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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E248D it is the complementary color #71DB72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E248D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E248D shade: #932488, #A4369B, #B548AE, #C65AC1 and #D76CD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E248D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E248D shade: #8E248D, #7D127A, #6C0067, #5B0054 and #4A0041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E248D shade: #8E238D, #8E2370, #8E2354, #8E2337 and #8E2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E248D shade: #8E238D, #72238E, #56238E, #39238E and #23238E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E248D shade matches the following richer shades: #8E238D, #9D159B and #AB06AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E248D shade: #8E238D, #80327F, #714071, #634F63 and #555D55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E248D shade: #55238E, #72238E, #8E238E, #8E2372 and #8E2355

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E248D shade: #4C134C, #6D1B6D, #8E238D, #AF2BAE and #CD37CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E248D shade: #8E248D, #8E3923 and #238E63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E248D shade: #8E248D, #8E8E23 and #238E8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E248D shade: #8E248D, #8E3923, #238E23 and #23798E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E248D shade: #8E248D, #8E5923, #238E23 and #23598E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 1 / 44

HEX #8E248D

RGB 142 36 141

HSL 300.57, 0.6%, 0.35%

LAB 35.86, 55.92, -34.74

 

Complementary color

CMYK 48 / 0 / 48 / 14

HEX #71DB72

RGB 113 219 114

HSL 120.57, 0.6%, 0.65%

LAB 79.26, -51.63, 42.18

 

CMYK 0 / 76 / 7 / 42

HEX #932488

RGB 147 36 136

HSL 305.95, 0.61%, 0.36%

LAB 36.45, 56.24, -30.68

 

CMYK 0 / 67 / 5 / 36

HEX #A4369B

RGB 164 54 155

HSL 304.91, 0.5%, 0.43%

LAB 42.61, 56.89, -32.35

 

CMYK 0 / 60 / 4 / 29

HEX #B548AE

RGB 181 72 174

HSL 303.85, 0.43%, 0.5%

LAB 48.9, 56.91, -33.57

 

CMYK 0 / 55 / 3 / 22

HEX #C65AC1

RGB 198 90 193

HSL 302.78, 0.49%, 0.56%

LAB 55.25, 56.57, -34.49

 

CMYK 0 / 50 / 1 / 16

HEX #D76CD4

RGB 215 108 212

HSL 301.68, 0.57%, 0.63%

LAB 61.59, 56.04, -35.21

 

CMYK 0 / 75 / 1 / 44

HEX #8E248D

RGB 142 36 141

HSL 300.57, 0.6%, 0.35%

LAB 35.86, 55.92, -34.74

 

CMYK 0 / 86 / 2 / 51

HEX #7D127A

RGB 125 18 122

HSL 301.68, 0.75%, 0.28%

LAB 29.91, 54.26, -32.55

 

CMYK 0 / 100 / 5 / 58

HEX #6C0067

RGB 108 0 103

HSL 302.78, 1%, 0.21%

LAB 24.22, 51.4, -29.6

 

CMYK 0 / 100 / 8 / 64

HEX #5B0054

RGB 91 0 84

HSL 304.62, 1%, 0.18%

LAB 19.49, 45.16, -24.71

 

CMYK 0 / 100 / 12 / 71

HEX #4A0041

RGB 74 0 65

HSL 307.3, 1%, 0.15%

LAB 14.61, 38.7, -19.58

 

CMYK 0 / 75 / 1 / 44

HEX #8E238D

RGB 142 35 141

HSL 300.56, 0.6%, 0.35%

LAB 35.74, 56.25, -34.93

 

CMYK 0 / 75 / 21 / 44

HEX #8E2370

RGB 142 35 112

HSL 316.82, 0.6%, 0.35%

LAB 34.24, 51.73, -19.19

 

CMYK 0 / 75 / 41 / 44

HEX #8E2354

RGB 142 35 84

HSL 332.52, 0.6%, 0.35%

LAB 33.12, 48.22, -2.91

 

CMYK 0 / 75 / 61 / 44

HEX #8E2337

RGB 142 35 55

HSL 348.79, 0.6%, 0.35%

LAB 32.32, 45.62, 14.92

 

CMYK 0 / 75 / 75 / 44

HEX #8E2323

RGB 142 35 35

HSL 0, 0.6%, 0.35%

LAB 31.98, 44.46, 27.27

 

CMYK 0 / 75 / 1 / 44

HEX #8E238D

RGB 142 35 141

HSL 300.56, 0.6%, 0.35%

LAB 35.74, 56.25, -34.93

 

CMYK 20 / 75 / 0 / 44

HEX #72238E

RGB 114 35 142

HSL 284.3, 0.6%, 0.35%

LAB 31.19, 50.34, -43.09

 

CMYK 39 / 75 / 0 / 44

HEX #56238E

RGB 86 35 142

HSL 268.6, 0.6%, 0.35%

LAB 27.11, 44.75, -49.89

 

CMYK 60 / 75 / 0 / 44

HEX #39238E

RGB 57 35 142

HSL 252.34, 0.6%, 0.35%

LAB 23.75, 39.92, -55.52

 

CMYK 75 / 75 / 0 / 44

HEX #23238E

RGB 35 35 142

HSL 240, 0.6%, 0.35%

LAB 21.99, 37.28, -58.49

 

CMYK 0 / 75 / 1 / 44

HEX #8E238D

RGB 142 35 141

HSL 300.56, 0.6%, 0.35%

LAB 35.74, 56.25, -34.93

 

CMYK 0 / 87 / 1 / 38

HEX #9D159B

RGB 157 21 155

HSL 300.88, 0.76%, 0.35%

LAB 37.97, 65.21, -39.78

 

CMYK 0 / 96 / 1 / 33

HEX #AB06AA

RGB 171 6 170

HSL 300.36, 0.93%, 0.35%

LAB 40.72, 72.05, -44.26

 

CMYK 0 / 75 / 1 / 44

HEX #8E238D

RGB 142 35 141

HSL 300.56, 0.6%, 0.35%

LAB 35.74, 56.25, -34.93

 

CMYK 0 / 61 / 1 / 50

HEX #80327F

RGB 128 50 127

HSL 300.77, 0.44%, 0.35%

LAB 34.81, 44.26, -27.9

 

CMYK 0 / 43 / 0 / 56

HEX #714071

RGB 113 64 113

HSL 300, 0.28%, 0.35%

LAB 34.74, 29.47, -19.41

 

CMYK 0 / 20 / 0 / 61

HEX #634F63

RGB 99 79 99

HSL 300, 0.11%, 0.35%

LAB 36.26, 12.29, -8.46

 

CMYK 9 / 0 / 9 / 64

HEX #555D55

RGB 85 93 85

HSL 120, 0.04%, 0.35%

LAB 38.58, -4.85, 3.52

 

CMYK 40 / 75 / 0 / 44

HEX #55238E

RGB 85 35 142

HSL 268.04, 0.6%, 0.35%

LAB 26.98, 44.56, -50.11

 

CMYK 20 / 75 / 0 / 44

HEX #72238E

RGB 114 35 142

HSL 284.3, 0.6%, 0.35%

LAB 31.19, 50.34, -43.09

 

CMYK 0 / 75 / 0 / 44

HEX #8E238E

RGB 142 35 142

HSL 300, 0.6%, 0.35%

LAB 35.8, 56.42, -35.45

 

CMYK 0 / 75 / 20 / 44

HEX #8E2372

RGB 142 35 114

HSL 315.7, 0.6%, 0.35%

LAB 34.33, 52.02, -20.32

 

CMYK 0 / 75 / 40 / 44

HEX #8E2355

RGB 142 35 85

HSL 331.96, 0.6%, 0.35%

LAB 33.15, 48.33, -3.51

 

CMYK 0 / 75 / 0 / 70

HEX #4C134C

RGB 76 19 76

HSL 300, 0.6%, 0.19%

LAB 18.03, 34.45, -21.78

 

CMYK 0 / 75 / 0 / 57

HEX #6D1B6D

RGB 109 27 109

HSL 300, 0.6%, 0.27%

LAB 27.13, 45.81, -28.85

 

CMYK 0 / 75 / 1 / 44

HEX #8E238D

RGB 142 35 141

HSL 300.56, 0.6%, 0.35%

LAB 35.74, 56.25, -34.93

 

CMYK 0 / 75 / 1 / 31

HEX #AF2BAE

RGB 175 43 174

HSL 300.45, 0.61%, 0.43%

LAB 44.09, 66.34, -41.23

 

CMYK 0 / 73 / 1 / 20

HEX #CD37CB

RGB 205 55 203

HSL 300.8, 0.6%, 0.51%

LAB 51.86, 73.62, -45.49

 

CMYK 0 / 75 / 1 / 44

HEX #8E248D

RGB 142 36 141

HSL 300.57, 0.6%, 0.35%

LAB 35.86, 55.92, -34.74

 

CMYK 0 / 60 / 75 / 44

HEX #8E3923

RGB 142 57 35

HSL 12.34, 0.6%, 0.35%

LAB 35.59, 34.71, 31.31

 

CMYK 75 / 0 / 30 / 44

HEX #238E63

RGB 35 142 99

HSL 155.89, 0.6%, 0.35%

LAB 52.51, -40.25, 14.57

 

CMYK 0 / 75 / 1 / 44

HEX #8E248D

RGB 142 36 141

HSL 300.57, 0.6%, 0.35%

LAB 35.86, 55.92, -34.74

 

CMYK 0 / 0 / 75 / 44

HEX #8E8E23

RGB 142 142 35

HSL 60, 0.6%, 0.35%

LAB 57.29, -12.99, 53.13

 

CMYK 75 / 0 / 0 / 44

HEX #238E8E

RGB 35 142 142

HSL 180, 0.6%, 0.35%

LAB 53.66, -28.57, -8.53

 

CMYK 0 / 75 / 1 / 44

HEX #8E248D

RGB 142 36 141

HSL 300.57, 0.6%, 0.35%

LAB 35.86, 55.92, -34.74

 

CMYK 0 / 60 / 75 / 44

HEX #8E3923

RGB 142 57 35

HSL 12.34, 0.6%, 0.35%

LAB 35.59, 34.71, 31.31

 

CMYK 75 / 0 / 75 / 44

HEX #238E23

RGB 35 142 35

HSL 120, 0.6%, 0.35%

LAB 51.64, -50.35, 45.7

 

CMYK 75 / 15 / 0 / 44

HEX #23798E

RGB 35 121 142

HSL 191.78, 0.6%, 0.35%

LAB 46.95, -17.68, -18.67

 

CMYK 0 / 75 / 1 / 44

HEX #8E248D

RGB 142 36 141

HSL 300.57, 0.6%, 0.35%

LAB 35.86, 55.92, -34.74

 

CMYK 0 / 37 / 75 / 44

HEX #8E5923

RGB 142 89 35

HSL 30.28, 0.6%, 0.35%

LAB 42.79, 16.99, 38.94

 

CMYK 75 / 0 / 75 / 44

HEX #238E23

RGB 35 142 35

HSL 120, 0.6%, 0.35%

LAB 51.64, -50.35, 45.7

 

CMYK 75 / 37 / 0 / 44

HEX #23598E

RGB 35 89 142

HSL 209.72, 0.6%, 0.35%

LAB 36.85, 1.35, -34.43

 

Description

Color code: HEX #8E248D | qconv.com Color code: HEX #8E248D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 36 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 36 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 1 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 1% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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