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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F5672 it is the complementary color #70A98D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F5672. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F5672 shade: #94566D, #A56880, #B67A93, #C78CA6 and #D89EB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F5672. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F5672 shade: #8F5672, #7E445F, #6D324C, #5C2039 and #4B0E26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F5672 shade: #8F5672, #8F5662 and #8F5656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F5672 shade: #8F5672, #8F5681, #8D568F, #7E568F and #6E568F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F5672 shade matches the following richer shades: #8F5672, #A24371, #B43071, #C71E71 and #D90B70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F5672 shade: #8F5672, #7C6872, #6A7B72, #578D73 and #45A073

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F5672 shade: #8D568F, #8F5682, #8F5672, #8F5663 and #8F5756

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F5672 shade: #5B3749, #75465D, #8F5672, #A56986 and #B4839B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F5672 shade: #8F5672, #8F7E56 and #56898F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F5672 shade: #8F5672, #728F56 and #56728F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F5672 shade: #8F5672, #8F7E56, #568F72 and #56678F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F5672 shade: #8F5672, #8F8F56, #568F72 and #56568F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 20 / 44

HEX #8F5672

RGB 143 86 114

HSL 330.53, 0.25%, 0.45%

LAB 43.81, 27.67, -5.89

 

Complementary color

CMYK 34 / 0 / 17 / 34

HEX #70A98D

RGB 112 169 141

HSL 150.53, 0.25%, 0.55%

LAB 64.76, -24.87, 8.58

 

CMYK 0 / 42 / 26 / 42

HEX #94566D

RGB 148 86 109

HSL 337.74, 0.26%, 0.46%

LAB 44.31, 28.75, -2.03

 

CMYK 0 / 37 / 22 / 35

HEX #A56880

RGB 165 104 128

HSL 336.39, 0.25%, 0.53%

LAB 51.22, 27.88, -3.03

 

CMYK 0 / 33 / 19 / 29

HEX #B67A93

RGB 182 122 147

HSL 335, 0.29%, 0.6%

LAB 58.01, 27.07, -3.91

 

CMYK 0 / 30 / 17 / 22

HEX #C78CA6

RGB 199 140 166

HSL 333.56, 0.35%, 0.66%

LAB 64.68, 26.33, -4.69

 

CMYK 0 / 27 / 14 / 15

HEX #D89EB9

RGB 216 158 185

HSL 332.07, 0.43%, 0.73%

LAB 71.25, 25.66, -5.41

 

CMYK 0 / 40 / 20 / 44

HEX #8F5672

RGB 143 86 114

HSL 330.53, 0.25%, 0.45%

LAB 43.81, 27.67, -5.89

 

CMYK 0 / 46 / 25 / 51

HEX #7E445F

RGB 126 68 95

HSL 332.07, 0.3%, 0.38%

LAB 36.74, 28.56, -4.88

 

CMYK 0 / 54 / 30 / 57

HEX #6D324C

RGB 109 50 76

HSL 333.56, 0.37%, 0.31%

LAB 29.55, 29.45, -3.61

 

CMYK 0 / 65 / 38 / 64

HEX #5C2039

RGB 92 32 57

HSL 335, 0.48%, 0.24%

LAB 22.32, 30.2, -1.88

 

CMYK 0 / 81 / 49 / 71

HEX #4B0E26

RGB 75 14 38

HSL 336.39, 0.69%, 0.17%

LAB 15.22, 30.31, 0.79

 

CMYK 0 / 40 / 20 / 44

HEX #8F5672

RGB 143 86 114

HSL 330.53, 0.25%, 0.45%

LAB 43.81, 27.67, -5.89

 

CMYK 0 / 40 / 31 / 44

HEX #8F5662

RGB 143 86 98

HSL 347.37, 0.25%, 0.45%

LAB 43.33, 25.22, 3.18

 

CMYK 0 / 40 / 40 / 44

HEX #8F5656

RGB 143 86 86

HSL 0, 0.25%, 0.45%

LAB 43.01, 23.62, 10.08

 

CMYK 0 / 40 / 20 / 44

HEX #8F5672

RGB 143 86 114

HSL 330.53, 0.25%, 0.45%

LAB 43.81, 27.67, -5.89

 

CMYK 0 / 40 / 10 / 44

HEX #8F5681

RGB 143 86 129

HSL 314.74, 0.25%, 0.45%

LAB 44.35, 30.26, -14.2

 

CMYK 1 / 40 / 0 / 44

HEX #8D568F

RGB 141 86 143

HSL 297.89, 0.25%, 0.45%

LAB 44.66, 32.26, -22.19

 

CMYK 12 / 40 / 0 / 44

HEX #7E568F

RGB 126 86 143

HSL 282.11, 0.25%, 0.45%

LAB 42.88, 27.33, -25.1

 

CMYK 23 / 40 / 0 / 44

HEX #6E568F

RGB 110 86 143

HSL 265.26, 0.25%, 0.45%

LAB 41.14, 22.18, -27.93

 

CMYK 0 / 40 / 20 / 44

HEX #8F5672

RGB 143 86 114

HSL 330.53, 0.25%, 0.45%

LAB 43.81, 27.67, -5.89

 

CMYK 0 / 59 / 30 / 36

HEX #A24371

RGB 162 67 113

HSL 330.95, 0.41%, 0.45%

LAB 42.59, 44.28, -6.8

 

CMYK 0 / 73 / 37 / 29

HEX #B43071

RGB 180 48 113

HSL 330.45, 0.58%, 0.45%

LAB 42.78, 57.59, -6.2

 

CMYK 0 / 85 / 43 / 22

HEX #C71E71

RGB 199 30 113

HSL 330.53, 0.74%, 0.45%

LAB 44.61, 67.44, -3.1

 

CMYK 0 / 95 / 48 / 15

HEX #D90B70

RGB 217 11 112

HSL 330.58, 0.9%, 0.45%

LAB 47.18, 74.25, 1.71

 

CMYK 0 / 40 / 20 / 44

HEX #8F5672

RGB 143 86 114

HSL 330.53, 0.25%, 0.45%

LAB 43.81, 27.67, -5.89

 

CMYK 0 / 16 / 8 / 51

HEX #7C6872

RGB 124 104 114

HSL 330, 0.09%, 0.45%

LAB 46.18, 9.78, -2.63

 

CMYK 14 / 0 / 7 / 52

HEX #6A7B72

RGB 106 123 114

HSL 148.24, 0.07%, 0.45%

LAB 50.03, -8.17, 2.81

 

CMYK 38 / 0 / 18 / 45

HEX #578D73

RGB 87 141 115

HSL 151.11, 0.24%, 0.45%

LAB 54.36, -24.06, 8.28

 

CMYK 57 / 0 / 28 / 37

HEX #45A073

RGB 69 160 115

HSL 150.33, 0.4%, 0.45%

LAB 59.57, -37.95, 15.47

 

CMYK 1 / 40 / 0 / 44

HEX #8D568F

RGB 141 86 143

HSL 297.89, 0.25%, 0.45%

LAB 44.66, 32.26, -22.19

 

CMYK 0 / 40 / 9 / 44

HEX #8F5682

RGB 143 86 130

HSL 313.68, 0.25%, 0.45%

LAB 44.39, 30.44, -14.75

 

CMYK 0 / 40 / 20 / 44

HEX #8F5672

RGB 143 86 114

HSL 330.53, 0.25%, 0.45%

LAB 43.81, 27.67, -5.89

 

CMYK 0 / 40 / 31 / 44

HEX #8F5663

RGB 143 86 99

HSL 346.32, 0.25%, 0.45%

LAB 43.35, 25.37, 2.61

 

CMYK 0 / 39 / 40 / 44

HEX #8F5756

RGB 143 87 86

HSL 1.05, 0.25%, 0.45%

LAB 43.25, 23.05, 10.41

 

CMYK 0 / 40 / 20 / 64

HEX #5B3749

RGB 91 55 73

HSL 330, 0.25%, 0.29%

LAB 27.95, 18.99, -4.31

 

CMYK 0 / 40 / 21 / 54

HEX #75465D

RGB 117 70 93

HSL 330.64, 0.25%, 0.37%

LAB 35.89, 23.64, -5.01

 

CMYK 0 / 40 / 20 / 44

HEX #8F5672

RGB 143 86 114

HSL 330.53, 0.25%, 0.45%

LAB 43.81, 27.67, -5.89

 

CMYK 0 / 36 / 19 / 35

HEX #A56986

RGB 165 105 134

HSL 331, 0.25%, 0.53%

LAB 51.64, 28.27, -5.97

 

CMYK 0 / 27 / 14 / 29

HEX #B4839B

RGB 180 131 155

HSL 330.61, 0.25%, 0.61%

LAB 60.16, 22.63, -5.35

 

CMYK 0 / 40 / 20 / 44

HEX #8F5672

RGB 143 86 114

HSL 330.53, 0.25%, 0.45%

LAB 43.81, 27.67, -5.89

 

CMYK 0 / 12 / 40 / 44

HEX #8F7E56

RGB 143 126 86

HSL 42.11, 0.25%, 0.45%

LAB 53.42, 0.47, 24.17

 

CMYK 40 / 4 / 0 / 44

HEX #56898F

RGB 86 137 143

HSL 186.32, 0.25%, 0.45%

LAB 53.87, -15.42, -8.61

 

CMYK 0 / 40 / 20 / 44

HEX #8F5672

RGB 143 86 114

HSL 330.53, 0.25%, 0.45%

LAB 43.81, 27.67, -5.89

 

CMYK 20 / 0 / 40 / 44

HEX #728F56

RGB 114 143 86

HSL 90.53, 0.25%, 0.45%

LAB 55.98, -20.81, 27.05

 

CMYK 40 / 20 / 0 / 44

HEX #56728F

RGB 86 114 143

HSL 210.53, 0.25%, 0.45%

LAB 46.97, -2.35, -19.06

 

CMYK 0 / 40 / 20 / 44

HEX #8F5672

RGB 143 86 114

HSL 330.53, 0.25%, 0.45%

LAB 43.81, 27.67, -5.89

 

CMYK 0 / 12 / 40 / 44

HEX #8F7E56

RGB 143 126 86

HSL 42.11, 0.25%, 0.45%

LAB 53.42, 0.47, 24.17

 

CMYK 40 / 0 / 20 / 44

HEX #568F72

RGB 86 143 114

HSL 149.47, 0.25%, 0.45%

LAB 54.91, -25.59, 9.62

 

CMYK 40 / 28 / 0 / 44

HEX #56678F

RGB 86 103 143

HSL 222.11, 0.25%, 0.45%

LAB 43.74, 4.29, -24.03

 

CMYK 0 / 40 / 20 / 44

HEX #8F5672

RGB 143 86 114

HSL 330.53, 0.25%, 0.45%

LAB 43.81, 27.67, -5.89

 

CMYK 0 / 0 / 40 / 44

HEX #8F8F56

RGB 143 143 86

HSL 60, 0.25%, 0.45%

LAB 58.19, -8.96, 30.32

 

CMYK 40 / 0 / 20 / 44

HEX #568F72

RGB 86 143 114

HSL 149.47, 0.25%, 0.45%

LAB 54.91, -25.59, 9.62

 

CMYK 40 / 40 / 0 / 44

HEX #56568F

RGB 86 86 143

HSL 240, 0.25%, 0.45%

LAB 38.93, 14.93, -31.56

 

Description

Color code: HEX #8F5672 | qconv.com Color code: HEX #8F5672 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 86 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 86 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 20 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 20% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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