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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93DCF0 it is the complementary color #6C230F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93DCF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93DCF0 shade: #98DCEB, #A9EEFE, #BAFFFF, #CBFFFF and #DCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93DCF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93DCF0 shade: #93DCF0, #82CADD, #71B8CA, #60A6B7 and #4F94A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93DCF0 shade: #93DCF0, #93C3F0, #93AAF0, #9593F0 and #AE93F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93DCF0 shade: #93DCF0, #93C3F0, #93AAF0 and #9393F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93DCF0 shade matches the following richer shades: #93DCF0 and #89E1FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93DCF0 shade: #93DCF0, #9DD6E6, #A7D1DC, #B0CBD2 and #BAC5C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93DCF0 shade: #93F0D1, #93F0EA, #93DDF0, #93C4F0 and #93ACF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93DCF0 shade: #4AC4E6, #6ED0EB, #93DCF0, #B7E8F5 and #DBF3FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93DCF0 shade: #93DCF0, #B893F0 and #F0DD93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93DCF0 shade: #93DCF0, #F093DD and #DDF093

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93DCF0 shade: #93DCF0, #B893F0, #F0A593 and #CBF093

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93DCF0 shade: #93DCF0, #D493F0, #F0A593 and #AFF093

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 8 / 0 / 6

HEX #93DCF0

RGB 147 220 240

HSL 192.9, 0.76%, 0.76%

LAB 83.8, -17.71, -16.95

 

Complementary color

CMYK 0 / 68 / 86 / 58

HEX #6C230F

RGB 108 35 15

HSL 12.9, 0.76%, 0.24%

LAB 25.03, 31.45, 29.65

 

CMYK 35 / 6 / 0 / 8

HEX #98DCEB

RGB 152 220 235

HSL 190.84, 0.67%, 0.76%

LAB 83.89, -17.64, -14.14

 

CMYK 33 / 6 / 0 / 0

HEX #A9EEFE

RGB 169 238 254

HSL 191.29, 0.98%, 0.83%

LAB 90.2, -17.64, -14.59

 

CMYK 27 / 0 / 0 / 0

HEX #BAFFFF

RGB 186 255 255

HSL 180, 1%, 0.86%

LAB 95.66, -21.17, -6.9

 

CMYK 20 / 0 / 0 / 0

HEX #CBFFFF

RGB 203 255 255

HSL 180, 1%, 0.9%

LAB 96.59, -16.31, -5.41

 

CMYK 14 / 0 / 0 / 0

HEX #DCFFFF

RGB 220 255 255

HSL 180, 1%, 0.93%

LAB 97.61, -11.18, -3.79

 

CMYK 39 / 8 / 0 / 6

HEX #93DCF0

RGB 147 220 240

HSL 192.9, 0.76%, 0.76%

LAB 83.8, -17.71, -16.95

 

CMYK 41 / 9 / 0 / 13

HEX #82CADD

RGB 130 202 221

HSL 192.53, 0.57%, 0.69%

LAB 77.4, -17.65, -16.52

 

CMYK 44 / 9 / 0 / 21

HEX #71B8CA

RGB 113 184 202

HSL 192.13, 0.46%, 0.62%

LAB 70.91, -17.56, -16.08

 

CMYK 48 / 9 / 0 / 28

HEX #60A6B7

RGB 96 166 183

HSL 191.72, 0.38%, 0.55%

LAB 64.3, -17.43, -15.62

 

CMYK 52 / 10 / 0 / 36

HEX #4F94A4

RGB 79 148 164

HSL 191.29, 0.35%, 0.48%

LAB 57.58, -17.23, -15.13

 

CMYK 39 / 8 / 0 / 6

HEX #93DCF0

RGB 147 220 240

HSL 192.9, 0.76%, 0.76%

LAB 83.8, -17.71, -16.95

 

CMYK 39 / 19 / 0 / 6

HEX #93C3F0

RGB 147 195 240

HSL 209.03, 0.76%, 0.76%

LAB 77, -4.68, -27.28

 

CMYK 39 / 29 / 0 / 6

HEX #93AAF0

RGB 147 170 240

HSL 225.16, 0.76%, 0.76%

LAB 70.35, 9.06, -37.55

 

CMYK 38 / 39 / 0 / 6

HEX #9593F0

RGB 149 147 240

HSL 241.29, 0.76%, 0.76%

LAB 64.6, 22.71, -46.53

 

CMYK 28 / 39 / 0 / 6

HEX #AE93F0

RGB 174 147 240

HSL 257.42, 0.76%, 0.76%

LAB 66.64, 29.46, -43.19

 

CMYK 39 / 8 / 0 / 6

HEX #93DCF0

RGB 147 220 240

HSL 192.9, 0.76%, 0.76%

LAB 83.8, -17.71, -16.95

 

CMYK 39 / 19 / 0 / 6

HEX #93C3F0

RGB 147 195 240

HSL 209.03, 0.76%, 0.76%

LAB 77, -4.68, -27.28

 

CMYK 39 / 29 / 0 / 6

HEX #93AAF0

RGB 147 170 240

HSL 225.16, 0.76%, 0.76%

LAB 70.35, 9.06, -37.55

 

CMYK 39 / 39 / 0 / 6

HEX #9393F0

RGB 147 147 240

HSL 240, 0.76%, 0.76%

LAB 64.45, 22.19, -46.78

 

CMYK 39 / 8 / 0 / 6

HEX #93DCF0

RGB 147 220 240

HSL 192.9, 0.76%, 0.76%

LAB 83.8, -17.71, -16.95

 

CMYK 45 / 10 / 0 / 2

HEX #89E1FA

RGB 137 225 250

HSL 193.27, 0.92%, 0.76%

LAB 85.03, -20.1, -20.42

 

CMYK 39 / 8 / 0 / 6

HEX #93DCF0

RGB 147 220 240

HSL 192.9, 0.76%, 0.76%

LAB 83.8, -17.71, -16.95

 

CMYK 32 / 7 / 0 / 10

HEX #9DD6E6

RGB 157 214 230

HSL 193.15, 0.59%, 0.76%

LAB 82.36, -14.44, -13.75

 

CMYK 24 / 5 / 0 / 14

HEX #A7D1DC

RGB 167 209 220

HSL 192.45, 0.43%, 0.76%

LAB 81.28, -11.29, -9.97

 

CMYK 16 / 3 / 0 / 18

HEX #B0CBD2

RGB 176 203 210

HSL 192.35, 0.27%, 0.76%

LAB 79.95, -7.57, -6.53

 

CMYK 7 / 1 / 0 / 22

HEX #BAC5C8

RGB 186 197 200

HSL 192.86, 0.11%, 0.76%

LAB 78.78, -3.17, -2.81

 

CMYK 39 / 0 / 13 / 6

HEX #93F0D1

RGB 147 240 209

HSL 160, 0.76%, 0.76%

LAB 88.51, -34.57, 6.3

 

CMYK 39 / 0 / 3 / 6

HEX #93F0EA

RGB 147 240 234

HSL 176.13, 0.76%, 0.76%

LAB 89.14, -28.99, -5.83

 

CMYK 39 / 8 / 0 / 6

HEX #93DDF0

RGB 147 221 240

HSL 192.26, 0.76%, 0.76%

LAB 84.07, -18.22, -16.54

 

CMYK 39 / 18 / 0 / 6

HEX #93C4F0

RGB 147 196 240

HSL 208.39, 0.76%, 0.76%

LAB 77.27, -5.22, -26.87

 

CMYK 39 / 28 / 0 / 6

HEX #93ACF0

RGB 147 172 240

HSL 223.87, 0.76%, 0.76%

LAB 70.87, 7.94, -36.73

 

CMYK 68 / 15 / 0 / 10

HEX #4AC4E6

RGB 74 196 230

HSL 193.08, 0.76%, 0.6%

LAB 73.96, -23.2, -26.8

 

CMYK 53 / 11 / 0 / 8

HEX #6ED0EB

RGB 110 208 235

HSL 192.96, 0.76%, 0.68%

LAB 78.71, -21.49, -22.14

 

CMYK 39 / 8 / 0 / 6

HEX #93DCF0

RGB 147 220 240

HSL 192.9, 0.76%, 0.76%

LAB 83.8, -17.71, -16.95

 

CMYK 25 / 5 / 0 / 4

HEX #B7E8F5

RGB 183 232 245

HSL 192.58, 0.76%, 0.84%

LAB 89.1, -12.8, -11.45

 

CMYK 12 / 3 / 0 / 2

HEX #DBF3FA

RGB 219 243 250

HSL 193.55, 0.76%, 0.92%

LAB 94.34, -6.45, -6.04

 

CMYK 39 / 8 / 0 / 6

HEX #93DCF0

RGB 147 220 240

HSL 192.9, 0.76%, 0.76%

LAB 83.8, -17.71, -16.95

 

CMYK 23 / 39 / 0 / 6

HEX #B893F0

RGB 184 147 240

HSL 263.87, 0.76%, 0.76%

LAB 67.54, 32.28, -41.72

 

CMYK 0 / 8 / 39 / 6

HEX #F0DD93

RGB 240 221 147

HSL 47.74, 0.76%, 0.76%

LAB 88.13, -3.74, 38.69

 

CMYK 39 / 8 / 0 / 6

HEX #93DCF0

RGB 147 220 240

HSL 192.9, 0.76%, 0.76%

LAB 83.8, -17.71, -16.95

 

CMYK 0 / 39 / 8 / 6

HEX #F093DD

RGB 240 147 221

HSL 312.26, 0.76%, 0.76%

LAB 72.64, 45.48, -22.93

 

CMYK 8 / 0 / 39 / 6

HEX #DDF093

RGB 221 240 147

HSL 72.26, 0.76%, 0.76%

LAB 91.59, -20.46, 42.85

 

CMYK 39 / 8 / 0 / 6

HEX #93DCF0

RGB 147 220 240

HSL 192.9, 0.76%, 0.76%

LAB 83.8, -17.71, -16.95

 

CMYK 23 / 39 / 0 / 6

HEX #B893F0

RGB 184 147 240

HSL 263.87, 0.76%, 0.76%

LAB 67.54, 32.28, -41.72

 

CMYK 0 / 31 / 39 / 6

HEX #F0A593

RGB 240 165 147

HSL 11.61, 0.76%, 0.76%

LAB 74.54, 25.55, 20.54

 

CMYK 15 / 0 / 39 / 6

HEX #CBF093

RGB 203 240 147

HSL 83.87, 0.76%, 0.76%

LAB 90.38, -27.11, 41.05

 

CMYK 39 / 8 / 0 / 6

HEX #93DCF0

RGB 147 220 240

HSL 192.9, 0.76%, 0.76%

LAB 83.8, -17.71, -16.95

 

CMYK 12 / 39 / 0 / 6

HEX #D493F0

RGB 212 147 240

HSL 281.94, 0.76%, 0.76%

LAB 70.28, 40.44, -37.23

 

CMYK 0 / 31 / 39 / 6

HEX #F0A593

RGB 240 165 147

HSL 11.61, 0.76%, 0.76%

LAB 74.54, 25.55, 20.54

 

CMYK 27 / 0 / 39 / 6

HEX #AFF093

RGB 175 240 147

HSL 101.94, 0.76%, 0.76%

LAB 88.7, -36.93, 38.55

 

Description

Color code: HEX #93DCF0 | qconv.com Color code: HEX #93DCF0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 220 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 220 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 8 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 8% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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