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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F5E28 it is the complementary color #70A1D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F5E28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F5E28 shade: #945E23, #A57036, #B68249, #C7945C and #D8A66F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F5E28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F5E28 shade: #8F5E28, #7E4C15, #6D3A02, #5C2800 and #4B1600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F5E28 shade: #8F5E28, #8F4228 and #8F2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F5E28 shade: #8F5E28, #8F7A28, #888F28, #6C8F28 and #518F28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F5E28 shade matches the following richer shades: #8F5E28, #9E5F19 and #AC5F0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F5E28 shade: #8F5E28, #805D37, #715C46, #625C54 and #535B63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F5E28 shade: #8F282A, #8F4228, #8F5D28, #8F7828 and #8A8F28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F5E28 shade: #4E3316, #6F491F, #8F5E28, #AF7331 and #C98840

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F5E28 shade: #8F5E28, #458F28 and #34288F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F5E28 shade: #8F5E28, #288F5D and #5D288F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F5E28 shade: #8F5E28, #458F28, #285A8F and #72288F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F5E28 shade: #8F5E28, #288F2A, #285A8F and #8F288D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 72 / 44

HEX #8F5E28

RGB 143 94 40

HSL 31.46, 0.56%, 0.36%

LAB 44.23, 14.8, 38.02

 

Complementary color

CMYK 48 / 25 / 0 / 16

HEX #70A1D7

RGB 112 161 215

HSL 211.46, 0.56%, 0.64%

LAB 64.84, -1.71, -32.54

 

CMYK 0 / 36 / 76 / 42

HEX #945E23

RGB 148 94 35

HSL 31.33, 0.62%, 0.36%

LAB 44.83, 16.82, 41.27

 

CMYK 0 / 32 / 67 / 35

HEX #A57036

RGB 165 112 54

HSL 31.35, 0.51%, 0.43%

LAB 51.67, 15.2, 39.88

 

CMYK 0 / 29 / 60 / 29

HEX #B68249

RGB 182 130 73

HSL 31.38, 0.43%, 0.5%

LAB 58.41, 13.85, 38.36

 

CMYK 0 / 26 / 54 / 22

HEX #C7945C

RGB 199 148 92

HSL 31.4, 0.49%, 0.57%

LAB 65.04, 12.71, 36.88

 

CMYK 0 / 23 / 49 / 15

HEX #D8A66F

RGB 216 166 111

HSL 31.43, 0.57%, 0.64%

LAB 71.57, 11.74, 35.46

 

CMYK 0 / 34 / 72 / 44

HEX #8F5E28

RGB 143 94 40

HSL 31.46, 0.56%, 0.36%

LAB 44.23, 14.8, 38.02

 

CMYK 0 / 40 / 83 / 51

HEX #7E4C15

RGB 126 76 21

HSL 31.43, 0.71%, 0.29%

LAB 37.22, 16.62, 39.2

 

CMYK 0 / 47 / 98 / 57

HEX #6D3A02

RGB 109 58 2

HSL 31.4, 0.96%, 0.22%

LAB 30.11, 18.81, 39.66

 

CMYK 0 / 57 / 100 / 64

HEX #5C2800

RGB 92 40 0

HSL 26.09, 1%, 0.18%

LAB 22.97, 21.48, 33.04

 

CMYK 0 / 71 / 100 / 71

HEX #4B1600

RGB 75 22 0

HSL 17.6, 1%, 0.15%

LAB 15.85, 23.98, 24.02

 

CMYK 0 / 34 / 72 / 44

HEX #8F5E28

RGB 143 94 40

HSL 31.46, 0.56%, 0.36%

LAB 44.23, 14.8, 38.02

 

CMYK 0 / 54 / 72 / 44

HEX #8F4228

RGB 143 66 40

HSL 15.15, 0.56%, 0.36%

LAB 37.64, 30.68, 30.79

 

CMYK 0 / 72 / 72 / 44

HEX #8F2828

RGB 143 40 40

HSL 0, 0.56%, 0.36%

LAB 32.94, 43.11, 25.35

 

CMYK 0 / 34 / 72 / 44

HEX #8F5E28

RGB 143 94 40

HSL 31.46, 0.56%, 0.36%

LAB 44.23, 14.8, 38.02

 

CMYK 0 / 15 / 72 / 44

HEX #8F7A28

RGB 143 122 40

HSL 47.77, 0.56%, 0.36%

LAB 51.74, -1.32, 45.81

 

CMYK 5 / 0 / 72 / 44

HEX #888F28

RGB 136 143 40

HSL 64.08, 0.56%, 0.36%

LAB 57.11, -15.95, 50.94

 

CMYK 24 / 0 / 72 / 44

HEX #6C8F28

RGB 108 143 40

HSL 80.39, 0.56%, 0.36%

LAB 55.06, -27.98, 48.22

 

CMYK 43 / 0 / 72 / 44

HEX #518F28

RGB 81 143 40

HSL 96.12, 0.56%, 0.36%

LAB 53.54, -38.25, 46.2

 

CMYK 0 / 34 / 72 / 44

HEX #8F5E28

RGB 143 94 40

HSL 31.46, 0.56%, 0.36%

LAB 44.23, 14.8, 38.02

 

CMYK 0 / 40 / 84 / 38

HEX #9E5F19

RGB 158 95 25

HSL 31.58, 0.73%, 0.36%

LAB 46.34, 20.36, 47.43

 

CMYK 0 / 45 / 94 / 33

HEX #AC5F0A

RGB 172 95 10

HSL 31.48, 0.89%, 0.36%

LAB 48.23, 26.18, 54.29

 

CMYK 0 / 34 / 72 / 44

HEX #8F5E28

RGB 143 94 40

HSL 31.46, 0.56%, 0.36%

LAB 44.23, 14.8, 38.02

 

CMYK 0 / 27 / 57 / 50

HEX #805D37

RGB 128 93 55

HSL 31.23, 0.4%, 0.36%

LAB 42.3, 9.63, 27.25

 

CMYK 0 / 19 / 38 / 56

HEX #715C46

RGB 113 92 70

HSL 30.7, 0.23%, 0.36%

LAB 40.58, 5.13, 15.88

 

CMYK 0 / 6 / 14 / 62

HEX #625C54

RGB 98 92 84

HSL 34.29, 0.08%, 0.36%

LAB 39.4, 0.86, 5.46

 

CMYK 16 / 8 / 0 / 61

HEX #535B63

RGB 83 91 99

HSL 210, 0.09%, 0.36%

LAB 38.24, -1.25, -5.65

 

CMYK 0 / 72 / 71 / 44

HEX #8F282A

RGB 143 40 42

HSL 358.83, 0.56%, 0.36%

LAB 32.97, 43.21, 24.14

 

CMYK 0 / 54 / 72 / 44

HEX #8F4228

RGB 143 66 40

HSL 15.15, 0.56%, 0.36%

LAB 37.64, 30.68, 30.79

 

CMYK 0 / 35 / 72 / 44

HEX #8F5D28

RGB 143 93 40

HSL 30.87, 0.56%, 0.36%

LAB 43.98, 15.39, 37.75

 

CMYK 0 / 16 / 72 / 44

HEX #8F7828

RGB 143 120 40

HSL 46.6, 0.56%, 0.36%

LAB 51.18, -0.19, 45.25

 

CMYK 3 / 0 / 72 / 44

HEX #8A8F28

RGB 138 143 40

HSL 62.91, 0.56%, 0.36%

LAB 57.27, -15.06, 51.16

 

CMYK 0 / 35 / 72 / 69

HEX #4E3316

RGB 78 51 22

HSL 31.07, 0.56%, 0.2%

LAB 23.82, 8.85, 22.9

 

CMYK 0 / 34 / 72 / 56

HEX #6F491F

RGB 111 73 31

HSL 31.5, 0.56%, 0.28%

LAB 34.48, 11.84, 30.94

 

CMYK 0 / 34 / 72 / 44

HEX #8F5E28

RGB 143 94 40

HSL 31.46, 0.56%, 0.36%

LAB 44.23, 14.8, 38.02

 

CMYK 0 / 34 / 72 / 31

HEX #AF7331

RGB 175 115 49

HSL 31.43, 0.56%, 0.44%

LAB 53.6, 17.63, 44.78

 

CMYK 0 / 32 / 68 / 21

HEX #C98840

RGB 201 136 64

HSL 31.53, 0.56%, 0.52%

LAB 61.99, 18.12, 47.56

 

CMYK 0 / 34 / 72 / 44

HEX #8F5E28

RGB 143 94 40

HSL 31.46, 0.56%, 0.36%

LAB 44.23, 14.8, 38.02

 

CMYK 52 / 0 / 72 / 44

HEX #458F28

RGB 69 143 40

HSL 103.11, 0.56%, 0.36%

LAB 53.02, -42.15, 45.49

 

CMYK 64 / 72 / 0 / 44

HEX #34288F

RGB 52 40 143

HSL 246.99, 0.56%, 0.36%

LAB 24.42, 36.68, -55.07

 

CMYK 0 / 34 / 72 / 44

HEX #8F5E28

RGB 143 94 40

HSL 31.46, 0.56%, 0.36%

LAB 44.23, 14.8, 38.02

 

CMYK 72 / 0 / 35 / 44

HEX #288F5D

RGB 40 143 93

HSL 150.87, 0.56%, 0.36%

LAB 52.82, -41.22, 18.4

 

CMYK 35 / 72 / 0 / 44

HEX #5D288F

RGB 93 40 143

HSL 270.87, 0.56%, 0.36%

LAB 28.97, 43.99, -47.44

 

CMYK 0 / 34 / 72 / 44

HEX #8F5E28

RGB 143 94 40

HSL 31.46, 0.56%, 0.36%

LAB 44.23, 14.8, 38.02

 

CMYK 52 / 0 / 72 / 44

HEX #458F28

RGB 69 143 40

HSL 103.11, 0.56%, 0.36%

LAB 53.02, -42.15, 45.49

 

CMYK 72 / 37 / 0 / 44

HEX #285A8F

RGB 40 90 143

HSL 210.87, 0.56%, 0.36%

LAB 37.38, 1.85, -34.18

 

CMYK 20 / 72 / 0 / 44

HEX #72288F

RGB 114 40 143

HSL 283.11, 0.56%, 0.36%

LAB 31.98, 48.5, -42.43

 

CMYK 0 / 34 / 72 / 44

HEX #8F5E28

RGB 143 94 40

HSL 31.46, 0.56%, 0.36%

LAB 44.23, 14.8, 38.02

 

CMYK 72 / 0 / 71 / 44

HEX #288F2A

RGB 40 143 42

HSL 121.17, 0.56%, 0.36%

LAB 52.13, -49.17, 43.47

 

CMYK 72 / 37 / 0 / 44

HEX #285A8F

RGB 40 90 143

HSL 210.87, 0.56%, 0.36%

LAB 37.38, 1.85, -34.18

 

CMYK 0 / 72 / 1 / 44

HEX #8F288D

RGB 143 40 141

HSL 301.17, 0.56%, 0.36%

LAB 36.52, 54.75, -33.69

 

Description

Color code: HEX #8F5E28 | qconv.com Color code: HEX #8F5E28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 94 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 94 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 72 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 72% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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