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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F2170 it is the complementary color #70DE8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F2170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F2170 shade: #94216B, #A5337E, #B64591, #C757A4 and #D869B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F2170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F2170 shade: #8F2170, #7E0F5D, #6D004A, #5C0037 and #4B0024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F2170 shade: #912171, #912153, #912135 and #912121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F2170 shade: #912171, #912190, #742191, #562191 and #372191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F2170 shade matches the following richer shades: #912171, #9F1278 and #AE047E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F2170 shade: #912171, #832F6B, #743D65, #664C5E and #575A58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F2170 shade: #732191, #912191, #912173, #912155 and #912137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F2170 shade: #4E113D, #6F1957, #912171, #B3288C and #D034A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F2170 shade: #8F2170, #915521 and #219182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F2170 shade: #8F2170, #739121 and #217391

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F2170 shade: #8F2170, #915521, #21913F and #215C91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F2170 shade: #8F2170, #917721, #21913F and #213B91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 22 / 44

HEX #8F2170

RGB 143 33 112

HSL 316.91, 0.63%, 0.35%

LAB 34.18, 52.66, -19.26

 

Complementary color

CMYK 50 / 0 / 36 / 13

HEX #70DE8F

RGB 112 222 143

HSL 136.91, 0.63%, 0.65%

LAB 80.56, -48.62, 29.3

 

CMYK 0 / 78 / 28 / 42

HEX #94216B

RGB 148 33 107

HSL 321.39, 0.64%, 0.35%

LAB 34.89, 53.28, -14.92

 

CMYK 0 / 69 / 24 / 35

HEX #A5337E

RGB 165 51 126

HSL 320.53, 0.53%, 0.42%

LAB 41.01, 53.94, -17.16

 

CMYK 0 / 62 / 20 / 29

HEX #B64591

RGB 182 69 145

HSL 319.65, 0.45%, 0.49%

LAB 47.3, 53.94, -18.84

 

CMYK 0 / 56 / 18 / 22

HEX #C757A4

RGB 199 87 164

HSL 318.75, 0.5%, 0.56%

LAB 53.64, 53.58, -20.15

 

CMYK 0 / 51 / 15 / 15

HEX #D869B7

RGB 216 105 183

HSL 317.84, 0.59%, 0.63%

LAB 60, 53.01, -21.2

 

CMYK 0 / 77 / 22 / 44

HEX #8F2170

RGB 143 33 112

HSL 316.91, 0.63%, 0.35%

LAB 34.18, 52.66, -19.26

 

CMYK 0 / 88 / 26 / 51

HEX #7E0F5D

RGB 126 15 93

HSL 317.84, 0.79%, 0.28%

LAB 28.29, 50.88, -16.39

 

CMYK 0 / 100 / 32 / 57

HEX #6D004A

RGB 109 0 74

HSL 319.27, 1%, 0.21%

LAB 22.81, 47.57, -12.45

 

CMYK 0 / 100 / 40 / 64

HEX #5C0037

RGB 92 0 55

HSL 324.13, 1%, 0.18%

LAB 18.15, 41.44, -6.7

 

CMYK 0 / 100 / 52 / 71

HEX #4B0024

RGB 75 0 36

HSL 331.2, 1%, 0.15%

LAB 13.37, 35.19, -0.43

 

CMYK 0 / 77 / 22 / 43

HEX #912171

RGB 145 33 113

HSL 317.14, 0.63%, 0.35%

LAB 34.6, 53.31, -19.22

 

CMYK 0 / 77 / 43 / 43

HEX #912153

RGB 145 33 83

HSL 333.21, 0.63%, 0.35%

LAB 33.42, 49.67, -1.75

 

CMYK 0 / 77 / 63 / 43

HEX #912135

RGB 145 33 53

HSL 349.29, 0.63%, 0.35%

LAB 32.62, 47.13, 16.73

 

CMYK 0 / 77 / 77 / 43

HEX #912121

RGB 145 33 33

HSL 0, 0.63%, 0.35%

LAB 32.3, 46.06, 29.02

 

CMYK 0 / 77 / 22 / 43

HEX #912171

RGB 145 33 113

HSL 317.14, 0.63%, 0.35%

LAB 34.6, 53.31, -19.22

 

CMYK 0 / 77 / 1 / 43

HEX #912190

RGB 145 33 144

HSL 300.54, 0.63%, 0.35%

LAB 36.22, 58.04, -35.99

 

CMYK 20 / 77 / 0 / 43

HEX #742191

RGB 116 33 145

HSL 284.46, 0.63%, 0.35%

LAB 31.45, 52.14, -44.5

 

CMYK 41 / 77 / 0 / 43

HEX #562191

RGB 86 33 145

HSL 268.39, 0.63%, 0.35%

LAB 27.05, 46.43, -51.86

 

CMYK 62 / 77 / 0 / 43

HEX #372191

RGB 55 33 145

HSL 251.79, 0.63%, 0.35%

LAB 23.49, 41.66, -57.83

 

CMYK 0 / 77 / 22 / 43

HEX #912171

RGB 145 33 113

HSL 317.14, 0.63%, 0.35%

LAB 34.6, 53.31, -19.22

 

CMYK 0 / 89 / 25 / 38

HEX #9F1278

RGB 159 18 120

HSL 316.6, 0.8%, 0.35%

LAB 36.29, 61.24, -20.8

 

CMYK 0 / 98 / 28 / 32

HEX #AE047E

RGB 174 4 126

HSL 316.94, 0.96%, 0.35%

LAB 38.88, 66.97, -20.3

 

CMYK 0 / 77 / 22 / 43

HEX #912171

RGB 145 33 113

HSL 317.14, 0.63%, 0.35%

LAB 34.6, 53.31, -19.22

 

CMYK 0 / 64 / 18 / 49

HEX #832F6B

RGB 131 47 107

HSL 317.14, 0.47%, 0.35%

LAB 33.82, 43.09, -16.83

 

CMYK 0 / 47 / 13 / 55

HEX #743D65

RGB 116 61 101

HSL 316.36, 0.31%, 0.35%

LAB 33.96, 29.92, -13

 

CMYK 0 / 25 / 8 / 60

HEX #664C5E

RGB 102 76 94

HSL 318.46, 0.15%, 0.35%

LAB 35.6, 14.29, -6.27

 

CMYK 3 / 0 / 2 / 65

HEX #575A58

RGB 87 90 88

HSL 140, 0.02%, 0.35%

LAB 37.92, -1.61, 0.73

 

CMYK 21 / 77 / 0 / 43

HEX #732191

RGB 115 33 145

HSL 283.93, 0.63%, 0.35%

LAB 31.29, 51.93, -44.77

 

CMYK 0 / 77 / 0 / 43

HEX #912191

RGB 145 33 145

HSL 300, 0.63%, 0.35%

LAB 36.27, 58.21, -36.51

 

CMYK 0 / 77 / 21 / 43

HEX #912173

RGB 145 33 115

HSL 316.07, 0.63%, 0.35%

LAB 34.69, 53.58, -20.34

 

CMYK 0 / 77 / 41 / 43

HEX #912155

RGB 145 33 85

HSL 332.14, 0.63%, 0.35%

LAB 33.49, 49.88, -2.96

 

CMYK 0 / 77 / 62 / 43

HEX #912137

RGB 145 33 55

HSL 348.21, 0.63%, 0.35%

LAB 32.66, 47.26, 15.48

 

CMYK 0 / 78 / 22 / 69

HEX #4E113D

RGB 78 17 61

HSL 316.72, 0.64%, 0.19%

LAB 17.26, 33.18, -12.56

 

CMYK 0 / 77 / 22 / 56

HEX #6F1957

RGB 111 25 87

HSL 316.74, 0.63%, 0.27%

LAB 26.05, 43.43, -16.15

 

CMYK 0 / 77 / 22 / 43

HEX #912171

RGB 145 33 113

HSL 317.14, 0.63%, 0.35%

LAB 34.6, 53.31, -19.22

 

CMYK 0 / 78 / 22 / 30

HEX #B3288C

RGB 179 40 140

HSL 316.83, 0.63%, 0.43%

LAB 42.76, 63.14, -22.86

 

CMYK 0 / 75 / 21 / 18

HEX #D034A4

RGB 208 52 164

HSL 316.92, 0.62%, 0.51%

LAB 50.15, 69.59, -25.4

 

CMYK 0 / 77 / 22 / 44

HEX #8F2170

RGB 143 33 112

HSL 316.91, 0.63%, 0.35%

LAB 34.18, 52.66, -19.26

 

CMYK 0 / 41 / 77 / 43

HEX #915521

RGB 145 85 33

HSL 27.86, 0.63%, 0.35%

LAB 42.2, 20.56, 39.43

 

CMYK 77 / 0 / 10 / 43

HEX #219182

RGB 33 145 130

HSL 171.96, 0.63%, 0.35%

LAB 54.22, -33.8, -0.77

 

CMYK 0 / 77 / 22 / 44

HEX #8F2170

RGB 143 33 112

HSL 316.91, 0.63%, 0.35%

LAB 34.18, 52.66, -19.26

 

CMYK 21 / 0 / 77 / 43

HEX #739121

RGB 115 145 33

HSL 76.07, 0.63%, 0.35%

LAB 56.09, -26.46, 51.96

 

CMYK 77 / 21 / 0 / 43

HEX #217391

RGB 33 115 145

HSL 196.07, 0.63%, 0.35%

LAB 45.12, -13.54, -23.28

 

CMYK 0 / 77 / 22 / 44

HEX #8F2170

RGB 143 33 112

HSL 316.91, 0.63%, 0.35%

LAB 34.18, 52.66, -19.26

 

CMYK 0 / 41 / 77 / 43

HEX #915521

RGB 145 85 33

HSL 27.86, 0.63%, 0.35%

LAB 42.2, 20.56, 39.43

 

CMYK 77 / 0 / 57 / 43

HEX #21913F

RGB 33 145 63

HSL 136.07, 0.63%, 0.35%

LAB 52.88, -48.51, 34.54

 

CMYK 77 / 37 / 0 / 43

HEX #215C91

RGB 33 92 145

HSL 208.39, 0.63%, 0.35%

LAB 37.88, 0.32, -34.61

 

CMYK 0 / 77 / 22 / 44

HEX #8F2170

RGB 143 33 112

HSL 316.91, 0.63%, 0.35%

LAB 34.18, 52.66, -19.26

 

CMYK 0 / 18 / 77 / 43

HEX #917721

RGB 145 119 33

HSL 46.07, 0.63%, 0.35%

LAB 51.06, 0.95, 48.1

 

CMYK 77 / 0 / 57 / 43

HEX #21913F

RGB 33 145 63

HSL 136.07, 0.63%, 0.35%

LAB 52.88, -48.51, 34.54

 

CMYK 77 / 59 / 0 / 43

HEX #213B91

RGB 33 59 145

HSL 226.07, 0.63%, 0.35%

LAB 28.1, 22.46, -50.33

 

Description

Color code: HEX #8F2170 | qconv.com Color code: HEX #8F2170 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 33 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 33 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 22 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 22% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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