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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EDB5E it is the complementary color #7124A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EDB5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EDB5E shade: #93DB59, #A4ED6C, #B5FF7F, #C6FF92 and #D7FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EDB5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EDB5E shade: #8EDB5E, #7DC94B, #6CB738, #5BA525 and #4A9312

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EDB5E shade: #8DDA5C, #AEDA5C, #D0DA5C, #DAC25C and #DAA05C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EDB5E shade: #8DDA5C, #6BDA5C, #5CDA70, #5CDA92 and #5CDAB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EDB5E shade matches the following richer shades: #8DDA5C, #89EA4C and #85FA3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EDB5E shade: #8DDA5C, #90CA6C, #94BA7D, #98A98D and #9B999D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EDB5E shade: #D1DA5C, #B0DA5C, #8FDA5C, #6DDA5C and #5CDA6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EDB5E shade: #61BA2A, #75D23B, #8DDA5C, #A4E17E and #BCE9A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EDB5E shade: #8EDB5E, #5CDAC1 and #DA5CC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EDB5E shade: #8EDB5E, #5C8FDA and #DA5C8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EDB5E shade: #8EDB5E, #5CDAC1, #A85CDA and #DA5C75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EDB5E shade: #8EDB5E, #5CCDDA, #A85CDA and #DA695C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 57 / 14

HEX #8EDB5E

RGB 142 219 94

HSL 96.96, 0.63%, 0.61%

LAB 80.3, -45.13, 53.11

 

Complementary color

CMYK 30 / 78 / 0 / 37

HEX #7124A1

RGB 113 36 161

HSL 276.96, 0.63%, 0.39%

LAB 32.58, 53.86, -52.46

 

CMYK 33 / 0 / 59 / 14

HEX #93DB59

RGB 147 219 89

HSL 93.23, 0.64%, 0.6%

LAB 80.51, -43.91, 55.62

 

CMYK 31 / 0 / 54 / 7

HEX #A4ED6C

RGB 164 237 108

HSL 93.95, 0.78%, 0.68%

LAB 86.77, -43.98, 54.62

 

CMYK 29 / 0 / 50 / 0

HEX #B5FF7F

RGB 181 255 127

HSL 94.69, 1%, 0.75%

LAB 92.96, -43.99, 53.54

 

CMYK 22 / 0 / 43 / 0

HEX #C6FF92

RGB 198 255 146

HSL 91.38, 1%, 0.79%

LAB 94.14, -35.96, 46.27

 

CMYK 16 / 0 / 35 / 0

HEX #D7FFA5

RGB 215 255 165

HSL 86.67, 1%, 0.82%

LAB 95.45, -27.61, 38.89

 

CMYK 35 / 0 / 57 / 14

HEX #8EDB5E

RGB 142 219 94

HSL 96.96, 0.63%, 0.61%

LAB 80.3, -45.13, 53.11

 

CMYK 38 / 0 / 63 / 21

HEX #7DC94B

RGB 125 201 75

HSL 96.19, 0.54%, 0.54%

LAB 73.96, -45.02, 54.05

 

CMYK 41 / 0 / 69 / 28

HEX #6CB738

RGB 108 183 56

HSL 95.43, 0.53%, 0.47%

LAB 67.53, -44.76, 54.72

 

CMYK 45 / 0 / 78 / 35

HEX #5BA525

RGB 91 165 37

HSL 94.69, 0.63%, 0.4%

LAB 61.02, -44.29, 54.84

 

CMYK 50 / 0 / 88 / 42

HEX #4A9312

RGB 74 147 18

HSL 93.95, 0.78%, 0.32%

LAB 54.41, -43.49, 53.91

 

CMYK 35 / 0 / 58 / 15

HEX #8DDA5C

RGB 141 218 92

HSL 96.67, 0.63%, 0.61%

LAB 79.94, -45.24, 53.57

 

CMYK 20 / 0 / 58 / 15

HEX #AEDA5C

RGB 174 218 92

HSL 80.95, 0.63%, 0.61%

LAB 81.79, -33.39, 56.17

 

CMYK 5 / 0 / 58 / 15

HEX #D0DA5C

RGB 208 218 92

HSL 64.76, 0.63%, 0.61%

LAB 84.13, -20.03, 59.44

 

CMYK 0 / 11 / 58 / 15

HEX #DAC25C

RGB 218 194 92

HSL 48.57, 0.63%, 0.61%

LAB 78.61, -3.82, 53.45

 

CMYK 0 / 27 / 58 / 15

HEX #DAA05C

RGB 218 160 92

HSL 32.38, 0.63%, 0.61%

LAB 70.05, 14.17, 43.45

 

CMYK 35 / 0 / 58 / 15

HEX #8DDA5C

RGB 141 218 92

HSL 96.67, 0.63%, 0.61%

LAB 79.94, -45.24, 53.57

 

CMYK 51 / 0 / 58 / 15

HEX #6BDA5C

RGB 107 218 92

HSL 112.86, 0.63%, 0.61%

LAB 78.49, -55.61, 51.51

 

CMYK 58 / 0 / 49 / 15

HEX #5CDA70

RGB 92 218 112

HSL 129.52, 0.63%, 0.61%

LAB 78.22, -56.81, 41.7

 

CMYK 58 / 0 / 33 / 15

HEX #5CDA92

RGB 92 218 146

HSL 145.71, 0.63%, 0.61%

LAB 78.75, -51.14, 25.21

 

CMYK 58 / 0 / 18 / 15

HEX #5CDAB3

RGB 92 218 179

HSL 161.43, 0.63%, 0.61%

LAB 79.43, -44.21, 8.79

 

CMYK 35 / 0 / 58 / 15

HEX #8DDA5C

RGB 141 218 92

HSL 96.67, 0.63%, 0.61%

LAB 79.94, -45.24, 53.57

 

CMYK 41 / 0 / 68 / 8

HEX #89EA4C

RGB 137 234 76

HSL 96.84, 0.79%, 0.61%

LAB 84.32, -54.49, 64.94

 

CMYK 47 / 0 / 76 / 2

HEX #85FA3C

RGB 133 250 60

HSL 96.95, 0.95%, 0.61%

LAB 88.77, -62.85, 74.79

 

CMYK 35 / 0 / 58 / 15

HEX #8DDA5C

RGB 141 218 92

HSL 96.67, 0.63%, 0.61%

LAB 79.94, -45.24, 53.57

 

CMYK 29 / 0 / 47 / 21

HEX #90CA6C

RGB 144 202 108

HSL 97.02, 0.47%, 0.61%

LAB 75.61, -35.36, 40.89

 

CMYK 20 / 0 / 33 / 27

HEX #94BA7D

RGB 148 186 125

HSL 97.38, 0.31%, 0.61%

LAB 71.48, -23.99, 26.89

 

CMYK 10 / 0 / 17 / 34

HEX #98A98D

RGB 152 169 141

HSL 96.43, 0.14%, 0.61%

LAB 67.26, -11.24, 12.47

 

CMYK 1 / 3 / 0 / 38

HEX #9B999D

RGB 155 153 157

HSL 270, 0.02%, 0.61%

LAB 63.5, 1.5, -1.84

 

CMYK 4 / 0 / 58 / 15

HEX #D1DA5C

RGB 209 218 92

HSL 64.29, 0.63%, 0.61%

LAB 84.21, -19.63, 59.54

 

CMYK 19 / 0 / 58 / 15

HEX #B0DA5C

RGB 176 218 92

HSL 80, 0.63%, 0.61%

LAB 81.92, -32.63, 56.34

 

CMYK 34 / 0 / 58 / 15

HEX #8FDA5C

RGB 143 218 92

HSL 95.71, 0.63%, 0.61%

LAB 80.04, -44.56, 53.71

 

CMYK 50 / 0 / 58 / 15

HEX #6DDA5C

RGB 109 218 92

HSL 111.9, 0.63%, 0.61%

LAB 78.56, -55.06, 51.61

 

CMYK 58 / 0 / 50 / 15

HEX #5CDA6D

RGB 92 218 109

HSL 128.1, 0.63%, 0.61%

LAB 78.18, -57.24, 43.1

 

CMYK 48 / 0 / 77 / 27

HEX #61BA2A

RGB 97 186 42

HSL 97.08, 0.63%, 0.45%

LAB 67.89, -50.45, 59.89

 

CMYK 44 / 0 / 72 / 18

HEX #75D23B

RGB 117 210 59

HSL 96.95, 0.63%, 0.53%

LAB 76.19, -52.54, 62.57

 

CMYK 35 / 0 / 58 / 15

HEX #8DDA5C

RGB 141 218 92

HSL 96.67, 0.63%, 0.61%

LAB 79.94, -45.24, 53.57

 

CMYK 27 / 0 / 44 / 12

HEX #A4E17E

RGB 164 225 126

HSL 96.97, 0.62%, 0.69%

LAB 83.57, -36.63, 42.23

 

CMYK 19 / 0 / 31 / 9

HEX #BCE9A0

RGB 188 233 160

HSL 96.99, 0.62%, 0.77%

LAB 87.73, -27.39, 30.87

 

CMYK 35 / 0 / 57 / 14

HEX #8EDB5E

RGB 142 219 94

HSL 96.96, 0.63%, 0.61%

LAB 80.3, -45.13, 53.11

 

CMYK 58 / 0 / 11 / 15

HEX #5CDAC1

RGB 92 218 193

HSL 168.1, 0.63%, 0.61%

LAB 79.77, -40.89, 1.83

 

CMYK 0 / 58 / 11 / 15

HEX #DA5CC1

RGB 218 92 193

HSL 311.9, 0.63%, 0.61%

LAB 58.42, 61.15, -29.32

 

CMYK 35 / 0 / 57 / 14

HEX #8EDB5E

RGB 142 219 94

HSL 96.96, 0.63%, 0.61%

LAB 80.3, -45.13, 53.11

 

CMYK 58 / 34 / 0 / 15

HEX #5C8FDA

RGB 92 143 218

HSL 215.71, 0.63%, 0.61%

LAB 58.96, 5.15, -43.48

 

CMYK 0 / 58 / 34 / 15

HEX #DA5C8F

RGB 218 92 143

HSL 335.71, 0.63%, 0.61%

LAB 56.63, 54.32, -3.07

 

CMYK 35 / 0 / 57 / 14

HEX #8EDB5E

RGB 142 219 94

HSL 96.96, 0.63%, 0.61%

LAB 80.3, -45.13, 53.11

 

CMYK 58 / 0 / 11 / 15

HEX #5CDAC1

RGB 92 218 193

HSL 168.1, 0.63%, 0.61%

LAB 79.77, -40.89, 1.83

 

CMYK 23 / 58 / 0 / 15

HEX #A85CDA

RGB 168 92 218

HSL 276.19, 0.63%, 0.61%

LAB 52.99, 52.72, -52.56

 

CMYK 0 / 58 / 46 / 15

HEX #DA5C75

RGB 218 92 117

HSL 348.1, 0.63%, 0.61%

LAB 55.93, 51.55, 11.21

 

CMYK 35 / 0 / 57 / 14

HEX #8EDB5E

RGB 142 219 94

HSL 96.96, 0.63%, 0.61%

LAB 80.3, -45.13, 53.11

 

CMYK 58 / 6 / 0 / 15

HEX #5CCDDA

RGB 92 205 218

HSL 186.19, 0.63%, 0.61%

LAB 76.68, -28.25, -16.15

 

CMYK 23 / 58 / 0 / 15

HEX #A85CDA

RGB 168 92 218

HSL 276.19, 0.63%, 0.61%

LAB 52.99, 52.72, -52.56

 

CMYK 0 / 52 / 58 / 15

HEX #DA695C

RGB 218 105 92

HSL 6.19, 0.63%, 0.61%

LAB 57.83, 43.19, 28.28

 

Description

Color code: HEX #8EDB5E | qconv.com Color code: HEX #8EDB5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 219 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 219 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 57 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 57% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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