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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90127D it is the complementary color #6FED82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90127D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90127D shade: #951278, #A6248B, #B7369E, #C848B1 and #D95AC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90127D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90127D shade: #90127D, #7F006A, #6E0057, #5D0044 and #4C0031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90127D shade: #91117E, #91115B, #911139, #911117 and #911111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90127D shade: #91117E, #821191, #5F1191, #3D1191 and #1B1191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90127D shade matches the following richer shades: #91117E and #9E0487

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90127D shade: #91117E, #841F74, #762C6B, #693962 and #5C4659

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90127D shade: #601191, #821191, #91117E, #91115C and #91113A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90127D shade: #47083E, #6C0D5E, #91117E, #B5169D and #DA1BBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90127D shade: #90127D, #913E11 and #119171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90127D shade: #90127D, #7E9111 and #117E91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90127D shade: #90127D, #913E11, #119125 and #116491

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90127D shade: #90127D, #916411, #119125 and #113E91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 13 / 44

HEX #90127D

RGB 144 18 125

HSL 309.05, 0.78%, 0.32%

LAB 33.65, 58.68, -28.28

 

Complementary color

CMYK 53 / 0 / 45 / 7

HEX #6FED82

RGB 111 237 130

HSL 129.05, 0.78%, 0.68%

LAB 84.77, -56.97, 41.3

 

CMYK 0 / 88 / 19 / 42

HEX #951278

RGB 149 18 120

HSL 313.28, 0.78%, 0.33%

LAB 34.35, 59.05, -23.97

 

CMYK 0 / 78 / 16 / 35

HEX #A6248B

RGB 166 36 139

HSL 312.46, 0.64%, 0.4%

LAB 39.97, 61.1, -26.76

 

CMYK 0 / 70 / 14 / 28

HEX #B7369E

RGB 183 54 158

HSL 311.63, 0.54%, 0.46%

LAB 45.87, 62.07, -28.81

 

CMYK 0 / 64 / 12 / 22

HEX #C848B1

RGB 200 72 177

HSL 310.78, 0.54%, 0.53%

LAB 51.94, 62.36, -30.37

 

CMYK 0 / 59 / 10 / 15

HEX #D95AC4

RGB 217 90 196

HSL 309.92, 0.63%, 0.6%

LAB 58.08, 62.22, -31.58

 

CMYK 0 / 88 / 13 / 44

HEX #90127D

RGB 144 18 125

HSL 309.05, 0.78%, 0.32%

LAB 33.65, 58.68, -28.28

 

CMYK 0 / 100 / 17 / 50

HEX #7F006A

RGB 127 0 106

HSL 309.92, 1%, 0.25%

LAB 28.25, 55.5, -24.91

 

CMYK 0 / 100 / 21 / 57

HEX #6E0057

RGB 110 0 87

HSL 312.55, 1%, 0.22%

LAB 23.68, 49.45, -19.85

 

CMYK 0 / 100 / 27 / 64

HEX #5D0044

RGB 93 0 68

HSL 316.13, 1%, 0.18%

LAB 18.99, 43.25, -14.51

 

CMYK 0 / 100 / 36 / 70

HEX #4C0031

RGB 76 0 49

HSL 321.32, 1%, 0.15%

LAB 14.16, 36.88, -8.79

 

CMYK 0 / 88 / 13 / 43

HEX #91117E

RGB 145 17 126

HSL 308.91, 0.79%, 0.32%

LAB 33.83, 59.22, -28.61

 

CMYK 0 / 88 / 37 / 43

HEX #91115B

RGB 145 17 91

HSL 325.31, 0.79%, 0.32%

LAB 32.2, 54.8, -8.77

 

CMYK 0 / 88 / 61 / 43

HEX #911139

RGB 145 17 57

HSL 341.25, 0.79%, 0.32%

LAB 31.15, 51.81, 12.14

 

CMYK 0 / 88 / 84 / 43

HEX #911117

RGB 145 17 23

HSL 357.19, 0.79%, 0.32%

LAB 30.6, 50.2, 33.18

 

CMYK 0 / 88 / 88 / 43

HEX #911111

RGB 145 17 17

HSL 0, 0.79%, 0.32%

LAB 30.55, 50.05, 36.42

 

CMYK 0 / 88 / 13 / 43

HEX #91117E

RGB 145 17 126

HSL 308.91, 0.79%, 0.32%

LAB 33.83, 59.22, -28.61

 

CMYK 10 / 88 / 0 / 43

HEX #821191

RGB 130 17 145

HSL 292.97, 0.79%, 0.32%

LAB 32.24, 59.35, -43.12

 

CMYK 34 / 88 / 0 / 43

HEX #5F1191

RGB 95 17 145

HSL 276.56, 0.79%, 0.32%

LAB 26.38, 53.59, -52.88

 

CMYK 58 / 88 / 0 / 43

HEX #3D1191

RGB 61 17 145

HSL 260.63, 0.79%, 0.32%

LAB 21.72, 49.34, -60.73

 

CMYK 81 / 88 / 0 / 43

HEX #1B1191

RGB 27 17 145

HSL 244.69, 0.79%, 0.32%

LAB 18.71, 46.84, -65.81

 

CMYK 0 / 88 / 13 / 43

HEX #91117E

RGB 145 17 126

HSL 308.91, 0.79%, 0.32%

LAB 33.83, 59.22, -28.61

 

CMYK 0 / 97 / 15 / 38

HEX #9E0487

RGB 158 4 135

HSL 308.96, 0.95%, 0.32%

LAB 36.19, 64.92, -30.34

 

CMYK 0 / 88 / 13 / 43

HEX #91117E

RGB 145 17 126

HSL 308.91, 0.79%, 0.32%

LAB 33.83, 59.22, -28.61

 

CMYK 0 / 77 / 12 / 48

HEX #841F74

RGB 132 31 116

HSL 309.5, 0.62%, 0.32%

LAB 32.14, 51.16, -25.14

 

CMYK 0 / 63 / 9 / 54

HEX #762C6B

RGB 118 44 107

HSL 308.92, 0.46%, 0.32%

LAB 31.15, 40.63, -21.14

 

CMYK 0 / 46 / 7 / 59

HEX #693962

RGB 105 57 98

HSL 308.75, 0.3%, 0.32%

LAB 31.37, 27.79, -15.19

 

CMYK 0 / 24 / 3 / 64

HEX #5C4659

RGB 92 70 89

HSL 308.18, 0.14%, 0.32%

LAB 32.65, 13.08, -7.64

 

CMYK 34 / 88 / 0 / 43

HEX #601191

RGB 96 17 145

HSL 277.03, 0.79%, 0.32%

LAB 26.54, 53.74, -52.62

 

CMYK 10 / 88 / 0 / 43

HEX #821191

RGB 130 17 145

HSL 292.97, 0.79%, 0.32%

LAB 32.24, 59.35, -43.12

 

CMYK 0 / 88 / 13 / 43

HEX #91117E

RGB 145 17 126

HSL 308.91, 0.79%, 0.32%

LAB 33.83, 59.22, -28.61

 

CMYK 0 / 88 / 37 / 43

HEX #91115C

RGB 145 17 92

HSL 324.84, 0.79%, 0.32%

LAB 32.24, 54.91, -9.36

 

CMYK 0 / 88 / 60 / 43

HEX #91113A

RGB 145 17 58

HSL 340.78, 0.79%, 0.32%

LAB 31.18, 51.88, 11.5

 

CMYK 0 / 89 / 13 / 72

HEX #47083E

RGB 71 8 62

HSL 308.57, 0.8%, 0.15%

LAB 14.74, 34.71, -17.3

 

CMYK 0 / 88 / 13 / 58

HEX #6C0D5E

RGB 108 13 94

HSL 308.84, 0.79%, 0.24%

LAB 24.59, 47.31, -23.1

 

CMYK 0 / 88 / 13 / 43

HEX #91117E

RGB 145 17 126

HSL 308.91, 0.79%, 0.32%

LAB 33.83, 59.22, -28.61

 

CMYK 0 / 88 / 13 / 29

HEX #B5169D

RGB 181 22 157

HSL 309.06, 0.78%, 0.4%

LAB 42.51, 69.99, -33.51

 

CMYK 0 / 88 / 13 / 15

HEX #DA1BBD

RGB 218 27 189

HSL 309.11, 0.78%, 0.48%

LAB 51.11, 80.66, -38.44

 

CMYK 0 / 88 / 13 / 44

HEX #90127D

RGB 144 18 125

HSL 309.05, 0.78%, 0.32%

LAB 33.65, 58.68, -28.28

 

CMYK 0 / 57 / 88 / 43

HEX #913E11

RGB 145 62 17

HSL 21.09, 0.79%, 0.32%

LAB 36.94, 32.69, 41.75

 

CMYK 88 / 0 / 22 / 43

HEX #119171

RGB 17 145 113

HSL 165, 0.79%, 0.32%

LAB 53.56, -40, 8.01

 

CMYK 0 / 88 / 13 / 44

HEX #90127D

RGB 144 18 125

HSL 309.05, 0.78%, 0.32%

LAB 33.65, 58.68, -28.28

 

CMYK 13 / 0 / 88 / 43

HEX #7E9111

RGB 126 145 17

HSL 68.91, 0.79%, 0.32%

LAB 56.81, -22.35, 57.37

 

CMYK 88 / 13 / 0 / 43

HEX #117E91

RGB 17 126 145

HSL 188.91, 0.79%, 0.32%

LAB 48.37, -21.14, -18.31

 

CMYK 0 / 88 / 13 / 44

HEX #90127D

RGB 144 18 125

HSL 309.05, 0.78%, 0.32%

LAB 33.65, 58.68, -28.28

 

CMYK 0 / 57 / 88 / 43

HEX #913E11

RGB 145 62 17

HSL 21.09, 0.79%, 0.32%

LAB 36.94, 32.69, 41.75

 

CMYK 88 / 0 / 74 / 43

HEX #119125

RGB 17 145 37

HSL 129.38, 0.79%, 0.32%

LAB 52.4, -53.48, 45.63

 

CMYK 88 / 31 / 0 / 43

HEX #116491

RGB 17 100 145

HSL 201.09, 0.79%, 0.32%

LAB 40.04, -6.32, -31.22

 

CMYK 0 / 88 / 13 / 44

HEX #90127D

RGB 144 18 125

HSL 309.05, 0.78%, 0.32%

LAB 33.65, 58.68, -28.28

 

CMYK 0 / 31 / 88 / 43

HEX #916411

RGB 145 100 17

HSL 38.91, 0.79%, 0.32%

LAB 45.87, 11.3, 49.1

 

CMYK 88 / 0 / 74 / 43

HEX #119125

RGB 17 145 37

HSL 129.38, 0.79%, 0.32%

LAB 52.4, -53.48, 45.63

 

CMYK 88 / 57 / 0 / 43

HEX #113E91

RGB 17 62 145

HSL 218.91, 0.79%, 0.32%

LAB 28.4, 18.83, -49.86

 

Description

Color code: HEX #90127D | qconv.com Color code: HEX #90127D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 18 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 18 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 13 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 13% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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