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Color name
HEX #8DD628

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DD628 it is the complementary color #7229D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DD628. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DD628 shade: #92D623, #A3E836, #B4FA49, #C5FF5C and #D6FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DD628. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DD628 shade: #8DD628, #7CC415, #6BB202, #5AA000 and #498E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DD628 shade: #8DD727, #BDD727, #D7C227, #D79227 and #D76327

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DD628 shade: #8DD727, #5ED727, #2ED727, #27D74F and #27D77F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DD628 shade matches the following richer shades: #8DD727 and #90EC12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DD628 shade: #8DD727, #8AC23C, #87AE50, #839965 and #80847A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DD628 shade: #D7C227, #BDD727, #8ED727, #5FD727 and #30D727

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DD628 shade: #5F911A, #76B421, #8DD727, #A0DD4A and #B2E46D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DD628 shade: #8DD628, #27D794 and #D727D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DD628 shade: #8DD628, #278ED7 and #D7278E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DD628 shade: #8DD628, #27D794, #7027D7 and #D7276A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DD628 shade: #8DD628, #27D7C8, #7027D7 and #D72736

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 81 / 16

HEX #8DD628

RGB 141 214 40

HSL 85.17, 0.69%, 0.5%

LAB 78.41, -47.14, 70.92

 

Complementary color

CMYK 47 / 81 / 0 / 16

HEX #7229D7

RGB 114 41 215

HSL 265.17, 0.69%, 0.5%

LAB 37.97, 64.77, -75.51

 

CMYK 32 / 0 / 84 / 16

HEX #92D623

RGB 146 214 35

HSL 82.79, 0.72%, 0.49%

LAB 78.65, -45.53, 72.45

 

CMYK 30 / 0 / 77 / 9

HEX #A3E836

RGB 163 232 54

HSL 83.26, 0.79%, 0.56%

LAB 84.88, -46.2, 73.39

 

CMYK 28 / 0 / 71 / 2

HEX #B4FA49

RGB 180 250 73

HSL 83.73, 0.95%, 0.63%

LAB 91.03, -46.69, 73.55

 

CMYK 23 / 0 / 64 / 0

HEX #C5FF5C

RGB 197 255 92

HSL 81.35, 1%, 0.68%

LAB 93.52, -41.45, 69.43

 

CMYK 16 / 0 / 56 / 0

HEX #D6FF6F

RGB 214 255 111

HSL 77.08, 1%, 0.72%

LAB 94.72, -33.69, 63.23

 

CMYK 34 / 0 / 81 / 16

HEX #8DD628

RGB 141 214 40

HSL 85.17, 0.69%, 0.5%

LAB 78.41, -47.14, 70.92

 

CMYK 37 / 0 / 89 / 23

HEX #7CC415

RGB 124 196 21

HSL 84.69, 0.81%, 0.43%

LAB 72.11, -46.34, 69.27

 

CMYK 40 / 0 / 99 / 30

HEX #6BB202

RGB 107 178 2

HSL 84.2, 0.98%, 0.35%

LAB 65.73, -45.3, 66.32

 

CMYK 44 / 0 / 100 / 37

HEX #5AA000

RGB 90 160 0

HSL 86.25, 1%, 0.31%

LAB 59.27, -43.89, 61.2

 

CMYK 49 / 0 / 100 / 44

HEX #498E00

RGB 73 142 0

HSL 89.15, 1%, 0.28%

LAB 52.69, -42.34, 55.74

 

CMYK 34 / 0 / 82 / 16

HEX #8DD727

RGB 141 215 39

HSL 85.23, 0.69%, 0.5%

LAB 78.7, -47.6, 71.44

 

CMYK 12 / 0 / 82 / 16

HEX #BDD727

RGB 189 215 39

HSL 68.86, 0.69%, 0.5%

LAB 81.6, -29.12, 75.1

 

CMYK 0 / 10 / 82 / 16

HEX #D7C227

RGB 215 194 39

HSL 52.84, 0.69%, 0.5%

LAB 77.98, -7.79, 72.8

 

CMYK 0 / 32 / 82 / 16

HEX #D79227

RGB 215 146 39

HSL 36.48, 0.69%, 0.5%

LAB 65.87, 17.62, 62.32

 

CMYK 0 / 54 / 82 / 16

HEX #D76327

RGB 215 99 39

HSL 20.45, 0.69%, 0.5%

LAB 55.6, 42.27, 53.16

 

CMYK 34 / 0 / 82 / 16

HEX #8DD727

RGB 141 215 39

HSL 85.23, 0.69%, 0.5%

LAB 78.7, -47.6, 71.44

 

CMYK 56 / 0 / 82 / 16

HEX #5ED727

RGB 94 215 39

HSL 101.25, 0.69%, 0.5%

LAB 76.76, -62.11, 68.96

 

CMYK 79 / 0 / 82 / 16

HEX #2ED727

RGB 46 215 39

HSL 117.61, 0.69%, 0.5%

LAB 75.66, -71.35, 67.55

 

CMYK 82 / 0 / 63 / 16

HEX #27D74F

RGB 39 215 79

HSL 133.64, 0.69%, 0.5%

LAB 75.82, -68.94, 53.72

 

CMYK 82 / 0 / 41 / 16

HEX #27D77F

RGB 39 215 127

HSL 150, 0.69%, 0.5%

LAB 76.41, -61.86, 31.68

 

CMYK 34 / 0 / 82 / 16

HEX #8DD727

RGB 141 215 39

HSL 85.23, 0.69%, 0.5%

LAB 78.7, -47.6, 71.44

 

CMYK 39 / 0 / 92 / 7

HEX #90EC12

RGB 144 236 18

HSL 85.32, 0.86%, 0.5%

LAB 84.98, -55.61, 80.64

 

CMYK 34 / 0 / 82 / 16

HEX #8DD727

RGB 141 215 39

HSL 85.23, 0.69%, 0.5%

LAB 78.7, -47.6, 71.44

 

CMYK 29 / 0 / 69 / 24

HEX #8AC23C

RGB 138 194 60

HSL 85.07, 0.53%, 0.5%

LAB 72.44, -38.55, 58.72

 

CMYK 22 / 0 / 54 / 32

HEX #87AE50

RGB 135 174 80

HSL 84.89, 0.37%, 0.5%

LAB 66.52, -28.74, 43.45

 

CMYK 14 / 0 / 34 / 40

HEX #839965

RGB 131 153 101

HSL 85.38, 0.2%, 0.5%

LAB 60.38, -17.19, 24.84

 

CMYK 3 / 0 / 8 / 48

HEX #80847A

RGB 128 132 122

HSL 84, 0.04%, 0.5%

LAB 54.55, -3.43, 4.88

 

CMYK 0 / 10 / 82 / 16

HEX #D7C227

RGB 215 194 39

HSL 52.84, 0.69%, 0.5%

LAB 77.98, -7.79, 72.8

 

CMYK 12 / 0 / 82 / 16

HEX #BDD727

RGB 189 215 39

HSL 68.86, 0.69%, 0.5%

LAB 81.6, -29.12, 75.1

 

CMYK 34 / 0 / 82 / 16

HEX #8ED727

RGB 142 215 39

HSL 84.89, 0.69%, 0.5%

LAB 78.75, -47.24, 71.5

 

CMYK 56 / 0 / 82 / 16

HEX #5FD727

RGB 95 215 39

HSL 100.91, 0.69%, 0.5%

LAB 76.79, -61.85, 69

 

CMYK 78 / 0 / 82 / 16

HEX #30D727

RGB 48 215 39

HSL 116.93, 0.69%, 0.5%

LAB 75.68, -71.09, 67.58

 

CMYK 34 / 0 / 82 / 43

HEX #5F911A

RGB 95 145 26

HSL 85.21, 0.7%, 0.34%

LAB 54.82, -34.88, 52.56

 

CMYK 34 / 0 / 82 / 29

HEX #76B421

RGB 118 180 33

HSL 85.31, 0.69%, 0.42%

LAB 66.98, -41.34, 62.06

 

CMYK 34 / 0 / 82 / 16

HEX #8DD727

RGB 141 215 39

HSL 85.23, 0.69%, 0.5%

LAB 78.7, -47.6, 71.44

 

CMYK 28 / 0 / 67 / 13

HEX #A0DD4A

RGB 160 221 74

HSL 84.9, 0.68%, 0.58%

LAB 81.66, -41.37, 63.28

 

CMYK 22 / 0 / 52 / 11

HEX #B2E46D

RGB 178 228 109

HSL 85.21, 0.69%, 0.66%

LAB 85.02, -34.91, 52.3

 

CMYK 34 / 0 / 81 / 16

HEX #8DD628

RGB 141 214 40

HSL 85.17, 0.69%, 0.5%

LAB 78.41, -47.14, 70.92

 

CMYK 82 / 0 / 31 / 16

HEX #27D794

RGB 39 215 148

HSL 157.16, 0.69%, 0.5%

LAB 76.78, -57.68, 21.31

 

CMYK 0 / 82 / 1 / 16

HEX #D727D4

RGB 215 39 212

HSL 301.02, 0.69%, 0.5%

LAB 52.57, 81.12, -49.43

 

CMYK 34 / 0 / 81 / 16

HEX #8DD628

RGB 141 214 40

HSL 85.17, 0.69%, 0.5%

LAB 78.41, -47.14, 70.92

 

CMYK 82 / 34 / 0 / 16

HEX #278ED7

RGB 39 142 215

HSL 204.89, 0.69%, 0.5%

LAB 56.77, -3.09, -45.37

 

CMYK 0 / 82 / 34 / 16

HEX #D7278E

RGB 215 39 142

HSL 324.89, 0.69%, 0.5%

LAB 49.32, 72.12, -13.45

 

CMYK 34 / 0 / 81 / 16

HEX #8DD628

RGB 141 214 40

HSL 85.17, 0.69%, 0.5%

LAB 78.41, -47.14, 70.92

 

CMYK 82 / 0 / 31 / 16

HEX #27D794

RGB 39 215 148

HSL 157.16, 0.69%, 0.5%

LAB 76.78, -57.68, 21.31

 

CMYK 48 / 82 / 0 / 16

HEX #7027D7

RGB 112 39 215

HSL 264.89, 0.69%, 0.5%

LAB 37.48, 65.23, -76.31

 

CMYK 0 / 82 / 51 / 16

HEX #D7276A

RGB 215 39 106

HSL 337.16, 0.69%, 0.5%

LAB 48.18, 68.82, 6.79

 

CMYK 34 / 0 / 81 / 16

HEX #8DD628

RGB 141 214 40

HSL 85.17, 0.69%, 0.5%

LAB 78.41, -47.14, 70.92

 

CMYK 82 / 0 / 7 / 16

HEX #27D7C8

RGB 39 215 200

HSL 174.89, 0.69%, 0.5%

LAB 77.99, -44.86, -4.63

 

CMYK 48 / 82 / 0 / 16

HEX #7027D7

RGB 112 39 215

HSL 264.89, 0.69%, 0.5%

LAB 37.48, 65.23, -76.31

 

CMYK 0 / 82 / 75 / 16

HEX #D72736

RGB 215 39 54

HSL 354.89, 0.69%, 0.5%

LAB 47.19, 65.84, 37.04

 

Description

Color code: HEX #8DD628 | qconv.com Color code: HEX #8DD628 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 214 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 214 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 81 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 81% 16% C M Y K

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