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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DEC7A it is the complementary color #721385. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DEC7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DEC7A shade: #92EC75, #A3FE88, #B4FF9B, #C5FFAE and #D6FFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DEC7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DEC7A shade: #8DEC7A, #7CDA67, #6BC854, #5AB641 and #49A42E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DEC7A shade: #8CEB79, #ABEB79, #CAEB79, #E9EB79 and #EBCF79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DEC7A shade: #8CEB79, #79EB84, #79EBA3, #79EBC2 and #79EBE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DEC7A shade matches the following richer shades: #8CEB79 and #83F86C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DEC7A shade: #8CEB79, #94DF85, #9CD391, #A5C69E and #ADBAAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DEC7A shade: #C9EB79, #AAEB79, #8CEB79, #79EB84 and #79EBA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DEC7A shade: #4EE130, #6DE655, #8CEB79, #ABF19D and #CAF6C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DEC7A shade: #8DEC7A, #79E8EB and #EB79BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DEC7A shade: #8DEC7A, #798CEB and #EB798C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DEC7A shade: #8DEC7A, #79E8EB, #D879EB and #EB7C79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DEC7A shade: #8DEC7A, #79C5EB, #D879EB and #EB9F79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 48 / 7

HEX #8DEC7A

RGB 141 236 122

HSL 110, 0.75%, 0.7%

LAB 85.53, -49.42, 46.36

 

Complementary color

CMYK 14 / 86 / 0 / 48

HEX #721385

RGB 114 19 133

HSL 290, 0.75%, 0.3%

LAB 28.74, 53.79, -41.45

 

CMYK 38 / 0 / 50 / 7

HEX #92EC75

RGB 146 236 117

HSL 105.38, 0.76%, 0.69%

LAB 85.7, -48.48, 48.98

 

CMYK 36 / 0 / 46 / 0

HEX #A3FE88

RGB 163 254 136

HSL 106.27, 0.98%, 0.76%

LAB 91.89, -48.39, 47.81

 

CMYK 29 / 0 / 39 / 0

HEX #B4FF9B

RGB 180 255 155

HSL 105, 1%, 0.8%

LAB 93.27, -40.9, 40.59

 

CMYK 23 / 0 / 32 / 0

HEX #C5FFAE

RGB 197 255 174

HSL 102.96, 1%, 0.84%

LAB 94.5, -32.59, 32.97

 

CMYK 16 / 0 / 24 / 0

HEX #D6FFC1

RGB 214 255 193

HSL 99.68, 1%, 0.88%

LAB 95.86, -24.01, 25.41

 

CMYK 40 / 0 / 48 / 7

HEX #8DEC7A

RGB 141 236 122

HSL 110, 0.75%, 0.7%

LAB 85.53, -49.42, 46.36

 

CMYK 43 / 0 / 53 / 15

HEX #7CDA67

RGB 124 218 103

HSL 109.04, 0.61%, 0.63%

LAB 79.28, -49.47, 47.56

 

CMYK 47 / 0 / 58 / 22

HEX #6BC854

RGB 107 200 84

HSL 108.1, 0.51%, 0.56%

LAB 72.94, -49.42, 48.7

 

CMYK 51 / 0 / 64 / 29

HEX #5AB641

RGB 90 182 65

HSL 107.18, 0.47%, 0.48%

LAB 66.53, -49.2, 49.72

 

CMYK 55 / 0 / 72 / 36

HEX #49A42E

RGB 73 164 46

HSL 106.27, 0.56%, 0.41%

LAB 60.04, -48.73, 50.41

 

CMYK 40 / 0 / 49 / 8

HEX #8CEB79

RGB 140 235 121

HSL 110, 0.74%, 0.7%

LAB 85.19, -49.43, 46.4

 

CMYK 27 / 0 / 49 / 8

HEX #ABEB79

RGB 171 235 121

HSL 93.68, 0.74%, 0.7%

LAB 86.73, -39.29, 48.64

 

CMYK 14 / 0 / 49 / 8

HEX #CAEB79

RGB 202 235 121

HSL 77.37, 0.74%, 0.7%

LAB 88.62, -28.01, 51.37

 

CMYK 1 / 0 / 49 / 8

HEX #E9EB79

RGB 233 235 121

HSL 61.05, 0.74%, 0.7%

LAB 90.83, -16.03, 54.57

 

CMYK 0 / 12 / 49 / 8

HEX #EBCF79

RGB 235 207 121

HSL 45.26, 0.74%, 0.7%

LAB 83.79, -1.16, 46.07

 

CMYK 40 / 0 / 49 / 8

HEX #8CEB79

RGB 140 235 121

HSL 110, 0.74%, 0.7%

LAB 85.19, -49.43, 46.4

 

CMYK 49 / 0 / 44 / 8

HEX #79EB84

RGB 121 235 132

HSL 125.79, 0.74%, 0.7%

LAB 84.56, -53.34, 40.13

 

CMYK 49 / 0 / 31 / 8

HEX #79EBA3

RGB 121 235 163

HSL 142.11, 0.74%, 0.7%

LAB 85.06, -48.22, 25.17

 

CMYK 49 / 0 / 17 / 8

HEX #79EBC2

RGB 121 235 194

HSL 158.42, 0.74%, 0.7%

LAB 85.69, -42.02, 9.97

 

CMYK 49 / 0 / 4 / 8

HEX #79EBE1

RGB 121 235 225

HSL 174.74, 0.74%, 0.7%

LAB 86.46, -34.86, -5.18

 

CMYK 40 / 0 / 49 / 8

HEX #8CEB79

RGB 140 235 121

HSL 110, 0.74%, 0.7%

LAB 85.19, -49.43, 46.4

 

CMYK 47 / 0 / 56 / 3

HEX #83F86C

RGB 131 248 108

HSL 110.14, 0.91%, 0.7%

LAB 88.47, -58.77, 56.23

 

CMYK 40 / 0 / 49 / 8

HEX #8CEB79

RGB 140 235 121

HSL 110, 0.74%, 0.7%

LAB 85.19, -49.43, 46.4

 

CMYK 34 / 0 / 40 / 13

HEX #94DF85

RGB 148 223 133

HSL 110, 0.58%, 0.7%

LAB 82.25, -40.16, 36.9

 

CMYK 26 / 0 / 31 / 17

HEX #9CD391

RGB 156 211 145

HSL 110, 0.43%, 0.7%

LAB 79.44, -30.21, 27.14

 

CMYK 17 / 0 / 20 / 22

HEX #A5C69E

RGB 165 198 158

HSL 109.5, 0.26%, 0.7%

LAB 76.59, -18.62, 16.45

 

CMYK 7 / 0 / 9 / 27

HEX #ADBAAA

RGB 173 186 170

HSL 108.75, 0.1%, 0.7%

LAB 74.13, -7.5, 6.57

 

CMYK 14 / 0 / 49 / 8

HEX #C9EB79

RGB 201 235 121

HSL 77.89, 0.74%, 0.7%

LAB 88.55, -28.39, 51.28

 

CMYK 28 / 0 / 49 / 8

HEX #AAEB79

RGB 170 235 121

HSL 94.21, 0.74%, 0.7%

LAB 86.67, -39.64, 48.56

 

CMYK 40 / 0 / 49 / 8

HEX #8CEB79

RGB 140 235 121

HSL 110, 0.74%, 0.7%

LAB 85.19, -49.43, 46.4

 

CMYK 49 / 0 / 44 / 8

HEX #79EB84

RGB 121 235 132

HSL 125.79, 0.74%, 0.7%

LAB 84.56, -53.34, 40.13

 

CMYK 49 / 0 / 31 / 8

HEX #79EBA3

RGB 121 235 163

HSL 142.11, 0.74%, 0.7%

LAB 85.06, -48.22, 25.17

 

CMYK 65 / 0 / 79 / 12

HEX #4EE130

RGB 78 225 48

HSL 109.83, 0.75%, 0.54%

LAB 79.43, -68.66, 68.83

 

CMYK 53 / 0 / 63 / 10

HEX #6DE655

RGB 109 230 85

HSL 110.07, 0.74%, 0.62%

LAB 82.11, -60.31, 58.66

 

CMYK 40 / 0 / 49 / 8

HEX #8CEB79

RGB 140 235 121

HSL 110, 0.74%, 0.7%

LAB 85.19, -49.43, 46.4

 

CMYK 29 / 0 / 35 / 5

HEX #ABF19D

RGB 171 241 157

HSL 110, 0.75%, 0.78%

LAB 88.92, -37.29, 33.81

 

CMYK 18 / 0 / 22 / 4

HEX #CAF6C1

RGB 202 246 193

HSL 109.81, 0.75%, 0.86%

LAB 92.72, -23.75, 20.95

 

CMYK 40 / 0 / 48 / 7

HEX #8DEC7A

RGB 141 236 122

HSL 110, 0.75%, 0.7%

LAB 85.53, -49.42, 46.36

 

CMYK 49 / 1 / 0 / 8

HEX #79E8EB

RGB 121 232 235

HSL 181.58, 0.74%, 0.7%

LAB 85.89, -30.95, -11.29

 

CMYK 0 / 49 / 21 / 8

HEX #EB79BA

RGB 235 121 186

HSL 325.79, 0.74%, 0.7%

LAB 65.66, 51.55, -14.08

 

CMYK 40 / 0 / 48 / 7

HEX #8DEC7A

RGB 141 236 122

HSL 110, 0.75%, 0.7%

LAB 85.53, -49.42, 46.36

 

CMYK 49 / 40 / 0 / 8

HEX #798CEB

RGB 121 140 235

HSL 230, 0.74%, 0.7%

LAB 60.62, 18.5, -50.2

 

CMYK 0 / 49 / 40 / 8

HEX #EB798C

RGB 235 121 140

HSL 350, 0.74%, 0.7%

LAB 64.35, 45.76, 10.13

 

CMYK 40 / 0 / 48 / 7

HEX #8DEC7A

RGB 141 236 122

HSL 110, 0.75%, 0.7%

LAB 85.53, -49.42, 46.36

 

CMYK 49 / 1 / 0 / 8

HEX #79E8EB

RGB 121 232 235

HSL 181.58, 0.74%, 0.7%

LAB 85.89, -30.95, -11.29

 

CMYK 8 / 49 / 0 / 8

HEX #D879EB

RGB 216 121 235

HSL 290, 0.74%, 0.7%

LAB 65.18, 54.13, -42.42

 

CMYK 0 / 47 / 49 / 8

HEX #EB7C79

RGB 235 124 121

HSL 1.58, 0.74%, 0.7%

LAB 64.53, 42.35, 21.17

 

CMYK 40 / 0 / 48 / 7

HEX #8DEC7A

RGB 141 236 122

HSL 110, 0.75%, 0.7%

LAB 85.53, -49.42, 46.36

 

CMYK 49 / 16 / 0 / 8

HEX #79C5EB

RGB 121 197 235

HSL 200, 0.74%, 0.7%

LAB 76.07, -13.46, -26.13

 

CMYK 8 / 49 / 0 / 8

HEX #D879EB

RGB 216 121 235

HSL 290, 0.74%, 0.7%

LAB 65.18, 54.13, -42.42

 

CMYK 0 / 32 / 49 / 8

HEX #EB9F79

RGB 235 159 121

HSL 20, 0.74%, 0.7%

LAB 72.12, 24.09, 31.27

 

Description

Color code: HEX #8DEC7A | qconv.com Color code: HEX #8DEC7A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 236 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 236 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 48 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 48% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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