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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E403C it is the complementary color #71BFC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E403C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E403C shade: #934037, #A4524A, #B5645D, #C67670 and #D78883

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E403C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E403C shade: #8E403C, #7D2E29, #6C1C16, #5B0A03 and #4A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E403C shade: #8F403C and #8F3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E403C shade: #8F403C, #8F563C, #8F6D3C, #8F833C and #858F3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E403C shade matches the following richer shades: #8F403C, #A0312B, #B0221B and #C1130A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E403C shade: #8F403C, #7F4F4C, #6E5E5D, #5E6C6D and #4D7B7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E403C shade: #8F3C66, #8F3C4F, #8F3E3C, #8F553C and #8F6B3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E403C shade: #552623, #723330, #8F403C, #AC4D48 and #BD6561

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E403C shade: #8E403C, #7C8F3C and #3C5A8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E403C shade: #8E403C, #3C8F3E and #3E3C8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E403C shade: #8E403C, #7C8F3C, #3C8D8F and #4F3C8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E403C shade: #8E403C, #638F3C, #3C8D8F and #683C8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 58 / 44

HEX #8E403C

RGB 142 64 60

HSL 2.93, 0.41%, 0.4%

LAB 37.38, 32.74, 18.42

 

Complementary color

CMYK 42 / 2 / 0 / 24

HEX #71BFC3

RGB 113 191 195

HSL 182.93, 0.41%, 0.6%

LAB 72.7, -22.96, -9.56

 

CMYK 0 / 56 / 63 / 42

HEX #934037

RGB 147 64 55

HSL 5.87, 0.46%, 0.4%

LAB 38.1, 34.31, 22.6

 

CMYK 0 / 50 / 55 / 36

HEX #A4524A

RGB 164 82 74

HSL 5.33, 0.38%, 0.47%

LAB 44.83, 33.01, 20.32

 

CMYK 0 / 45 / 49 / 29

HEX #B5645D

RGB 181 100 93

HSL 4.77, 0.37%, 0.54%

LAB 51.53, 31.78, 18.42

 

CMYK 0 / 40 / 43 / 22

HEX #C67670

RGB 198 118 112

HSL 4.19, 0.43%, 0.61%

LAB 58.16, 30.66, 16.79

 

CMYK 0 / 37 / 39 / 16

HEX #D78883

RGB 215 136 131

HSL 3.57, 0.51%, 0.68%

LAB 64.72, 29.63, 15.38

 

CMYK 0 / 55 / 58 / 44

HEX #8E403C

RGB 142 64 60

HSL 2.93, 0.41%, 0.4%

LAB 37.38, 32.74, 18.42

 

CMYK 0 / 63 / 67 / 51

HEX #7D2E29

RGB 125 46 41

HSL 3.57, 0.51%, 0.33%

LAB 30.58, 33.97, 21.07

 

CMYK 0 / 74 / 80 / 58

HEX #6C1C16

RGB 108 28 22

HSL 4.19, 0.66%, 0.25%

LAB 23.92, 34.92, 24.44

 

CMYK 0 / 89 / 97 / 64

HEX #5B0A03

RGB 91 10 3

HSL 4.77, 0.94%, 0.18%

LAB 17.68, 34.89, 25.84

 

CMYK 0 / 100 / 100 / 71

HEX #4A0000

RGB 74 0 0

HSL 0, 1%, 0.15%

LAB 12.32, 32.77, 19.36

 

CMYK 0 / 55 / 58 / 44

HEX #8F403C

RGB 143 64 60

HSL 2.89, 0.41%, 0.4%

LAB 37.54, 33.13, 18.67

 

CMYK 0 / 58 / 58 / 44

HEX #8F3C3C

RGB 143 60 60

HSL 0, 0.41%, 0.4%

LAB 36.74, 35.21, 17.61

 

CMYK 0 / 55 / 58 / 44

HEX #8F403C

RGB 143 64 60

HSL 2.89, 0.41%, 0.4%

LAB 37.54, 33.13, 18.67

 

CMYK 0 / 40 / 58 / 44

HEX #8F563C

RGB 143 86 60

HSL 18.8, 0.41%, 0.4%

LAB 42.49, 20.88, 25.02

 

CMYK 0 / 24 / 58 / 44

HEX #8F6D3C

RGB 143 109 60

HSL 35.42, 0.41%, 0.4%

LAB 48.39, 7.51, 32.26

 

CMYK 0 / 8 / 58 / 44

HEX #8F833C

RGB 143 131 60

HSL 51.33, 0.41%, 0.4%

LAB 54.45, -4.98, 39.37

 

CMYK 7 / 0 / 58 / 44

HEX #858F3C

RGB 133 143 60

HSL 67.23, 0.41%, 0.4%

LAB 57.03, -15.87, 42.08

 

CMYK 0 / 55 / 58 / 44

HEX #8F403C

RGB 143 64 60

HSL 2.89, 0.41%, 0.4%

LAB 37.54, 33.13, 18.67

 

CMYK 0 / 69 / 73 / 37

HEX #A0312B

RGB 160 49 43

HSL 3.08, 0.58%, 0.4%

LAB 37.56, 45.39, 29.74

 

CMYK 0 / 81 / 85 / 31

HEX #B0221B

RGB 176 34 27

HSL 2.82, 0.73%, 0.4%

LAB 38.64, 55.14, 40.83

 

CMYK 0 / 90 / 95 / 24

HEX #C1130A

RGB 193 19 10

HSL 2.95, 0.9%, 0.4%

LAB 40.94, 62.87, 51.36

 

CMYK 0 / 55 / 58 / 44

HEX #8F403C

RGB 143 64 60

HSL 2.89, 0.41%, 0.4%

LAB 37.54, 33.13, 18.67

 

CMYK 0 / 38 / 40 / 50

HEX #7F4F4C

RGB 127 79 76

HSL 3.53, 0.25%, 0.4%

LAB 38.94, 19.82, 10.23

 

CMYK 0 / 15 / 15 / 57

HEX #6E5E5D

RGB 110 94 93

HSL 3.53, 0.08%, 0.4%

LAB 41.39, 6.27, 2.96

 

CMYK 14 / 1 / 0 / 57

HEX #5E6C6D

RGB 94 108 109

HSL 184, 0.07%, 0.4%

LAB 44.53, -5.03, -2.35

 

CMYK 39 / 2 / 0 / 51

HEX #4D7B7E

RGB 77 123 126

HSL 183.67, 0.24%, 0.4%

LAB 48.57, -14.85, -6.62

 

CMYK 0 / 58 / 29 / 44

HEX #8F3C66

RGB 143 60 102

HSL 329.64, 0.41%, 0.4%

LAB 37.9, 39.92, -7.29

 

CMYK 0 / 58 / 45 / 44

HEX #8F3C4F

RGB 143 60 79

HSL 346.27, 0.41%, 0.4%

LAB 37.18, 37.04, 6.21

 

CMYK 0 / 57 / 58 / 44

HEX #8F3E3C

RGB 143 62 60

HSL 1.45, 0.41%, 0.4%

LAB 37.14, 34.18, 18.13

 

CMYK 0 / 41 / 58 / 44

HEX #8F553C

RGB 143 85 60

HSL 18.07, 0.41%, 0.4%

LAB 42.25, 21.45, 24.72

 

CMYK 0 / 25 / 58 / 44

HEX #8F6B3C

RGB 143 107 60

HSL 33.98, 0.41%, 0.4%

LAB 47.86, 8.67, 31.62

 

CMYK 0 / 55 / 59 / 67

HEX #552623

RGB 85 38 35

HSL 3.6, 0.42%, 0.24%

LAB 21.72, 21.48, 12.23

 

CMYK 0 / 55 / 58 / 55

HEX #723330

RGB 114 51 48

HSL 2.73, 0.41%, 0.32%

LAB 29.81, 27.51, 15.22

 

CMYK 0 / 55 / 58 / 44

HEX #8F403C

RGB 143 64 60

HSL 2.89, 0.41%, 0.4%

LAB 37.54, 33.13, 18.67

 

CMYK 0 / 55 / 58 / 33

HEX #AC4D48

RGB 172 77 72

HSL 3, 0.41%, 0.48%

LAB 45.01, 38.53, 21.98

 

CMYK 0 / 47 / 49 / 26

HEX #BD6561

RGB 189 101 97

HSL 2.61, 0.41%, 0.56%

LAB 52.94, 34.74, 18.16

 

CMYK 0 / 55 / 58 / 44

HEX #8E403C

RGB 142 64 60

HSL 2.93, 0.41%, 0.4%

LAB 37.38, 32.74, 18.42

 

CMYK 13 / 0 / 58 / 44

HEX #7C8F3C

RGB 124 143 60

HSL 73.73, 0.41%, 0.4%

LAB 56.34, -19.73, 41.11

 

CMYK 58 / 37 / 0 / 44

HEX #3C5A8F

RGB 60 90 143

HSL 218.31, 0.41%, 0.4%

LAB 38.3, 5.7, -32.67

 

CMYK 0 / 55 / 58 / 44

HEX #8E403C

RGB 142 64 60

HSL 2.93, 0.41%, 0.4%

LAB 37.38, 32.74, 18.42

 

CMYK 58 / 0 / 57 / 44

HEX #3C8F3E

RGB 60 143 62

HSL 121.45, 0.41%, 0.4%

LAB 52.9, -42.33, 35.23

 

CMYK 57 / 58 / 0 / 44

HEX #3E3C8F

RGB 62 60 143

HSL 241.45, 0.41%, 0.4%

LAB 30.01, 25.82, -45.92

 

CMYK 0 / 55 / 58 / 44

HEX #8E403C

RGB 142 64 60

HSL 2.93, 0.41%, 0.4%

LAB 37.38, 32.74, 18.42

 

CMYK 13 / 0 / 58 / 44

HEX #7C8F3C

RGB 124 143 60

HSL 73.73, 0.41%, 0.4%

LAB 56.34, -19.73, 41.11

 

CMYK 58 / 1 / 0 / 44

HEX #3C8D8F

RGB 60 141 143

HSL 181.45, 0.41%, 0.4%

LAB 54.02, -23.76, -8.5

 

CMYK 45 / 58 / 0 / 44

HEX #4F3C8F

RGB 79 60 143

HSL 253.73, 0.41%, 0.4%

LAB 31.53, 29.59, -43.4

 

CMYK 0 / 55 / 58 / 44

HEX #8E403C

RGB 142 64 60

HSL 2.93, 0.41%, 0.4%

LAB 37.38, 32.74, 18.42

 

CMYK 31 / 0 / 58 / 44

HEX #638F3C

RGB 99 143 60

HSL 91.81, 0.41%, 0.4%

LAB 54.68, -29.84, 38.77

 

CMYK 58 / 1 / 0 / 44

HEX #3C8D8F

RGB 60 141 143

HSL 181.45, 0.41%, 0.4%

LAB 54.02, -23.76, -8.5

 

CMYK 27 / 58 / 0 / 44

HEX #683C8F

RGB 104 60 143

HSL 271.81, 0.41%, 0.4%

LAB 34.31, 35.94, -38.78

 

Description

Color code: HEX #8E403C | qconv.com Color code: HEX #8E403C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 64 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 64 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 58 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 58% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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