, -9.92

 

CMYK 5 / 0 / 29 / 28

HEX #AFB883

RGB 175 184 131

HSL 70.19, 0.27%, 0.62%

LAB 72.91, -11.97, 25.94

 

CMYK 29 / 0 / 18 / 28

HEX #83B897

RGB 131 184 151

HSL 142.64, 0.27%, 0.62%

LAB 70.41, -24.33, 11.25

 

CMYK 24 / 29 / 0 / 28

HEX #8C83B8

RGB 140 131 184

HSL 250.19, 0.27%, 0.62%

LAB 57.34, 14.93, -26.58

 

CMYK 0 / 29 / 19 / 28

HEX #B88395

RGB 184 131 149

HSL 339.62, 0.27%, 0.62%

LAB 60.42, 23.11, -1.48

 

CMYK 5 / 0 / 29 / 28

HEX #AFB883

RGB 175 184 131

HSL 70.19, 0.27%, 0.62%

LAB 72.91, -11.97, 25.94

 

CMYK 29 / 0 / 10 / 28

HEX #83B8A6

RGB 131 184 166

HSL 159.62, 0.27%, 0.62%

LAB 70.77, -21.25, 3.57

 

Description

Color code: HEX #8C83B8 | qconv.com Color code: HEX #8C83B8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 131 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 131 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 29 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 29% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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