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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DC231 it is the complementary color #723DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DC231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DC231 shade: #92C22C, #A3D43F, #B4E652, #C5F865 and #D6FF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DC231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DC231 shade: #8DC231, #7CB01E, #6B9E0B, #5A8C00 and #497A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DC231 shade: #8EC330, #B5C330, #C3AA30, #C38230 and #C35B30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DC231 shade: #8EC330, #66C330, #3EC330, #30C34A and #30C372

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DC231 shade matches the following richer shades: #8EC330, #93D71D and #98EB09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DC231 shade: #8EC330, #88B044, #839C58, #7E886C and #787480

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DC231 shade: #C3A830, #B7C330, #90C330, #69C330 and #42C330

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DC231 shade: #5E8120, #76A228, #8EC330, #A1D24B and #B2DA6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DC231 shade: #8DC231, #30C381 and #BC30C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DC231 shade: #8DC231, #3090C3 and #C33090

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DC231 shade: #8DC231, #30C381, #6430C3 and #C33073

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DC231 shade: #8DC231, #30C3AD, #6430C3 and #C33046

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 75 / 24

HEX #8DC231

RGB 141 194 49

HSL 81.93, 0.6%, 0.48%

LAB 72.54, -38.09, 62.83

 

Complementary color

CMYK 45 / 70 / 0 / 19

HEX #723DCE

RGB 114 61 206

HSL 261.93, 0.6%, 0.52%

LAB 40.2, 53.91, -66.66

 

CMYK 25 / 0 / 77 / 24

HEX #92C22C

RGB 146 194 44

HSL 79.2, 0.63%, 0.47%

LAB 72.81, -36.42, 64.79

 

CMYK 23 / 0 / 70 / 17

HEX #A3D43F

RGB 163 212 63

HSL 79.73, 0.63%, 0.54%

LAB 79.17, -36.97, 64.91

 

CMYK 22 / 0 / 64 / 10

HEX #B4E652

RGB 180 230 82

HSL 80.27, 0.75%, 0.61%

LAB 85.46, -37.37, 64.49

 

CMYK 21 / 0 / 59 / 3

HEX #C5F865

RGB 197 248 101

HSL 80.82, 0.91%, 0.68%

LAB 91.66, -37.67, 63.75

 

CMYK 16 / 0 / 53 / 0

HEX #D6FF78

RGB 214 255 120

HSL 78.22, 1%, 0.74%

LAB 94.81, -32.91, 59.38

 

CMYK 27 / 0 / 75 / 24

HEX #8DC231

RGB 141 194 49

HSL 81.93, 0.6%, 0.48%

LAB 72.54, -38.09, 62.83

 

CMYK 30 / 0 / 83 / 31

HEX #7CB01E

RGB 124 176 30

HSL 81.37, 0.71%, 0.4%

LAB 66.08, -37.46, 62.18

 

CMYK 32 / 0 / 93 / 38

HEX #6B9E0B

RGB 107 158 11

HSL 80.82, 0.87%, 0.33%

LAB 59.53, -36.57, 60.18

 

CMYK 36 / 0 / 100 / 45

HEX #5A8C00

RGB 90 140 0

HSL 81.43, 1%, 0.27%

LAB 52.87, -35.38, 56.24

 

CMYK 40 / 0 / 100 / 52

HEX #497A00

RGB 73 122 0

HSL 84.1, 1%, 0.24%

LAB 46.09, -33.91, 50.6

 

CMYK 27 / 0 / 75 / 24

HEX #8EC330

RGB 142 195 48

HSL 81.63, 0.6%, 0.48%

LAB 72.89, -38.21, 63.51

 

CMYK 7 / 0 / 75 / 24

HEX #B5C330

RGB 181 195 48

HSL 65.71, 0.6%, 0.48%

LAB 75.49, -22.49, 66.9

 

CMYK 0 / 13 / 75 / 24

HEX #C3AA30

RGB 195 170 48

HSL 49.8, 0.6%, 0.48%

LAB 69.87, -3.69, 62.06

 

CMYK 0 / 33 / 75 / 24

HEX #C38230

RGB 195 130 48

HSL 33.47, 0.6%, 0.48%

LAB 59.69, 18, 52.24

 

CMYK 0 / 53 / 75 / 24

HEX #C35B30

RGB 195 91 48

HSL 17.55, 0.6%, 0.48%

LAB 51.03, 38.85, 43.44

 

CMYK 27 / 0 / 75 / 24

HEX #8EC330

RGB 142 195 48

HSL 81.63, 0.6%, 0.48%

LAB 72.89, -38.21, 63.51

 

CMYK 48 / 0 / 75 / 24

HEX #66C330

RGB 102 195 48

HSL 97.96, 0.6%, 0.48%

LAB 70.92, -52.05, 60.93

 

CMYK 68 / 0 / 75 / 24

HEX #3EC330

RGB 62 195 48

HSL 114.29, 0.6%, 0.48%

LAB 69.66, -62.06, 59.27

 

CMYK 75 / 0 / 62 / 24

HEX #30C34A

RGB 48 195 74

HSL 130.61, 0.6%, 0.48%

LAB 69.58, -62.02, 48.89

 

CMYK 75 / 0 / 42 / 24

HEX #30C372

RGB 48 195 114

HSL 146.94, 0.6%, 0.48%

LAB 70.09, -56.04, 30.09

 

CMYK 27 / 0 / 75 / 24

HEX #8EC330

RGB 142 195 48

HSL 81.63, 0.6%, 0.48%

LAB 72.89, -38.21, 63.51

 

CMYK 32 / 0 / 87 / 16

HEX #93D71D

RGB 147 215 29

HSL 81.94, 0.76%, 0.48%

LAB 78.98, -45.78, 74.03

 

CMYK 35 / 0 / 96 / 8

HEX #98EB09

RGB 152 235 9

HSL 82.04, 0.93%, 0.48%

LAB 85.05, -52.61, 81.74

 

CMYK 27 / 0 / 75 / 24

HEX #8EC330

RGB 142 195 48

HSL 81.63, 0.6%, 0.48%

LAB 72.89, -38.21, 63.51

 

CMYK 23 / 0 / 61 / 31

HEX #88B044

RGB 136 176 68

HSL 82.22, 0.44%, 0.48%

LAB 67.05, -30.44, 49.64

 

CMYK 16 / 0 / 44 / 39

HEX #839C58

RGB 131 156 88

HSL 82.06, 0.28%, 0.48%

LAB 61.05, -20.5, 32.69

 

CMYK 7 / 0 / 21 / 47

HEX #7E886C

RGB 126 136 108

HSL 81.43, 0.11%, 0.48%

LAB 55.2, -8.94, 13.83

 

CMYK 6 / 9 / 0 / 50

HEX #787480

RGB 120 116 128

HSL 260, 0.05%, 0.48%

LAB 49.55, 4, -6.03

 

CMYK 0 / 14 / 75 / 24

HEX #C3A830

RGB 195 168 48

HSL 48.98, 0.6%, 0.48%

LAB 69.34, -2.63, 61.56

 

CMYK 6 / 0 / 75 / 24

HEX #B7C330

RGB 183 195 48

HSL 64.9, 0.6%, 0.48%

LAB 75.64, -21.65, 67.09

 

CMYK 26 / 0 / 75 / 24

HEX #90C330

RGB 144 195 48

HSL 80.82, 0.6%, 0.48%

LAB 73.01, -37.45, 63.67

 

CMYK 46 / 0 / 75 / 24

HEX #69C330

RGB 105 195 48

HSL 96.73, 0.6%, 0.48%

LAB 71.04, -51.12, 61.09

 

CMYK 66 / 0 / 75 / 24

HEX #42C330

RGB 66 195 48

HSL 112.65, 0.6%, 0.48%

LAB 69.75, -61.27, 59.4

 

CMYK 27 / 0 / 75 / 49

HEX #5E8120

RGB 94 129 32

HSL 81.65, 0.6%, 0.32%

LAB 49.72, -27.47, 45.7

 

CMYK 27 / 0 / 75 / 36

HEX #76A228

RGB 118 162 40

HSL 81.64, 0.6%, 0.4%

LAB 61.52, -32.95, 54.8

 

CMYK 27 / 0 / 75 / 24

HEX #8EC330

RGB 142 195 48

HSL 81.63, 0.6%, 0.48%

LAB 72.89, -38.21, 63.51

 

CMYK 23 / 0 / 64 / 18

HEX #A1D24B

RGB 161 210 75

HSL 81.78, 0.6%, 0.56%

LAB 78.57, -36.02, 59.62

 

CMYK 18 / 0 / 50 / 15

HEX #B2DA6C

RGB 178 218 108

HSL 81.82, 0.6%, 0.64%

LAB 82.21, -30.37, 49.41

 

CMYK 27 / 0 / 75 / 24

HEX #8DC231

RGB 141 194 49

HSL 81.93, 0.6%, 0.48%

LAB 72.54, -38.09, 62.83

 

CMYK 75 / 0 / 34 / 24

HEX #30C381

RGB 48 195 129

HSL 153.06, 0.6%, 0.48%

LAB 70.35, -53.12, 22.56

 

CMYK 4 / 75 / 0 / 24

HEX #BC30C3

RGB 188 48 195

HSL 297.14, 0.6%, 0.48%

LAB 47.94, 70.96, -47.28

 

CMYK 27 / 0 / 75 / 24

HEX #8DC231

RGB 141 194 49

HSL 81.93, 0.6%, 0.48%

LAB 72.54, -38.09, 62.83

 

CMYK 75 / 26 / 0 / 24

HEX #3090C3

RGB 48 144 195

HSL 200.82, 0.6%, 0.48%

LAB 56.6, -10.46, -34.35

 

CMYK 0 / 75 / 26 / 24

HEX #C33090

RGB 195 48 144

HSL 320.82, 0.6%, 0.48%

LAB 46.62, 65.14, -19.09

 

CMYK 27 / 0 / 75 / 24

HEX #8DC231

RGB 141 194 49

HSL 81.93, 0.6%, 0.48%

LAB 72.54, -38.09, 62.83

 

CMYK 75 / 0 / 34 / 24

HEX #30C381

RGB 48 195 129

HSL 153.06, 0.6%, 0.48%

LAB 70.35, -53.12, 22.56

 

CMYK 49 / 75 / 0 / 24

HEX #6430C3

RGB 100 48 195

HSL 261.22, 0.6%, 0.48%

LAB 35.52, 54.92, -67.96

 

CMYK 0 / 75 / 41 / 24

HEX #C33073

RGB 195 48 115

HSL 332.65, 0.6%, 0.48%

LAB 45.57, 61.9, -3

 

CMYK 27 / 0 / 75 / 24

HEX #8DC231

RGB 141 194 49

HSL 81.93, 0.6%, 0.48%

LAB 72.54, -38.09, 62.83

 

CMYK 75 / 0 / 11 / 24

HEX #30C3AD

RGB 48 195 173

HSL 171.02, 0.6%, 0.48%

LAB 71.33, -42.66, 0.2

 

CMYK 49 / 75 / 0 / 24

HEX #6430C3

RGB 100 48 195

HSL 261.22, 0.6%, 0.48%

LAB 35.52, 54.92, -67.96

 

CMYK 0 / 75 / 64 / 24

HEX #C33046

RGB 195 48 70

HSL 351.02, 0.6%, 0.48%

LAB 44.46, 58.34, 23.26

 

Description

Color code: HEX #8DC231 | qconv.com Color code: HEX #8DC231 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 194 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 194 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 75 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 75% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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